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The Cubit Quest
by Trevor LeckTwelve-year-old Charlie Watkins could have inherited his dad’s massive intellect. He got his massive feet instead. Perhaps if Charlie had that intellect he might have been able to figure out why so many men in suits were suddenly following him or where his dad hid the Cubit - a mythical object that men have sworn to protect and even more have died trying to possess - before his so-called accident. If starting yet another new school wasn’t bad enough, Charlie meets Mr Leopold, a disfigured, mind-reading lunatic and discovers that he alone must find the Cubit if he is to save his dad. The Brotherhood, however, have other ideas. Led by the ruthless Draganovic, they will stop at nothing to get their hands on it. With the help of Mr Leopold and fellow new boy Elvis, Charlie sets out on The Cubit Quest. Hunting for the Cubit, playing football, lessons with the dreaded Funeral Face and unsuccessfully avoiding school bully Grimshaw by day, Charlie finds his nights no less complicated. Stalked in his dreams, he’s soon immersed in a world of power struggles, battling dragons and duels to the death. With the Brotherhood hot on his heels and as the bullets begin to y, there are no guarantees that Charlie, or anyone else, will make it to the end in one piece.
Cubs (PDF): Phase 2
by Sasha Morton Collins Big CatBuild your child's reading confidence at home with fully decodable phonics books matched to Letters and Sounds. Find out the different ways cubs can have fun in this photographic non-fiction book. Find out the different ways cubs can have fun in this photographic non-fiction book. Red A/Band 2A offers emergent readers predictable text with familiar objects and actions, combined with simple story development. The focus sounds in this book are: /w/ /x/ /sh/ /th/ /ng/ Pages 14 and 15 contain a fun "I Spy" Letters and Sounds activity, which uses visual support to help children embed phonic knowledge. Reading notes within the book provide practical support for reading Big Cat Phonics for Letters and Sounds with children, including a list of all the sou
Cuckoo
by Keren DavidHe's a household name . . . without a homeJake is an actor, a household name thanks to his role on the UK's most popular soap. But his character went upstairs to his bedroom six months ago and never came down again, and now Jake is facing an uncertain future. Add to that his dad's anger issues, the family's precarious finances and the demands of a severely autistic brother; Jake's home feels like a powder keg waiting to explode. It's easier to spend nights on friends' sofas and futons, but what happens when you feel like a cuckoo in every nest? Cuckoo is a novel about the roles we play when we don't fit in anywhere, and finding unlikely solace when home is the least welcoming place of all.
Cuckoo in the Nest (Hollis Family Bks. #1)
by Michelle MagorianA wonderfully nostalgic story about one boy’s determination to follow his dreams from the award-winning author of Goodnight Mr Tom.
The Cuckoo Tree (The Wolves Of Willoughby Chase Sequence #6)
by Joan AikenWhile her friend Capt Hughes recovers from a carriage accident, Dido is marooned with the odd inhabitants of the Tegleaze estate. Soon suspicious things happen; a priceless possession is stolen, a boy kidnapped, a twin sister found and when Dido catches a glimpse of her rascally father in Petworth, she is sure she is in the midst of another wicked Hanoverian plot. Can she combat mass hypnotism, smugglers, and a gang of murderers to prevent the plot to put St Paul`s Cathedral in the River Thames?
Cuddle the Cutest Kitten: Book 1
by Hayley DazeWhen Cuddle the kitten comes to play, magic is never far away!When Cuddle the cutest kitten appears, Olivia and Grace are in for a big adventure! With a sparkle of kitten magic, the girls find themselves at an amazing pyramid.Princess Beset has lost her kitten inside the pyramid maze. With Cuddle's help, can the girls save the day?
Cuddle the Cutest Kitten: Book 2
by Hayley DazeWhen Cuddle the kitten comes to play, magic is never far away!When Cuddle the cutest kitten appears, Olivia and Grace are in for a big adventure! With a sparkle of kitten magic, the girls find themselves at a TV talent show.It's Chloe's turn to audition but she can't do it without her lucky charm. Will Cuddle and the girls help save Chloe's dreams?
