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Prufrock and Other Observations (Faber Poetry Ser.)

by T. S. Eliot

Included in Prufrock and Other Observations are the following poems:The Love Song of J. Alfred PrufrockPortrait of a LadyPreludesRhapsody on a Windy NightMorning at the WindowThe Boston Evening TranscriptAunt HelenCousin NancyMr. ApollinaxHysteriaConversation GalanteLa Figlia Che Piange

Protestant Poetics and the Seventeenth-Century Religious Lyric

by Barbara Kiefer Lewalski

Barbara Lewalski argues that the Protestant emphasis on the Bible as requiring philological and literary analysis fostered a fully developed theory of biblical aesthetics defining both poetic art and spiritual truth.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A Prosody of Free Verse: Explorations in Rhythm (Routledge Studies in Rhetoric and Stylistics)

by Richard Andrews

There is to date no comprehensive account of the rhythms of free verse. The main purpose of A Prosody of Free Verse: explorations in rhythm is to fill that gap and begin to provide a systematic approach to describing and analyzing free verse rhythms. Most studies have declared the attempt to write such a prosody as impossible: they prefer to see free verse as an aberrant version of regular metrical verse. They also believe that behind free verse is the ‘ghost of metre’. Running against that current, A Prosody of Free Verse bases its new system on additive rhythms that do not fit conventional time signatures. Inspiration is taken from jazz, contemporary music and dance, not only in their systems of notation but in performance. The book argues that twentieth and twenty-first century rhythms in poetry as based on the line rather than the metrical foot as the unit of rhythm , and that larger rhythmic structures fall into verse paragraphs rather than stanzas.

A Prosody of Free Verse: Explorations in Rhythm (Routledge Studies in Rhetoric and Stylistics)

by Richard Andrews

There is to date no comprehensive account of the rhythms of free verse. The main purpose of A Prosody of Free Verse: explorations in rhythm is to fill that gap and begin to provide a systematic approach to describing and analyzing free verse rhythms. Most studies have declared the attempt to write such a prosody as impossible: they prefer to see free verse as an aberrant version of regular metrical verse. They also believe that behind free verse is the ‘ghost of metre’. Running against that current, A Prosody of Free Verse bases its new system on additive rhythms that do not fit conventional time signatures. Inspiration is taken from jazz, contemporary music and dance, not only in their systems of notation but in performance. The book argues that twentieth and twenty-first century rhythms in poetry as based on the line rather than the metrical foot as the unit of rhythm , and that larger rhythmic structures fall into verse paragraphs rather than stanzas.

Prose Poetry: An Introduction

by Paul Hetherington Cassandra Atherton

An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.

Prose Poetry: An Introduction

by Paul Hetherington Cassandra Atherton

An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.

Prose: The Centenary Edition

by Elizabeth Bishop

Although Elizabeth Bishop is perhaps better known as a masterful poet, she was a dazzling and compelling prose writer too, as this centenary edition of her prose demonstrates. From her witty, unforgettable portraits of Marianne Moore and the Sitwells to her engaging childhood recollections of Canada and Massachusetts, her writing reflects a lifelong fascination with memory and travel, and her unique eye and ear for people and places.This new volume - edited by the Pulitzer Prize-winning critic Lloyd Schwartz - includes virtually all her published shorter prose pieces and a number of prose works not published until after her death. Included here are her stories, crucial memoirs, literary and travel essays, book reviews, and - for the first time - the original draft of Brazil, the Life World Library volume she repudiated in its published version, as well as extensive selections from the correspondence between Bishop and the poet Anne Stevenson. Here is a rich and revealing selection, and the indispensible companion to the poems.

The Prophet (Macmillan Collector's Library #9)

by Kahlil Gibran

Utterly unique and beloved around the world, The Prophet is a collection of twenty-six poetic essays by the Lebanese artist, philosopher and writer Khalil Gibran. Telling the story of the prophet Al-Mustafa and his conversations with various acquaintances as he returns home after a long absence, the book touches on subjects of universal concern, including love, friendship, passion, pain, religion and freedom.Thought-provoking, comforting and wise, the simple truths of The Prophet remain compelling and rewarding to this day.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

The Prophet: With Original 1923 Illustrations By The Author

by Kahlil Gibran

The Prophet is known and loved by readers all over the world. It is a wise and warm testimony to life, whose wisdom speaks to us all. This beautiful edition of Kahlil Gibran's timeless classic is illustrated with the author's own mystical drawings.

