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The See-Through House: My Father in Full Colour
by Shelley Klein*Chosen as BBC Radio 4 Book of the Week*The See-Through House is a book about saying goodbye to a much-loved family home. It is also a very funny account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death.Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid; with colourful glass panels set against a forest of trees, it was like living in a work of art.Shelley’s father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. As a child, Shelley and her siblings adored both the house and the fashion shows that took place there, but as she grew older Shelley also began to rebel against her father’s excessive design principles. Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision. As Shelley installs her pots of herbs on the kitchen windowsill, he insists she take them into her bedroom to ensure they don’t ‘spoil the line of the house’.Threaded through Shelley’s book is her father’s own story: an Orthodox Jewish childhood in Yugoslavia; his rejection of rabbinical studies to pursue a life of art; his arrival in post-war Britain and his imagining of a house filled with light and colour as interpreted by the architect Peter Womersley.A book about the search for belonging and the pain of letting go, The See-Through House is a moving memoir of one man's distinctive way of looking at the world, told with tenderness and humour and a daughter’s love.
See What You're Missing: 31 Ways Artists Notice the World – and How You Can Too
by Will GompertzHow might we see ourselves more clearly? Consult Rembrandt.Who can encourage us to see more intimately? Tracey Emin is the expert.What about helping us see through pain? Look no further than Frida Kahlo.Too often we move through life on autopilot, blind to the life-affirming beauty of our strangeworld. But it doesn’t have to be this way.In this masterclass on how an appreciation of art can help us lead fuller lives, Will Gompertz takes us into the minds and work of thirty-one astounding artists. Each has their own unique way of seeing: with their help, we learn how to expand our own vision of life and its endless possibilities – how to look, feel and think more clearly.‘Offers a tide lesson in not just getting more from art, but more from life itself’ The Times‘Art can amaze us into changing our minds. This remarkable book teaches us how’ Es Devlin‘Highly engaging and thought-provoking’ Philip Hook, author of Breakfast at Sotheby’s‘Will Gompertz is the best teacher you never had’ Guardian
See Ya Later: The World According to Arron Crascall
by Arron CrascallArron Crascall is one of the UK's leading social media stars. Millions watch his videos online and he's guaranteed to bring a little bit of hilarity into your day.This book is his take on the world. The things that are important to Arron. The good, the bad and the stupid (there's a lot of this third one). You'll find stories about his past, a lot of views on the present and some opinions on how to make the future a more enjoyable place. It's part biography, part self-help book, part text book, part travel book (well, Dover at least), you'll find comedy, crime, drama, romance, and you'll even learn a thing or two about astro-physics (he's not even joking). In fact, he's putting so much into this book, you won't just see it in every bookshop in the country, you'll see it on every shelf in every bookshop in the country.Welcome to the world according to Arron Crascall. SEE YA LATER!
See You In The Morning
by Barry NormanBarry Norman was one of the nation's most popular and enduring broadcasters. Journalist, writer and presenter, he was best known for having fronted the BBC's flagship Film programme for more than 25 years.While working as a gossip columnist for The Daily Sketch, Barry met a pretty, talented young journalist called Diana Narracott, when they were sent to cover the same news story. Within a year they were married, their union lasting until Diana's untimely death in 2011.In this heartfelt memoir, Barry introduces us to the remarkable woman he knew so well and loved so deeply. He traces their careers and lives together, describing how Diana moved from being an accomplished journalist, to mother-of-two, to best-selling author. Through his writing, we grow to love Diana's irrepressible nature, fierce intelligence, her sense of fun and even her stubbornness.Writing in his entertaining, inimitable style, Barry shows how, like any couple, he and Diana had their disagreements but that the deep-rooted love and respect they had for each other ultimately ensured a long and happy marriage. With heart-breaking honesty, he shares the difficulty he and their family faced while Diana was fighting ill-health, as well as the pain he still feels at the loss of his wife who he describes as 'the best friend a man could ever hope for'.
Seeing and Consciousness: Women, Class and Representation
by Gen DoyThrough its provocative examination of feminist and Marxist approaches to women's art and female representations, this book challenges the widespread belief that Marxism has nothing valuable to contribute to women's studies. The author argues that, from the French Revolution through to the present, gender and class have shaped visual imagery. She shows how Marxist theory can function to question some of the premises of feminist art histories and to provide a more accurate understanding of the meaning(s) of visual imagery.
Seeing and Consciousness: Women, Class and Representation
by Gen DoyThrough its provocative examination of feminist and Marxist approaches to women's art and female representations, this book challenges the widespread belief that Marxism has nothing valuable to contribute to women's studies. The author argues that, from the French Revolution through to the present, gender and class have shaped visual imagery. She shows how Marxist theory can function to question some of the premises of feminist art histories and to provide a more accurate understanding of the meaning(s) of visual imagery.