Cuddle the Cutest Kitten: Book 3
by Hayley DazeWhen Cuddle the kitten comes to play, magic is never far away!When Cuddle the cutest kitten appears, Olivia and Grace are in for a big adventure! With a sparkle of kitten magic, the girls find themselves inside a wonderful royal palace.Princess Victoria is supposed to be at a royal ball but she'd rather have a sleepover. Can Cuddle and the girls convince the Princess she could do both and have twice the fun?
Cuddle the Cutest Kitten: Book 4
by Hayley DazeWhen Cuddle the kitten comes to play, magic is never far away!When Cuddle the cutest kitten appears, Olivia and Grace are in for a big adventure! With a sparkle of kitten magic, the girls find themselves in an enchanted school. The littlest unicorn at the school is lonely. Can Cuddle and the girls help him to make new friends?
The Cuddly Seal (Princess of Pets)
by Paula HarrisonRuby Palace is no place for pets! But Princess Bea won't let royal rules stop her from helping animals in need. While exploring Silver Rock Bay, Bea comes across a little seal pup that has been left alone on some rocks. Bea and her friend Keira are determined to help, but with a big storm coming, can they reunite the baby seal with its mother?With a shiny foil cover and beautifully illustrated throughout by Olivia Chin Mueller, this is the perfect book for animal-mad young readers aged 6+. Look out for more of Princess Bea's adventures!The Naughty KittenThe Lost PuppyThe Snowy ReindeerThe Lonely Pony
Cudweed's Time Machine (Early Reader)
by Marcus SedgwickEarly Readers are stepping stones from picture books to reading books. A blue Early Reader is perfect for sharing and reading together. A red Early Reader is the next step on your reading journey.Cudweed comes face to face with Roman soldiers, dinosaurs and Vikings in this funny, quirky story, perfect for beginner readers, from the bestselling Raven Mysteries team, Marcus Sedgwick and Pete Williamson.
Cue for Treason: A Tale Of Shakespearian England
by Geoffrey Trease Matt JonesFleeing from the evil Sir Philip Morton, Peter Brownrigg finds himself on the wrong side of the law. On the run to London he meets Kit and the two decide to stick together. But a chance discovery endangers their lives and soon Peter is deep in murderous plots, secrets and even treason.Set in the turbulent days of Elizabeth I, this classic story of danger and intrigue conjures up a world of mystery, twists and turns and thrilling action.
A Cultural History of Fairy Tales in Antiquity (The Cultural Histories Series)
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Spanning chronologically from the third millennium BCE through to the seventh century CE and beyond, and geographically from the Mediterranean to the Near East and Asia, this book explores the earliest known evidence of familiar folk tales and fairy tales in the ancient world.Drawing on sources including the Rig Veda, the Epic of Gilgamesh, the Old Testament, the Westcar Papyrus, and the Odyssey, this volume ranges from epic poetry to drama, to fables and proverbs, and from ancient histories to novels.Scholars in Classics, Anthropology, Folklore, and Asian Studies examine the dissemination, adaptation, and cross-cultural interactions of early forms of folk tales, providing new insights into how they functioned and circulated across different societies.An essential resource for scholars and students of ancient literature, history, and cultural studies, this book explores topics including: forms of the marvelous, gender and sexuality, monsters and the monstrous, the significance of spaces, socialization and moral messaging, and the uses and abuses of power.
