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The Cold War and Asian Cinemas
by Poshek Fu Man-Fung YipThis book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus. This volume makes a major contribution to constructing a cultural and popular cinema history of the global Cold War. Its geographical focus is set on East Asia, Southeast Asia, and South Asia. In adopting such an inclusive approach, it draws attention to the different manifestations and meanings of the connections between the Cold War and cinema across Asian borders. Many essays in the volume have a transnational and cross-regional focus, one that sheds light on Cold War-influenced networks (such as the circulation of socialist films across communist countries) and on the efforts of American agencies (such as the United States Information Service and the Asia Foundation) to establish a transregional infrastructure of "free cinema" to contain the communist influences in Asia. With its interdisciplinary orientation and broad geographical focus, the book will appeal to scholars and students from a wide variety of fields, including film studies, history (especially the burgeoning field of cultural Cold War studies), Asian studies, and US-Asian cultural relations.
The Cold War and Asian Cinemas
by Poshek Fu Man-Fung YipThis book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus. This volume makes a major contribution to constructing a cultural and popular cinema history of the global Cold War. Its geographical focus is set on East Asia, Southeast Asia, and South Asia. In adopting such an inclusive approach, it draws attention to the different manifestations and meanings of the connections between the Cold War and cinema across Asian borders. Many essays in the volume have a transnational and cross-regional focus, one that sheds light on Cold War-influenced networks (such as the circulation of socialist films across communist countries) and on the efforts of American agencies (such as the United States Information Service and the Asia Foundation) to establish a transregional infrastructure of "free cinema" to contain the communist influences in Asia. With its interdisciplinary orientation and broad geographical focus, the book will appeal to scholars and students from a wide variety of fields, including film studies, history (especially the burgeoning field of cultural Cold War studies), Asian studies, and US-Asian cultural relations.
The Cold War on Film (Hollywood History)
by Paul FrazierThe Cold War on Film illustrates how to use film as a teaching tool. It stands on its own as an account of both the war and the major films that have depicted it.Memories of the Cold War have often been shaped by the popular films that depict it—for example, The Manchurian Candidate, The Hunt for Red October, and Charlie Wilson's War, among others. The Cold War on Film examines how the Cold War has been portrayed through a selection of 10 iconic films that represent it through dramatization and storytelling, as opposed to through documentary footage.The book includes an introduction to the war's history and a timeline of events. Each of the 10 chapters that follow focuses on a specific Cold War film. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A comprehensive annotated bibliography of print and electronic sources aids students and teachers in further research.
The Cold War on Film (Hollywood History)
by Paul FrazierThe Cold War on Film illustrates how to use film as a teaching tool. It stands on its own as an account of both the war and the major films that have depicted it.Memories of the Cold War have often been shaped by the popular films that depict it—for example, The Manchurian Candidate, The Hunt for Red October, and Charlie Wilson's War, among others. The Cold War on Film examines how the Cold War has been portrayed through a selection of 10 iconic films that represent it through dramatization and storytelling, as opposed to through documentary footage.The book includes an introduction to the war's history and a timeline of events. Each of the 10 chapters that follow focuses on a specific Cold War film. Chapters offer a uniquely detailed level of historical context for the films, weighing their depiction of events against the historical record and evaluating how well or how poorly those films reflected the truth and shaped public memory and discourse over the war. A comprehensive annotated bibliography of print and electronic sources aids students and teachers in further research.
Coline Serreau (French Film Directors Series)
by Brigitte RolletColine Serreau became famous in 1985 when her third film, Trois hommes et un couffin (Three Men and a Baby), the most successful French film of the 1980s. She was already known in France for her major contribution to feminist documentaries with the acclaimed Mais qu'est-ce qu'elles veulent?, a series of interviews with French women made between 1975 and 1977. She is now a key figure in French cinema and drama, with international hits including Romuald et Juliette (1989) and La Crise (1992). This appraisal of her work situates her films within the social, cultural and political context of France since May 1968, and assesses th emajor impact of the women's movement on French society and culture. Politics and sexual politics, two key aspects of Serreau's films and plays, are thoroughly examined. This book also considers the cultural influences of her work, and provides an overview of her films and filmic skills. Special attention is given to comedy, the cinematographic genre favoured by Serreau and the French audience, which is apprehended from a historical and gendered perspective. The clarity of the style and the wide-ranging analysis of Serreau's films and filming techniques make this book relevant both to students of film and film enthusiasts.