Seeing and Making in Architecture: Design Exercises
by Taiji MiyasakaYou always aim to achieve that moment of insight that leads to ingenuity and novelty in your design, but sometimes it remains elusive. This book presents a variety of techniques for mapping and making hands-on design/build projects, and relates this work to real architecture. It helps you to learn new ways of seeing and making that will enhance your creative design process and enable you to experience moments that lead to ingenuity in design. Each of the book’s two parts, "Seeing" and "Making," is organized according to technique, which ranges from quantitative analysis and abstraction to pattern and scale, to provide you with a framework for mapping and hands-on exercises. Interviews with architects Yoshiharu Tsukamoto (Atelier Bow-Wow) and Jesse Reiser and Nanako Umemoto (Reiser + Umemoto) give you perspective on using these exercises in practice.
Seeing and Making in Architecture: Design Exercises
by Taiji MiyasakaYou always aim to achieve that moment of insight that leads to ingenuity and novelty in your design, but sometimes it remains elusive. This book presents a variety of techniques for mapping and making hands-on design/build projects, and relates this work to real architecture. It helps you to learn new ways of seeing and making that will enhance your creative design process and enable you to experience moments that lead to ingenuity in design. Each of the book’s two parts, "Seeing" and "Making," is organized according to technique, which ranges from quantitative analysis and abstraction to pattern and scale, to provide you with a framework for mapping and hands-on exercises. Interviews with architects Yoshiharu Tsukamoto (Atelier Bow-Wow) and Jesse Reiser and Nanako Umemoto (Reiser + Umemoto) give you perspective on using these exercises in practice.
Seeing and Touching Structural Concepts
by Tianjian Ji Adrian BellThe pioneering website www.structuralconcepts.org, by Tianjian Ji and Adrian Bell, goes back to basics and explains in detail the basic principles of structural concepts and how they relate to the real world. Following on from and expanding upon the website, comes this book. Essential for the civil engineering student, it examines the concepts in closer detail with formulae and technical terminology, while remaining grounded in the website's practical approach. With hundreds of photographs and diagrams, you are encouraged to visualize each concept in turn and to understand how it applies to every day life.
Seeing as Practice: Philosophical Investigations into the Relation Between Sight and Insight (Performance Philosophy)
by Eva SchuermannThis study provides an overview of philosophical questions relating to sight and vision. It discusses the intertwinement of seeing and ways of seeing against the background of an entirely different theoretical framework.Seeing is both a proven means of acquiring information and a personality-specific way of disclosing the apparent, perceptible world, conditioned by individual and cultural variations. In a peculiar way, the eye holds a middle position between inside and outside of the self and its relations towards itself and others. This book provides a way out of false alternatives by offering a third way with reference to concrete cases of aesthetical and ethical experiences. It will be of particular interest to scholars of the phenomenology and philosophy of perception and it will be valuable to students of philosophy, cultural studies and art.
Seeing Between the Pixels: Pictures in Interactive Systems
by Christine Strothotte Thomas StrothotteThis practical and informative book highlights the relationship between pictures and linguistic representations of information. The authors define a new classification for pictures that focuses on the tasks users carry out with the help of images on computer screens, and present a model for analyzing and influencing the flow of information. For specialists in computer science, the book bridges the gap between computer graphics and human-computer interaction, while for general readers, it offers a wealth of insights and practical advice on how to use pictures as a medium of communication.
Seeing Comics through Art History: Alternative Approaches to the Form (Palgrave Studies in Comics and Graphic Novels)
by Maggie Gray Ian HortonThis book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice.
Seeing Differently: A History and Theory of Identification and the Visual Arts
by Amelia JonesSeeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are "beyond" or "post-" identity. In challenging this latter claim, Seeing Differently critically examines how and why we "identify" works of art with an expressive subjectivity, noting the impossibility of claiming we are "post-identity" given the persistence of beliefs in art discourse and broader visual culture about who the subject "is," and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way. Ultimately, Seeing Differently offers a mode of thinking identification as a "queer feminist durational" process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both "art" and "interpreter," potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture.
Seeing Differently: A History and Theory of Identification and the Visual Arts
by Amelia JonesSeeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are "beyond" or "post-" identity. In challenging this latter claim, Seeing Differently critically examines how and why we "identify" works of art with an expressive subjectivity, noting the impossibility of claiming we are "post-identity" given the persistence of beliefs in art discourse and broader visual culture about who the subject "is," and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way. Ultimately, Seeing Differently offers a mode of thinking identification as a "queer feminist durational" process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both "art" and "interpreter," potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture.
