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The Children's Television Community (Routledge Communication Series)
by J. Alison BryantThe Children’s Television Community presents a cutting-edge analysis of the children’s television community—the organizations, major players, and approaches to programming—and gives an overview of the history, current state, and future of children’s programming. Leading children’s television professionals and distinguished academicians come together in this volume to take a distinctive behind-the-scenes look at how children’s television is created, programmed, and sold. This thought-provoking work emphasizes the various actors whose creative, financial, political, and critical input go into children’s television, and addresses advocacy for children’s television from multiple approaches. By blending these diverse perspectives, editor J. Alison Bryant offers readers a comprehensive picture of children’s television. Highlights include:* a community level approach to understanding children’s television;* perspectives from colleagues in various aspects of the media industry; and* an eye-opening analysis of how decision-making affects what children are exposed to through television. The Children’s Television Community is highly informative for educators, industry professionals, and practitioners in media, developmental psychology, and education.
The Children's Troupes and the Transformation of English Theater 1509-1608: Pedagogue, Playwrights, Playbooks, and Play-boys (Studies in Performance and Early Modern Drama)
by Jeanne McCarthyThe Children’s Troupes and the Transformation of English Theater 1509–1608 uncovers the role of the children’s companies in transforming perceptions of authorship and publishing, performance, playing spaces, patronage, actor training, and gender politics in the sixteenth century. Jeanne McCarthy challenges entrenched narratives about popular playing in an era of revolutionary changes, revealing the importance of the children’s company tradition’s connection with many early plays, as well as to the spread of literacy, classicism, and literate ideals of drama, plot, textual fidelity, characterization, and acting in a still largely oral popular culture. By addressing developments from the hyper-literate school tradition, and integrating discussion of the children’s troupes into the critical conversation around popular playing practices, McCarthy offers a nuanced account of the play-centered, literary performance tradition that came to define professional theater in this period. Highlighting the significant role of the children’s company tradition in sixteenth-century performance culture, this volume offers a bold new narrative of the emergence of the London theater.
The Children's Troupes and the Transformation of English Theater 1509-1608: Pedagogue, Playwrights, Playbooks, and Play-boys (Studies in Performance and Early Modern Drama)
by Jeanne McCarthyThe Children’s Troupes and the Transformation of English Theater 1509–1608 uncovers the role of the children’s companies in transforming perceptions of authorship and publishing, performance, playing spaces, patronage, actor training, and gender politics in the sixteenth century. Jeanne McCarthy challenges entrenched narratives about popular playing in an era of revolutionary changes, revealing the importance of the children’s company tradition’s connection with many early plays, as well as to the spread of literacy, classicism, and literate ideals of drama, plot, textual fidelity, characterization, and acting in a still largely oral popular culture. By addressing developments from the hyper-literate school tradition, and integrating discussion of the children’s troupes into the critical conversation around popular playing practices, McCarthy offers a nuanced account of the play-centered, literary performance tradition that came to define professional theater in this period. Highlighting the significant role of the children’s company tradition in sixteenth-century performance culture, this volume offers a bold new narrative of the emergence of the London theater.
A Child's Introduction to the Nutcracker: The Story, Music, Costumes, and Choreography of the Fairy Tale Ballet (A Child's Introduction Series)
by Heather AlexanderBallet enthusiasts of all ages will delight in the magical story of The Nutcracker and the magnificent ballet it inspired in this enchanted book packed with colorful illustrations, fun facts, history, music, and the love of dance. Whether The Nutcracker is your first ballet experience or you&’re already a master dancer, everything you love and want to know about this special, sugar-spun, snow-dusted ballet can be found in these delightful pages. Follow The Nutcracker as it makes its way from page to stage to become the world&’s most popular holiday ballet. Learn all about the dazzling steps, spins, and jumps choreographed by Petipa, Ivanov, and Balanchine, and meet the famed composer Tchaikovsky. Special sections highlight some of the most famous dancers and companies that have brought the performance and the magic of this ballet to life.Packed with charming illustrations showcasing the beautiful costumes and lavish sets, plus removable poster for you to color, A Child&’s Introduction to the Nutcracker lets you to enjoy this magical ballet all year round!
