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Ancient Greece and Rome in Modern Science Fiction: Amazing Antiquity (Greece and Rome Live)
by Ross ClareAncient Greece and Rome in Modern Science Fiction introduces and analyses the reception of classical antiquity in contemporary science fiction. By using up-to-date methods from classical reception theory, science-fiction analysis and fictional-world studies, the book will help furnish the reader’s understanding of the ways in which the literature, culture, history and mythology of ancient Greece and Rome are appropriated and represented across multiple media platforms in the science-fiction genre today. The book will therefore serve as an entry point into several areas of study: the reception of classics in popular culture, antiquity in modern media, the uses of the ancient world in science-fiction, and broader science-fiction criticism. The chapters – structured by medium – principally offer a roughly chronological overview of that medium and its treatment of ancient history, mythology, literature and culture. An abundance of case studies from literature, film and television and videogames including Star Trek, Battlestar Galactica, Fallout: New Vegas, the Mass Effect franchise and Assassin’s Creed show how classical antiquity is reused, encountered, re-encountered by creators and consumers of the present – how we bounce off it, and it bounces off us, and how this reciprocation creates new visions of Greece and of Rome.
Ancient Greek History and Contemporary Social Science
by Mirko Canevaro Andrew ErskineA wide-ranging study of shifting temporalities and their literary consequences in twentieth-century fiction
Ancient Greek History and Contemporary Social Science
by Mirko Canevaro Andrew ErskineThe first full-length academic study to deal exclusively with female stardom in British cinema
Ancient Greek, Roman & Byzantine Costume
by Mary G. HoustonThis scrupulously researched and abundantly illustrated book includes 315 drawings based on renderings by artists of the period to achieve utmost accuracy and authenticity.Included are elaborate examples of Aegean costume, Doric and Ionic styles of dress for women, Greek and Roman armor, graceful and intricately arranged Roman togas, the tunica — roomy, wide-sleeved apparel; and the pallium, a cloak-like garment. Ornate vestments of the Eastern Orthodox Church and Byzantine costumes are carefully described and portrayed, as are styles of hairdressing, jewelry, and other decorative elements.An excellent reference for the history classroom, the volume also includes instructions and flat patterns showing the cut of sample garments, making it easy for costume designers to reproduce period apparel. This book will be valuable as well to costume historians and art students interested in the development of representative art.
Ancient Ireland: Life Before the Celts
by Laurence FlanaganWhen the Celts first arrived in Ireland around 200 B.C., the island had already been inhabited for over 7000 years. Drawing on a wealth of archaeological evidence and the author's own mastery of the subject, Ancient Ireland returns to those pre-Celtic roots in a bid to discover the secrets of the island's first inhabitants: Who were they? And how did they live? Few accounts of the period are as exhaustively researched; fewer still are as alive with historical insight and compelling detail. At once accessible and comprehensive, Ancient Ireland is an indispensable guide to early Irish civilisation, its culture and mythology.
Ancient Jomon Of Japan (Case Studies In Early Societies Ser. #4)
by Junko Habu Rita P. WrightIn this 2004 book, Junko Habu illustrates recent developments in the archaeology of the Jomon period (circa 14,500–300 BC) of Japan and presents new analyses. Unlike most prehistoric pottery using peoples, the Jomon people are thought to have been hunter-gatherers.
Ancient Mediterranean Sea in Modern Visual and Performing Arts: Sailing in Troubled Waters (IMAGINES – Classical Receptions in the Visual and Performing Arts)
by Rosario Rovira GuardiolaWhen thinking about the Mediterranean, Fernand Braudel's haunting words resound like an echo of the sea and its millenary history. From Prehistory until today, the Mediterranean has been setting, witness and protagonist of mythical adventures, of encounters with the Other, of battles and the rise and fall of cultures and empires, of the destinies of humans. Braudel's appeal for a long durée history of the Mediterranean challenged traditional views that often present it as a sea fragmented and divided through periods. This volume proposes a journey into the bright and dark sides of the ancient Mediterranean through the kaleidoscopic gaze of artists who from the Renaissance to the 21st century have been inspired by its myths and history. The view of those who imagined and recreated the past of the sea has largely contributed to the shaping of modern cultures which are inexorably rooted and embedded in Mediterranean traditions. The contributions look at modern visual reinterpretations of ancient myths, fiction and history and pay particular attention to the theme of sea travel and travellers, which since Homer's Odyssey has become the epitome of the discovery of new worlds, of cultural exchanges and a metaphor of personal developments and metamorphoses.
