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Kinfolk Wilderness (Kinfolk Adventures)
by John BurnsThe second volume in the new Kinfolk trilogy (following Kinfolk Islands), which invites readers to celebrate the beauty and possibility to be found in the great outdoors.
King and Collector: Henry VIII and the Art of Kingship
by Linda Collins Siobhan ClarkeNo English king is as well-known to us as Henry VIII: famous for six marriages; for dissolving the monasteries; and for the ruthless destruction of those who stood in his way. But Henry was also an ardent patron of the arts whose tapestries and paintings, purchased in pursuit of glory and magnificence, adorned his lavish court and began the Royal Collection. In contrast to later royal collectors, this king was more interested in storytelling than art for its own sake, and all his commissions relate to one central tale: the glorification of Henry and his realm. His life can be seen through his art collection and the works tell us much about both his kingship and his insecurities. King and Collector tells a unique story of art, power and propaganda in Tudor England.
The King and I (Shakespeare Now!)
by Philippa KellyA unique exploration of Shakespeare's King Lear, with its themes of banishment, alienation and hope, via a personal memoir that embraces the history of Australia.
The King and I (Shakespeare Now!)
by Philippa KellyA unique exploration of Shakespeare's King Lear, with its themes of banishment, alienation and hope, via a personal memoir that embraces the history of Australia.
King Charles III: 100 Moments From His Journey To The Throne
by The SunStunning, photographic King Charles III memorabilia gift for royal fans As the nation celebrates the coronation of a new monarch, The Sun looks back on 100 moments in the life of the man who would be king.
King David, Man of Blood (Oberon Modern Plays)
by Fraser GraceLucifer makes a wager with God and sets out to test the loyalty of his favourite son, King David, Man of Blood. David's eyes are opened and for the first time he glimpses the demon inside his own god-like being. Now David must question the nature of a God who continues to bless him, a 'war criminal' in all he does. What does this say about the God he worships? David determines to set God a test of his own. Seducing the beautiful Bethsebe and sending her husband Uriah back to the front with sealed orders, David inches his way toward a crime any good God must surely punish. Mustn't he? In the battle between heaven and earth which ensues, the innocent quickly fall and David's challenge to God assumes cataclysmic proportions... King David, Man of Blood re-spins a classic biblical tale to devastating moral effect, fetching up on a very modern shore, where horror, tragedy, comedy and a terrible beauty co-exist.
King John: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Joseph CandidoThis new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to the plays since the late 1930s to the present day, the volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
King John: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. Updated with a new introduction providing a survey of critical responses to the plays since the late 1930s to the present day, the volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
King John (Mis)Remembered
by Igor DjordjevicKing John’s evil reputation has outlasted and proved more enduring than that of Richard III, whose notoriety seemed ensured thanks to Shakespeare’s portrayal of him. The paradox is even greater when we realize that this portrait of John endures despite Shakespeare’s portrait of him in the play King John, where he hardly comes off as a villain at all. Here Igor Djordjevic argues that the story of John’s transformation in cultural memory has never been told completely, perhaps because the crucial moment in John’s change back to villainy is a literary one: it occurs at the point when the 'historiographic' trajectory of John’s character-development intersects with the 'literary' evolution of Robin Hood. But as Djordjevic reveals, John’s second fall in cultural memory became irredeemable as the largely unintended result of the work of three men - John Stow, Michael Drayton, Anthony Munday - who knew each other and who all read a significant passage in a little known book (the Chronicle of Dunmow), while a fourth man’s money (Philip Henslowe) helped move the story from page to stage. The rest, as they say, is history. Paying particular attention to the work of Michael Drayton and Anthony Munday who wrote for the Lord Admiral’s Men, Djordjevic traces the cultural ripples their works created until the end of the seventeenth century, in various familiar as well as previously ignored historical, poetic, and dramatic works by numerous authors. Djordjevic’s analysis of the playtexts’ source, and the personal and working relationship between the playwright-poets and John Stow as the antiquarian disseminator of the source text, sheds a brighter light on a moment that proves to have a greater significance outside theatrical history; it has profound repercussions for literary history and a nation’s cultural memory.
King John (Mis)Remembered: The Dunmow Chronicle, The Lord Admiral's Men, And The Formation Of Cultural Memory
by Igor DjordjevicKing John’s evil reputation has outlasted and proved more enduring than that of Richard III, whose notoriety seemed ensured thanks to Shakespeare’s portrayal of him. The paradox is even greater when we realize that this portrait of John endures despite Shakespeare’s portrait of him in the play King John, where he hardly comes off as a villain at all. Here Igor Djordjevic argues that the story of John’s transformation in cultural memory has never been told completely, perhaps because the crucial moment in John’s change back to villainy is a literary one: it occurs at the point when the 'historiographic' trajectory of John’s character-development intersects with the 'literary' evolution of Robin Hood. But as Djordjevic reveals, John’s second fall in cultural memory became irredeemable as the largely unintended result of the work of three men - John Stow, Michael Drayton, Anthony Munday - who knew each other and who all read a significant passage in a little known book (the Chronicle of Dunmow), while a fourth man’s money (Philip Henslowe) helped move the story from page to stage. The rest, as they say, is history. Paying particular attention to the work of Michael Drayton and Anthony Munday who wrote for the Lord Admiral’s Men, Djordjevic traces the cultural ripples their works created until the end of the seventeenth century, in various familiar as well as previously ignored historical, poetic, and dramatic works by numerous authors. Djordjevic’s analysis of the playtexts’ source, and the personal and working relationship between the playwright-poets and John Stow as the antiquarian disseminator of the source text, sheds a brighter light on a moment that proves to have a greater significance outside theatrical history; it has profound repercussions for literary history and a nation’s cultural memory.
