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Uncle Vanya: in a version
by Anton ChekhovAnton Chekhov's play Uncle Vanya in a new version by Christopher Hampton. This version will be first staged at the Vaudeville Theatre, London, on 25 October 2012 and run until 16 February 2013.'It's often said that the best of the Chekhov plays is the one you've seen most recently. Uncle Vanya doesn't have a suicide, like The Seagull, or an adulterous couple and a duel more or less indistinguishable from murder, like Three Sisters; nor does it seem to announce the end of an era, like The Cherry Orchard: all it has is a series of ludicrously bungled attempts at murder and suicide and adultery. Perhaps these failures are what makes it feel the saddest and most truthful of these great tragi-comedies, in which, possibly unique to all drama, not a single word seems redundant or out of place.' - From the author's introduction.
Uncle Vanya: Large Print
by Anton ChekhovTea's cold, lunch is late and the great Professor has turned out to be a fraud - for Uncle Vanya, life has gone wonky, it's gone to hell.Only one thing can save him - a glamorous woman's love. But she's not interested either. And what's worse, she's married to the Professor.Samuel Adamson new version of Anton Chekhov's Uncle Vanya - a dark and funny exploration of cross-purposed love, bitter jealousy and a dysfunctional family - opened at West Yorkshire Playhouse, Leeds, in February 2015.
Uncle Vanya (Oberon Classics)
by Anya Reiss‘This is a mad bloody world with you lot walking around in it’ A once respected academic returns to his farm which has been managed without him for many years. He brings with him a new, beautiful, young wife. Their arrival turns the lives of the residents and his family upside down as old wounds are reopened, passions are awakened and thwarted ambitions bubble to the surface; threatening the lives of everyone involved. After sell-out successes of The Seagull and Three Sisters, awardwinning writer Anya Reiss reimagines this tragicomic masterpiece in a stunning new version for the 21st century.
Uncoded Multimedia Transmission (Multimedia Computing, Communication and Intelligence)
by Feng Wu Chong Luo Hancheng LuAn uncoded multimedia transmission (UMT) system is one that skips quantization and entropy coding in compression and all subsequent binary operations, including channel coding and bit-to-symbol mapping of modulation. By directly transmitting non-binary symbols with amplitude modulation, the uncoded system avoids the annoying cliff effect observed in the coded transmission system. This advantage makes uncoded transmission more suited to both unicast in varying channel conditions and multicast to heterogeneous users. Particularly, in the first part of Uncoded Multimedia Transmission, we consider how to improve the efficiency of uncoded transmission and make it on par with coded transmission. We then address issues and challenges regarding how to better utilize temporal and spatial correlation of images and video in the uncoded transmission, to achieve the optimal transmission performance. Next, we investigate the resource allocation problem for uncoded transmission, including subchannel, bandwidth and power allocation. By properly allocating these resources, uncoded transmission can achieve higher efficiency and more robust performance. Subsequently, we consider the image and video delivery in MIMO broadcasting networks with diverse channel quality and varying numbers of antennas across receivers. Finally, we investigate the cases where uncoded transmission can be used in conjunction with digital transmission for a balanced efficiency and adaptation capability. This book is the very first monograph in the general area of uncoded multimedia transmission written in a self-contained format. It addresses both the fundamentals and the applications of uncoded transmission. It gives a systematic introduction to the fundamental theory and concepts in this field, and at the same time, also presents specific applications that reveal the great potential and impacts for the technologies generated from the research in this field. By concentrating several important studies and developments currently taking place in the field of uncoded transmission in a single source, this book can reduce the time and cost required to learn and improve skills and knowledge in the field. The authors have been actively working in this field for years, and this book is the final essence of their years of long research in this field. The book may be used as a collection of research notes for researchers in this field, a reference book for practitioners or engineers, as well as a textbook for a graduate advanced seminar in this field or any related fields. The references collected in this book may be used as further reading lists or references for the readers.
