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Anime
by Colin Odell Michelle Le BlancThis guide to anime offers an overview of the art form, looking at its development in Japan and its export to other cultures. It includes a history of Japanese animation from early examples to the relaunch of animation as a viable commercial entity and its enormous rise in popularity after WWII. Anime explains the difference between manga and anime, offering a brief history of manga including its development from traditional art form (woodblock prints) to massive commercial success with millions of readers in Japan and worldwide. Odell and Le Blanc also consider anime style and genres, its market and importance in Japanese culture, and its perception in the West including controversy, such as criticisms of sex and violence in anime that affect other national markets, including the UK (notably Urotsukidoji) and the USA, where it is considered a 'kids only' market.
Anime Aesthetics: Japanese Animation and the 'Post-Cinematic' Imagination
by Alistair D. SwaleJapanese animation has been given fulsome academic commentary in recent years. However, there is arguably a need for a more philosophically consistent and theoretically integrated engagement. While this book covers the key thinkers of contemporary aesthetic theory, it aims to reground reflection on anime within the aesthetics of R.G. Collingwood.
Anime Fan Communities: Transcultural Flows and Frictions
by S. AnnettHow have animation fans in Japan, South Korea, the United States, and Canada formed communities and dealt with conflicts across cultural and geographic distance? This book traces animation fandom from its roots in early cinema audiences, through mid-century children's cartoon fan clubs, to today's digitally-networked transcultural fan cultures.
Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation
by S. NapierWith the popularity of Pokemon still far from waning, Japanese animation, known as anime to its fans, has a firm hold on American pop culture. However, anime is much more than children's cartoons. It runs the gamut from historical epics to sci-fi sexual thrillers. Often dismissed as fanciful entertainment, anime is actually quite adept at portraying important social and cultural issues like alienation, gender inequality, and teenage angst. This book investigates the ways that anime presents these issues in an in-depth and sophisticated manner, uncovering the identity conflicts, fears over rapid technological advancement, and other key themes present in much of Japanese animation.
Animism in Art and Performance
by Christopher BraddockThis book explores Māori indigenous and non-indigenous scholarship corresponding with the term ‘animism’. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as 'who' or 'what' is credited with 'animacy'. It comprises a diverse array of essays divided into four sections: Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses kōrero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari's animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene.
Animism in Art and Performance
by Christopher BraddockThis book explores Māori indigenous and non-indigenous scholarship corresponding with the term ‘animism’. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as 'who' or 'what' is credited with 'animacy'. It comprises a diverse array of essays divided into four sections: Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses kōrero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari's animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene.
Animosity: Human-Animal Conflict in the 21st Century
by Aaron GekoskiThe world’s wildlife is in crisis.Globally, animals are being traded, hunted, poached, consumed and exploited to the point of extinction. This is their story, as told through the lens and eyes of Aaron ‘Bertie' Gekoski, an internationally acclaimed environmental photojournalist, who documents human-animal conflict in the most inhospitable places on Earth.ANIMOSITY is a collection of powerful photographs and absorbing tales from the frontline of conservation: from Cambodia’s dog-drowning dungeons and West Africa’s voodoo markets, to cruel Wildlife Tourism Attractions and the shadowy world of the exotic pet trade.Conflict, conservation, and the battle to coexist: ANIMOSITY is the story of our generation, our legacy.Numerous animal welfare NGOs have lent their backing to the book including Born Free Foundation, Four Paws, World Animal Protection, International Animal Rescue, PETA & Scubazoo, while world famous actresses Shannon Elizabeth and Amy Jackson have written moving testimonies for the book.The foreword has been written by one of the best-known environmental activists in the world, Captain Paul Watson, founder of the Sea Shepherd conservation society and a co-founder of Greenpeace.
Anjou: Medieval Art, Architecture and Archaeology (The\british Archaeological Association Conference Transactions Ser.)
by John McNeillThis volume serves as an essential reference for new thoughts, interpretation and discussion of the rich architectural and archaeological heritage of Anjou. It outlines the development of building techniques in Anjou and Touraine, and concentrates on the medieval period.
Anjou: Medieval Art, Architecture and Archaeology
by John McNeillThis volume serves as an essential reference for new thoughts, interpretation and discussion of the rich architectural and archaeological heritage of Anjou. It outlines the development of building techniques in Anjou and Touraine, and concentrates on the medieval period.