King Lear: With An Introduction And Notes... (Oberon Classics)
by William ShakespeareJonathan Munby’s explosive revival of Shakespeare’s epic tragedy transferred to the West End following its sold-out run at Chichester Festival Theatre, performed by a celebrated cast led by Ian McKellen as the embittered monarch in a fractured kingdom. This version of the text was edited and curated specially for the production.Two ageing fathers - one a King, one his courtier - reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery as family and state are plunged into a violent power struggle with shocking ends.Tender, brutal, moving and epic, King Lear is considered by many to be the greatest tragedy ever written.
King Leir (Globe Quartos)
by AnonymousPerformed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition
King Leir (Globe Quartos)
by AnonymousPerformed at the Globe Theater in 1605, King Leir is presumed to be a prime source for Shakespeare. Although the story is the same, in this anonymous version the ending is happy. This is the first time this fascinating work is published in a single-play edition
King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema
by Anupama ChopraHere is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." -- Mira Nair, Director, The Namesake and Monsoon Wedding"King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." -- Kirkus
The King of Hell's Palace (Modern Plays)
by Frances Ya-Chu CowhigWhen the Henan Ministry of Health begins paying citizens for blood plasma which is then sold to pharmaceutical companies, impoverished farmers in the province's remote villages sell blood to buy fertilizer, mend their houses and create a better life for their children. As corrupt health officials cut costs to maximize profits, safety standards are ignored, bringing potential catastrophe to China's most vulnerable population. Inspired by true events, this gripping drama explores the conflicts that arise when a community's greatest source of capital becomes their own bodies. Focusing on the personal repercussions of the cover-up, The King of Hell's Palace questions how political and medical decisions are made and how both a family and an entire country can look to recover from traumatic events.
The King of Hell's Palace (Modern Plays)
by Frances Ya-Chu CowhigWhen the Henan Ministry of Health begins paying citizens for blood plasma which is then sold to pharmaceutical companies, impoverished farmers in the province's remote villages sell blood to buy fertilizer, mend their houses and create a better life for their children. As corrupt health officials cut costs to maximize profits, safety standards are ignored, bringing potential catastrophe to China's most vulnerable population. Inspired by true events, this gripping drama explores the conflicts that arise when a community's greatest source of capital becomes their own bodies. Focusing on the personal repercussions of the cover-up, The King of Hell's Palace questions how political and medical decisions are made and how both a family and an entire country can look to recover from traumatic events.
King Solomon's Ring
by Konrad LorenzSolomon, the legend goes, had a magic ring which enabled him to speak to the animals in their own language. Konrad Lorenz was gifted with a similar power of understanding the animal world. He was that rare beast, a brilliant scientist who could write (and indeed draw) beautifully. He did more than any other person to establish and popularize the study of how animals behave, receiving a Nobel Prize for his work. King Solomon's Ring, the book which brought him worldwide recognition, is a delightful treasury of observations and insights into the lives of all sorts of creatures, from jackdaws and water-shrews to dogs, cats and even wolves. Charmingly illustrated by Lorenz himself, this book is a wonderfully written introduction to the world of our furred and feathered friends, a world which often provides an uncanny resemblance to our own. A must for any animal-lover!
King Solomon's Ring
by Konrad LorenzSolomon, the legend goes, had a magic ring which enabled him to speak to the animals in their own language. Konrad Lorenz was gifted with a similar power of understanding the animal world. He was that rare beast, a brilliant scientist who could write (and indeed draw) beautifully. He did more than any other person to establish and popularize the study of how animals behave, receiving a Nobel Prize for his work. King Solomon's Ring, the book which brought him worldwide recognition, is a delightful treasury of observations and insights into the lives of all sorts of creatures, from jackdaws and water-shrews to dogs, cats and even wolves. Charmingly illustrated by Lorenz himself, this book is a wonderfully written introduction to the world of our furred and feathered friends, a world which often provides an uncanny resemblance to our own. A must for any animal-lover!
The Kingdom (Oberon Modern Plays)
by Colin TeevanThree Irishmen. Digging. Telling tales to put down the day. But as they dig down, long-buried secrets begin to emerge and the story they tell is as dark as the earth itself. It is a tale full of rich and striking characters. The Kingdom vividly captures life as an Irish navvy in the last century – a time of immigration, violence, sex, triumph and, ultimately, tragedy. Rooted in the dramas of ancient Greece, The Kingdom is Colin Teevan’s haunting and lyrical new play.