A Cultural History of Fairy Tales in the Age of the Marvelous (The Cultural Histories Series)
by Suzanne MagnaniniHow have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies?Drawing on the contributions of scholars working on Italian, French, English, Ottoman Turkish, and Japanese tale traditions, this book underscores the striking mobility and malleability of fairy tales written in the years 1450 to 1650. The essays examine how early modern scientific theories, debates on the efficacy of witchcraft, conceptions of race and gender, religious beliefs, the aesthetics of landscape, and censorial practices all shaped the representations of magic and marvels in the tales of this period.Tracing the fairy tale's swift movement across linguistic and geographic borders, through verse and prose versions, from the printed page to the early modern stage, this volume demonstrates the ways in which these fantastic literary texts explored the ideological borders constructed by different societies.An essential resource for researchers, scholars and students of literature, history and cultural studies, contributors explore themes including: forms of the marvelous, adaption, gender and sexuality, humans and non-humans, monsters and the monstrous, space, socialization, and power.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
A Cultural History of Fairy Tales in the Long Eighteenth Century (The Cultural Histories Series)
by Anne E. DugganHow have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies?This volume traces the evolution of the genre over the period known as the long eighteenth century. It explores key developments including: the French fairy tale vogue of the 1690s, dominated by women authors including Marie-Catherine d'Aulnoy and Marie-Jeanne Lhéritier, the fashion of the oriental tale in the early eighteenth century, launched by Antoine Galland's seminal translation of The Thousand and One Nights from Arabic into French, and the birth of European children's literature in the second half of the eighteenth century. Drawing together contributions from an international range of scholars in history, literature and cultural studies, this volume examines the intersections between diverse national tale traditions through different critical perspectives, producing an authoritative transnational history of the genre. An essential resource for researchers, scholars and students of literature, history and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
A Cultural History of Fairy Tales in the Long Eighteenth Century (The Cultural Histories Series)
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies?This volume traces the evolution of the genre over the period known as the long eighteenth century. It explores key developments including: the French fairy tale vogue of the 1690s, dominated by women authors including Marie-Catherine d'Aulnoy and Marie-Jeanne Lhéritier, the fashion of the oriental tale in the early eighteenth century, launched by Antoine Galland's seminal translation of The Thousand and One Nights from Arabic into French, and the birth of European children's literature in the second half of the eighteenth century. Drawing together contributions from an international range of scholars in history, literature and cultural studies, this volume examines the intersections between diverse national tale traditions through different critical perspectives, producing an authoritative transnational history of the genre. An essential resource for researchers, scholars and students of literature, history and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
A Cultural History of Fairy Tales in the Long Nineteenth Century (The Cultural Histories Series)
by Naomi J. WoodHow have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies?This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children's writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century's materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
A Cultural History of Fairy Tales in the Long Nineteenth Century (The Cultural Histories Series)
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies?This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children's writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century's materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
A Cultural History of Fairy Tales in the Middle Ages (The Cultural Histories Series)
by Susan AronsteinHow have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Spanning the years from 900 to 1500 and traversing geographical borders, from England to France and India to China, this book uniquely examines the tales told, translated, adapted and circulated during the period known as the Middle Ages. Scholars in history, literature and cultural studies explore the development of epic tales of heroes and monsters and enchanted romance narratives. Examining how tales evolved and functioned across different societies during the Middle Ages, this book demonstrates how the plots, themes and motifs used in medieval tales influenced later developments in the genre. An essential resource for researchers, scholars and students of literature, history and cultural studies, this volume explores themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
A Cultural History of Fairy Tales in the Middle Ages (The Cultural Histories Series)