Ann Sothern: A Bio-Bibliography (Bio-Bibliographies in the Performing Arts)
by Margie SchultzAnn Sothern was often quoted as saying she had played every venue in show business except fairs. For over 60 years, she has captivated audiences from the stage, on radio and television, in film, and as a recording artist. This book is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her life, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. Schultz has done a magnificent job of documenting Ann Sothern's career. Classic ImagesAnn Sothern was often quoted as saying she had played every venue in show business except fairs. Ann Sothern: A Bio-Bibliography is proof that her statement was not far from wrong. For over 60 years, she has captivated audiences from the stage, on radio and television, in film, and as a recording artist. This book is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her life, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances.Ann Sothern: A Bio-Bibliography is the first full-length examination of Miss Sothern's life and career. In addition to individual chapters on each facet of her career, the book features an extensive annotated bibliography of articles by and about Miss Sothern. The book includes a filmography and discography, as well as comprehensive lists of Miss Sothern's stage, radio, and television appearances. It is the first source to include a complete episode guide for Miss Sothern's television series, Private Secretary, The Ann Sothern Show, The Lucy Show, and My Mother the Car. An appendix lists products which were endorsed by Miss Sothern or which used her likeness in promotion. The book utilizes sixteen photographs, including four from Miss Sothern's personal collection, which she donated to the Ketchum Community Library in Ketchum, Idaho. A great library reference source, this book will be of interest to film scholars and fans of Miss Sothern.
Anna: The Biography
by Amy OdellAs a child, Anna Wintour was a tomboy with no apparent interest in clothing but, seduced by the miniskirts and bob haircuts of swinging 1960s London, she grew into a fashion-obsessed teenager. Her father, the influential editor of the Evening Standard, loomed large in her life, and once he decided she should become editor in chief of Vogue, she never looked back.Impatient to start her career, she left high school and got a job at a fashionable boutique in London - an experience that would be the first of many defeats. Undeterred, she found work in the competitive world of magazines, eventually moving to New York. Before long, Anna's journey to Vogue became a battle to ascend, no matter who or what stood in her way. Once she was crowned editor in chief - in one of the stormiest transitions in fashion magazine history - she continued the fight to retain her enviable position, ultimately rising to dominate all of Condé Nast.Based on extensive interviews with Anna Wintour's closest friends and collaborators, including some of the biggest names in fashion, journalist Amy Odell has crafted the most revealing portrait of Wintour ever published. Weaving Anna's personal story into a larger narrative about the hierarchical dynamics of the fashion industry and the complex world of Condé Nast, Anna charts the relentless ambition of the woman who would become an icon.
Anna Halprin: Dance - Process - Form
by Gabriele Wittmann Ronit Land Ursula SchornThis book considers the creative work and therapeutic and pedagogical approach of Anna Halprin, a dancer, choreographer, and early pioneer in the expressive arts healing movement. It looks at her 'Life/Art Process®' and the wider impact of her work across the fields of art, education, therapy and politics.
Anna Halprin (Routledge Performance Practitioners)
by Libby Worth Helen PoynorAnna Halprin traces the life's work of this radical dance-maker, documenting her early career as a modern dancer in the 1940s through to the development of her groundbreaking approach to dance as an accessible and life-enhancing art form. Now revised and reissued, this book: sketches the evolution of the San Francisco Dancers' Workshop, exploring Halprin's connections with the avant-garde theatre, music, visual art and architecture of the 1950s and 60s offers a detailed analysis of Halprin’s work from this period provides an important historical guide to a time when dance was first explored beyond the confines of the theatre and considered as a healing art for individuals and communities. As a first step towards critical understanding, and an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Anna Halprin (Routledge Performance Practitioners)
by Libby Worth Helen PoynorAnna Halprin traces the life's work of this radical dance-maker, documenting her early career as a modern dancer in the 1940s through to the development of her groundbreaking approach to dance as an accessible and life-enhancing art form. Now revised and reissued, this book: sketches the evolution of the San Francisco Dancers' Workshop, exploring Halprin's connections with the avant-garde theatre, music, visual art and architecture of the 1950s and 60s offers a detailed analysis of Halprin’s work from this period provides an important historical guide to a time when dance was first explored beyond the confines of the theatre and considered as a healing art for individuals and communities. As a first step towards critical understanding, and an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Anna of Denmark: The material and visual culture of the Stuart courts, 1589–1619 (Studies in Design and Material Culture)
by Jemma FieldApproaching the Stuart courts through the lens of the queen consort, Anna of Denmark, this study is underpinned by three key themes: translating cultures, female agency and the role of kinship networks and genealogical identity for early modern royal women. Illustrated with a fascinating array of objects and artworks, the book follows a trajectory that begins with Anna’s exterior spaces before moving to the interior furnishings of her palaces, the material adornment of the royal body, an examination of Anna’s visual persona and a discussion of Anna’s performance of extraordinary rituals that follow her life cycle. Underpinned by a wealth of new archival research, the book provides a richer understanding of the breadth of Anna’s interests and the meanings generated by her actions, associations and possessions.