Kings (Modern Plays)
by Oli ForsythThese people who walk past us all day will happily send £10 a month to Oxfam...but you could be freezing to death right in front of them and they'll walk past you. Bess and Hannah are waiting. Sleeping rough on the streets of London they're hoping for help to arrive and for life to change, but they've been waiting for a long time.Until, that is, they meet Caz, a young woman who's not content to sit quietly, she's far more interested in taking what she needs. As Bess and Hannah get drawn further into this new way of thinking they discover a power in their position that opens up a world of change. Published to coincide with Smoke & Oakum's award-winning new production, Kings originally ran at the 2017 VAULT Festival before transferring to the New Diorama Theatre in October 2017.
Kings (Modern Plays)
by Oli ForsythThese people who walk past us all day will happily send £10 a month to Oxfam...but you could be freezing to death right in front of them and they'll walk past you. Bess and Hannah are waiting. Sleeping rough on the streets of London they're hoping for help to arrive and for life to change, but they've been waiting for a long time.Until, that is, they meet Caz, a young woman who's not content to sit quietly, she's far more interested in taking what she needs. As Bess and Hannah get drawn further into this new way of thinking they discover a power in their position that opens up a world of change. Published to coincide with Smoke & Oakum's award-winning new production, Kings originally ran at the 2017 VAULT Festival before transferring to the New Diorama Theatre in October 2017.
Kings and Connoisseurs: Collecting Art in Seventeenth-Century Europe (The A. W. Mellon Lectures in the Fine Arts #43)
by Jonathan BrownA vivid and exciting account of royal collectors, art dealers, connoisseurs, and the rise of old master paintingsOld master paintings are among the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In Kings and Connoisseurs, Jonathan Brown tells the story of how painting rose to this exalted status. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. By comparing collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue.
The King's Glass: A Story of Tudor Power and Secret Art
by Carola HicksEach year more than 250,000 people visit the Chapel of King's College, Cambridge, one of Europe's best-known buildings. This book tells the untold story of the Chapel's crowning glory, its stained glass windows, and of the people who created them - the triumphant culmination of a project completed despite wars, the death of kings and violent religious conflict. The glass symbolises the power of the Tudors, and is a mirror of their souls. Planned by Henry VII and continued by Henry VIII, the windows are dynastic propaganda, simultaneously blatant and subtle. The windows show how Henry commemorated his wives in art, then airbrushed them out when they fell from favour, and how he recruited leading artists to make this England's response to the Sistine Chapel.The great 'King's Glass' also flaunts the skills of its makers, many of them innovative immigrants. It is a tale of guilds and artisans as well as of the court. It is, too, a history of England, reflecting change, conflict and modernity in the sixteenth century.
The King's Jester: The Life of Dan Leno, Victorian Comic Genius
by Barry AnthonyWho was Dan Leno? In 1901 everyone in Britain knew who he was. They had seen him live on the music hall stage, listened to his jokes on the new gramophone and watched his funny antics in some of the earliest moving pictures. Even King Edward VII was a fan and the popular press dubbed Dan Leno “The King's Jester”. But his path to fame was a hard one: he journeyed from being a child performer in the London and Liverpool slums to a chaotic career in hard-bitten northern variety theatres. Dan became the nation's favourite comedian, but as one of the first mass media stars he suffered from this continual exposure and died at the early age of forty three.Drawing on many previously unused sources, this is first, authoritative, biography of Dan Leno. Only Charlie Chaplin, often compared to Dan in style and appearance, was to occupy a similar position in the hearts of the British public. In telling the full story of Dan's life and career on the stage and screen, Barry Anthony brings to life the everyday life of Victorian Britain, as well as Dan's unique brand of humour and its resonance with later comedians such as Spike Milligan and the Monty Python team.'Barry Anthony has learned so much more than I about the great little clown who became the King's Jester. He has brought it all together in this fascinating and so well documented story of Dan Leno's life and times.' - Roy Hudd President of the British Music Hall Society
The King's Painter: The Life and Times of Hans Holbein
by Franny MoyleA BBC RADIO 4 BOOK OF THE WEEK'A great, thrusting codpiece of a book. It is big, bombastic and richly brocaded... A jewel in its own right' The Times'Evokes the painter and his world as vividly as a Holbein masterpiece. Beautifully written and illustrated, this book is a must for lovers of Tudor history' Tracy BormanFull of insight... This is a gorgeous book, to which I am sure I shall return again and again' Dan JonesHans Holbein the Younger is chiefly celebrated for his beautiful and precisely realised portraiture, which includes representations of Henry VIII, Thomas More, Thomas Cromwell, Anne of Cleves, Jane Seymour and an array of the Tudor lords and ladies he encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the world of the Henrician court, Holbein was a protean and multi-faceted genius: a humanist, satirist, political propagandist, and contributor to the history of book design as well as a religious artist and court painter. The rich layers of symbolism and allusion that characterise his work have proved especially fascinating to scholars.Franny Moyle traces and analyses the life and work of an extraordinary artist against the backdrop of an era of political turbulence and cultural transformation, to which his art offers a subtle and endlessly refracting mirror.