Chilling Cocktails: Classic Cocktails with a Horrifying Twist
by Jason WardDid Silence of the Lambs leave you reaching for a smooth bottle of dry red wine?After reading The Shining did you have an unaccountable urge to sip a red rum concoction?And did Bram Stoker's Dracula induce a craving for... well, perhaps the less said about that the better.If so, fear not – you are not alone! Chilling Cocktails is a creepy compendium of 50 drinks inspired by the most frightening horror stories ever written. Each delicious recipe is accompanied by dark and compelling facts and anecdotes about the inspiring story, certain to get you in the mood for a cool refreshment.What's more, if you can keep your appetite after reading the grisly details, a selection of complementary snack ideas are also sprinkled throughout. Try pairing 'Dracula's Kiss' with some 'Night of the Living Dead Cheddar Bites'. Or 'Carrie's Prom Punch' with 'Paranormal eggtivity Deviled Eggs'.The perfect gift for the horror and booze fan in your life, Chilling Cocktails is all you need to get the party started for your next horror movie night or Halloween party – just make sure the doors and windows are locked first!
Chimera (Oberon Modern Plays)
by Deborah Stein Suli HolumWhat would you do if you discovered you were your own twin? If you learned that your DNA did not quite belong to you? Welcome to Jennifer Samuels’ world. When she learns that she has inherited a rare medical condition her whole sense of self – biological, psychological, emotional, begins to unravel. Join Jennifer as she tumbles down the rabbit hole in a story that combines pin-point wit with breathtaking visuals. Taking its inspiration from real science, Chimera is a frightening, funny, and fascinating ride, coming to the Gate following a critically acclaimed run at the Public Theater’s Under the Radar Festival in New York.
China: A History of the Laws, Manners and Customs of the People
by John Henry GrayThis highly readable history of the world's most populous country dates from the late nineteenth century, when its author, John Henry Gray, served as the Archdeacon of Hong Kong. His two-volume study, here bound into a single volume, begins with the earliest known legends of China as the "Middle Kingdom," around which all lesser states gathered like satellites, and ranges forward to an intriguing series of portraits of the author's Chinese contemporaries.Subjects include the functions and powers of government; prisons and forms of punishment; religion, gods, and goddesses, and Confucian philosophy; marriage and divorce; the roles of servants and slaves; festivals, amusements, and sports; funerals; astrology and fortune-telling; and benevolent institutions. Commercial activities — agricultural techniques, tea and silk production, and maritime pursuits — also receive detailed and informative treatments.Evocative illustrations include images of fireworks and flying kits, opium smokers and Buddhist nuns, traditional fishing techniques, and numerous other scenes from daily life. Of immense value to Sinologists and historians, this insightful volume will appeal to anyone interested in China and Far Eastern cultures.
China: Visions through the Ages
by Thomas A. SkwerskiAt the entrance of The Field Museum’s Cyrus Tang Hall of China, two Chinese stone guardian lions stand tall, gazing down intently at approaching visitors. One lion’s paw rests upon a decorated ball symbolizing power, while the other lion cradles a cub. Traditionally believed to possess attributes of strength and protection, statues such as these once stood guard outside imperial buildings, temples, and wealthy homes in China. Now, centuries later, they guard this incredible permanent exhibition. China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing. With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
China: Visions through the Ages
by Thomas A. SkwerskiAt the entrance of The Field Museum’s Cyrus Tang Hall of China, two Chinese stone guardian lions stand tall, gazing down intently at approaching visitors. One lion’s paw rests upon a decorated ball symbolizing power, while the other lion cradles a cub. Traditionally believed to possess attributes of strength and protection, statues such as these once stood guard outside imperial buildings, temples, and wealthy homes in China. Now, centuries later, they guard this incredible permanent exhibition. China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing. With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
China: Visions through the Ages