Anna of Denmark: The material and visual culture of the Stuart courts, 1589–1619 (Studies in Design and Material Culture)
by Jemma FieldApproaching the Stuart courts through the lens of the queen consort, Anna of Denmark, this study is underpinned by three key themes: translating cultures, female agency and the role of kinship networks and genealogical identity for early modern royal women. Illustrated with a fascinating array of objects and artworks, the book follows a trajectory that begins with Anna’s exterior spaces before moving to the interior furnishings of her palaces, the material adornment of the royal body, an examination of Anna’s visual persona and a discussion of Anna’s performance of extraordinary rituals that follow her life cycle. Underpinned by a wealth of new archival research, the book provides a richer understanding of the breadth of Anna’s interests and the meanings generated by her actions, associations and possessions.
Anna Sokolow: The Rebellious Spirit (Choreography and Dance Studies Series)
by Larry WarrenA pioneer choreographer in modern American dance, Anna Sokolow has led a bewildering, active international life. Her meticulous biographer Larry Warren once looked up Anna Sokolow in a few reference books and found that she was born in three different years and that her parents were from Poland except when they were in Russia, and found many other inaccuracies. Drawing on material from nearly 100 interviews, Larry Warren has created a fascinating account and assessment of the life and work of Anna Sokolow, whose nomadic career was divided between New York, Mexico, and Israel. Setting her work on more than 70 dance companies, Anna Sokolow not only pioneered the development of a personal approach to movement, which has become part of the language of contemporary dance, but also created such masterpieces as Rooms, dealing with loneliness and alienation, and Dreams, which concerns the inner torment of victims of the Nazi Holocaust.
Anna Sokolow: The Rebellious Spirit (Choreography and Dance Studies Series #Vol. 14)
by Larry WarrenA pioneer choreographer in modern American dance, Anna Sokolow has led a bewildering, active international life. Her meticulous biographer Larry Warren once looked up Anna Sokolow in a few reference books and found that she was born in three different years and that her parents were from Poland except when they were in Russia, and found many other inaccuracies. Drawing on material from nearly 100 interviews, Larry Warren has created a fascinating account and assessment of the life and work of Anna Sokolow, whose nomadic career was divided between New York, Mexico, and Israel. Setting her work on more than 70 dance companies, Anna Sokolow not only pioneered the development of a personal approach to movement, which has become part of the language of contemporary dance, but also created such masterpieces as Rooms, dealing with loneliness and alienation, and Dreams, which concerns the inner torment of victims of the Nazi Holocaust.
Anna Ziegler Plays Two: The Great Moment; Another Way Home; The Wanderers; Actually
by Anna Ziegler"[Her] dialogue bristles with smart, eloquent talk…Ms. Ziegler's quietly lyrical language has a luminous beauty, and her talent for creating characters whose complicated depths are just visible on their surfaces is still more remarkable." (The New York Times) This second play collection from one of America's most successful theatre writers brings together four plays that offer differing perspectives on family and the human condition. Each play has enjoyed successful productions in cities across America, cementing Ziegler's position as one of the world's most exciting contemporary dramatists. The Wanderers: A funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love. "As perfect a piece of theater as I've seen in many years. The script by Anna Ziegler is a revelation, touching on family truths, marriage, and personal histories...Go see this show. It's magnificent." (DC Theatre Scene) The Great Moment: A personal and poignant meditation on beginnings and endings, birth and age, and the moments of transition that mark our passage from life to death. "A reflection on family, love, life, expected loss, and the peculiarity of our relationship with time, The Great Moment blends moments of sweetness, sadness, nostalgia, delight, and humor to create a delightful evening of theater." (Seattle Pockets)Another Way Home: A funny, moving, and uplifting examination of what it means to be a family. "a laugh-packed serio-comedy that shoves family life under a microscope. The dialogue is ironic, sardonic, poignant, insightful and funny - with each sensation rapidly piling atop the next." (Marinscope)Actually: Investigates gender and race politics, our crippling desire to fit in, and the three sides to every story. “Gripping. Beautifully rendered and complex. Destined to trigger discussion.” (LA Times)
Anna Ziegler Plays Two: The Great Moment; Another Way Home; The Wanderers; Actually
by Anna Ziegler"[Her] dialogue bristles with smart, eloquent talk…Ms. Ziegler's quietly lyrical language has a luminous beauty, and her talent for creating characters whose complicated depths are just visible on their surfaces is still more remarkable." (The New York Times) This second play collection from one of America's most successful theatre writers brings together four plays that offer differing perspectives on family and the human condition. Each play has enjoyed successful productions in cities across America, cementing Ziegler's position as one of the world's most exciting contemporary dramatists. The Wanderers: A funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love. "As perfect a piece of theater as I've seen in many years. The script by Anna Ziegler is a revelation, touching on family truths, marriage, and personal histories...Go see this show. It's magnificent." (DC Theatre Scene) The Great Moment: A personal and poignant meditation on beginnings and endings, birth and age, and the moments of transition that mark our passage from life to death. "A reflection on family, love, life, expected loss, and the peculiarity of our relationship with time, The Great Moment blends moments of sweetness, sadness, nostalgia, delight, and humor to create a delightful evening of theater." (Seattle Pockets)Another Way Home: A funny, moving, and uplifting examination of what it means to be a family. "a laugh-packed serio-comedy that shoves family life under a microscope. The dialogue is ironic, sardonic, poignant, insightful and funny - with each sensation rapidly piling atop the next." (Marinscope)Actually: Investigates gender and race politics, our crippling desire to fit in, and the three sides to every story. “Gripping. Beautifully rendered and complex. Destined to trigger discussion.” (LA Times)
Anne Carson: Antiquity (Bloomsbury Studies in Classical Reception)
by Laura JansenFrom her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically-oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a multi-praxis, cross-disciplinary perspective, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. Anne Carson/Antiquity collects twenty essays by poets, translators, artists, practitioners and scholars. It offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past.
