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On Christopher Street: Life, Sex, and Death after Stonewall
by Michael DennenyThrough the eyes of publishing icon Michael Denneny, this cultural autobiography traces the evolution of the US’s queer community in the three decades post-Stonewall. The Stonewall Riots of 1969 and the AIDS crisis of the 1980s have been captured in minute detail, and rightly memorialized in books, on tv, and in film as pivotal and powerful moments in queer history. Yet what about the moments in between—the tumultuous decade post-Stonewall when the queer community’s vitality and creativity exploded across the country, even as the AIDS crisis emerged? Michael Denneny was there for it all. As a founder and editor of the wildly influential magazine Christopher Street and later as the first openly gay editor at a major publishing house, Denneny critically shaped publishing around gay subjects in the 1970s and beyond. At St. Martin’s Press, he acquired a slew of landmark titles by gay authors—many for his groundbreaking Stonewall Inn Editions—propelling queer voices into the mainstream cultural conversation. On Christopher Street is Denneny’s time machine, going back to that heady period to lay out the unfolding geographies and storylines of gay lives and capturing the raw immediacy of his and his contemporaries’ daily lives as gay people in America. Through forty-one micro-chapters, he uses his journal writings, articles, interviews, and more from the 1970s and ‘80s to illuminate the twists and turns of a period of incomparable cultural ferment. One of the few surviving voices of his generation, Denneny transports us back in time to share those vibrant in-between moments in gay lives—the joy, sorrow, ecstasy, and energy—across three decades of queer history.
On Christopher Street: Life, Sex, and Death after Stonewall
by Michael DennenyThrough the eyes of publishing icon Michael Denneny, this cultural autobiography traces the evolution of the US’s queer community in the three decades post-Stonewall. The Stonewall Riots of 1969 and the AIDS crisis of the 1980s have been captured in minute detail, and rightly memorialized in books, on tv, and in film as pivotal and powerful moments in queer history. Yet what about the moments in between—the tumultuous decade post-Stonewall when the queer community’s vitality and creativity exploded across the country, even as the AIDS crisis emerged? Michael Denneny was there for it all. As a founder and editor of the wildly influential magazine Christopher Street and later as the first openly gay editor at a major publishing house, Denneny critically shaped publishing around gay subjects in the 1970s and beyond. At St. Martin’s Press, he acquired a slew of landmark titles by gay authors—many for his groundbreaking Stonewall Inn Editions—propelling queer voices into the mainstream cultural conversation. On Christopher Street is Denneny’s time machine, going back to that heady period to lay out the unfolding geographies and storylines of gay lives and capturing the raw immediacy of his and his contemporaries’ daily lives as gay people in America. Through forty-one micro-chapters, he uses his journal writings, articles, interviews, and more from the 1970s and ‘80s to illuminate the twists and turns of a period of incomparable cultural ferment. One of the few surviving voices of his generation, Denneny transports us back in time to share those vibrant in-between moments in gay lives—the joy, sorrow, ecstasy, and energy—across three decades of queer history.
On The Cobbles: Jimmy Stockin: The Life Of A Bare Knuckled Gypsy Warrior
by Jimmy Stockin Martin King Martin KnightEveryone is familiar with the gypsy race but few outside their close-knit and ancient community really know what being a gypsy is about -how they live and how they think. This is the story of a gypsy man, Jimmy Stockin, born into a world where fighting is first nature. Whilst football maybe the chosen sport for most British males, bare-knuckle fighting is a passion among gypsies both as participants and spectators. Jimmy was born into fighting family. His father and grand-father before him 'trod the cobbles' and young Jimmy was being put up against other boys on gypsy camps from the age of five. He took on bare knuckle challenges from wherever they came. Before long Jimmy was widely recognised as the champion of the bare-knuckle fighters. On the Cobbles is a rare insight into a community under threat - a community that treasures tradition - and a man who had little choice in becoming a fighter but was nevertheless determined to be the best. Shocking and sad, humourous and brutal, this story opens the door to a different world. The world of a gypsy warrior.