by Thomas A. SkwerskiAt the entrance of The Field Museum’s Cyrus Tang Hall of China, two Chinese stone guardian lions stand tall, gazing down intently at approaching visitors. One lion’s paw rests upon a decorated ball symbolizing power, while the other lion cradles a cub. Traditionally believed to possess attributes of strength and protection, statues such as these once stood guard outside imperial buildings, temples, and wealthy homes in China. Now, centuries later, they guard this incredible permanent exhibition. China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing. With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
China: Visions through the Ages
by Thomas A. SkwerskiAt the entrance of The Field Museum’s Cyrus Tang Hall of China, two Chinese stone guardian lions stand tall, gazing down intently at approaching visitors. One lion’s paw rests upon a decorated ball symbolizing power, while the other lion cradles a cub. Traditionally believed to possess attributes of strength and protection, statues such as these once stood guard outside imperial buildings, temples, and wealthy homes in China. Now, centuries later, they guard this incredible permanent exhibition. China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing. With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
China and the Chinese in Popular Film: From Fu Manchu to Charlie Chan (Cinema and Society)
by Jeffrey RichardsThere's a folk memory of China in which numberless yellow hordes pour out of the 'mysterious East' to overwhelm the vulnerable West, accompanied by a stereotype of the Chinese as cruel, cunning and depraved. Hollywood films played their part in perpetuating these myths and stereotypes that constituted 'The Yellow Peril'. Jeffrey Richards examines in detail how and why they did it. He shows how the negative image was embodied in recurrent cinematic depictions of opium dens, tong wars, sadistic dragon ladies and corrupt warlords and how, in the 1930s and 1940s, a countervailing positive image involved the heroic peasants of The Good Earth and Dragon Seed fighting against Japanese invasion in wartime tributes to the West's ally, Nationalist China. The cinema's split level response is also traced through the images of the ultimate Oriental villain, the sinister Dr. Fu Manchu and the timeless Chinese hero, the intelligent and benevolent detective Charlie Chan.
China Building Energy Use and Carbon Emission Yearbook 2021: A Roadmap to Carbon Neutrality by 2060
by Shan Hu Yi Jiang Da YanDouble carbon targets have been one of the most motivations and targets for China’s social and economic development. Building is one of the most important sectors to achieve energy savings and emission reductions. This book focuses on China’s building energy usage and CO2 emissions, discusses the status quo of China’s building energy of four categories, their characteristics and technologies to improve energy efficiency and achieve zero-carbon emissions. Specifically, this book in 2021 discussed the pathways to achieve carbon neutrality targets for China’s building sector. This book also analyzed the energy mix, energy intensity, and technology perspectives to implement energy and carbon targets in urban residential building areas. This book consists of large-scale survey data, monitoring data and case studies. The discussion on technologies and policies is supported by a variety of evidence and continuous research for more than ten years. The information, data and policy suggestions will interest readers all around the world who work in energy, climate change, engineering and building science areas.
China Cultural and Creative Industries Reports 2013 (Understanding China)
by Hardy Yong Xiang Patricia Ann WalkerThis collection provides access to up to date, very high quality research and critical perspectives on China’s CCIs on an industry by industry basis. Industries dealt with by this collection include: advertising, architecture, art and antiques, computer games, crafts, design, designer fashion, film and video, music, performing arts, publishing, software, TV and radio, digital media. The collection combines recently translated work by acknowledged experts on individual sectors of the creative industries from within China with more critical work by internationally-based experts on China’s CCIs and their implications beyond China. The collection draws on the expertise of research academics and of industry based practitioners. China’s Creative and Cultural Industries Reports is a Lens on China providing fresh, new material and perspectives on a key area of cultural and economic development in one of the world’s fastest growing economies. Publication in the form of a collection, which could be sold in multiple of traditional and digital formats, either as a volume or as individual reports, makes it possible for readers to select the format most relevant to their interests.