Collaborating Backstage: Breaking Barriers for the Creative Network (Backstage)
by Timo NiermannCollaboration is the most important facet of any theatrical company. From the performers on stage to the choreographers, designers and technicians working behind the scenes, this book considers all departments working on a production and instructs them on how to unify their individual skills towards a shared goal. From Vaudeville to classical opera, this book establishes the skills that each specialist brings to the production process before demonstrating how each individual contribution can be utilized in tandem with all other creative teams. With particular focus on enhancing interdepartmental communication, Collaborating Backstage examines all the challenges that may befall artistic companies and projects made up of many different parts. This book explains how to understand technical jargon within teams that speak a variety of languages and come from different cultural backgrounds; how to recognise and follow the 'unwritten rules' of theatre; and how best to achieve the ultimate creative potential of a team working completely in sync.Underpinned by incisive theories on performance, communication and creativity, Collaborating Backstage is full of helpful illustrations and innovative methods to achieve effective working relationships in the theatre.
Collaborating Backstage: Breaking Barriers for the Creative Network (Backstage)
by Timo NiermannCollaboration is the most important facet of any theatrical company. From the performers on stage to the choreographers, designers and technicians working behind the scenes, this book considers all departments working on a production and instructs them on how to unify their individual skills towards a shared goal. From Vaudeville to classical opera, this book establishes the skills that each specialist brings to the production process before demonstrating how each individual contribution can be utilized in tandem with all other creative teams. With particular focus on enhancing interdepartmental communication, Collaborating Backstage examines all the challenges that may befall artistic companies and projects made up of many different parts. This book explains how to understand technical jargon within teams that speak a variety of languages and come from different cultural backgrounds; how to recognise and follow the 'unwritten rules' of theatre; and how best to achieve the ultimate creative potential of a team working completely in sync.Underpinned by incisive theories on performance, communication and creativity, Collaborating Backstage is full of helpful illustrations and innovative methods to achieve effective working relationships in the theatre.
The Collaboration (Modern Plays)
by Anthony McCartenBoxers are like painters, both smear their blood on the canvas.New York, 1984. Fifty-six-year-old Andy Warhol's star is falling. Jean-Michel Basquiat is the new wonder-kid taking the art world by storm. When Basquiat agrees to collaborate with Warhol on a new exhibition, it soon becomes the talk of the city.As everyone awaits the 'greatest exhibition in the history of modern art', the two artists embark on a shared journey, both artistic and deeply personal, that re-draws both their worlds.This edition was published to coincide with the world premiere at London's Young Vic Theatre in February 2022.
The Collaboration (Modern Plays)
by Anthony McCartenBoxers are like painters, both smear their blood on the canvas.New York, 1984. Fifty-six-year-old Andy Warhol's star is falling. Jean-Michel Basquiat is the new wonder-kid taking the art world by storm. When Basquiat agrees to collaborate with Warhol on a new exhibition, it soon becomes the talk of the city.As everyone awaits the 'greatest exhibition in the history of modern art', the two artists embark on a shared journey, both artistic and deeply personal, that re-draws both their worlds.This edition was published to coincide with the world premiere at London's Young Vic Theatre in February 2022.
The Collaboration (Modern Plays)
by Anthony McCartenBoxers are like painters, both smear their blood on the canvas.New York, 1984. Fifty-six-year-old Andy Warhol's star is falling. Jean-Michel Basquiat is the new wonder-kid taking the art world by storm. When Basquiat agrees to collaborate with Warhol on a new exhibition, it soon becomes the talk of the city.As everyone awaits the 'greatest exhibition in the history of contemporary art', the two artists embark on a shared journey, both artistic and deeply personal, that re-draws both their worlds.This edition was published to coincide with the world premiere at London's Young Vic Theatre in February 2022.
The Collaboration (Modern Plays)
by Anthony McCartenBoxers are like painters, both smear their blood on the canvas.New York, 1984. Fifty-six-year-old Andy Warhol's star is falling. Jean-Michel Basquiat is the new wonder-kid taking the art world by storm. When Basquiat agrees to collaborate with Warhol on a new exhibition, it soon becomes the talk of the city.As everyone awaits the 'greatest exhibition in the history of contemporary art', the two artists embark on a shared journey, both artistic and deeply personal, that re-draws both their worlds.This edition was published to coincide with the world premiere at London's Young Vic Theatre in February 2022.
The Collaboration: Hollywood's Pact With Hitler
by Ben UrwandTo continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself--obsessed with movies and their power to shape public opinion.
The Collaboration: Hollywood's Pact With Hitler
by Ben UrwandTo continue doing business in Germany, Hollywood studios agreed not to make films attacking Nazis or condemning persecution of Jews. Ben Urwand reveals this collaboration and the cast of characters it drew in, ranging from Goebbels to Louis B. Mayer. At the center was Hitler himself--obsessed with movies and their power to shape public opinion.
