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Realizing 3D Animation in Blender: Master the fundamentals of 3D animation in Blender, from keyframing to character movement
by Sam BrubakerUnlock the secrets of Blender animation and leverage advanced techniques to become a 3D animation professional with this illustrated guideKey FeaturesMaster the essentials of 3D animation through engaging step-by-step exercisesGo from linking and posing a character to using a nonlinear animation editorDiscover unique insights and top tips that you won’t find in the Blender documentationPurchase of the print or Kindle book includes a free PDF eBookBook DescriptionCompletely free and open source, Blender, with its supportive community and powerful feature set, is an indispensable tool for creating 3D animations. However, learning the software can be a challenge given the complexity of its interface and the intricacies of animation theory. If you want to venture into 3D animation but don’t know where to start, Realizing 3D Animation in Blender is for you. Adopting a practical approach, this guide simplifies the theory of 3D animation and the many animation workflows specific to Blender. Through detailed exercises and a sharp focus on the animation process, this book equips you with everything you need to set out on your path to becoming a 3D animator. It’s much more than just an introduction; this book covers complex concepts such as F-Curve modifiers, rigid-body physics simulation, and animating with multiple cameras, presented in an easy-to-follow manner to avoid common pitfalls encountered by novice animators. By the end of this Blender 3D animation book, you’ll have gained the knowledge, experience, and inspiration to start creating impressive 3D animations on your own.What you will learnBecome well-versed with the simple rules of keyframing and interpolationUnderstand the function and behavior of Blender's animation curvesBring a character to life with Blender 3D character animationUtilize multiple cameras and the video sequence editor for advanced shot compositionGet to grips with Blender's mysterious non-linear animation toolExplore advanced features such as physics simulation and camera techniquesWho this book is forThis book is for anyone seeking guidance in the world of 3D animation using Blender. Whether you’re an aspiring 3D animator, a beginner or intermediate-level Blender user, or a visual media producer looking to expand your skill set, this resource will prove invaluable. As long as you have basic familiarity with Blender and have the software already installed on a computer that meets system requirements, you’re ready to dive into this book. While prior experience with Blender’s animation tools is not necessary, having at least modeled a scene, added simple shading and lighting, and rendered a few still images will be beneficial.
The Really Cool Craft Book: More Than 50 Fantastic Projects
by Annalees LimThis book is jam-packed with brilliant craft ideas, gift suggestions and fun projects that kids aged 7 and above can make straight away. So, grab some glue, dig out some beads or fabric... and get crafting! Easy-to-follow instructions and clear photographs are provided for every project, but experimentation and customization are positively encouraged. The book's tone is fun yet informative and its design style draws inspiration from scrapbooks.
Really Cross Stitch: For when you just want to stab something a lot
by Rayna FaheyInspired by the banners and signs at recent marches around the world, Really Cross Stitch takes all that anger, outrage and protest and puts it inside a pretty, decorative border. Along with some snarky commentary and general annoyance.Featuring more than 40 truly original cross stitch designs, the book also contains instructions on techniques for new stitchers. Stitching for public protest is not new. First-wave feminists in the US and in Britain used needlework in their demonstrations and public protest lectures during the nineteenth and early twentieth centuries. Needlework and other handcrafts, however, declined throughout the twentieth century, with second-wave feminists arguing against "the oppression of the needle". In the 21st century however there has been a steep resurgence and many are turning to crafting, especially needlework, as an activist strategy. In Knitting for Good, feminist Betsy Greer makes this point strongly when she proclaims, "I think every act of making is an act of revolution.†?
Really Cross Stitch: For when you just want to stab something a lot
by Rayna FaheyInspired by the banners and signs at recent marches around the world, Really Cross Stitch takes all that anger, outrage and protest and puts it inside a pretty, decorative border. Along with some snarky commentary and general annoyance.Featuring more than 40 truly original cross stitch designs, the book also contains instructions on techniques for new stitchers. Stitching for public protest is not new. First-wave feminists in the US and in Britain used needlework in their demonstrations and public protest lectures during the nineteenth and early twentieth centuries. Needlework and other handcrafts, however, declined throughout the twentieth century, with second-wave feminists arguing against "the oppression of the needle". In the 21st century however there has been a steep resurgence and many are turning to crafting, especially needlework, as an activist strategy. In Knitting for Good, feminist Betsy Greer makes this point strongly when she proclaims, "I think every act of making is an act of revolution.†?