Uncoded Multimedia Transmission (Multimedia Computing, Communication and Intelligence)
by Feng Wu Chong Luo Hancheng LuAn uncoded multimedia transmission (UMT) system is one that skips quantization and entropy coding in compression and all subsequent binary operations, including channel coding and bit-to-symbol mapping of modulation. By directly transmitting non-binary symbols with amplitude modulation, the uncoded system avoids the annoying cliff effect observed in the coded transmission system. This advantage makes uncoded transmission more suited to both unicast in varying channel conditions and multicast to heterogeneous users. Particularly, in the first part of Uncoded Multimedia Transmission, we consider how to improve the efficiency of uncoded transmission and make it on par with coded transmission. We then address issues and challenges regarding how to better utilize temporal and spatial correlation of images and video in the uncoded transmission, to achieve the optimal transmission performance. Next, we investigate the resource allocation problem for uncoded transmission, including subchannel, bandwidth and power allocation. By properly allocating these resources, uncoded transmission can achieve higher efficiency and more robust performance. Subsequently, we consider the image and video delivery in MIMO broadcasting networks with diverse channel quality and varying numbers of antennas across receivers. Finally, we investigate the cases where uncoded transmission can be used in conjunction with digital transmission for a balanced efficiency and adaptation capability. This book is the very first monograph in the general area of uncoded multimedia transmission written in a self-contained format. It addresses both the fundamentals and the applications of uncoded transmission. It gives a systematic introduction to the fundamental theory and concepts in this field, and at the same time, also presents specific applications that reveal the great potential and impacts for the technologies generated from the research in this field. By concentrating several important studies and developments currently taking place in the field of uncoded transmission in a single source, this book can reduce the time and cost required to learn and improve skills and knowledge in the field. The authors have been actively working in this field for years, and this book is the final essence of their years of long research in this field. The book may be used as a collection of research notes for researchers in this field, a reference book for practitioners or engineers, as well as a textbook for a graduate advanced seminar in this field or any related fields. The references collected in this book may be used as further reading lists or references for the readers.
Uncommon Cards: Stationery Made with Found Treasures, Recycled Objects, and a Little Imagination
by Jeanne WilliamsonThe right greeting card is hard to find, but with the most basic sewing machine and a few recycled materials, you'll have cards for every occasion in a snap. With 52 sewn designs made from easy-to-follow, straightforward instructions, you can show just how much you care with a beautiful, handmade creation: no sewing experience necessary! This DIY guide contains eight sheets of cardstock and basic stitch patterns that can be completed with nothing more than a needle and thread, either by hand or machine, transforming a blank card into a whimsical, inspired, one-of-a-kind design. The perfect expression for birthdays, graduations, or a simple thinking- of-you note, each design incorporates inexpensive and easy to find household items such as strips of fabric, brightly colored plastics, handmade stamps, and more. Even recycled items such as mesh produce bags and seed packets are put to new use to create truly one-of-a-kind cards!
Uncommon Cultures: Popular Culture and Post-Modernism
by Jim CollinsJim Collins argues that postmodernism and popular culture have together undermined the master system of "culture." By looking at a wide range of texts and forms he investigates what happens to the notion of culture once different discourses begin to envision that culture in conflicting ways, constructing often contradictory visions of it simultaneously.
Uncommon Cultures: Popular Culture and Post-Modernism
by Jim CollinsJim Collins argues that postmodernism and popular culture have together undermined the master system of "culture." By looking at a wide range of texts and forms he investigates what happens to the notion of culture once different discourses begin to envision that culture in conflicting ways, constructing often contradictory visions of it simultaneously.
Uncommon Grit: A Photographic Journey Through Navy SEAL Training
by D. McBurnettRetired Navy SEAL and professional photographer Darren McBurnett takes readers behind the scenes into the elite SEAL training program, BUD/S, in Coronado, California. Striking, beautiful, and haunting, Uncommon Grit takes a unique, unprecedented look at the toughest training in the military -- and the world -- from the vantage point of someone who lived through it. Retired Navy SEAL Darren McBurnett includes vivid descriptions of both the physical and mental evolutions that occur as a result of the immensely challenging SEAL training process.His stunning photographs, partnered with his compelling insights and sharp sense of humor, allow the reader to laugh, cringe, gasp, and even envision themselves going through this extraordinary experience.
Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East (Ibraaz Series)
by Anthony DowneyThe recent uprisings in Libya, Tunisia and Egypt were apparently spread via social media. Soon-to-become 'iconic', images of the events were captured on camera phones and uploaded onto Facebook live, as they happened. But looking beyond the 'Twitter revolutions', what role does social, or 'new' media, play in visual culture in the Middle East and North Africa? Featuring cutting-edge critical analyses and original, full-colour artists' inserts, this is the first book to ask: what considerations do we now need to take into account when we examine the prominent role that 'new media' has come to play in artistic practices - as well as social movements - in the Arab world today? In this timely, groundbreaking work, internationally renowned and emerging academics, writers, artists, museum directors, curators, activists and film-makers critically explore how visual culture in the region has appropriated and developed new media. They also examine the opportunities presented in the real-time generation of new, relatively unregulated content. Uncommon Grounds challenges the assumptions we have and the buzzwords we use, when thinking about the role of new media in the Middle East and North Africa. In the process, it reveals the ways in which this media is now connected with art, as well as activism.
Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East
by Anthony DowneyIn this groundbreaking book, a range of internationally renowned and emerging academics, writers, artists, curators, activists and filmmakers critically reflect on the ways in which visual culture has appropriated and developed new media across North Africa and the Middle East. Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, Uncommon Grounds evaluates the prominent role that new media has come to play in artistic practices - and social movements - in the Arab world today. Analysing alternative forms of creating, broadcasting, publishing, distributing and consuming digital images, this book also enquires into a broader global concern: does new media offer a 'democratisation' of - and a productive engagement with - visual culture, or merely capitalise upon the effect of immediacy at the expense of depth?Featuring full-colour artists' inserts, this is the first book to extensively explore the degree to which the grassroots popularity of Twitter and Facebook has been co-opted into mainstream media, institutional and curatorial characterisations of 'revolution' - and whether artists should be wary of perpetuating the rhetoric and spectacle surrounding political events.In the process, Uncommon Grounds reveals how contemporary art practices actively negotiate present-day notions of community-based activism, artistic agency and political engagement.
Unconstrained Face Recognition (International Series on Biometrics #5)
by Shaohua Kevin Zhou Rama Chellappa Wenyi ZhaoFace recognition has been actively studied over the past decade and continues to be a big research challenge. Just recently, researchers have begun to investigate face recognition under unconstrained conditions. Unconstrained Face Recognition provides a comprehensive review of this biometric, especially face recognition from video, assembling a collection of novel approaches that are able to recognize human faces under various unconstrained situations. The underlying basis of these approaches is that, unlike conventional face recognition algorithms, they exploit the inherent characteristics of the unconstrained situation and thus improve the recognition performance when compared with conventional algorithms. Unconstrained Face Recognition is structured to meet the needs of a professional audience of researchers and practitioners in industry. This volume is also suitable for advanced-level students in computer science.
Unconventional Warriors: The Fantasy of the American Resistance Fighter in Television and Film
by Matthew B. HillTracing the "American Guerrilla" narrative through more than one hundred years of film and television, this book shows how the conventions and politics of this narrative influence Americans to see themselves as warriors, both on screen and in history.American guerrillas fight small-scale battles that, despite their implications for large-scale American victories, often go untold. This book evaluates those stories to illumine the ways in which film and television have created, reinforced, and circulated an "American Guerrilla" fantasy—a mythic narrative in which Americans, despite having the most powerful military in history, are presented as underdog resistance fighters against an overwhelming and superior occupying evil. Unconventional Warriors: The Fantasy of the American Resistance Fighter in Television and Film explains that this fantasy has occupied the center of numerous war films and in turn shaped the way in which Americans see those wars and themselves.Informed by the author's expertise on war in contemporary literature and popular culture, this book begins with an introduction that outlines the basics of the "American Guerrilla" narrative and identifies it as a recurring theme in American war films. Subsequent chapters cover one hundred years of American "guerrillas" in film and television. The book concludes with a chapter on science fiction narratives, illustrating how the conventions and politics of these stories shape even the representation of wholly fictional, imagined wars on screen.