Seeing Education on Film: A Conceptual Aesthetics
by Alexis GibbsThis book argues that certain films have more to offer by way of conceptualising education than textual scholarship. Drawing on the work of the later Wittgenstein, it suggests that a shift in our philosophical focus from knowing to seeing can allow for ordinary educational phenomena (teachers, schools, children) to be appreciated anew. The book argues that cinema is the medium best placed to draw attention to this revaluation of the everyday, and particular films are presented as offering unique insights into the aesthetic nature of education as a concept. The book will be of primary interest to educators and educationalists alike, but its interdisciplinary nature should also appeal to those in the fields of film study, philosophy, and aesthetics.
Seeing Fans: Representations of Fandom in Media and Popular Culture
by Paul Booth Lucy BennettSplit into four sections, Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. This collection opens with a preface by noted actor and fan Orlando Jones (Sleepy Hollow), whose recent work on fandom (appearing with Henry Jenkins at Comic Con and speaking at the Fan Studies Network symposium) bridges the worlds of academia and the media industry. Section one focuses on the representations of fans in documentaries and news reports and includes an interview with Roger Nygard, director of Trekkies and Trekkies 2. The second section then examines fictional representations of fans through analyses of television and film, featuring interviews with Emily Perkins of Supernatural, Robert Burnett, director of the film Free Enterprise, and Luminosity, a fan who has been interviewed in the New York Magazine for her exemplary work in fandom. Section three explores cultural perspectives on fan representations, and includes an interview with Laurent Malaquais, director of Bronies: The Extremely Unexpected Adult Fans of My Little Pony. Lastly, the final section looks at global perspectives on the ways fans have been represented and finishes with an interview with Jeanie Finlay, director of the music documentary Sound it Out. The collection then closes with an afterword by fan studies scholar Professor Matt Hills.
Seeing Fans: Representations of Fandom in Media and Popular Culture
by Paul Booth Lucy BennettSplit into four sections, Seeing Fans analyzes the representations of fans in the mass media through a diverse range of perspectives. This collection opens with a preface by noted actor and fan Orlando Jones (Sleepy Hollow), whose recent work on fandom (appearing with Henry Jenkins at Comic Con and speaking at the Fan Studies Network symposium) bridges the worlds of academia and the media industry. Section one focuses on the representations of fans in documentaries and news reports and includes an interview with Roger Nygard, director of Trekkies and Trekkies 2. The second section then examines fictional representations of fans through analyses of television and film, featuring interviews with Emily Perkins of Supernatural, Robert Burnett, director of the film Free Enterprise, and Luminosity, a fan who has been interviewed in the New York Magazine for her exemplary work in fandom. Section three explores cultural perspectives on fan representations, and includes an interview with Laurent Malaquais, director of Bronies: The Extremely Unexpected Adult Fans of My Little Pony. Lastly, the final section looks at global perspectives on the ways fans have been represented and finishes with an interview with Jeanie Finlay, director of the music documentary Sound it Out. The collection then closes with an afterword by fan studies scholar Professor Matt Hills.
Seeing Film and Reading Feminist Theology: A Dialogue
by U. VollmerUsing feminist theory and examining films that describe women artists who see others through the lens of feminist theology, this book puts forward an original view of the act of seeing as an ethical activity - a gesture of respect for and belief in another person's visible and invisible sides, which guarantees the safekeeping of the Other's memory.
Seeing from Above: The Aerial View in Visual Culture
by Mark Dorrian Frederic PousinFrom sixteenth-century Roman maps, to the Luftwaffe's aerial survey of Warsaw, the London Eye to Google Earth, visual culture is saturated with aerial imagery. The aerial view - the image of everywhere- has become natural, desirable, omnipresent, yet its rise to pre-eminence as a 'way of seeing' raises pressing questions about its effects and meanings that have not yet been explored. More immediately than any other visual modality, aerial imagery gives us- and supports our idea of- a totalising overview, a world-view, and thus in turn requires that its implications be explored as the 'symbolic form' of the global era. However this 'view of the world' keeps undergoing transformations as technologies continue to be invented and refined. Underpinned by a cross-disciplinary approach that draws together diverse and previously isolated material, this text examines the politics and poetics of the aerial view in relation to architecture, art, film, literature, photography and urbanism, and explores its role in areas such as aesthetics and epistemology. Using examples of specific cultural moments to elucidate the wider theory, this is the only book to provide a cultural history of the aerial imagination and its centrality to visual culture.