Anne Carson: Antiquity (Bloomsbury Studies in Classical Reception)
From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically-oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a multi-praxis, cross-disciplinary perspective, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. Anne Carson/Antiquity collects twenty essays by poets, translators, artists, practitioners and scholars. It offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past.
Anne Frank on the Postwar Dutch Stage: Performance, Memory, Affect (Routledge Advances in Theatre & Performance Studies)
by Remco EnselThis book is a case study into the affective history of Holocaust drama offering a new perspective on the impact of The Diary of Anne Frank, the pivotal 1950s play that was a turning point in Holocaust consciousness. Despite its overwhelming success, criticism of the Broadway makeover has been harsh, suggesting that the alleged Americanization would not do justice to the violence of the Holocaust or Anne Frank’s budding Jewishness. This study revisits these issues by focusing on the play’s European appropriation delving into the emotional intensity with which the play was produced and received. The core of the exploration is a history of the Dutch staging in ethnographic detail, based on unique archival material such as correspondence with Otto Frank, prompt books, original tapes, blueprints of the set and oral history. The microhistory of the first Dutch performance of the stage adaptation of Anne Frank’s diary examines the staging in the context of the postwar hesitant development of publicly voiced Holocaust consciousness. Influenced by memory studies and affect theory, the emphasis is on the emotional impact of the drama on both the members of the cast and the audience and will be of great interest to students and scholars in theater and performance studies, memory studies, cultural history, Jewish studies, Holocaust studies and contemporary European history.
Anne Frank on the Postwar Dutch Stage: Performance, Memory, Affect (Routledge Advances in Theatre & Performance Studies)
by Remco EnselThis book is a case study into the affective history of Holocaust drama offering a new perspective on the impact of The Diary of Anne Frank, the pivotal 1950s play that was a turning point in Holocaust consciousness. Despite its overwhelming success, criticism of the Broadway makeover has been harsh, suggesting that the alleged Americanization would not do justice to the violence of the Holocaust or Anne Frank’s budding Jewishness. This study revisits these issues by focusing on the play’s European appropriation delving into the emotional intensity with which the play was produced and received. The core of the exploration is a history of the Dutch staging in ethnographic detail, based on unique archival material such as correspondence with Otto Frank, prompt books, original tapes, blueprints of the set and oral history. The microhistory of the first Dutch performance of the stage adaptation of Anne Frank’s diary examines the staging in the context of the postwar hesitant development of publicly voiced Holocaust consciousness. Influenced by memory studies and affect theory, the emphasis is on the emotional impact of the drama on both the members of the cast and the audience and will be of great interest to students and scholars in theater and performance studies, memory studies, cultural history, Jewish studies, Holocaust studies and contemporary European history.
Annie Hall: A Nervous Romance (BFI Film Classics)
by Peter CowieFor an entire generation, 'Annie Hall 'embodied the notion of a New York peopled by sophisticated intellectuals - all sent up by the deadpan comedy genius of Woody Allen, writer, director and of course star. It also confirmed the sparkling acting talent of Diane Keaton as a partner for Woody on screen. The film has survived as a popular comedy, however, by virtue of Allen's inventiveness as a director and the timelessness of his satire. Peter Cowrie's study of 'Annie Hall 'recaptures the mood of the 70s, and examines the myriad imaginative touches that distinguish this film from other American productions of the period. The book also includes a glossary of the many cultural references which give the film its distinctively 'intellectual' tone.