The Prophet

by Kahlil Gibran

One of the most beloved classics of our time, Kahlil Gibran's The Prophet has been translated into many languages and sold millions of copies since its original publication in 1923. Its 28 chapters consist of poetic reflections on the human condition, presented as discussions between the prophet, Almustafa, and the people of the city of Orphalese. Gibran was a Lebanese poet, philosopher and artist, and his fame and influence have spread far beyond the land of his birth. In America, where he lived for the last twenty years of his life, he began to write in English, and his books of poetry, illustrated with mystical drawings that have been compared to those of William Blake, are now known all over the world. The Prophet is timeless in its insight into the human condition, and in its calm philosophy and spontaneous joy can be found the expression of the deepest impulses of the human heart and mind.

The Prophet: With Original 1923 Illustrations By The Author

by Kahlil Gibran

A 20th century classic, The Prophet is thought-provoking, comforting and wise, and its simple truths remain compelling and rewarding to this day.Utterly unique and beloved around the world, The Prophet is a collection of twenty-six poetic essays by the Lebanese artist, philosopher and writer Kahlil Gibran. Telling the story of the prophet Al-Mustafa and his conversations with various acquaintances as he returns home after a long absence, the book touches on subjects of universal concern, including love, friendship, passion, pain, religion and freedom.

The Prophet

by Kahlil Gibran

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American artist, philosopher and writer Kahlil Gibran. Originally published in 1923, it is Gibran's best known work and has been translated into over 40 different languages. The prophet, Almustafa, has lived in the foreign city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition. The book is divided into chapters dealing with work, love, marriage, eating and drinking, joy and sorrow, self-knowledge, teaching, friendship, pleasure, beauty, religion, crime and punishment, reason and passion, and death.

Propertius: Poet of Love and Leisure (Classical Literature and Society)

by A. M. Keith

In Propertius: Poet of Love and Leisure, Alison Keith explores Propertius' elegiac poetry in the context of early imperial Roman society. Examining a variety of themes associated with both Propertian poetics (such genre theory, poetic models, the girlfriend, the rival) and the poet's social context within the early Augustan principate (such as Roman imperialism, the elite male cursus honorum, Augustus' building projects) she offers a synthetic overview of Propertius' achievement in his four books of elegies. She considers the neglected relationship of rhetoric to Propertian elegiac poetics, as well as Propertius' debt to the classical literary tradition, and she explores themes in the corpus that reflect the Augustan imperial context in which Propertius lived and wrote. Arguing for neither a pro- nor an anti-Augustanism on display in Propertian elegy, Keith brings to light the multiple ways in which Roman imperial rule, the new pax Augusta, and new forms of elite Roman political competition intersect in and inform Propertius' poetry. The volume aims to contribute to our understanding of both Latin literature and Augustan culture its sustained exploration of refractions of the Roman 'imperialist enterprise' in Propertius' elegiac poetry.

Promises of Gold

by José Olivarez

Love is at the heart of everything we do, and yet it is often mishandled, misrepresented, or narrowly defined. In the words of José Olivarez: 'How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love -- but what about our friends? Those homies who show up when the romance ends to help you heal your heart. Those homies who are there all along -- cheering for us and reminding us that love is abundant.'Written in English and combined with a Spanish translation by poet David Ruano, Promises of Gold explores many forms of love and how 'a promise made isn't always a promise kept,' as Olivarez lays bare the ways in which 'love is complicated by forces larger than our hearts.' It is an attempt to reckon with colonial legacy and the reality of what those promises and dreams have borne out for Mexican descendants. 'I wrote this book to imagine and document an ongoing practice of healing,' writes Olivarez, 'healing that requires me to show up for myself, my community, my friends, my family, and my loves every day.'Whether readers enter this collection in English or Spanish, these extraordinary poems, written with empathy and humour, are sure to be cherished for their illuminations of all the rhythms of life -- and love.

