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X-ray Imaging of the Soil Porous Architecture

The advent of X-ray Computed Tomography (CT) as a tool for the soil sciences almost 40 years ago has revolutionised the field. Soil is the fragile, thin layer of material that exists above earth’s geological substrates upon which so much of life on earth depends. However a major limitation to our understanding of how soils behave and function is due to its complex, opaque structure that hinders our ability to assess its porous architecture without disturbance. X-ray imagery has facilitated the ability to truly observe soil as it exists in three dimensions and across contrasting spatial and temporal scales in the field in an undisturbed fashion. This book gives a comprehensive overview of the “state of the art” in a variety of application areas where this type of imaging is used, including soil water physics and hydrology, agronomic management of soils, and soil-plant-microbe interactions. It provides the necessary details for entry level readers in the crucial areas of sample preparation, scanner optimisation and image processing and analysis. Drawing on experts across the globe, from both academia and industry, the book covers the necessary “dos and don’ts”, but also offers insights into the future of both technology and science. The wider application of the book is provided by dedicated chapters on how the data from such imagery can be incorporated into models and how the technology can be interfaced with other relevant technical applications. The book ends with a future outlook from the four editors, each of whom has over 20 years of experience in the application of X-ray CT to soil science.

X und Motif: Einführung in die Programmierung des Motif-Toolkits und des X-Window-Systems

X3D: Extensible 3D Graphics for Web Authors (The Morgan Kaufmann Series in Computer Graphics)

In the early days of the Web a need was recognized for a language to display 3D objects through a browser. An HTML-like language, VRML, was proposed in 1994 and became the standard for describing interactive 3D objects and worlds on the Web. 3D Web courses were started, several best-selling books were published, and VRML continues to be used today. However VRML, because it was based on HTML, is a stodgy language that is not easy to incorporate with other applications and has been difficult to add features to. Meanwhile, applications for interactive 3D graphics have been exploding in areas such as medicine, science, industry, and entertainment. There is a strong need for a set of modern Web-based technologies, applied within a standard extensible framework, to enable a new generation of modeling & simulation applications to emerge, develop, and interoperate. X3D is the next generation open standard for 3D on the web. It is the result of several years of development by the Web 3D Consortium's X3D Task Group. Instead of a large monolithic specification (like VRML), which requires full adoption for compliance, X3D is a component-based architecture that can support applications ranging from a simple non-interactive animation to the latest streaming or rendering applications. X3D replaces VRML, but also provides compatibility with existing VRML content and browsers. Don Brutzman organized the first symposium on VRML and is playing a similar role with X3D; he is a founding member of the consortium. Len Daly is a professional member of the consortium and both Len and Don have been involved with the development of the standard from the start.The first book on the new way to present interactive 3D content over the Web, written by two of the designers of the standardPlentiful illustrations and screen shots in the full color textCompanion website with extensive content, including the X3D specification, sample code and applications, content creation tools, and demos of compatible Web browsers

Xala (BFI Film Classics)

Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new kind of politically engaged, pan-African, auteur film-maker. Centring on the story of businessman El Hadji and the impotence that afflicts him on his marriage to a young third wife, Xala vividly captures the cultural and political upheaval of 1970s Senegal, while suggesting the radical potential of dissent, solidarity and collective action, embodied by El Hadji's student daughter Rama and the group of urban 'undesirables' who act as a kind of raw chorus to the affairs of the neocolonial elite. James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory. Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power.

Xala (BFI Film Classics)

Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new kind of politically engaged, pan-African, auteur film-maker. Centring on the story of businessman El Hadji and the impotence that afflicts him on his marriage to a young third wife, Xala vividly captures the cultural and political upheaval of 1970s Senegal, while suggesting the radical potential of dissent, solidarity and collective action, embodied by El Hadji's student daughter Rama and the group of urban 'undesirables' who act as a kind of raw chorus to the affairs of the neocolonial elite. James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory. Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power.