Unconventional Warriors: The Fantasy of the American Resistance Fighter in Television and Film
by Matthew B. HillTracing the "American Guerrilla" narrative through more than one hundred years of film and television, this book shows how the conventions and politics of this narrative influence Americans to see themselves as warriors, both on screen and in history.American guerrillas fight small-scale battles that, despite their implications for large-scale American victories, often go untold. This book evaluates those stories to illumine the ways in which film and television have created, reinforced, and circulated an "American Guerrilla" fantasy—a mythic narrative in which Americans, despite having the most powerful military in history, are presented as underdog resistance fighters against an overwhelming and superior occupying evil. Unconventional Warriors: The Fantasy of the American Resistance Fighter in Television and Film explains that this fantasy has occupied the center of numerous war films and in turn shaped the way in which Americans see those wars and themselves.Informed by the author's expertise on war in contemporary literature and popular culture, this book begins with an introduction that outlines the basics of the "American Guerrilla" narrative and identifies it as a recurring theme in American war films. Subsequent chapters cover one hundred years of American "guerrillas" in film and television. The book concludes with a chapter on science fiction narratives, illustrating how the conventions and politics of these stories shape even the representation of wholly fictional, imagined wars on screen.
Uncovered: Revolutionary Magazine Covers – The inside stories told by the people who made them
by Ian BirchUncovered is an oral history of the stories behind the most ground-breaking and controversial magazine covers ever published, as told by the people who created them. Compiled by industry veteran Ian Birch, Uncovered gathers together the insights of the magazine world's most important figures, including high-profile editors, creative directors, photographers, artists and cover stars. Featuring compelling and shocking covers from Vogue, Life, Esquire, The New Yorker, i-D, The Face, Private Eye, Time, Rolling Stone and many more, covering issues as varied as the civil rights movement and Vietnam war to the Trump presidency and Brexit debate, this is a unique social document celebrating and chronicling the art of magazine design.
Uncovering the History of Children's Drawing and Art (Publications in Creativity Research)
by Donna KellyReactions to children's artwork have varied throughout different times and places. Donna Darling Kelly is calling for a more joyful appreciation of our youngest artists. She presents the dichotomy of the Mirror and Window paradigms. First, she explains the Mirror paradigm, which art educators, psychologists, and art historians use; it is a psychological focus on children's art. It can be defined as the ability of the child to represent images of something other than the object itself. Psychologists who believe in this theory are interested in the self-reflective qualities of children's drawing as they relate to language, intelligence, and cognitive development. The opposing Window paradigm is an aesthetic perspective followed by people working in the arts. The subscribers to this theory see children's art as an objective reproduction of reality that carries all of the meaning with the image. The act of representation is the ultimate goal in this model, not the truth behind the goal. Darling Kelly would like to see the interested parties in the field of children's art placing less emphasis on the prevailing Mirror paradigm and embrace the Window paradigm.Art educators often feel sidelined because subjects such as science and mathematics are requisites, while art remains at best, an elective. Art is often classified as a sub-discipline concerned primarily with therapeutic areas. An unwanted effect of the Mirror paradigm is the stereotypical, psychological model of the artist as a hopelessly neurotic or troubled soul. This volume is a call to arms for the aesthetic Window paradigm, so that art as an autonomous discipline can gain stature in the curriculum of all children's schools.
Uncrossing the Borders: Performing Chinese in Gendered (Trans)Nationalism
by Daphne LeiOver many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts, and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today.