On Czeslaw Milosz: Visions from the Other Europe (Writers on Writers #14)
by Eva HoffmanA compelling personal introduction to the life and work of Nobel Prize–winning writer Czesław Miłosz from his fellow Polish exile and acclaimed writer Eva HoffmanCzesław Miłosz (1911–2004) was a giant of twentieth-century literature, not least because he lived through and wrote about many of the most extreme events of that extreme century, from the world wars and the Holocaust to the Cold War. Over a seven-decade career, he produced an important body of poetry, fiction, and nonfiction, including classics such as The Captive Mind, a reflection on the hypnotic power of ideology, and Native Realm, a memoir. In this book, Eva Hoffman, like Miłosz a Polish-born writer who immigrated to the West, presents an eloquent personal portrait of the life and work of her illustrious fellow exile.Miłosz experienced the horrors of World War II in Warsaw—the very epicenter of the inferno—and witnessed the unfolding of the Holocaust from up close. After the war, he lived as a permanent exile—from Poland, communism, and mainstream American culture. Hoffman explores how exile, historical disasters, and Miłosz’s origins in Eastern Europe shaped his vision, and she occasionally compares her own postwar trajectory with Miłosz’s to show how the question of “the Other Europe” is still with us today. She also examines his later turn to the poetry of memory and loss, driven by the need to remember and honor his many friends and others killed in the Holocaust.Combining incisive personal and critical insights, On Czesław Miłosz captures the essence of the life and work of a great poet and writer.
On Days Like These: My Life in Football
by Martin O'NeillMartin O’Neill is one of the most fascinating and respected figures in football. On Days Like These tells the story of his remarkable career.For the first time, Martin O’Neill reflects on one of the most varied and successful football careers in the British Isles. He made his breakthrough playing for Distillery in Northern Ireland before joining Brian Clough’s legendary Nottingham Forest team, becoming one of the few players who made the epic journey from the Second Division to the glory years: winning the First Division championship, two League Cups and back-to-back European Cups. O’Neill represented Northern Ireland over sixty times, playing alongside George Best and captaining the side at the 1982 World Cup, where they reached the quarter-finals.As a manager, O’Neill’s celebrated leadership of Celtic saw them win seven trophies, including three Scottish Premier League titles; and in England he successfully led Leicester City to two League Cups and Aston Villa to an unprecedented three consecutive top six Premier League finishes. He oversaw the Republic of Ireland reaching the Euros in 2016, when they made it to the second round for the first time in their history.With a career spanning over fifty years, Martin tells of his exhilarating highs and painful lows; from the joys of winning trophies, promotion and fighting for World Cups to being harangued by fans, boardroom drama, relegation scraps and being fired. Written with his trademark honesty and humour, On Days Like These is one of the most insightful and captivating autobiographies and a must-read for any fans of the beautiful game.
On Days Like These: The Lost Memoir of a Goalkeeper
by Tim Rich'Emotional, insightful, beautifully written. A story of making saves and being saved. The best football book I have read this year.' Henry WinterJoe Sealey was watching his son play for Manchester United's Under-14s when a man came up to him and said: "I've got your dad's book."Joe's father, Les, had been Manchester United's goalkeeper but had died of a heart attack in 2001 at the age of 43. His death tormented Joe, who had been West Ham's reserve keeper. Joe had given up on football, slipping into an alcohol and drug addiction that almost killed him. He had forgotten what his father's voice sounded like. Now, here it was in form of a Tupperware box full of cassette tapes. The centrepiece of the tapes is the most important game in the modern history of Manchester United, the 1990 FA Cup final. After three barren years at Old Trafford, Alex Ferguson was on the brink of dismissal. There was just the FA Cup final left. He knew that, if it was lost, he would almost certainly be sacked. After the first game against Crystal Palace was drawn 3-3, he dropped his goalkeeper, Jim Leighton, who had been with Ferguson for most of his managerial career, and replaced him with Sealey, who had played just two matches in a year. The replay was won and by the time Sealey left Old Trafford in 1994, Manchester United had become the dominant force in English football. On Days Like These is an intimate portrait of a club dragged from the brink. It is also the story of Joe Sealey's journey to the edge and back. Many years later Joe met Ferguson. 'Your father saved my career,' Ferguson said. 'And you saved his,' was the reply. On Days Like These is a story of two rescues.