The Promised Land: Poems from Itinerant Life

by André Naffis-Sahely

While half the world swept west,we trickled eastward, one by one,single-file, like fugitives. Next stop:Abu Dhabi, where my father had a job,and money, for the first time in years . . .__________________________________________________Flitting from the mud-soaked floors of Venice to the glittering, towering constructions of the Abu Dhabi of his childhood and early adulthood, from present-day London to North America, André Naffis-Sahely's bracingly plain-spoken first collection gathers portraits of promised lands and those who go in search of them: labourers, travellers, dreamers; the hopeful and the dispossessed. 'Naffis-Sahely's poems usher the reader in to a world of reversals and risk . . . His narratives hold memory to account'DAVID HARSENT

Profit and Loss (Cape Poetry Ser.)

by Leontia Flynn

Celebrated as an unusually original poet - nervy, refreshing, deceptively simple - Leontia Flynn has quickly developed into a writer of assured technical complexity and a startling acuity of perception. In her third collection, Flynn examines and dismantles a fugitive life. The first sequence moves through a series of rooms, reflecting on aspects of the author's personal and family history. Using the idea of the haunted house or the house with a sealed-off room, and Gothic tropes of madness, doubles, revenants and religious brooding, the poems consider ideas of inheritance and legacy. The second section comprises a magnificent long poem written in the months leading up to the banking crisis and presidential election of October 2008. Taking as its occasion a flat-clearing, it assumes a more public voice (inspired partly by Auden's 'Letter to Lord Byron'), and reflects on aspects of the rapid social and technological change of the last decade. An extraordinarily moving reflection on mutability and mortality prompted by the spring-cleaning of a life's detritus, 'Letter to Friends' evolves from a private reliquary to a public obsequy. Its collapse back into private griefs, including the poet's father's decline into Alzheimer's disease, is pursued in the third section of the book. Here the theme of a tallying of private and public balance sheets, of different kinds of profit and loss, widens to include poems of motherhood and marriage, the possibilities of hope and repair.

Proceed to Check Out (Phoenix Poets)

by Alan Shapiro

Award-winning poet Alan Shapiro offers a new collection of poems reflecting on mortality and finitude. Alan Shapiro’s fourteenth collection of poetry, Proceed to Check Out, is a kind of summing up, or stock-taking, by an aging poet, of his precarious place in a world dominated by the ever-accelerating pace of technological innovation, political disruption, personal loss, and racial strife. These poems take on fundamental subjects—like the nature of time and consciousness and how or why we become who we are—but Shapiro presses them into becoming urgent and timely. Employing idiomatic range and formal variety, Shapiro’s poems move through recurring dreams, the coercions of childhood, and the mysterious connections of mind and matter, pleasure and memory. They meet an abiding need to find empathy and understanding in even the most challenging places—amid disaffection, public discord, and estrangement. His grasp of contemporary life—in all its insidious violence and beauty—is distinct, comprehensive, and profound.

Proceed to Check Out (Phoenix Poets)

by Alan Shapiro

Award-winning poet Alan Shapiro offers a new collection of poems reflecting on mortality and finitude. Alan Shapiro’s fourteenth collection of poetry, Proceed to Check Out, is a kind of summing up, or stock-taking, by an aging poet, of his precarious place in a world dominated by the ever-accelerating pace of technological innovation, political disruption, personal loss, and racial strife. These poems take on fundamental subjects—like the nature of time and consciousness and how or why we become who we are—but Shapiro presses them into becoming urgent and timely. Employing idiomatic range and formal variety, Shapiro’s poems move through recurring dreams, the coercions of childhood, and the mysterious connections of mind and matter, pleasure and memory. They meet an abiding need to find empathy and understanding in even the most challenging places—amid disaffection, public discord, and estrangement. His grasp of contemporary life—in all its insidious violence and beauty—is distinct, comprehensive, and profound.

Procedural Form in Postmodern American Poetry: Berrigan, Antin, Silliman, and Hejinian (Modern and Contemporary Poetry and Poetics)

by D. Huntsperger

This book explores the political significance of formal experimentation in American poetry written during the 1960s, 70s and 80s. It focuses on the use of procedural forms, which involve the invention of rules or methods designed to structure the production of a poem's content.

Problems and Polemics: A Discourse on Mental Ill-Health (Wordcatcher Modern Poetry)

by Sam Smith

Problems and Polemics is intended to be a critical (sceptical) look at what passes for current mental health practice within ‘the community’. Throughout the mental health field now, both with those diagnosed unwell and with their ‘treatments’, there are many disagreements over, and holes in, the reasoning processes of the professionals – purported ‘cures’ often being as illogical as the ‘illnesses’, the human fallibility of the professionals at odds with the ‘therapeutic environments’ that they are supposed to maintain. And it is because of the disparate nature of mental health practise that I have found that poetry (or prose poetry if you’d prefer) conveys, in book form, far more accurately the fragmentary realities of the world of mental ill-health – carers & cared-for – rather than straightforward prose, with its temptations to argue a singular point of view, subjecting all to the author’s template.

