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Salvaging Community: How American Cities Rebuild Closed Military Bases
by Michael Touchton Amanda J. AshleyAmerican communities face serious challenges when military bases close. But affected municipalities and metro regions are not doomed. Taking a long-term, flexible, and incremental approach, Michael Touchton and Amanda J. Ashley make strong recommendations for collaborative models of governance that can improve defense conversion dramatically and ensure benefits, even for low-resource municipalities. Communities can't control their economic situation or geographic location, but, as Salvaging Community shows, communities can control how they govern conversion processes geared toward redevelopment and reinvention.In Salvaging Community, Touchton and Ashley undertake a comprehensive evaluation of how such communities redevelop former bases following the Department of Defense's Base Realignment and Closure (BRAC) process. To do so, they developed the first national database on military redevelopment and combine quantitative national analyses with three, in-depth case studies in California. Salvaging Community thus fills the void in knowledge surrounding redevelopment of bases and the disparate outcomes that affect communities after BRAC. The data presented in Salvaging Community points toward effective strategies for collaborative governance that address the present-day needs of municipal officials, economic development agencies, and non-profit organizations working in post-BRAC communities. Defense conversion is not just about jobs or economic rebound, Touchton and Ashley argue. Emphasizing inclusion and sustainability in redevelopment promotes rejuvenated communities and creates places where people want to live. As localities and regions deal with the legacy of the post-Cold War base closings and anticipate new closures in the future, Salvaging Community presents a timely and constructive approach to both economic and community development at the close of the military-industrial era.
Salvidor Dali (UEB contracted)
by RnibThis image shows a portrait of Salvador Dali. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. He is facing you so all facial features can be found. Only his head, neck and some of his shoulders are shown. His black hair is cut in a very neat and tidy style. He has large black eyebrows. Down from them he stares with very wide brown eyes, they are nearly popping out. He has a long thin moustache which curves round down from, and just left and right of each eye. It ends in sharp points. He wears a smart jacket and tie. He has a handkerchief poking out of the jacket breast pocket in the bottom right of the image. The image is surrounded by an image border.
Salvidor Dali (UEB uncontracted)
by RnibThis image shows a portrait of Salvador Dali. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. He is facing you so all facial features can be found. Only his head, neck and some of his shoulders are shown. His black hair is cut in a very neat and tidy style. He has large black eyebrows. Down from them he stares with very wide brown eyes, they are nearly popping out. He has a long thin moustache which curves round down from, and just left and right of each eye. It ends in sharp points. He wears a smart jacket and tie. He has a handkerchief poking out of the jacket breast pocket in the bottom right of the image. The image is surrounded by an image border.
Sam. The Good Person (Oberon Modern Plays)
by Declan PerringSam is a good person. But what makes someone a good person? How far would you go to convince others you are? When your mind can’t differentiate between the truth and a lie, facts become irrelevant and the only thing that matters is the story you are telling. Whatever the cost. Sam. The Good Person is a startling black comedy that examines just how easy it is for a lie to spiral out of control and change your life forever.
Sam Shepard and the Aesthetics of Performance (What is Theatre?)
by E. CreedonBy concentrating on Sam Shepard's visual aesthetics, Emma Creedon argues that a consideration of Shepard's plays in the context of visual and theoretical Surrealism illuminates our understanding of his experimental approach to drama.
Sam Shepard V8 Pt 3
by Johan CallensThese issues consist of the edited Proceedings of the Shepard conference, organized by the Belgian-Luxembourg American Studies Association and the Free University of Brussels (VUB), which took place in Brussels, 28-30 May 1993. It will be of interest to undergraduates and postgraduates, professors, critics, theater practitioners, writers and those with a keen interest in the fields of literature, theater studies and cultural studies.
Sam Shepard V8 Pt 3
by Johan CallensThese issues consist of the edited Proceedings of the Shepard conference, organized by the Belgian-Luxembourg American Studies Association and the Free University of Brussels (VUB), which took place in Brussels, 28-30 May 1993. It will be of interest to undergraduates and postgraduates, professors, critics, theater practitioners, writers and those with a keen interest in the fields of literature, theater studies and cultural studies.