Ancient Mediterranean Sea in Modern Visual and Performing Arts: Sailing in Troubled Waters (IMAGINES – Classical Receptions in the Visual and Performing Arts)
by Rosario Rovira GuardiolaWhen thinking about the Mediterranean, Fernand Braudel's haunting words resound like an echo of the sea and its millenary history. From Prehistory until today, the Mediterranean has been setting, witness and protagonist of mythical adventures, of encounters with the Other, of battles and the rise and fall of cultures and empires, of the destinies of humans. Braudel's appeal for a long durée history of the Mediterranean challenged traditional views that often present it as a sea fragmented and divided through periods. This volume proposes a journey into the bright and dark sides of the ancient Mediterranean through the kaleidoscopic gaze of artists who from the Renaissance to the 21st century have been inspired by its myths and history. The view of those who imagined and recreated the past of the sea has largely contributed to the shaping of modern cultures which are inexorably rooted and embedded in Mediterranean traditions. The contributions look at modern visual reinterpretations of ancient myths, fiction and history and pay particular attention to the theme of sea travel and travellers, which since Homer's Odyssey has become the epitome of the discovery of new worlds, of cultural exchanges and a metaphor of personal developments and metamorphoses.
The Ancient Middle Classes: Urban Life And Aesthetics In The Roman Empire, 100 Bce-250 Ce
by Emanuel MayerOur image of the Roman world is shaped by the writings of upper-class intellectuals. Yet most of the material evidence we have—art, architecture, household artifacts—belonged to artisans, merchants, and professionals. Roman culture as we have seen it with our own eyes is distinctly middle-class and requires a radically new framework of analysis.
Ancient Romans (Would You Rather? #3)
by Clive GiffordWould you rather row a Roman vessel or be a chariot racer? Eat stuffed dormice or parrot heads? Only you can decide!
Ancient Scripts and Modern Experience on the English Stage, 1500-1700 (PDF)
by Bruce R. SmithUnlike the contrast between the sacred and the taboo, the opposition of "comic" and "tragic" is not a way of categorizing experience that we find in cultures all over the world or even at different periods in Western civilization. Though medieval writers and readers distinguished stories with happy endings from stories with unhappy endings, it was not until the sixteenth and seventeenth centuries--fifteen hundred years after Sophocles, Euripides, Plautus, and Terence had last been performed in the theaters of the Roman Empire--that tragedy and comedy regained their ancient importance as ways of giving dramatic coherence to human events. Ancient Scripts and Modern Experience on the English Stage charts that rediscovery, not in the pages of scholars' books, but on the stages of England's schools, colleges, inns of court, and royal court, and finally in the public theaters of sixteenth-and seventeenth-century London.In bringing to imaginative life the scripts, eyewitness accounts, and financial records of these productions, Bruce Smith turns to the structuralist models that anthropologists have used to explain how human beings as social creatures organize and systematize experience. He sets in place the critical, physical, and social structures in which sixteenth-and seventeenth-century Englishmen watched productions of classical comedy and classical tragedy. Seen in these three contexts, these productions play out a conflict between classical and medieval ways of understanding and experiencing comedy's interplay between satiric and romantic impulses and tragedy's clash between individuals and society.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Ancient Urban Planning in the Mediterranean: New Research Directions
by Samantha L. Martin-McAuliffe Daniel M. MilletteNew Directions in Urban Planning in the Ancient Mediterranean assembles the most up-to-date research on the design and construction of ancient cities in the wider Mediterranean. In particular, this edited collection reappraises and sheds light on ’lost’ Classical plans. Whether intentional or not, each ancient plan has the capacity to embody specific messages linked to such notions as heritage and identity. Over millennia, cities may be divested of their buildings and monuments, and can experience periods of dramatic rebuilding, but their plans often have the capacity to endure. As such, this volume focuses on Greek and Roman grid traces - both literal and figurative. This rich selection of innovative studies explores the ways that urban plans can assimilate into the collective memory of cities and smaller settlements. In doing so, it also highlights how collective memory adapts to or is altered by the introduction of re-aligned plans and newly constructed monuments.
Ancient Urban Planning in the Mediterranean: New Research Directions
by Samantha L. Martin-McAuliffe Daniel M. MilletteNew Directions in Urban Planning in the Ancient Mediterranean assembles the most up-to-date research on the design and construction of ancient cities in the wider Mediterranean. In particular, this edited collection reappraises and sheds light on ’lost’ Classical plans. Whether intentional or not, each ancient plan has the capacity to embody specific messages linked to such notions as heritage and identity. Over millennia, cities may be divested of their buildings and monuments, and can experience periods of dramatic rebuilding, but their plans often have the capacity to endure. As such, this volume focuses on Greek and Roman grid traces - both literal and figurative. This rich selection of innovative studies explores the ways that urban plans can assimilate into the collective memory of cities and smaller settlements. In doing so, it also highlights how collective memory adapts to or is altered by the introduction of re-aligned plans and newly constructed monuments.