Really Important Stuff My Cat Has Taught Me
by Cynthia L. CopelandA book that will delight every cat lover, full of wise and unforgettable life lessons, each paired with the perfect photo. Cats are the ultimate savants, possessing intelligence, poise, and sass in equal measure. They know when to play it cool, and when to pounce; when to fly solo, and when to cuddle up. Entertaining, unpredictable, and just a bit wild, cats encourage us to explore, take chances, and live on the edge—just as if we too had nine lives. Cynthia L. Copeland, author of the bestselling Really Important Stuff My Dog Has Taught Me and Really Important Stuff My Kids Have Taught Me, now turns her attention to our mysterious feline friends. Every page of this full-color gift book is a joyful reminder of what&’s important in life. Like Confidence: &“Insist on a seat at the table.&” Curiosity: &“Have more questions than answers.&” Adventure: &“Sometimes you have to leap before you look.&” Individuality: &“You&’ll be remembered for what sets you apart.&” Kindness: &“Recognize the power of your purr.&” And Solitude: &“Find your own square of sunshine.&”
Really Important Stuff My Dog Has Taught Me
by Cynthia L. CopelandLesson #1: Joy is meant to be shared. Pairing an irresistible photograph with a warm and wise life lesson, every page of this New York Times bestseller remindes us of what's important: to accept every day as a gift, to love completely and forgive easily, to know when to run and when to rest.
The Really Useful Grandparents' Book
by Eleo Gordon Nanette Newman Tony LaceyA collection of fun and eductional games, projects, interesting facts and things to do with the grandchildren, aimed at grandparents and published in the vein of The Glorious Book for Girls
Reanimating grief: Waking the dead in literature, theatre and performance
by William McEvoyReanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief’s subjectivity and uniqueness. It covers classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O’Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.
Reanimating grief: Waking the dead in literature, theatre and performance
by William McEvoyReanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief’s subjectivity and uniqueness. It covers classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O’Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.
Reappraising Cult Horror Films: From Carnival of Souls to Last Night in Soho
by Lee BroughtonIdentifies key – and in some cases previously overlooked – cult horror films from around the world and reappraises them by approaching and interrogating them in new ways.New productions in the horror genre occupy a prominent space within the cinematic landscape of the 21st century, but the genre's back catalogue of older films refuses to be consigned to the motion picture graveyard just yet. Interest in older horror films remains high, and an ever-increasing number of these films have enjoyed an afterlife as cult movies thanks to regular film festival screenings, television broadcasts and home video releases. Similarly, academic interest in the horror genre has remained high. The frameworks applied by contributors to the collection include genre studies, narrative theory, socio-political readings, aspects of cultural studies, gendered readings, archival research, fan culture work, interviews with filmmakers, aspects of film historiography, spatial theory and cult film theory. Covering a corpus of films that ranges from recognised cult horror classics such as The Wicker Man, The Shining and Candyman to more obscure films like Daughters of Darkness, The Legend of the 7 Golden Vampires, Shivers, Howling III: The Marsupials and Inside, Broughton has curated an international selection of case studies that show the diverse nature of the cult horror subgenre. Be they star-laden, stylish, violent, bizarre or simply little heard-of obscurities, this book offers a multitude of new critical insights into a truly eclectic selection of cult horror films.
Reappraising Cult Horror Films: From Carnival of Souls to Last Night in Soho
Identifies key – and in some cases previously overlooked – cult horror films from around the world and reappraises them by approaching and interrogating them in new ways.New productions in the horror genre occupy a prominent space within the cinematic landscape of the 21st century, but the genre's back catalogue of older films refuses to be consigned to the motion picture graveyard just yet. Interest in older horror films remains high, and an ever-increasing number of these films have enjoyed an afterlife as cult movies thanks to regular film festival screenings, television broadcasts and home video releases. Similarly, academic interest in the horror genre has remained high. The frameworks applied by contributors to the collection include genre studies, narrative theory, socio-political readings, aspects of cultural studies, gendered readings, archival research, fan culture work, interviews with filmmakers, aspects of film historiography, spatial theory and cult film theory. Covering a corpus of films that ranges from recognised cult horror classics such as The Wicker Man, The Shining and Candyman to more obscure films like Daughters of Darkness, The Legend of the 7 Golden Vampires, Shivers, Howling III: The Marsupials and Inside, Broughton has curated an international selection of case studies that show the diverse nature of the cult horror subgenre. Be they star-laden, stylish, violent, bizarre or simply little heard-of obscurities, this book offers a multitude of new critical insights into a truly eclectic selection of cult horror films.
Reason in the City of Difference (Questioning Cities)
by Gary BridgeIn the modernist city rationality ruled and subsumed difference in a logic of identity. In the postmodern city, reason is abandoned for an endless play of difference. Reason in the City of Difference poses an alternative to these extremes by drawing on classical American philosophical pragmatism (and its contemporary developments in feminism and the philosophy of communication) to explore the possibilities of a strengthening and deepening of reason in the contemporary city. This is a transactional rationality based on communication, rather than cognition, involving bodies as much as minds, and non-discursive, as well as discursive competences. It is a rationality that emerges out of difference and from within the city, rather than over and above it. Using pragmatist philosophy and a range of suggestive examples of urban scholarship, this fascinating book offers a new, alternative reading of the city.