Xiangsheng and the Emergence of Guo Degang in Contemporary China

This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950's saw the shift of xiangsheng 's social function from entertainment to the political tool of ‘serving the party’, Guo Degang has completed the paradigm shift by turning its focus back to ‘serving the people’ as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means.

X’ntigone: after Sophocles (Modern Plays)

Sometimes a person needs to create an act that destroys the world because the world is broken.The virus has ravaged Thebes. Millions are dead and the economy has tanked. Vaccinations have been administered and the Festival of Liberty is imminent. Things are finally about to change. The countdown is on but leader Creon and his quarantined niece, the self-identifying X'ntigone, have unfinished business before the celebrations can commence. What happens when old-world order meets a radical new world vision? In this thrilling meditation on Sophocles' timeless Greek tragedy, political expediency meets the voice of a generation who want to tear down the power structures that have ill-served a crumbling state.Darren Murphy's X'ntigone is a fresh and vital discourse for our times, when even truth has been sacrificed at the altar of political gain and avarice.

X’ntigone: after Sophocles (Modern Plays)

Sometimes a person needs to create an act that destroys the world because the world is broken.The virus has ravaged Thebes. Millions are dead and the economy has tanked. Vaccinations have been administered and the Festival of Liberty is imminent. Things are finally about to change. The countdown is on but leader Creon and his quarantined niece, the self-identifying X'ntigone, have unfinished business before the celebrations can commence. What happens when old-world order meets a radical new world vision? In this thrilling meditation on Sophocles' timeless Greek tragedy, political expediency meets the voice of a generation who want to tear down the power structures that have ill-served a crumbling state.Darren Murphy's X'ntigone is a fresh and vital discourse for our times, when even truth has been sacrificed at the altar of political gain and avarice.

Xu Bing: Beyond the Book from the Sky (Chinese Contemporary Art Series)

This volume offers a path-breaking reassessment of Xu Bing’s oeuvre by analyzing the diverse cultural environments in which his work has developed since the Book from the Sky. It contains three lecture transcripts and eight art historical essays; these explore themes such as Xu’s animal works, audience participation, new ink, prints, realism, socialist spectacle, and word play. A critical question addressed in this volume is what carries art to a global level beyond regional histories and cultural symbols.Absorbing critical essays on contemporary Chinese aesthetics addressing the social context and philosophical concerns that underlie Xu Bing’s key works. The authors analyze Xu’s art, shedding light on the tangled history of socialism and neoliberalism in the Post-Mao period.--Prof. Dr. Lothar Ledderose, Senior Professor, Institute of East Asian Art, Universität Heidelberg

Xuanhe Catalogue of Paintings

Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100–1125). Dated to 1120, the Catalogue is divided into ten categories of subject matter. Under Daoist and Buddhist Subjects, Figural Subjects, Architecture, Barbarian Tribes, Dragons and Fish, Landscape, Domestic and Wild Animals, Flowers and Birds, Ink Bamboo, and Vegetables and Fruit are biographies of 231 painters, ranging from famous early masters, such as Wu Daozi (ca. 685-758) and Li Cheng (919-967), to otherwise unknown artists of the Song-dynasty court, including fourteen eunuch officials and sixteen male and female members of the royal family. Titles of their pictures held in the palace collection are listed for each artist. These 6,396 paintings testify to the visual culture experienced by viewers of the twelfth century. The author's Introduction analyzes the Catalogue as a source of evidence about the formation of the Song-dynasty palace collection and argues that the majority of its pictures were already in the collection before Huizong's reign, as a result of conquest, confiscation, tribute, gift culture, collecting by earlier emperors, and the production of academy artists and regular officials at the Song court. Under Huizong's reign, around a thousand other pictures were added to the Catalogue through acquisition and reattribution.