Ancient Violence in the Modern Imagination: The Fear and the Fury (IMAGINES – Classical Receptions in the Visual and Performing Arts)
by Irene Berti, Maria G. Castello and Carla ScilabraThe collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, , rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures.A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick's Spartacus and the 2010 TV series of the same name, in Ridley Scott's Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Romeand Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
Ancient Violence in the Modern Imagination: The Fear and the Fury (IMAGINES – Classical Receptions in the Visual and Performing Arts)
The collected essays in this volume focus on the presentation, representation and interpretation of ancient violence – from war to slavery, , rape and murder – in the modern visual and performing arts, with special attention to videogames and dance as well as the more usual media of film, literature and theatre. Violence, fury and the dread that they provoke are factors that appear frequently in the ancient sources. The dark side of antiquity, so distant from the ideal of purity and harmony that the classical heritage until recently usually called forth, has repeatedly struck the imagination of artists, writers and scholars across ages and cultures.A global assembly of contributors, from Europe to Brazil and from the US to New Zealand, consider historical and mythical violence in Stanley Kubrick's Spartacus and the 2010 TV series of the same name, in Ridley Scott's Gladiator, in the work of Lars von Trier, and in Soviet ballet and the choreography of Martha Graham and Anita Berber. Representations of Roman warfare appear in videogames such as Ryse: Son of Romeand Total War, as well as recent comics, and examples from both these media are analysed in the volume. Finally, interviews with two artists offer insight into the ways in which practitioners understand and engage with the complex reception of these themes.
The Ancient World on the Victorian and Edwardian Stage
by J. RichardsThe first study of the depictions of the Ancient World on the Victorian and Edwardian stage, this book analyzes plays set in and dramatising the histories of Greece, Rome, Egypt, Babylon and the Holy Land. In doing so, it seeks to locate theatre within the wider culture, tracing its links and interaction with other cultural forms.
And Bloom The Art of Aging Unapologetically: Inspiration about life from more than 100 women
by Denise Boomkens'You become what you see. What you see determines what you believe - and the most powerful way of inspiring people is with images. My goal with AndBloom is to motivate women to embrace life without fear. To provide examples of women between the age of 40 and, currently, 100, so that any woman can open this book and see themselves recognized.' Denise Boomkens launched the AndBloom project on Instagram in 2018, to create a 'happy place for women over 40' - a community where women can be themselves and where aging is celebrated instead of feared. In this, her first book, she shares her own experiences of aging and brings together portraits and interviews with more than 100 extraordinary 'ordinary' women to create both a gloriously illustrated celebration of female beauty over 40 and an empowering handbook to aging happily.
And The Bride Wore Prada: And The Bride Wore Prada (marrying Mr Darcy, Book 1) / Love, Lies And Louboutins (marrying Mr Darcy, Book 2) / Manolos In Manhattan (marrying Mr Darcy, Book 3) (Marrying Mr Darcy #1)
by Katie OliverShe’s dated Mr Darcy…
And Don't F&%k It Up: An Oral History of RuPaul's Drag Race (The First Ten Years)
by Maria Elena FernandezA definitive history and celebration of the groundbreaking show RuPaul's Drag Race in its first decade, from a Burbank basement set all the way to the Emmy's, and every weave in-between, as told by its stars, producers and fans. Told over the first ten years, And Don't F&%k It Up tells a cultural history through the stories of the people who lived it: the creators of the show, the contestants, the crew, the judges, and even some key (famous) fans. It begins with RuPaul's decades-long friendship and business relationship with World of Wonder Productions, the entertainment company that helped launch him into superstardom, and later talked him into giving a drag reality show a chance. From there, it follows the growth and evolution of the show—and its queens—through a decade of gag-worthy seasons, serving up all kinds of behind-the-scenes realness. With a history as shady and funny as it is dramatic and inspiring, And Don't F&%k It Up shows how RuPaul's Drag Race is a mirror reflecting the cultural and political mores of our time. Its meteoric rise to becoming a once-in-a-generation success story is explored here as never before, in intimate, exuberant, unfettered detail.