Sam Shepard V8 Pt 4
by CallensFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Sam Shepard V8 Pt 4 (Routledge Siena Studies In Political Economy Ser.)
by CallensFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Samba and Salsa (Simply Dance #9)
by Rita StoreyDo you want to learn to dance? This book features two dances that are danced by amateurs and professionals around the world: the samba and the salsa. Find out where the dances originated and learn some simple steps and then put your own routine together!
The Same Deep Water As Me
by Nick PayneHad an accident at work? Tripped on a paving slab? Cut yourself shaving? You could be entitled to compensation. Andrew and Barry at Scorpion Claims, Luton's finest personal injury lawyers, are the men for you. When Kevin, Andrew's high school nemesis, appears in his office the opportunity for a quick win arises. But just how fast does a lie have to spin before it gets out of control?Nick Payne's The Same Deep Water As Me premiered at the Donmar Warehouse, London, in August 2013.
Same-Sex Desire in Indian Culture: Representations in Literature and Film, 1970-2015
by Oliver RossThis book explores representations of same-sex desire in Indian literature and film from the 1970s to the present. Through a detailed analysis of poetry and prose by authors like Vikram Seth, Kamala Das, and Neel Mukherjee, and films from Bollywood and beyond, including Onir's My Brother Nikhil and Deepa Mehta's Fire, Oliver Ross argues that an initially Euro-American "homosexuality" with its connotations of an essential psychosexual orientation, is reinvented as it overlaps with different elements of Indian culture. Dismantling the popular belief that vocal gay and lesbian politics exist in contradistinction to a sexually "conservative" India, this book locates numerous alternative practices and identities of same-sex desire in Indian history and modernity. Indeed, many of these survived British colonialism, with its importation of ideas of sexual pathology and perversity, in changed or codified forms, and they are often inflected by gay and lesbian identities in the present. In this account, Oliver Ross challenges the preconception that, in the contemporary world, a grand narrative of sexuality circulates globally and erases all pre-existing narratives and embodiments of sexual desire.
Same Team — A Street Soccer Story (Modern Plays)
by Robbie Gordon Jack NurseNo.1 – Players always come firstNo.2 – We look to the futureNo.3 – We never leave anyone behindNo.4 – We place others before ourselvesNo.5 – We keep our promisesFive women have come together with one goal, one dream. Coming from very different backgrounds in life they have to work together as a team if they want to do what no one from Scotland has ever done before. To win the Homeless World Cup, and bring the trophy home.A joyful story of community and teamwork, building connections between each other and homelessness. Written with the Dundee Women's Street Soccer Team, Robbie Gordon and Jack Nurse's Same Team - A Street Soccer Story is an uplifting whirlwind through the highs and lows of homeless football.This edition was published to coincide with the world premiere at the Traverse Theatre in Edinburgh, in December 2023.
Same Team — A Street Soccer Story (Modern Plays)
by Robbie Gordon Jack NurseNo.1 – Players always come firstNo.2 – We look to the futureNo.3 – We never leave anyone behindNo.4 – We place others before ourselvesNo.5 – We keep our promisesFive women have come together with one goal, one dream. Coming from very different backgrounds in life they have to work together as a team if they want to do what no one from Scotland has ever done before. To win the Homeless World Cup, and bring the trophy home.A joyful story of community and teamwork, building connections between each other and homelessness. Written with the Dundee Women's Street Soccer Team, Robbie Gordon and Jack Nurse's Same Team - A Street Soccer Story is an uplifting whirlwind through the highs and lows of homeless football.This edition was published to coincide with the world premiere at the Traverse Theatre in Edinburgh, in December 2023.
Sammler und Museen: Kooperationsformen der Einbindung von privaten zeitgenössischen Kunstsammlungen in die deutsche Museumslandschaft (Kunst- und Kulturmanagement)
by Katrin Louise HolzmannIn Form von Dauerleihgaben, Schenkungen, Vermächtnissen von Todes wegen oder individualisierten Kooperationsverträgen werden Kooperationen zwischen Privatsammlern und öffentlichen Museen geschlossen. Diese Kooperationsformen sind mit verschiedenen Interessen der Partner verbunden, die anhand von Beispielen aus der Museumspraxis verdeutlicht werden. Für eine Zusammenarbeit stellt eine Checkliste die zu beachtenden Kernfragen einer Kooperation zusammen. Die Empfehlungsvorschläge bieten ein erstes Gerüst für Kooperationen, um auf faire Weise das gemeinsame Ziel einer Einbindung einer zeitgenössischen Sammlung in einen öffentlichen Museumsbetrieb zu erreichen.