Reason in the City of Difference (Questioning Cities)
by Gary BridgeIn the modernist city rationality ruled and subsumed difference in a logic of identity. In the postmodern city, reason is abandoned for an endless play of difference. Reason in the City of Difference poses an alternative to these extremes by drawing on classical American philosophical pragmatism (and its contemporary developments in feminism and the philosophy of communication) to explore the possibilities of a strengthening and deepening of reason in the contemporary city. This is a transactional rationality based on communication, rather than cognition, involving bodies as much as minds, and non-discursive, as well as discursive competences. It is a rationality that emerges out of difference and from within the city, rather than over and above it. Using pragmatist philosophy and a range of suggestive examples of urban scholarship, this fascinating book offers a new, alternative reading of the city.
The Reason to Sing: A Guide to Acting While Singing
by Craig CarneliaIn The Reason to Sing, renowned composer-lyricist and teacher Craig Carnelia provides musical actors with a step-by-step guide to making their singing performances more truthful, vivid, and full of life. Using a technique developed over decades of teaching the professional community of Broadway actors and students alike, The Reason to Sing utilizes detailed descriptions of sessions the author has had with his notable students and lays out a new and proven approach to help you build your skills, your confidence, and your career. This book is intended for musical theater acting students as well as working professionals and teachers of the craft.
The Reason to Sing: A Guide to Acting While Singing
by Craig CarneliaIn The Reason to Sing, renowned composer-lyricist and teacher Craig Carnelia provides musical actors with a step-by-step guide to making their singing performances more truthful, vivid, and full of life. Using a technique developed over decades of teaching the professional community of Broadway actors and students alike, The Reason to Sing utilizes detailed descriptions of sessions the author has had with his notable students and lays out a new and proven approach to help you build your skills, your confidence, and your career. This book is intended for musical theater acting students as well as working professionals and teachers of the craft.
The Reasonable Audience: Theatre Etiquette, Behaviour Policing, and the Live Performance Experience
by Kirsty SedgmanAudiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back…The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.
Reasons to be Graeae: A work in progress
by Jenny SealeyGraeae is a force for change in world-class theatre, placing D/deaf and disabled actors centre stage and challenging preconceptions.A Work in Progress contains the full script of Reasons to be Cheerful, a brief history of the company, analysis and extracts from their previous shows, memories of Graeae from previous collaborators, including Jack Thorne, Jo Clifford, Kaite O’Reilly and Jonathan Meth, and a host of images.‘Graeae are not just a unique and groundbreaking theatre company; they are an institution, an inspiration to the entire industry. This overdue testimony of their work is a glorious read.’ Rufus Norris, Director of the National Theatre‘Graeae has always been a company in which radicalism and mischief have walked cheek by jowl. It’s a pleasure to see four decades of theatre celebrated.’ Lyn Gardner, The Guardian
Reasons to Be Happy: A Play
by Neil LaButeThree years after a difficult breakup, Steph and Greg are wondering if they can start over again. The trouble is, she's married someone else and he's started a relationship with her best friend Carly. Meanwhile, Carly's ex-husband Kent wants her back, and even more so when he hears about her new romance with his best friend Greg. As emotions run high, all four find themselves entangled in a web of hidden agendas and half-truths in their pursuit of a happy life.A companion piece to the acclaimed Reasons to Be Pretty, Neil LaBute's Reasons to Be Happy received its UK premiere at Hampstead Theatre, London, in March 2016.