Y Tu Mamá También: Mythologies of Youth (Cinema and Youth Cultures)

Charting production, distribution, censorship, and reception, this book examines Y Tu Mamá También in its presentation as a journey of self-discoveries. Three young adults enjoy a road trip together in search of a legendary beach. Behind their stories are mythologies of youth, a network of ideas in the film that reflects life outside the theaters. The deceptively complex film leaves the characters and its viewers with, instead of oversimplified and hollow answers, provocative questions and existential concerns. Made independently in Mexico, the film crosses over transnational issues, global markets, and mainstream and alternative aesthetics. It transforms road movie and youth film genres and shows a ‘musical, magical’ Mexico to the world. This book synthesizes several approaches in order to extensively examine Y Tu Mamá También. Covering the film’s production history, its distribution and censorship, and larger industrial, political, and cultural contexts, this book analyzes the too-often overlooked aspects of youthful sexuality alongside figurations of maturity, rites of passage, and covenants—made, broken, and remade—that not only inform representations of identity but also complicate the processes of identity formation themselves.

Y Tu Mamá También: Mythologies of Youth (Cinema and Youth Cultures)

Charting production, distribution, censorship, and reception, this book examines Y Tu Mamá También in its presentation as a journey of self-discoveries. Three young adults enjoy a road trip together in search of a legendary beach. Behind their stories are mythologies of youth, a network of ideas in the film that reflects life outside the theaters. The deceptively complex film leaves the characters and its viewers with, instead of oversimplified and hollow answers, provocative questions and existential concerns. Made independently in Mexico, the film crosses over transnational issues, global markets, and mainstream and alternative aesthetics. It transforms road movie and youth film genres and shows a ‘musical, magical’ Mexico to the world. This book synthesizes several approaches in order to extensively examine Y Tu Mamá También. Covering the film’s production history, its distribution and censorship, and larger industrial, political, and cultural contexts, this book analyzes the too-often overlooked aspects of youthful sexuality alongside figurations of maturity, rites of passage, and covenants—made, broken, and remade—that not only inform representations of identity but also complicate the processes of identity formation themselves.

Y Tu Mamá También (BFI Film Classics)

Y Tu Mamá También (2001), an intelligent and sensual road movie directed by Alfonso Cuarón and co-written by him and his brother Carlos, is both an acclaimed feature by a director who would go on to win Oscars and a box office success abroad and in its native Mexico, where it was the biggest grossing local film of all time. Its teenage protagonists Gael García Bernal and Diego Luna went on to be major stars of global cinema. Yet on its release the film was vilified by established Mexican critics as a coarse comedy and 'Penthouse fantasy' of youthful lust for an older woman. Paul Julian Smith's lucid study of the film argues that Y Tu Mamá También not only addresses with playful seriousness such major issues as gender, race, class, and space, which are yet more urgent now than they were on its release; but that the film's apparently casual aesthetic masks a sophisticated audiovisual style, one which brings together popular genre film and auteurist experiment. Smith suggests Y Tu Mamá También remains an example for world cinema of how a very local film can connect with a global audience that is ignorant of such niceties. Combining production and distribution history, based on unexplored material held in Mexico City archives, with close textual analysis, Smith makes an argument for Cuarón's film as an enduring masterpiece that hides in plain sight as an ephemeral teen movie.

Y Tu Mamá También (BFI Film Classics)

Y Tu Mamá También (2001), an intelligent and sensual road movie directed by Alfonso Cuarón and co-written by him and his brother Carlos, is both an acclaimed feature by a director who would go on to win Oscars and a box office success abroad and in its native Mexico, where it was the biggest grossing local film of all time. Its teenage protagonists Gael García Bernal and Diego Luna went on to be major stars of global cinema. Yet on its release the film was vilified by established Mexican critics as a coarse comedy and 'Penthouse fantasy' of youthful lust for an older woman. Paul Julian Smith's lucid study of the film argues that Y Tu Mamá También not only addresses with playful seriousness such major issues as gender, race, class, and space, which are yet more urgent now than they were on its release; but that the film's apparently casual aesthetic masks a sophisticated audiovisual style, one which brings together popular genre film and auteurist experiment. Smith suggests Y Tu Mamá También remains an example for world cinema of how a very local film can connect with a global audience that is ignorant of such niceties. Combining production and distribution history, based on unexplored material held in Mexico City archives, with close textual analysis, Smith makes an argument for Cuarón's film as an enduring masterpiece that hides in plain sight as an ephemeral teen movie.

Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Broadway Legacies)

Playwright, composer, actor, director, and producer George M. Cohan looms large in musical theater legend. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy," and his statue stands in the heart of the New York theater district. Cohan's early twentieth-century shows and songs captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. He was an Irish American who had the audacity to represent himself as the Yankee Doodle emblem of the nation, a vaudevillian who had the nerve to unapologetically climb the ranks and package his lower-brow style as Broadway. In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich reading for Broadway musical aficionados as well as scholars of musical theater and American cultural history.

Yankee Doodle Dandy: George M. Cohan and the Broadway Stage (Broadway Legacies)

Playwright, composer, actor, director, and producer George M. Cohan looms large in musical theater legend. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy," and his statue stands in the heart of the New York theater district. Cohan's early twentieth-century shows and songs captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. He was an Irish American who had the audacity to represent himself as the Yankee Doodle emblem of the nation, a vaudevillian who had the nerve to unapologetically climb the ranks and package his lower-brow style as Broadway. In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich reading for Broadway musical aficionados as well as scholars of musical theater and American cultural history.

Yarn Bombing: The Art of Crochet and Knit Graffiti (PDF)

When Yarn Bombing was first published in 2009, the idea that knitted and crocheted objects could be used as a political act of resistance was brand new. Ten years and thousands of pink "pussy" hats later, the art of knit and crochet graffiti has entered the public zeitgeist - a cultural phenomenon that shows no sign of slowing down.Yarn bombing is an international guerrilla movement that started underground and is now embraced by crochet and knitting artists of all ages, nationalities, and genders. Its practitioners create stunning works of art out of yarn, then "donate" them to public spaces as part of a covert plan for world yarn domination, or fashion them into personal political statements.Yarn Bombing the book is a wildly colorful guide to covert textile street art around the world; it also includes over 20 amazing patterns, provides tips on how to be as stealthy as a ninja, demonstrates how to orchestrate a large-scale textile project, and offers revealing information necessary to design your own yarn graffiti tags.This tenth anniversary edition includes a new foreword by the authors and a new chapter that includes many infamous examples of yarn bombing over the past ten years. Subversive and beguiling, this new edition of Yarn Bombing demonstrates that the phenomenon of knit and crochet graffiti is more relevant than ever, especially in these troubled times.

Yarn Bombing: The Art Of Crochet And Knit Graffiti: Tenth Anniversary Edition

Knit graffiti is a new worldwide phenomenon, combining traditional craft with guerilla art and politics. The result is a swarm of knitting projects that are left to hang on telephone poles, over abandoned cars or from trees. This cutting-edge title includes over 20 practical patterns for readers to create their own radical textiles. With an introduction by Amy Singer, the editor of knitty.com.

Yarn Mandalas For Beginners And Beyond: Woven wall hangings for mindful making

Discover how to make incredible woven yarn mandalas in a mindful, meditative way. This is a practical book of instructions for woven mandalas, starting with very simple four sided mandalas through to more complex designs, with an emphasis on how they can be a tool to aid wellbeing. Yarn mandalas are a wonderful way to create bright and beautiful woven wall art in a mindful, meditative way. The use of pattern and colour can help to reduce stress and aid wellbeing at the same time as developing your creativity. Author Inga Savage, explains how to start your mandala journey with a simple four sided version, as well as how to choose the right materials including dowels, yarn and other hardware. There are step-by-step instructions for 17 wonderfully colourful yarn mandalas, ranging from some very simple, basic versions using just two dowels, right up to more complicated 12 sided mandalas (using six dowels). All of the key techniques are accompanied with step-by-step instructions and photography so you can see how to prepare the dowels, marking them up and how to join them as well as what the best yarn to use is and how to ensure that your mandalas have the correct tension which allows the pattern and colour to shine. This skill-building approach to weaving mandalas will help you to develop your skills by practising the techniques on simple mandalas and building up to the more complex designs. The instructions include step-by-step tutorials for all the key patterns used in yarn mandalas including the daggers design, the square design, and how to add embroidery, tassels and other elements into the mandalas as your skills develop. The intricate layers and patterns of mandalas have been used to aid meditation and mindfulness for centuries and this collection explores how makers can tap into these benefits while creating beautiful woven mandala art, with the practise of intention, colour therapy and visualisation during the making process. This collection explores these ideas in the form of a practical guide to making woven yarn mandalas in a meaningful way to allow you to express your creativity via this mindful, relaxing craft. Inga highlights some 'Mindful Moments' throughout the book where she draws on her experience in order to encourage you to get the most from the creative process and to be present in the moment while you are working with the mandalas. All you need to get started is yarn and some dowels and before you know it you will be creating beautiful woven wall art to adorn your home.