On The Edge: My Story
by Richard HammondGripping account by Richard Hammond of life before and after his terrifying high-speed car crash.Richard Hammond is one of our most in-demand and best-loved television presenters. In September 2006, he suffered a serious brain injury following a high-speed car crash. ON THE EDGE is his compelling account of life before and after the accident and an honest description of his recovery, full of drama and incident. An adrenalin junkie long before his association with Top Gear, Richard tells the story of his life, from the small boy showing off with ridiculous stunts on his bicycle to the adolescent with a near-obsessive attraction to speed and the smell of petrol.After a series of jobs in local radio, he graduated to television and eventually to Top Gear. His insights into the personalities, the camaraderie and the stunts for which Top Gear has become famous, make compulsive reading. It was whilst filming for Top Gear that Richard was involved in a high speed crash, driving a jet-powered dragster. His wife Mindy tells the story of the anxious hours and days of watching and waiting until he finally emerged from his coma. In an extraordinarily powerful piece of writing, she and Richard then piece together the stages of his recovery as his shattered mind slowly reformed. The final chapter recounts his return home and his triumphant reappearance in front of the cameras.
On Elizabeth Bishop
by Colm TóibínIn this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tóibín.For Tóibín, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere.Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín’s travels to Bishop’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today’s most acclaimed novelists.
On Elizabeth Bishop
by Colm TóibínIn this book, novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences—the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own. What emerges is a compelling double portrait that will intrigue readers interested in both Bishop and Tóibín.For Tóibín, the secret of Bishop's emotional power is in what she leaves unsaid. Exploring Bishop’s famous attention to detail, Tóibín describes how Bishop is able to convey great emotion indirectly, through precise descriptions of particular settings, objects, and events. He examines how Bishop’s attachment to the Nova Scotia of her childhood, despite her later life in Key West and Brazil, is related to her early loss of her parents—and how this connection finds echoes in Tóibín’s life as an Irish writer who has lived in Barcelona, New York, and elsewhere.Beautifully written and skillfully blending biography, literary appreciation, and descriptions of Tóibín’s travels to Bishop’s Nova Scotia, Key West, and Brazil, On Elizabeth Bishop provides a fresh and memorable look at a beloved poet even as it gives us a window into the mind of one of today’s most acclaimed novelists.
On Elizabeth Taylor: An Opinionated Guide
by Matthew KennedyA sweeping look at the career of a truly singular Hollywood star In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide, her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.
On Elizabeth Taylor: An Opinionated Guide
by Matthew KennedyA sweeping look at the career of a truly singular Hollywood star In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide, her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time.
On Fire
by Larry BrownNOW WITH A FOREWORD BY RON RASH AND AN APPRECIATION BY DWIGHT GARNER&“One of the finest books I know about blue-collar work in America, its rewards and frustrations . . . If you are among the tens of millions who have never read Brown, this is a perfect introduction.&” —Dwight Garner, The New York Times On January 6, 1990, after seventeen years on the job, Larry Brown quit the Oxford, Mississippi, fire department to try writing full-time. In On Fire, he looks back on his life as a firefighter. His unflinching accounts of daily trauma—from the blistering heat of burning trailer homes to the crunch of broken glass at crash scenes—catapult readers into the hard reality that drove this award-winning novelist. As a firefighter and fireman-turned-author, as husband and hunter, and as father and son, Brown offers insights into the choices men face pursuing their life&’s work. And, in the forthright style we expect from Larry Brown, his narrative builds to the explanation of how one man who regularly confronted death began to burn with the desire to write about life.