Samothracian Reflections: Aspects of the Revival of the Antique
by Karl Lehmann Phyllis Williams LehmannThese three essays were inspired by the Samothracian discoveries. Cyriacus of Ancona's visit to the island and his assessment of what he saw are the subject of the opening essay. This is followed by the first detailed and comprehensive analysis of Mantegna’s Parnassus, a painting which Mrs. Lehmann suggests reflects in its theme and imagery the use of a limited number of ancient sculptures and texts. The final essay is a discussion of the postclassical transformation of the iconographic type of the ancient ship-fountain.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A Sampler of Useful Computational Tools for Applied Geometry, Computer Graphics, and Image Processing
by Daniel Cohen-Or Chen Greif Tao Ju Niloy J. MitraA Sampler of Useful Computational Tools for Applied Geometry, Computer Graphics, and Image Processing shows how to use a collection of mathematical techniques to solve important problems in applied mathematics and computer science areas. The book discusses fundamental tools in analytical geometry and linear algebra. It covers a wide range of topics
Sampling and Remixing Blackness in Hip-hop Theater and Performance
by Nicole Hodges PersleySampling and Remixing Blackness is a timely and accessible book that examines the social ramifications of cultural borrowing and personal adaptation of Hip-hop culture by non-Black and non-African American Black artists in theater and performance. In a cultural moment where Hip-hop theater hits such as Hamilton offer glimpses of Black popular culture to non-Black people through musical soundtracks, GIFs, popular Hip-hop music, language, clothing, singing styles and embodied performance, people around the world are adopting a Blackness that is at once connected to African American culture--and assumed and shed by artists and consumers as they please. As Black people around the world live a racial identity that is not shed, in a cultural moment of social unrest against anti-blackness, this book asks how such engagements with Hip-hop in performance can be both dangerous and a space for finding cultural allies. Featuring the work of some of the visionaries of Hip-hop theater including Lin-Manuel Miranda, Sarah Jones and Danny Hoch, this book explores the work of groundbreaking Hip-hop theater and performance artists who have engaged Hip-hop's Blackness through popular performance. The book challenges how we understand the performance of race, Hip-hop and Blackness in the age of Instagram, TikTok and Facebook. In a cultural moment where racial identity is performed through Hip-hop culture's resistance to the status quo and complicity in maintaining it, Hodges Persley asks us to consider who has the right to claim Hip-hop's blackness when blackness itself is a complicated mixtape that offers both consent and resistance to transgressive and inspiring acts of performance.
Sampling Media
This book puts sampling studies on the academic map by focusing on sampling as a logic of exchange between audio-visual media. While some recent scholarship has addressed sampling primarily in relation to copyright, this book is a first: a critical study of sampling and remixing across audio-visual media. Of special interest here are works that bring together both audio and visual sampling: music that samples film and television; underground dance and multimedia scenes that rely on sampling; Internet "memes" that repurpose music videos, trailers and news broadcasts; films and videos that incorporate a wide range of sampling aesthetics; and other provocative variations. Comprised of four sections titled "roots," "scenes," "cinema" and "web" this collection digs deep into and across sampling practices that intervene in popular culture from unconventional or subversive perspectives. To this end, Sampling Media extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring the politics of sampling practice beyond copyright law, and examining its more marginal applications. It likewise puts into conversation compelling instances of sampling from a wide variety of historical and contemporary, global and local contexts.