The Problem of the Many

by Timothy Donnelly

'The best collection I've read in ages: every poem contains something unexpected and unexpectedly powerful. This is serious, modern, ambitious and bold work – the kind of poetry you hope to find, and rarely do' – Nick LairdJohn Ashbery called Timothy Donnelly’s previous collection, The Cloud Corporation, ‘The poetry of the future, here today’. The Problem of the Many sees Donnelly, one of the most influential poets of his generation, focused less on the future than the end of history: these richly textured and intellectually capacious poems often seem to attempt nothing less than a circumscription of the totality of human experience. The book contains the already widely praised ‘Hymn to Life’, which opens with a litany of what we have made extinct; elsewhere, from an immediately contemporary vantage, Donnelly confronts the clutter and devastation that civilization has left us as he strives towards a beauty that we still need, along the way enlisting agents as various as Prometheus, Jonah, Flamin’ Hot Cheetos, NyQuil, Nietzsche, and Alexander the Great.The Problem of the Many refers to the famous philosophical problem of what defines the larger aggregate – a cloud, a crowd – which Donnelly extends to address the subject of individual boundary, identity and belonging. Donnelly’s solutions may be wholly poetic, but he has succeeded in speaking as deeply to these profound and urgent issues as any writer currently at work.

The Problem of Poetry in the Romantic Period

by M. Storey

This book provides a lively exploration of the way in which several of the major British Romantic poets confront the writing and theorising of poetry. The question 'What is a poet?' is asked and answered with great frequency and variety; invariably there is an underlying sense of unease, often in the shadow, as it were, of Wordsworth's lines: We poets in our youth begin in gladness;/ But thereof comes in the end despondency and madness . The apparent confidence of the manifestoes is undermined by the self-doubts of much of the poetry, ranging from Coleridge to John Clare.

Prison Shakespeare: For These Deep Shames and Great Indignities (Palgrave Shakespeare Studies)

by Rob Pensalfini

This book explores the development of the global phenomenon of Prison Shakespeare, from its emergence in the 1980s to the present day. It provides a succinct history of the phenomenon and its spread before going on to explore one case study the Queensland Shakespeare Ensemble's (Australia) Shakespeare Prison Project in detail. The book then analyses the phenomenon from a number of perspectives, and evaluates a number of claims made about the outcomes of such programs, particularly as they relate to offender health and behaviour. Unlike previous works on the topic, which are largely individual case studies, this book focuses not only on Prison Shakespeare's impact on the prisoners who directly participate, but also on prison culture and on broader social attitudes towards both prisoners and Shakespeare.

The Printed Voice of Victorian Poetry

by Eric Griffiths

The Printed Voice of Victorian Poetry starts from a simple fact: our written language does not represent the way we speak. Intonation, accent, tempo, and pitch of utterance can be inferred from a written text but they are not clearly demonstrated there. The book shows the implications of this fact for linguists and philosophers of language and offers fundamental criticisms of some recent work in these fields. It aims principally to describe the ways in which nineteenth-century English poets–Tennyson, Browning, Hopkins–responded creatively to the ambiguities involved in writing down their own voices, the melodies of their speech. Original readings of the poets' work are given, both at a minutely detailed level and with regard to major preoccupations of the period–immortality, morbidity, marriage, social divisions, and religious conversions–and in this way Eric Griffiths offers a new map of Victorian poetry.

The Printed Voice of Victorian Poetry

by Eric Griffiths

The Printed Voice of Victorian Poetry starts from a simple fact: our written language does not represent the way we speak. Intonation, accent, tempo, and pitch of utterance can be inferred from a written text but they are not clearly demonstrated there. The book shows the implications of this fact for linguists and philosophers of language and offers fundamental criticisms of some recent work in these fields. It aims principally to describe the ways in which nineteenth-century English poets–Tennyson, Browning, Hopkins–responded creatively to the ambiguities involved in writing down their own voices, the melodies of their speech. Original readings of the poets' work are given, both at a minutely detailed level and with regard to major preoccupations of the period–immortality, morbidity, marriage, social divisions, and religious conversions–and in this way Eric Griffiths offers a new map of Victorian poetry.

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