Collaboration in Creative Design: Methods and Tools
by Panos Markopoulos Jean-Bernard Martens Julian Malins Karin Coninx Aggelos LiapisThis book presents a number of new methods, tools, and approaches aimed to assist researchers and designers during the early stages of the design process, focusing on the need to approach the development of new interactive products, systems and related services by closely observing the needs of potential end-users through adopting a design thinking approach. A wide range of design approaches are explored, some emphasizing on the physicality of interaction and the products designed, others exploring interactive design and the emerging user experience (UX) with a focus on the value to the end-user. Contemporary design processes and the role of software tools to support design are also discussed. The researchers draw their expertise from a wide range of fields and it is this interdisciplinary approach which provides a unique perspective resulting in a flexible collection of methods that can be applied to a wide range of design contexts. Interaction and UX designers and product design specialists will all find Collaboration in Creative Design an essential read.
Collaboration in Design Education
by Marty Maxwell Lane and Rebecca TegtmeyerThe book is a comprehensive guide for students and practitioners who want to take a collaborative approach in their design practice. Authors Marty Maxwell Lane and Rebecca Tegtmeyer introduce a range of case study collaborations, both face-to-face and remote, and between individuals and groups. The book addresses the basics of getting started, planning ahead and reflecting on outcomes, alongside the issues that come up in collaborative work, e.g. cross-cultural exchange, or managing roles within a diverse team. Editorial commentary runs throughout the chapter introductions and case studies, with informatics illustrating key concepts and expanded 'call out' points in the martin. More complex case studies offer a 'deep dive' section to explain and share further details of the featured projects.
Collaboration in Design Education
The book is a comprehensive guide for students and practitioners who want to take a collaborative approach in their design practice. Authors Marty Maxwell Lane and Rebecca Tegtmeyer introduce a range of case study collaborations, both face-to-face and remote, and between individuals and groups. The book addresses the basics of getting started, planning ahead and reflecting on outcomes, alongside the issues that come up in collaborative work, e.g. cross-cultural exchange, or managing roles within a diverse team. Editorial commentary runs throughout the chapter introductions and case studies, with informatics illustrating key concepts and expanded 'call out' points in the martin. More complex case studies offer a 'deep dive' section to explain and share further details of the featured projects.
Collaboration in Performance Practice: Premises, Workings and Failures
by Noyale Colin Stefanie SachsenmaierCollaboration between artists has been practised for centuries, yet over recent decades the act of collaborating has taken different meanings. This publication examines cultural, philosophical and political issues tied to specific instances of collaborative practice in the performing arts. Leading scholars and practitioners review historical developments of collaborative practice and reveal what it means to work together in creative contexts at the beginning of the twenty-first century. Key questions addressed include how artists are developing new ways of working together in response to contemporary economic trends, the significance of collaborating across culture and what opportunities are apparent when co-working between genres and disciplines. Noyale Colin and Stefanie Sachsenmaier present these perspectives in three thematic sections which interrogate the premises of collective intentions, the working strategies of current practitioners, as well as the role of failure and compromise in collaborative modes of creative work. This volume is an invaluable resource for scholars, practitioners and those interested in contemporary artistic methods of working.
Collaboration in Theatre: A Practical Guide for Designers and Directors
by Rob Roznowski K. DomerFinally, a book that addresses one of the most important elements of theatrical production, the collaboration between director and designer. This accessible and helpful guide addresses the crucial relationship between theatrical production team members. Experienced director Rob Roznowski and designer Kirk Domer offer prescriptive and proactive tips to create the ideal production environment. This three part book combines theory, practice, and exercises and will help anyone involved in the theatre to develop appropriate and healthy collaborative skills. Topics Covered Include: * The Vocabulary of Collaboration * Script Analysis * Responses to Criticism * Research Methods
Collaboration Meets Interactive Spaces: Theory And Practice
by Craig Anslow Pedro Campos Joaquim JorgeThis book explores the technological advances and social interactions between interactive spaces, surfaces and devices, aiming to provide new insights into emerging social protocols that arise from the experimentation and long-term usage of interactive surfaces. This edited volume brings together researchers from around the world who investigate interactive surfaces and interaction techniques within large displays, wearable devices, software development, security and emergency management. Providing both theory and practical case studies, the authors look at current developments and challenges into 3D visualization, large surfaces, the interplay of mobile phone devices and large displays, wearable systems and head mounted displays (HMD’S), remote proxemics and interactive wall displays and how these can be employed throughout the home and work spaces. Collaboration Meets Interactive Spaces is both for researchers and industry practitioners, providing readers with a coherent narrative into the current state-of-the-art within interactive surfaces and pervasive display technology, providing necessary tools and techniques as interactive media increasingly permeates everyday contexts.