Yarnitecture: A Knitter's Guide to Spinning: Building Exactly the Yarn You Want

Knitters are branching out and exploring options for creating their own handspun yarn. This is the book that equips them with the confidence and knowledge to realize their vision every step of the way--from fiber braid to dream yarn to knitted project.

Yayoi Kusama (Lives of the Artists)

'I, Kusama, am the modern Alice in Wonderland' Yayoi KusamaNonagenarian Japanese artist is simultaneously one of the most famous and most mysterious artists on the planet. A wild child of the 1950s and 1960s, she emerged out of the international Fluxus movement to launch naked happenings in New York and went on to become a doyenne of that city's counter-cultural scene. In the early 1970s, she returned to Japan and by 1977 had checked herself in to a psychiatric hospital which has remained her home to this day. But, though she was removed from the world, she was definitely not in retirement. Her love and belief in the polka dot has given birth to some of the most surprising and inspiring installations and paintings of the last four decades - and made her exhibitions the most visited of any single living artist.

A Year at the Chateau: As seen on the hit Channel 4 show

Like many couples, Dick and Angel had long dreamed of living in France, but where others might settle for a modest bolthole in the French countryside, the Strawbridges fell in love with a 19th-century fairytale château, complete with 45 rooms, seven outbuildings, 12 acres of land and its own moat.Throwing caution to the wind, Dick and Angel swapped their two-bedroom flat in East London for an abandoned and derelict castle in the heart of the Loire valley and embarked on the adventure of a lifetime with their two young children Arthur and Dorothy.Sharing their full journey for the first time, A Year at the Château follows Dick and Angel from when they first moved to France in the depths of winter and found bedrooms infested with flies, turrets inhabited by bats, the wind rattling through cracked windows, and just one working toilet, which flushed into the moat, through to the monumental efforts that went into readying the château for their unforgettable wedding and their incredibly special first Christmas.Along the way we'll read glorious descriptions of rural life in France, with charming characters, delicious food and wonderful seasonal produce, together with the extraordinary list of renovations and restorations Dick and Angel completed, many of which were never shown on TV.As warm and entertaining as their much-loved show, A Year at the Château is a truly irresistible story of adventure and heart, epic ambitions and a huge amount of hard graft.

A Year from Monday: New Lectures and Writings

A Year in High Heels: The Girl's Guide To Everything From Jane Austen To The A-list

If your resolutions tend to look much the same from one year to another and you are suffering from the suspicion that someone, somewhere is having more fun that you, then you need something to revitalise your lust for life. A YEAR IN HIGH HEELS is here to help. This book will guide you through the months with a perfectly co-ordinated combination of culture and challenges. With a monthly muse to inspire, and a suggested title for that soon-to-be-formed book club, dumbing down is so last season. Erin O'Connor, Diane von Furstenberg, Matthew Williamson and others share their secrets about their favourite places - so the next time you check in you'll know what to check out - while Dita von Teese, Anya Hindmarch and Christian Lacroix show you how to undress, how to go green and how to appreciate opera. Eclectic, practical and fantastical, A YEAR IN HIGH HEELS is crammed with fascinating stories, inspiring ideas and surprisingly sensible advice. Forget who, when, why and what to wear. Get ready to wow!

A Year in the Country

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