On Fire: My Story of England's Summer to Remember
by Ben StokesTHE SUNDAY TIMES BESTSELLERWINNER OF THE 2019 BBC SPORTS PERSONALITY OF THE YEAR AWARD'He is the Special One, and I intend to call him that for the rest of his career' Sir Ian Botham, Daily Telegraph'There are not enough superlatives to describe Ben Stokes' Nasser Hussain, Daily Mail'The undisputed hero of English cricket' The TimesEarly evening on Sunday 14th July 2019. Lord's Cricket Ground in London. Something unprecedented had just happened: England had won the Cricket World Cup for the very first time since the tournament's inception in 1975. At the epicentre of England's historic triumph was Ben Stokes, the talismanic all-rounder with an insatiable appetite for The Big Occasion. He contributed a critical 84 runs off 98 balls when England batted, a seemingly nerveless innings of discipline and maturity. Thrillingly, it was enough to tie the scores at 241 runs each, so the match reverted to a Super Over - just six balls for each side to bat in the ultimate in sporting sudden-death. Stokes and Jos Buttler saw England to 15 runs off their over. When it was finally confirmed that Martin Guptill had been run out off the very last ball of New Zealand's Super Over with the scores level once again, England had astonishingly won on the boundary count-back, and the nation could finally breathe again.Early evening on Sunday 25th August 2019. A sun-drenched Headingley in Leeds. Having been bowled out for just 67 earlier in the Third Test, England were facing the prospect of failing to regain the Ashes. In their second innings England were still 73 runs short of victory with a solitary wicket remaining. Australia were near certainties to retain the Ashes there and then. Cue one of the most amazing innings ever witnessed as Ben Stokes thrashed the Australian bowlers to all corners of the ground, in the process scoring 135 not out, driving England to a barely-believable one-wicket victory, and keeping the series very much alive. The nation took another breath.On Fire is Ben Stokes' brand new book, and in it he tells the story of England's electrifying first ever Cricket World Cup triumph, as well as this summer's momentous Ashes Test series. It is the ultimate insider's account of the most nerve-shredding but riveting three-and-a-half months in English cricket history.
On Fire with Fergie
by Stuart DonaldLate on a winter's night in 1976 at the age of 5, I lay awake in bed, absolutely petrified. Something was causing a man to shout, swear and bang in the lounge beneath my room. When I eventually went downstairs, I found my elated Dad sitting in front of the last couple of minutes of the football highlights on TV. He'd watched his team, Aberdeen, reach the Scottish League Cup Final with a dramatic 5-1 victory over Rangers. It was the first in a series of events that would forge an amazing relationship with my Dad as we followed Aberdeen at home and away, for the next ten years. It was a time when the enormous fan base of the Old Firm rampaged through the streets and football grounds of Scotland. A time when we watched Alex Ferguson's Aberdeen rise to the top of Scottish and European football, and then fall all the way back down again...
On Flinching: Theatricality And Scientific Looking From Darwin To Shell Shock
by Tiffany Watt SmithWhile the end of the nineteenth century is often associated with the rise of objectivity and its ideal of a restrained observer, scientific experiments continued to create emotional, even theatrical, relationships between scientist and his subject. On Flinching focuses on moments in which scientific observers flinched from sudden noises, winced at the sight of an animal's pain or cringed when he was caught looking, as ways to consider a distinctive motif of passionate and gestured looking in the laboratory and beyond. It was not their laboratory machines who these scientific observers most closely resembled, but the self-consciously emotional theatrical audiences of the period. Tiffany Watt-Smith offers close readings of four experiments performed by the naturalist Charles Darwin, the physiologist David Ferrier, the neurologist Henry Head, and the psychologist Arthur Hurst. Bringing together flinching scientific observers with actors and spectators in the late nineteenth and early twentieth century theatre, it places the history of scientific looking in its wider cultural context, arguing that even at the dawn of objectivity the techniques and problems of the stage continued to haunt scientific life. In turn, it suggests that by exploring the ways recoiling, shrinking and wincing becoming paradigmatic spectatorial gestures in this period, we can understand the ways Victorians thought about looking as itself an emotional and gestured performance.
On Food, Sex And God: On Inspiration and Writing
by Michele RobertsFood, sex and God' is what Michèle Roberts answers when strangers ask what she writes about, and indeed, she has made these subjects her own in her fiction and her poetry. Now we see that extended to non-fiction in this collection of essays, reviews and articles. Ranging over people and places, writing and imagination, books, spirituality, art and food, Roberts shows herself to be a perceptive and provocative commentator on contemporary life. From a funny monologue on would-be writers who prefer last year's creative writing teacher (male); to musings on a writer's life and work; to reviews of Marina Warner and Jeanette Winterson; to a magnificent piece on autobiographical writing and the imagination, this collection adds to our understanding of her as writer. Her keen sense of the outrageous, her striving for intellectual honesty and her ability to find the sensual in the everyday, leave one in no doubt about a talent that is as original and generous in non-fiction as in her celebrated novels.