Sampling, Wavelets, and Tomography (Applied and Numerical Harmonic Analysis)
by John. J. Benedetto Ahmed I. ZayedSampling, wavelets, and tomography are three active areas of contemporary mathematics sharing common roots that lie at the heart of harmonic and Fourier analysis. The advent of new techniques in mathematical analysis has strengthened their interdependence and led to some new and interesting results in the field. This state-of-the-art book not only presents new results in these research areas, but it also demonstrates the role of sampling in both wavelet theory and tomography. Specific topics covered include: * Robustness of Regular Sampling in Sobolev Algebras * Irregular and Semi-Irregular Weyl-Heisenberg Frames * Adaptive Irregular Sampling in Meshfree Flow Simulation * Sampling Theorems for Non-Bandlimited Signals * Polynomial Matrix Factorization, Multidimensional Filter Banks, and Wavelets * Generalized Frame Multiresolution Analysis of Abstract Hilbert Spaces * Sampling Theory and Parallel-Beam Tomography * Thin-Plate Spline Interpolation in Medical Imaging * Filtered Back-Projection Algorithms for Spiral Cone Computed Tomography Aimed at mathematicians, scientists, and engineers working in signal and image processing and medical imaging, the work is designed to be accessible to an audience with diverse mathematical backgrounds. Although the volume reflects the contributions of renowned mathematicians and engineers, each chapter has an expository introduction written for the non-specialist. One of the key features of the book is an introductory chapter stressing the interdependence of the three main areas covered. A comprehensive index completes the work. Contributors: J.J. Benedetto, N.K. Bose, P.G. Casazza, Y.C. Eldar, H.G. Feichtinger, A. Faridani, A. Iske, S. Jaffard, A. Katsevich, S. Lertrattanapanich, G. Lauritsch, B. Mair, M. Papadakis, P.P. Vaidyanathan, T. Werther, D.C. Wilson, A.I. Zayed
Samuel Beckett: A Casebook (Casebooks On Modern Dramatists Ser. #25)
by Jennifer M. JeffersFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Samuel Beckett: A Casebook
by Jennifer M. Jeffers Kimball KingFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Samuel Beckett and Catastrophe
by Mariko Hori Tanaka Yoshiki Tajiri Michiko TsushimaSamuel Beckett and Catastrophe is a groundbreaking collection of original essays that explore the relation between Samuel Beckett and catastrophe in terms of war, the Holocaust, nuclear disasters and ecological crisis. Responding to the post-catastrophic situations in the twentieth century, Beckett created characters who often seem to have been through an unknown catastrophe. Although the importance of catastrophe in Beckett has been noted sporadically, there has been no substantial attempt to discuss his aesthetics and work in relation to it. This collection will therefore serve as the first sustained study to explore the theme of catastrophe in Beckett and will be a highly significant contribution to Beckett studies.
Samuel Beckett and Cinema (Historicizing Modernism)
by Anthony ParaskevaIn 1936, Samuel Beckett wrote a letter to the Soviet film director Sergei Eisenstein expressing a desire to work in the lost tradition of silent film. The production of Beckett's Film in 1964, on the cusp of his work as a director for stage and screen, coincides with a widespread revival of silent film in the period of cinema's modernist second wave. Drawing on recently published letters, archival material and production notebooks, Samuel Beckett and Cinema is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. The book situates Beckett within the context of first and second wave modernist filmmaking, including the work of figures such as Vertov, Keaton, Lang, Epstein, Flaherty, Dreyer, Godard, Bresson, Resnais, Duras, Rogosin and Hitchcock.By examining the parallels between Beckett's methods, as a writer-director, and particular techniques, such as the embodied presence of the camera, the use of asynchronous sound, and the cross-pollination of theatricality and cinema, as well as the connections between his collaborators and the nouvelle vague, the book reveals how Beckett's aesthetic is fundamentally altered by his work for the screen, and his formative encounters with modernist film culture.
Samuel Beckett and Cinema (Historicizing Modernism)
by Anthony ParaskevaIn 1936, Samuel Beckett wrote a letter to the Soviet film director Sergei Eisenstein expressing a desire to work in the lost tradition of silent film. The production of Beckett's Film in 1964, on the cusp of his work as a director for stage and screen, coincides with a widespread revival of silent film in the period of cinema's modernist second wave. Drawing on recently published letters, archival material and production notebooks, Samuel Beckett and Cinema is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. The book situates Beckett within the context of first and second wave modernist filmmaking, including the work of figures such as Vertov, Keaton, Lang, Epstein, Flaherty, Dreyer, Godard, Bresson, Resnais, Duras, Rogosin and Hitchcock.By examining the parallels between Beckett's methods, as a writer-director, and particular techniques, such as the embodied presence of the camera, the use of asynchronous sound, and the cross-pollination of theatricality and cinema, as well as the connections between his collaborators and the nouvelle vague, the book reveals how Beckett's aesthetic is fundamentally altered by his work for the screen, and his formative encounters with modernist film culture.