»Und man siehet die im Lichte«: Theaterraum Buenos Aires ./. Theaterraum Istanbul (Theater #138)
by Juliane ZellnerWas sagt eine Stadt über ihr Theater, was ein Theater über eine Stadt? An der Schnittstelle zwischen Stadtforschung und Theaterwissenschaft beschreibt Juliane Zellners Bestandsaufnahme die Theaterräume in Buenos Aires und Istanbul, ihre Geschichte und Biografien, ihre betrieblichen Strukturen und kulturpolitischen Rahmenbedingungen, ihr jeweiliges Publikum, ihre architektonischen Gestalten sowie ihre stadt- und sozialräumliche Einbettung. In Form einer Gegenüberstellung identifiziert sie wechselseitige Wirkmuster zwischen Theater und Stadt und vertieft so das Verständnis von Entwicklungsprozessen, sozialen Dynamiken sowie gesellschaftlichen Konfliktpotentialen in beiden Städten.
Undead Apocalyse: Vampires and Zombies in the 21st Century (PDF)
by Stacey AbbottTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the ‘reluctant’ vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.
Undead Apocalyse: Vampires and Zombies in the 21st Century
by Stacey AbbottTwenty-first century film and television is overwhelmed with images of the undead. Vampires and zombies have often been seen as oppositional: one alluring, the other repellant; one seductive, the other infectious. With case studies of films like I Am Legend and 28 Days Later, as well as TV programmes like Angel and The Walking Dead, this book challenges these popular assumptions and reveals the increasing interconnection of undead genres. Exploring how the figure of the vampire has been infused with the language of science, disease and apocalypse, while the zombie text has increasingly been influenced by the trope of the ‘reluctant’ vampire, Stacey Abbott shows how both archetypes are actually two sides of the same undead coin. When considered together they present a dystopian, sometimes apocalyptic, vision of twenty-first century existence.
Under a Bad Sign: Criminal Self-Representation in African American Popular Culture
by Jonathan MunbyWhat accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. Munby traces the legacy of badness in Rudolph Fisher and Chester Himes’s detective fiction and in Claude McKay, Julian Mayfield, and Donald Goines’s urban experience writing. Ranging from Peetie Wheatstraw’s gangster blues to gangsta rap, he also examines criminals in popular songs. Turning to the screen, the underworld films of Oscar Micheaux and Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood movie come under his microscope as well. Ultimately, Munby concludes that this tradition has been a misunderstood aspect of African American civic life and that, rather than undermining black culture, it forms a rich and enduring response to being outcast in America.
Under a Bad Sign: Criminal Self-Representation in African American Popular Culture
by Jonathan MunbyWhat accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. Munby traces the legacy of badness in Rudolph Fisher and Chester Himes’s detective fiction and in Claude McKay, Julian Mayfield, and Donald Goines’s urban experience writing. Ranging from Peetie Wheatstraw’s gangster blues to gangsta rap, he also examines criminals in popular songs. Turning to the screen, the underworld films of Oscar Micheaux and Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood movie come under his microscope as well. Ultimately, Munby concludes that this tradition has been a misunderstood aspect of African American civic life and that, rather than undermining black culture, it forms a rich and enduring response to being outcast in America.
Under a Bad Sign: Criminal Self-Representation in African American Popular Culture
by Jonathan MunbyWhat accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture. In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. Munby traces the legacy of badness in Rudolph Fisher and Chester Himes’s detective fiction and in Claude McKay, Julian Mayfield, and Donald Goines’s urban experience writing. Ranging from Peetie Wheatstraw’s gangster blues to gangsta rap, he also examines criminals in popular songs. Turning to the screen, the underworld films of Oscar Micheaux and Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood movie come under his microscope as well. Ultimately, Munby concludes that this tradition has been a misunderstood aspect of African American civic life and that, rather than undermining black culture, it forms a rich and enduring response to being outcast in America.
Under Construction
by Christine FarrisFew composition scholars two decades ago would have imagined the rate at which their field is now developing, expanding beyond its boundaries, creating new alliances, and locating new sites for research and generation of knowledge. In their introduction to this volume, Farris and Anson argue that, faced with a welter of competing models, compositionists too quickly dichotomize and dismiss. The contributors to Under Construction, therefore, address themselves to the need for commerce among competing visions of the field. They represent diverse settings and distinct points of view, but their over-riding interest is in promoting a view of the field that values interaction and mutual development above dogmatics and isolation.