China Homegrown: Chinese Experimental Architecture Reborn (Architectural Design)
by Andong Lu Pingping DouToday, architecture in China is at a watershed. Over the last decade, rapid urbanisation and the burgeoning economy turned the country into a playground for the world’s signature architects, making it possible to realise extravagant forms and structures at a vast scale. The Chinese government has now drawn a line under this phenomenon by issuing a directive calling an end to the ‘oversized, xenocentric, weird’ buildings devoid of character or cultural heritage that have sprung up across the country, requiring that urban architecture be 'suitable, economic, green and pleasing to the eye'. This government directive comes at a time when homegrown architecture has become increasingly self-assured and reflective in its approach. A new generation of architects in China in their 30s and 40s are emerging, and in a wholly contemporary way they are exploring local responses to often bewildering urban and rural conditions and serious social and environmental challenges. This is often expressed through a revival of interest in traditional street patterns, courtyards and gardens. At the same time, architects are also recognising the opportunities to harness the potential of China’s established manufacturing base to develop prefabricated building systems. Innovative practices are employing new modes of working, such as research-based studio teaching and exhibitions, field workshops, cross-disciplinary collaboration, laboratory-based practice, design think-tanks and collective projects, generating a vibrant culture of design research. Contributors: Lu Feng, Murray Fraser, Xiao Fu and Wei You, Xiahong Hua and Shen Zhuang, Xinggang Li, Yichun Liu, James Shen, Yehao Song, Hui Wang, Shuo Wang, Xin Wang and Qiuye Jin, Philip F Yuan and Xiang Wang, Li Zhang, Xin Zhang and Jingxiang Zhu. Featured architects: Archi-Union Architects, Atelier Archmixing, Atelier Deshaus, Atelier Li Xinggang, Integrated Architecture Studio, LanD Studio, META-Project, People's Architecture Office, SUP Atelier, URBANUS and Zaoyuan Gardening Studio
China in Australasia: Cultural Diplomacy and Chinese Arts since the Cold War (Routledge Studies in the Modern History of Asia)
by James Beattie Richard Bullen Maria GalikowskiDrawing on expertise in art history, exhibition studies and cultural studies as well as politics and international relations, China in Australasia presents significant new perspectives on the role of art in the cultural diplomacy of the People’s Republic of China. The book tells the forgotten story of the loan, exchange, and gifting of Chinese art, museum exhibitions—and the use of Chinese arts more broadly—in growing diplomatic relations with Australia and New Zealand, from 1949 to the present day. Its scope includes pre-modern, modern and contemporary sculpture, painting and peasant art, as well as ancient artefacts, performance arts and gardens. In considering the geopolitical connections opened by the arts, this book presents new insights into some of the ways in which China, often in conjunction with local supporters, sought to present itself to the people of Australia and New Zealand. It also considers how, for their part, New Zealanders and Australians worked to expand understandings of their powerful northern neighbour within changing political contexts. The first of its kind, this book-length interdisciplinary study of Chinese soft diplomacy in Australasia will be invaluable to students and scholars of Chinese studies, cultural diplomacy, museum studies and art history.
China in Australasia: Cultural Diplomacy and Chinese Arts since the Cold War (Routledge Studies in the Modern History of Asia)
by James Beattie Richard Bullen Maria GalikowskiDrawing on expertise in art history, exhibition studies and cultural studies as well as politics and international relations, China in Australasia presents significant new perspectives on the role of art in the cultural diplomacy of the People’s Republic of China. The book tells the forgotten story of the loan, exchange, and gifting of Chinese art, museum exhibitions—and the use of Chinese arts more broadly—in growing diplomatic relations with Australia and New Zealand, from 1949 to the present day. Its scope includes pre-modern, modern and contemporary sculpture, painting and peasant art, as well as ancient artefacts, performance arts and gardens. In considering the geopolitical connections opened by the arts, this book presents new insights into some of the ways in which China, often in conjunction with local supporters, sought to present itself to the people of Australia and New Zealand. It also considers how, for their part, New Zealanders and Australians worked to expand understandings of their powerful northern neighbour within changing political contexts. The first of its kind, this book-length interdisciplinary study of Chinese soft diplomacy in Australasia will be invaluable to students and scholars of Chinese studies, cultural diplomacy, museum studies and art history.
China Low-Carbon Healthy City, Technology Assessment and Practice (Environmental Science and Engineering)
by Weiguang Huang Mingquan Wang Jun Wang Kun Gao Song Li Chen LiuThis book is based on multidisciplinary research focusing on low-carbon healthy city planning, policy and assessment. This includes city-development strategy, energy, environment, healthy, land-use, transportation, infrastructure, information and other related subjects.This book begins with the current status and problems of low-carbon healthy city development in China. It then introduces the global experience of different regions and different policy trends, focusing on individual cases. Finally, the book opens a discussion of Chinese low-carbon healthy city development from planning and design, infrastructure and technology assessment-system perspectives.It presents a case study including the theory and methodology to support the unit city theory for low-carbon healthy cities. The book lists the ranking of China’s 269 high-level cities, with economic, environmental, resource, construction, transportation and health indexes as an assessment for creating a low-carbon healthy future.The book provides readers with a comprehensive overview of building low-carbon healthy cities in China.