Reasons to Be Pretty: A Play
by Neil LaButeGreg is overheard admitting that his girlfriend Steph is no beauty, but that he wouldn't change her for the world. She is devastated; he can't see what he's done wrong. Meanwhile, Greg's friend Kent alternates between boasting about how gorgeous his wife Carlyis and chasing after a hot new colleague.The final part of Neil LaBute's 'beauty trilogy' (following The Shape of Things and Fat Pig) about society's obsession with looks, Reasons to Be Pretty premiered in the UK at the Almeida Theatre, London, in November 2011.'[The Shape of Things] is LaBute's thesis on extreme feminine wiles, as well as a disquisition on how far an artist can go in the name of art . . . Like a chiropractor for the soul, LaBute is looking for realignment, listening for the crack.' Elle'A heart-warming tale from America's master misanthrope.' Independent on Fat Pig
Reasserting the Disney Brand in the Streaming Era: A Critical Examination of Disney+ (Routledge Research in Cultural and Media Studies)
by Robert Alan Brookey Jason Phillips Tim PollardReasserting the Disney Brand in the Streaming Era investigates the evolution of the Disney brand at a pivotal moment – the move from content creation to acquisition and streaming – and how the company reasserted its brand in a changing marketplace. Exploring how Disney’s acquisition of Pixar, Marvel, Lucasfilm and Fox positioned the company to launch the Disney+ streaming service, the chapters look at the history of those acquisitions, and the deployment of the content, brands and intellectual property from those acquisitions, through an analysis of the original content that appeared on Disney+. Offering a focused investigation of how the content offered from these various media brands was adapted for Disney+ so that it reflects the Disney brand, the authors illustrate through close textual analysis how this content reflects elements of the "Classic Disney Style." The analysis positions these texts in relation to their industrial contexts, while also identifying important touchstone texts (both television and film) in Disney's catalogue. This comprehensive and thoughtful analysis will interest upper-level students and scholars of media studies, political economy, Disney studies, media industries and new technology.
Reasserting the Disney Brand in the Streaming Era: A Critical Examination of Disney+ (Routledge Research in Cultural and Media Studies)
by Robert Alan Brookey Jason Phillips Tim PollardReasserting the Disney Brand in the Streaming Era investigates the evolution of the Disney brand at a pivotal moment – the move from content creation to acquisition and streaming – and how the company reasserted its brand in a changing marketplace. Exploring how Disney’s acquisition of Pixar, Marvel, Lucasfilm and Fox positioned the company to launch the Disney+ streaming service, the chapters look at the history of those acquisitions, and the deployment of the content, brands and intellectual property from those acquisitions, through an analysis of the original content that appeared on Disney+. Offering a focused investigation of how the content offered from these various media brands was adapted for Disney+ so that it reflects the Disney brand, the authors illustrate through close textual analysis how this content reflects elements of the "Classic Disney Style." The analysis positions these texts in relation to their industrial contexts, while also identifying important touchstone texts (both television and film) in Disney's catalogue. This comprehensive and thoughtful analysis will interest upper-level students and scholars of media studies, political economy, Disney studies, media industries and new technology.
Reassessing the Hitchcock Touch: Industry, Collaboration, and Filmmaking
by Wieland SchwanebeckThis volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock’s own films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock’s own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the branding effects associated with Hitchcockian cinema and its seductive qualities highlight the paratextual dimension of his films and the importance of his well-publicized persona, while the final section addresses both Hitchcock’s formative period, as well as other filmmakers who drew upon the Hitchcock Touch. The collection not only serves as an introduction to the field of Hitchcock scholarship for a wider audience, it also delivers in-depth assessments of the lesser-known early period of his career, in addition to providing new takes on canonical films like Vertigo (1958) and Frenzy (1972).
Reassessing the Hitchcock Touch: Industry, Collaboration, and Filmmaking
by Wieland SchwanebeckThis volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock’s own films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock’s own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the branding effects associated with Hitchcockian cinema and its seductive qualities highlight the paratextual dimension of his films and the importance of his well-publicized persona, while the final section addresses both Hitchcock’s formative period, as well as other filmmakers who drew upon the Hitchcock Touch. The collection not only serves as an introduction to the field of Hitchcock scholarship for a wider audience, it also delivers in-depth assessments of the lesser-known early period of his career, in addition to providing new takes on canonical films like Vertigo (1958) and Frenzy (1972).
Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter
by M. BennettFifty years after the publication of Martin Esslin's The Theatre of the Absurd , which suggests that 'absurd' plays purport the meaninglessness of life, this book uses the works of five major playwrights of the 1950s to provide a timely reassessment of one of the most important theatre 'movements' of the 20th century.
Rebecca (BFI Film Classics)
by Patricia WhiteThe 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca begins by echoing the novel's famous opening line, 'Last night I dreamt I went to Manderley again.' Patricia White takes the theme of return as her starting point for an exploration of the film's enduring power. Drawing on archival research, she shows how the production and reception history of Rebecca, the first fruit of the collaboration between Hollywood movie producer David O. Selznick and British director Alfred Hitchcock, is marked by the traces of women's contributions. White provides a rich analysis of the film, addressing the gap between perception and reality that is constantly in play in the gothic romance, and highlighting the queer erotics circulating around 'I' (the heroine), Mrs Danvers, and the dead but ever-present Rebecca. Her discussion of the film's afterlives emphasizes the lasting aesthetic impact of this dark masterpiece of memory and desire, while her attention to its remakes and sequels speaks to the ongoing relevance of its vision of gender and power.