On Form: The Times Book of the Year
by Mike BrearleyTHE TIMES BOOK OF THE YEARDAILY TELEGRAPH SPORTS BOOKS OF THE YEARLONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR 2017What is being on form? How does it relate to feeling 'in the zone'? Are these states in the lap of the gods, a matter of which side of the bed we got out of that morning? Or is there anything we can do to make their arrival more likely?In this fascinating book, former England cricket captain and psychoanalyst Mike Brearley draws on his own experiences, both on and off the field, and examines many of the elements of being in and out of form across a number of different disciplines - not only in cricket and psychoanalysis but also in finance, music, philosophy, medicine, teaching, tree surgery and drama.Perceptive and engaging, On Form is an exploration of the benefits and risks of being on form and can help us all reflect on the range of conditions that block or liberate us.
On Gold Mountain: A Family Memoir of Love, Struggle and Survival
by Lisa SeeIn 1867, Lisa See's great-great-grandfather left China in search of riches on the 'Gold Mountain', the Chinese name for the promised land of America. His son Fong See later built a mercantile empire and married a Caucasian woman, in spite of laws that prohibited unions between the races. Through sheer endeavour and entrepreneurial genius he became one of the most successful Chinese men in the country. Over the decades, each generation of the See family strived to grasp their dreams, realise their ambitions and overcome their disappointments and sorrows. This sweeping chronicle of five generations of a Chinese-American family encompasses stories of adventure and heartache, racism and romance, secret marriages and sibling rivalries. On Gold Mountain is a powerful social history of two cultures meeting in a new world.
On Helwig Street: A memoir
by Richard Russo‘“Whoever said beggars can’t be choosers,” my grandfather would remark when she was out of earshot, “never met your mother.”’ Jean Russo was a single mother in the 1950s, badly paid and living with her only son, Richard, in the upstairs apartment of her parents’ home on Helwig Street in Gloversville, New York. When Richard left for University, Jean saw her chance to escape a dead-end town in search of a better life elsewhere. So began a series of ill-conceived adventures, as ambitious son and restless mother strove to find somewhere to belong.Hilarious and heartbreaking, a story of growing up and of growing old, of becoming a man whilst remaining a son, of thinking that the grass is greener somewhere else, but knowing that going home is inevitable: On Helwig Street is a poignant tribute to a complicated mother and a brilliant evocation of mid-century America.
On Henry Miller: Or, How to Be an Anarchist (Writers on Writers)
by John BurnsideAn engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape “the air-conditioned nightmare” of the modern worldThe American writer Henry Miller's critical reputation--if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics, her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's "sex books"—including The Rosy Crucifixion, Tropic of Cancer, and Tropic of Capricorn—"boring and embarrassing." But Burnside says that Miller's notorious image as a "pornographer and woman hater" has hidden his vital, true importance—his anarchist sensibility and the way it shows us how, by fleeing from conformity of all kinds, we may be able to save ourselves from the "air-conditioned nightmare" of the modern world.Miller wrote that "there is no salvation in becoming adapted to a world which is crazy," and in this short, engaging, and personal book, Burnside shows how Miller teaches us to become less adapted to the world, to resist a life sentence to the prison of social, intellectual, emotional, and material conditioning. Exploring the full range of Miller's work, and giving special attention to The Air-Conditioned Nightmare and The Colossus of Maroussi, Burnside shows how, with humor and wisdom, Miller illuminates the misunderstood tradition of anarchist thought. Along the way, Burnside reflects on Rimbaud's enormous influence on Miller, as well as on how Rimbaud and Miller have influenced his own writing.An unconventional and appealing account of an unjustly neglected writer, On Henry Miller restores to us a figure whose searing criticism of the modern world has never been more relevant.
On Henry Miller: Or, How to Be an Anarchist (Writers on Writers)
by John BurnsideAn engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape “the air-conditioned nightmare” of the modern worldThe American writer Henry Miller's critical reputation--if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics, her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's "sex books"—including The Rosy Crucifixion, Tropic of Cancer, and Tropic of Capricorn—"boring and embarrassing." But Burnside says that Miller's notorious image as a "pornographer and woman hater" has hidden his vital, true importance—his anarchist sensibility and the way it shows us how, by fleeing from conformity of all kinds, we may be able to save ourselves from the "air-conditioned nightmare" of the modern world.Miller wrote that "there is no salvation in becoming adapted to a world which is crazy," and in this short, engaging, and personal book, Burnside shows how Miller teaches us to become less adapted to the world, to resist a life sentence to the prison of social, intellectual, emotional, and material conditioning. Exploring the full range of Miller's work, and giving special attention to The Air-Conditioned Nightmare and The Colossus of Maroussi, Burnside shows how, with humor and wisdom, Miller illuminates the misunderstood tradition of anarchist thought. Along the way, Burnside reflects on Rimbaud's enormous influence on Miller, as well as on how Rimbaud and Miller have influenced his own writing.An unconventional and appealing account of an unjustly neglected writer, On Henry Miller restores to us a figure whose searing criticism of the modern world has never been more relevant.