China, Russia and Central Asian Infrastructure: Fragmenting or Reformatting the Region? (Palgrave Series in Asia and Pacific Studies)
by Peter KrasnopolskyThis book evaluates Central Asian regionalism by analyzing the impact of Russia and China on physical infrastructure in the region. The narrative builds a picture of the nature of the two powers’ influence on the development of regional connectivity in Central Asia. The study covers the 30-year period since the dissolution of the Soviet Union, with a focus on the last decade preceding the global pandemic. Qualitative research methods, i.e., documentary analysis, media analysis, and elite interviews, are implemented to explore how activities of Russia and China impact regional cooperation among Central Asian states. Multiple case studies of projects in the networked sectors of infrastructure, i.e., transportation, energy, and telecommunications, are used to build the argument and demonstrate the ways in which Russia’s and China’s engagement influence regional connectivity. The book is of interest to the scholars who study international relations in Eurasia, major power relations, Sino-Russian relations, China foreign policy, international institutions in Asia, multilateralism, and regionalism. The empirical depth of the book attracts attention of area studies scholars who focus on Central Asia, Central Eurasia, and any of the five Central Asian states. Additionally, the scholars who analyze the roles of hard infrastructure find the book particularly important. The in-depth cases on multilateral financial institutions and regional networks, particularly energy, transportation, and telecommunication, are of great value to those interested in these respective sectors.
China's Architecture in a Globalizing World: Between Socialism and the Market (Routledge Studies on China in Transition)
by Jiawen HanChina is currently in the midst of an unprecedented building boom and, indeed, interest in Chinese contemporary architecture has been fuelled by this huge expansion. Through a cutting-edge theoretical discussion of Chinese architecture in relation to Chinese modernity, this book examines this phenomenon in detail. In particular, it highlights how changes in the social-political system, the residual influence of Mao and the demands of the market have each shaped and determined style and form in recent years. Using key case studies of Liu Jiakun, Cui Kai, and URBANUS, it analyses the intricate details of historical pressures and practical strategies affecting Chinese architecture. In doing so, it demonstrates that Chinese architects contribute in specific ways to the international architectural discourse, since they are actively engaging with the complex societal transition of contemporary China and managing the dynamics and conflicts arising during the process. China's Architecture in a Globalizing World: Between Socialism and the Market offers a lens into the innovation and uniqueness of architectural design in China. As such, this book will be useful for students and scholars of architecture, Chinese culture and society and urban studies.
China's Architecture in a Globalizing World: Between Socialism and the Market (Routledge Studies on China in Transition)
by Jiawen HanChina is currently in the midst of an unprecedented building boom and, indeed, interest in Chinese contemporary architecture has been fuelled by this huge expansion. Through a cutting-edge theoretical discussion of Chinese architecture in relation to Chinese modernity, this book examines this phenomenon in detail. In particular, it highlights how changes in the social-political system, the residual influence of Mao and the demands of the market have each shaped and determined style and form in recent years. Using key case studies of Liu Jiakun, Cui Kai, and URBANUS, it analyses the intricate details of historical pressures and practical strategies affecting Chinese architecture. In doing so, it demonstrates that Chinese architects contribute in specific ways to the international architectural discourse, since they are actively engaging with the complex societal transition of contemporary China and managing the dynamics and conflicts arising during the process. China's Architecture in a Globalizing World: Between Socialism and the Market offers a lens into the innovation and uniqueness of architectural design in China. As such, this book will be useful for students and scholars of architecture, Chinese culture and society and urban studies.
China's Art Market since 1978: Regional Entrepreneurship and Global Impact (Worlds of Consumption)
by Li MaThis book examines the rising global prominence of China’s art market throughout the twentieth and twenty-first centuries. To understand the far-reaching impact of Chinese art on global consumption, this book traces the shift from regional markets to global markets. It asks how the Chinese art market re-emerged from its politicized past, innovated within the private economy boom, remained resilient despite the global financial crisis, and flourished on the global stage despite the COVID-19 pandemic. Ultimately, it argues that cultural entrepreneurship enabled Chinese art professionals to reinvent their space and to participate in the global artworld.