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Spanning the years from 900 to 1500 and traversing geographical borders, from England to France and India to China, this book uniquely examines the tales told, translated, adapted and circulated during the period known as the Middle Ages. Scholars in history, literature and cultural studies explore the development of epic tales of heroes and monsters and enchanted romance narratives. Examining how tales evolved and functioned across different societies during the Middle Ages, this book demonstrates how the plots, themes and motifs used in medieval tales influenced later developments in the genre. An essential resource for researchers, scholars and students of literature, history and cultural studies, this volume explores themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
A Cultural History of Fairy Tales in the Modern Age (The Cultural Histories Series)
by Andrew TeversonHow have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies?Drawing together contributions from an international range of scholars in history, literature, and cultural studies, this volume uniquely examines creative applications of fairy tales in the twentieth and twenty-first centuries. It explores how the fairy tale has become a genre that flourishes on film, on TV, and in digital media, as well as in the older technologies of print, performance, and the visual arts. An essential resource for researchers, scholars and students of literature, history, the visual arts and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
A Cultural History of Fairy Tales in the Modern Age (The Cultural Histories Series)
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies?Drawing together contributions from an international range of scholars in history, literature, and cultural studies, this volume uniquely examines creative applications of fairy tales in the twentieth and twenty-first centuries. It explores how the fairy tale has become a genre that flourishes on film, on TV, and in digital media, as well as in the older technologies of print, performance, and the visual arts. An essential resource for researchers, scholars and students of literature, history, the visual arts and cultural studies, this book explores such themes and topics as: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
Cultural Memories of Nonviolent Struggles: Powerful Times (Palgrave Macmillan Memory Studies)
by Tamar Katriel Anna ReadingIf societies have only memories of war, of cruelty, of violence, then why are we called humankind? This book marks a new trajectory in Memory Studies by examining cultural memories of nonviolent struggles from ten countries. The book reminds us of the enduring cultural scripts for human agency, solidarity, resilience and human kindness.
Cultural Politics in Harry Potter: Life, Death and the Politics of Fear
by Rubén Jarazo-Álvarez Pilar Alderete-DiezCultural Politics in Harry Potter: Life, Death and the Politics of Fear is the first book-length analysis of topics, such as death, fear and biopolitics in J.K. Rowling’s work from controversial and interdisciplinary perspectives. This collection brings together recent theoretical and applied cultural studies and focuses on three key areas of inquiry: (1) wizarding biopolitics and intersected discourses; (2) anxiety, death, resilience and trauma; and (3) the politics of fear and postmodern transformations. As such, this book: provides a comprehensive overview of national and gender discourses, as well as the transiting bodies in-between, in relation to the Harry Potter books series and related multimedia franchise; situates the transformative power of death within the fandom, transmedia and film depictions of the Potterverse and critically deconstructs the processes of subjectivation and legitimation of death and fear; examines the strategies and mechanisms through which cultural and political processes are managed, as well as reminding us how fiction and reality intersect at junctions, such as terrorism, homonationalism, materialism, capitalism, posthumanism and technology. Exploring precisely what is cultural about wizarding politics, and what is political about culture, this book is key reading for students of contemporary literature, media and culture, as well as anyone with an interest in the fictional universe and wizarding world of Harry Potter.
Cultural Politics in Harry Potter: Life, Death and the Politics of Fear
by Rubén Jarazo-Álvarez Pilar Alderete-DiezCultural Politics in Harry Potter: Life, Death and the Politics of Fear is the first book-length analysis of topics, such as death, fear and biopolitics in J.K. Rowling’s work from controversial and interdisciplinary perspectives. This collection brings together recent theoretical and applied cultural studies and focuses on three key areas of inquiry: (1) wizarding biopolitics and intersected discourses; (2) anxiety, death, resilience and trauma; and (3) the politics of fear and postmodern transformations. As such, this book: provides a comprehensive overview of national and gender discourses, as well as the transiting bodies in-between, in relation to the Harry Potter books series and related multimedia franchise; situates the transformative power of death within the fandom, transmedia and film depictions of the Potterverse and critically deconstructs the processes of subjectivation and legitimation of death and fear; examines the strategies and mechanisms through which cultural and political processes are managed, as well as reminding us how fiction and reality intersect at junctions, such as terrorism, homonationalism, materialism, capitalism, posthumanism and technology. Exploring precisely what is cultural about wizarding politics, and what is political about culture, this book is key reading for students of contemporary literature, media and culture, as well as anyone with an interest in the fictional universe and wizarding world of Harry Potter.