And Furthermore
by Dame Judi DenchThe SUNDAY TIMES bestselling memoir of Britain's best-loved actress, Dame Judi Dench.From the moment Judi Dench appeared as a teenager in the York Mystery Plays it was clear that acting would be her career. Trained at London's Central School of Speech and Drama it was her performance in her twenties as Juliet in Franco Zeffirelli's memorable Old Vic production that turned her into a star. In the theatre since she has played every classic role from Titania to Cleopatra. She first became a household name via television, thanks initially to a sitcom, A FINE ROMANCE, in which she played alongside the actor Michael Williams, whom she married in 1971. She has since made nine series of another sitcom, AS TIME GOES BY (with Geoffrey Palmer), as well as plays and classic serials such as CRANFORD. In the cinema her films have ranged from LADIES IN LAVENDER (opposite Maggie Smith) through NOTES ON A SCANDAL with Cate Blanchett to SHAKESPEARE IN LOVE, in which she played Queen Elizabeth, a role which gained her a Hollywood Oscar. But it is her role as 'M' in seven James Bond films that has gained her worldwide recognition. This book is, however, much more than a career record. Her marriage to Michael Williams, their daughter, and her impish sense of humour contribute vividly to her account of more than half a century as Britain's best-loved actress.
And I and Silence
by Naomi WallaceTwo imprisoned young women, one African American and the other white, form a perilous bond. As they serve time they forge a plan for survival. They practice hard. If they don't get it right they'll lose everything: the outside world is even more dangerous to their friendship than the jail itself.Exploring the fierce dreams of youth and the brutal reality of adulthood in 1950's segregated America, Naomi Wallace's And I and Silence premiered at the Finborough Theatre, London, in May 2011.
And It's a Beautiful Day: A Fargo Companion
by Nige TassellFARGO - that bloody tale of greed, kidnapping and murder set in the freezing tundra of Minnesota - was the Coen brothers’ break-out film, scooping two Oscars and an avalanche of critical and commercial acclaim.On the 25th anniversary of its release, former Minnesota resident Nige Tassell slips on his snowboots to revisit the film and its landscape. The result is a leisurely stomp around Fargo’s intricate plot, its snappy dialogue and its unforgettable characters. Insightful, revealing, entertaining and esoteric, And It’s a Beautiful Day strips back the film’s multiple layers to pose intriguing questions. What has made car salesman Jerry Lundegaard such a desperate man? Does Carl Showalter deserve to be fed into a woodchipper? And just how much food can police chief Marge Gunderson put away in a single sitting?And It’s a Beautiful Day is the perfect companion to one of the all-time great cult movies.
And Now The Shipping Forecast: A tide of history around our shores
by Peter JeffersonPeter Jefferson presented The Shipping Forecast for over 40 years, and his familiar voice continued to be heard reading quotations on BBC Radio 4's Quote... Unquote. This book is both an affectionate memoir and a history of the science and BBC programming behind the forecast.Peter explains how it came out, who collects all the information and what it's like to read this bulletin. Even though the information in the forecast is now readily available in many formats, The Shipping Forecast is something of a 'must listen' for fans gathered over the decades.For reasons not quite understood, it has become a much-loved part of the British cultural landscape with an avid following of listeners who find its poetry is the perfect cure for insomnia. This book is perfect for those fans.
And On That Bombshell: Inside the Madness and Genius of TOP GEAR
by Richard PorterI was Top Gear's script editor for 13 years and all 22 series. I basically used to check spelling and think of stupid gags about The Stig. I also got to hang around with Jeremy Clarkson, Richard Hammond and James May. It didn't feel like something you should get paid for. From the disastrous pilot show of 2002 to the sudden and unexpected ending in 2015, working on Top Gear was quite a rollercoaster ride. We crossed continents, we made space ships, we bobbed across the world's busiest shipping lane in a pick-up truck. We also got chased by an angry mob, repeatedly sparked fury in newspapers, and almost killed one of our presenters. I realised that I had quite a few stories to tell from behind the scenes on the show. I remembered whose daft idea it was to get a dog. I recalled the willfully stupid way in which we decorated our horrible office. I had a sudden flashback to the time a Bolivian drug lord threatened to kill us. I decided I should write down some of these stories. So I have. I hope you like them. And now, a quote from James May: 'Richard Porter has asked me to "write a quote" for his new book about the ancient history of Top Gear. But this is a ridiculous request. How can one "write a quote"? Surely, by definition, a quote must be extracted from a greater body of writing, for the purpose of illustrating or supporting a point in an unrelated work. I cannot "write a quote" any more than I could "film an out-take".'Porter, like Athens, has lost his marbles.'
And Our Faces, My Heart, Brief As Photos
by John Berger'Those who read or listen to our stories see everything as though through a lens. This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless ... In our brief mortal lives, we are grinders of these lenses'.When John Berger wrote this apparently unclassifiable book, it was to become a sensation, translated into nine languages and indelible from the minds of those who read it. This stunning work is a shoebox filled with delicate love letters containing poetry and thoughts on mortality, art, love and absence, capturing moments in time that hover above Berger's surprising landscapes. From his lyrical description of the works of Caravaggio and profound explorations of death and immigration to the sight of some lilac at dusk in the mountains, this is a beautiful and most intimate response to the world around us.