Seeing God in Sufi Qur’an Commentaries: Crossings between This World and the Otherworld
by Pieter CoppensExamines the intersection of Samuel Beckett’s thirty-second playlet Breath with the visual arts
Seeing God in Sufi Qur’an Commentaries: Crossings between This World and the Otherworld (Edinburgh Studies In Islamic Apocalypticism And Eschatology Ser.)
by Pieter CoppensExamines the coming-of-age genre – its themes, stylistic characteristics and cultural function in New Zealand’s national cinema
Seeing into Screens: Eye Tracking and the Moving Image
by Sean Redmond Claire Perkins Tessa Dwyer Jodi SitaSeeing into Screens: Eye Tracking and the Moving Image is the first dedicated anthology that explores vision and perception as it materializes as viewers watch screen content. While nearly all moving image research either 'imagines' how its audience responds to the screen, or focuses upon external responses, this collection utilizes the data produced from eye tracking technology to assess seeing and knowing, gazing and perceiving. The editors divide their collection into the following four sections: eye tracking performance, which addresses the ways viewers respond to screen genre, actor and star, auteur, and cinematography; eye tracking aesthetics which explores the way viewers gaze upon colour, light, movement, and space; eye tracking inscription, which examines the way the viewer responds to subtitles, translation, and written information found in the screen world; and eye tracking augmentation which examines the role of simulation, mediation, and technological intervention in the way viewers engage with screen content. At a time when the nature of viewing the screen is extending and diversifying across different platforms and exhibitions, Seeing into Screens is a timely exploration of how viewers watch the screen.
Seeing into Screens: Eye Tracking and the Moving Image
by Sean Redmond Claire Perkins Tessa Dwyer Jodi SitaSeeing into Screens: Eye Tracking and the Moving Image is the first dedicated anthology that explores vision and perception as it materializes as viewers watch screen content. While nearly all moving image research either 'imagines' how its audience responds to the screen, or focuses upon external responses, this collection utilizes the data produced from eye tracking technology to assess seeing and knowing, gazing and perceiving. The editors divide their collection into the following four sections: eye tracking performance, which addresses the ways viewers respond to screen genre, actor and star, auteur, and cinematography; eye tracking aesthetics which explores the way viewers gaze upon colour, light, movement, and space; eye tracking inscription, which examines the way the viewer responds to subtitles, translation, and written information found in the screen world; and eye tracking augmentation which examines the role of simulation, mediation, and technological intervention in the way viewers engage with screen content. At a time when the nature of viewing the screen is extending and diversifying across different platforms and exhibitions, Seeing into Screens is a timely exploration of how viewers watch the screen.
Seeing It on Television: Televisuality in the Contemporary US ‘High-End’ Series
by Max Sexton Dominic LeesSeeing It on Television: Televisuality in the Contemporary US 'High-end' Series investigates new categories of high-end drama and explores the appeal of programmes from Netflix, Sky Atlantic/HBO, National Geographic, FX and Cinemax. An investigation of contemporary US Televisuality provides insight into the appeal of upscale programming beyond facts about its budget, high production values and/or feature cinematography. Rather, this book focuses on how the construction of meaning often relies on cultural discourse, production histories, as well as on tone, texture or performance, which establishes the locus of engagement and value within the series. Max Sexton and Dominic Lees discuss how complex production histories lie behind the rise of the US high-end series, a form that reflects industrial changes and the renegotiation of formal strategies. They reveal how the involvement of many different people in the production process, based on new relationships of creative authority, complicates our understanding of 'original content'. This affects the construction of stylistics and the viewing strategies required by different shows. The cultural, as well as industrial, strategies of recent television drama are explored in The Young Pope, The Knick, Stranger Things, Mars, Fargo, The Leftovers, Boardwalk Empire, and Vinyl.
Seeing It on Television: Televisuality in the Contemporary US ‘High-End’ Series
by Max Sexton Dominic LeesSeeing It on Television: Televisuality in the Contemporary US 'High-end' Series investigates new categories of high-end drama and explores the appeal of programmes from Netflix, Sky Atlantic/HBO, National Geographic, FX and Cinemax. An investigation of contemporary US Televisuality provides insight into the appeal of upscale programming beyond facts about its budget, high production values and/or feature cinematography. Rather, this book focuses on how the construction of meaning often relies on cultural discourse, production histories, as well as on tone, texture or performance, which establishes the locus of engagement and value within the series. Max Sexton and Dominic Lees discuss how complex production histories lie behind the rise of the US high-end series, a form that reflects industrial changes and the renegotiation of formal strategies. They reveal how the involvement of many different people in the production process, based on new relationships of creative authority, complicates our understanding of 'original content'. This affects the construction of stylistics and the viewing strategies required by different shows. The cultural, as well as industrial, strategies of recent television drama are explored in The Young Pope, The Knick, Stranger Things, Mars, Fargo, The Leftovers, Boardwalk Empire, and Vinyl.