Collaboration Technologies and Social Computing: 25th International Conference, CRIWG+CollabTech 2019, Kyoto, Japan, September 4–6, 2019, Proceedings (Lecture Notes in Computer Science #11677)
by Hideyuki Nakanishi Hironori Egi Irene-Angelica Chounta Hideyuki Takada Satoshi Ichimura Ulrich HoppeThis book constitutes the refereed proceedings of the 25th International Conference, CRIWG+CollabTech 2019, held in Kyoto, Japan in September 2019. The 12 full papers presented in this book together with 8 work-in-progress papers were carefully reviewed and selected from 28 submissions, and the program also included an invited talk. This year presented a merger of the CRIWG and CollabTech conferences after having been jointly held since 2014. The papers published in this proceedings focus on innovative collaboration technologies and social computing.
Collaboration Technologies and Social Computing: 26th International Conference, CollabTech 2020, Tartu, Estonia, September 8–11, 2020, Proceedings (Lecture Notes in Computer Science #12324)
by Alexander Nolte Claudio Alvarez Reiko Hishiyama Irene-Angelica Chounta María Jesús Rodríguez-Triana Tomoo InoueThis book constitutes the proceedings of the 26th International Conference on Collaboration Technologies and Social Computing, CollabTech 2020. The conference was scheduled to take place in Tartu, Estonia, in September 2020. It was held virtually due to the COVID-19 pandemic. The 10 full and 5 work-in-progress papers presented in this volume were carefully reviewed and selected from 25 submissions.
Collaboration Through Craft
by Amanda Ravetz Alice Kettle Helen FelceyOffering a challenging new argument for the collaborative power of craft, this ground-breaking volume analyses the philosophies, politics and practicalities of collaborative craft work. The book is accessibly organised into four sections covering the cooperation and compromises required by the collaborative process; the potential of recent technological advances for the field of craft; the implications of cross-disciplinary and cross-cultural collaborations for authority and ownership; and the impact of crafted collaborations on the institutions where we work, learn and teach. With cutting-edge essays by established makers and artists such as Allison Smith (US) and Brass Art (UK), curator Lesley Millar, textile designer Trish Belford and distinguished thinker Glenn Adamson, Collaborating Through Craft will be essential reading for students, artists, makers, curators and scholars across a number of fields.
Collaboration Through Craft
by Amanda Ravetz Alice Kettle Helen FelceyOffering a challenging new argument for the collaborative power of craft, this ground-breaking volume analyses the philosophies, politics and practicalities of collaborative craft work. The book is accessibly organised into four sections covering the cooperation and compromises required by the collaborative process; the potential of recent technological advances for the field of craft; the implications of cross-disciplinary and cross-cultural collaborations for authority and ownership; and the impact of crafted collaborations on the institutions where we work, learn and teach. With cutting-edge essays by established makers and artists such as Allison Smith (US) and Brass Art (UK), curator Lesley Millar, textile designer Trish Belford and distinguished thinker Glenn Adamson, Collaborating Through Craft will be essential reading for students, artists, makers, curators and scholars across a number of fields.
Collaborations in Architecture and Engineering
by Clare Olsen Sinead Mac NamaraCollaborations in Architecture and Engineering focuses on team-building and problem-solving between architects and engineers to prepare you for working together in practice. It provides an overview and foundation for interdisciplinary collaboration so that you can create innovative proposals for optimization, performance, and aesthetic goals. It also shows you how to solve real-world problems and how to engage creatively with technological challenges so that you can be a productive member of any team. The authors, an architect and an engineer, share guidelines learned from their experiences and observations on how to insure productive communication, engage in interdisciplinary discussions, and establish common goals and values. Throughout the book are many case study examples of architect and engineer collaborations––such as those between SANAA and Mutsuro Sasaki, Foster + Partners and Buro Happold, Steven Holl and Guy Nordenson, and SHoP Architects and ARUP. The book also includes a discussion about integrated project delivery (IPD) contracts and administration, so you'll be ready for better integration.
Collaborations in Architecture and Engineering
by Clare Olsen Sinead Mac NamaraCollaborations in Architecture and Engineering focuses on team-building and problem-solving between architects and engineers to prepare you for working together in practice. It provides an overview and foundation for interdisciplinary collaboration so that you can create innovative proposals for optimization, performance, and aesthetic goals. It also shows you how to solve real-world problems and how to engage creatively with technological challenges so that you can be a productive member of any team. The authors, an architect and an engineer, share guidelines learned from their experiences and observations on how to insure productive communication, engage in interdisciplinary discussions, and establish common goals and values. Throughout the book are many case study examples of architect and engineer collaborations––such as those between SANAA and Mutsuro Sasaki, Foster + Partners and Buro Happold, Steven Holl and Guy Nordenson, and SHoP Architects and ARUP. The book also includes a discussion about integrated project delivery (IPD) contracts and administration, so you'll be ready for better integration.