China's Cinema of Class: Audiences and Narratives (Routledge Studies on China in Transition)
by Nicole TalmacsChina’s commercial film industry can be used as a map to understand how class is interwoven into the imaginations that inform and influence social change in Chinese society. Film consumption is important in this process, particularly for young adult urbanites that are China’s primary commercial cinema patrons. This book investigates the web between the representation of class themes in Chinese film narratives, local audience reception to these films, and the socialisation of China’s contemporary class society. Bringing together textual analyses of narratives from five commercially exhibited films: Let the Bullets Fly (Jiang: 2010), Lost on Journey (Yip: 2011), Go Lala Go! (Xu: 2011), House Mania (Sun: 2011) and The Piano in the Factory (Zheng: 2011); and the reception of 179 Chinese audiences from varying class positions, it investigates the extent to which fictional narratives inform and reflect current class identities in present-day China. Through group discussions in Beijing, Hangzhou, Nanjing, Lanzhou and Taiyuan, the author searches for audiences beyond major cities that are typically the focus of film consumption studies in China. As such, the book reveals not only how deeply and widespread the socialisation of China’s class society has become in the imaginations of Chinese audiences, but also what appears to be a preference of both audiences and filmmakers for the continuation of China’s new class society. Revealing the extent to which cinema continues to play a key role in the socialisation of class structures in contemporary Chinese society, this book will be important for students and scholars of Chinese Studies, Film Studies, Communication Studies, as well as observers of China’s film industry.
China's Cinema of Class: Audiences and Narratives (Routledge Studies on China in Transition)
by Nicole TalmacsChina’s commercial film industry can be used as a map to understand how class is interwoven into the imaginations that inform and influence social change in Chinese society. Film consumption is important in this process, particularly for young adult urbanites that are China’s primary commercial cinema patrons. This book investigates the web between the representation of class themes in Chinese film narratives, local audience reception to these films, and the socialisation of China’s contemporary class society. Bringing together textual analyses of narratives from five commercially exhibited films: Let the Bullets Fly (Jiang: 2010), Lost on Journey (Yip: 2011), Go Lala Go! (Xu: 2011), House Mania (Sun: 2011) and The Piano in the Factory (Zheng: 2011); and the reception of 179 Chinese audiences from varying class positions, it investigates the extent to which fictional narratives inform and reflect current class identities in present-day China. Through group discussions in Beijing, Hangzhou, Nanjing, Lanzhou and Taiyuan, the author searches for audiences beyond major cities that are typically the focus of film consumption studies in China. As such, the book reveals not only how deeply and widespread the socialisation of China’s class society has become in the imaginations of Chinese audiences, but also what appears to be a preference of both audiences and filmmakers for the continuation of China’s new class society. Revealing the extent to which cinema continues to play a key role in the socialisation of class structures in contemporary Chinese society, this book will be important for students and scholars of Chinese Studies, Film Studies, Communication Studies, as well as observers of China’s film industry.
China’s Heritage through History: Reconfigured Pasts
by Yujie ZhuChina’s Heritage through History employs a longue durée approach to examine China’s heritage through history. From Imperial to contemporary China, it explores the role of practices and material forms of the past in shaping social transformation through knowledge production and transmission.The art of collecting, reproducing, and reinterpreting the past has been an enduring force shaping cultural identity and political legitimacy in China. Offering a unique, non-Western perspective on the history of heritage in China, Zhu considers who the key players have been in these ongoing processes of reconfigured pasts, what methods they have employed, and how these practices have shaped society at large. The book tackles these questions by delving into the transformation of practices related to heritage through examples such as the book collection at Tianyi Private Library, the reproduction of the Orchid Pavilion Preface calligraphy and its associated sites, and the dynamics of exchange within the Liulichang antique market. Zhu reveals how these practices, once reserved for elites, have become accessible to the broader public. These processes of transformation, embodied in various forms of reconfigured pasts, have given rise to modern approaches to preservation, digitisation, museums, and the burgeoning heritage tourism industry.China’s Heritage through History will be an invaluable resource for academics, students, and practitioners working in the fields of heritage, museum studies, and art history.