On Henry Miller: Or, How to Be an Anarchist (Writers on Writers)
by John BurnsideAn engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape “the air-conditioned nightmare” of the modern worldThe American writer Henry Miller's critical reputation--if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics, her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's "sex books"—including The Rosy Crucifixion, Tropic of Cancer, and Tropic of Capricorn—"boring and embarrassing." But Burnside says that Miller's notorious image as a "pornographer and woman hater" has hidden his vital, true importance—his anarchist sensibility and the way it shows us how, by fleeing from conformity of all kinds, we may be able to save ourselves from the "air-conditioned nightmare" of the modern world.Miller wrote that "there is no salvation in becoming adapted to a world which is crazy," and in this short, engaging, and personal book, Burnside shows how Miller teaches us to become less adapted to the world, to resist a life sentence to the prison of social, intellectual, emotional, and material conditioning. Exploring the full range of Miller's work, and giving special attention to The Air-Conditioned Nightmare and The Colossus of Maroussi, Burnside shows how, with humor and wisdom, Miller illuminates the misunderstood tradition of anarchist thought. Along the way, Burnside reflects on Rimbaud's enormous influence on Miller, as well as on how Rimbaud and Miller have influenced his own writing.An unconventional and appealing account of an unjustly neglected writer, On Henry Miller restores to us a figure whose searing criticism of the modern world has never been more relevant.
On Holiday Again, Doctor?: "there You Are, Doctor!", "on Holiday Again, Doctor?", "you're Still A Doctor, Doctor!" (The Dr Clifford Chronicles)
by Dr Robert CliffordGastro-enteritis in Marrakesh, kidney stones in the Sahara, a wrenched sternum in Faro, bizarre accidents on a peaceful day's angling . . . It all goes to show that - as their patients would firmly agree - doctors shouldn't go on holiday.In On Holiday Again, Doctor? everyone's favourite West Country G.P. beguiles us with more colourful portraits of family and friends, colleagues and patients; improbable - but true - anecdotes of holidays at home and abroad; some serious comment on the medical profession; and an introduction to the gentle art of nearly going somewhere . . .
On Immunity: An Inoculation
by Eula BissIn this bold, fascinating book, Eula Biss addresses a chronic condition of fear—fear of the government, the medical establishment, and what may be in your children’s air, food, mattresses, medicines, and vaccines. Reflecting on her own experience as a new mother, Biss investigates the metaphors and myths surrounding our conception of immunity and its implications for the individual and the social body. She extends a conversation with other mothers to meditations on Voltaire’s Candide, Bram Stoker’s Dracula, Rachel Carson’s Silent Spring, Susan Sontag’s AIDS and Its Metaphors, and beyond. On Immunity is an inoculation against our fear and a moving account of how we are all interconnected—our bodies and our fates.
On Kubrick
by James NaremoreOn Kubrick provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). The book offers provocative analysis of each of Kubrick's films, together with new information about their production histories and cultural contexts. Its ultimate aim is to provide a concise yet thorough discussion that will be useful as both an academic text and a trade publication. James Naremore argues that in several respects Kubrick was one of the cinema's last modernists: his taste and sensibility were shaped by the artistic culture of New York in the 1950s; he became a celebrated auteur who forged a distinctive style; he used art-cinema conventions in commercial productions; he challenged censorship regulations; and throughout his career he was preoccupied with one of the central themes of modernist art – the conflict between rationality and its ever-present shadow, the unconscious. War and science are key concerns in Kubrick's oeuvre, and his work has a hyper-masculine quality. Yet no director has more relentlessly emphasized the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). The book also argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Often described as 'cool' or 'cold,' Kubrick is best understood as a skillful practitioner of what might be called the aesthetics of the grotesque; he employs extreme forms of caricature and black comedy to create disgusting, frightening yet also laughable images of the human body, creating a sense of unease that leaves viewers unsure of how to react.