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Badhai: Hijra-Khwaja Sira-Trans Performance across Borders in South Asia (Forms of Drama)
by Adnan Hossain Claire Pamment Jeff RoyThis is the first full-length book to provide an introduction to badhai performances throughout South Asia, examining their characteristics and relationships to differing contexts in Bangladesh, India, and Pakistan. Badhai's repertoires of songs, dances, prayers, and comic repartee are performed by socially marginalised hijra, khwaja sira, and trans communities. They commemorate weddings, births and other celebratory heteronormative events. The form is improvisational and responds to particular contexts, but also moves across borders. For students of theatre and performance, anthropology, religion, gender and cultural studies, this book illuminates an important form of performance, considering its changing status and uncertain futures.The book draws from anthropology, theatre and performance studies, music and sound studies, ethnomusicology, queer and transgender studies, and sustained ethnographic fieldwork to examine badhai's place-based dynamics, transcultural features, and communications across the hijrascape. This vital study analyses these performances' layered, scalar, and sensorial practices, extending ways of understanding hijra-khwaja sira-trans performance.
Baghdad Boogie (Oberon Modern Playwrights)
by Roy SmilesBaghdad Boogie is set some time during the Iraq Crisis. A long term Canadian captive (Doug) finds himself in the same filth stained room as an oil executive American (Sean). As they face a long period of incarceration together the subject of war and imperialism is raised as Doug begins to unravel at the seams; a caustic comic two hander that examines the reasons for the invasion of Iraq and the effects of being held hostage with the constant fear of execution.
Baghdad Wedding (Oberon Modern Plays)
by Hassan AbdulrazzakIn Iraq, a wedding is not a wedding unless shots get fired. It's like in England where a wedding is not a wedding unless someone pukes or tries to fuck one of the bridesmaids. That's the way it goes.'From cosmopolitan London to the chaos of war-ravaged Baghdad, this is the comic tale of three friends, torn between two worlds, and a wedding that goes horribly wrong.Baghdad Wedding premiered at the Soho Theatre in June 2007.
Baghdaddy (Modern Plays)
by Jasmine Naziha JonesCongratulations! Your pain is commercially viable.It's 1991 and the Gulf War rages three thousand, three hundred and twenty miles away. Darlee is 8 years old, crying behind the wheelie bookcase in Miss Stratford's classroom. She's just realised she's Iraqi. Or half. Maybe both. She saw it on the news last night after Neighbours and fish fingers. Heard the fear slipping through the receiver, saw it oozing from Dad's eyeballs and into the living room as he tried to phone home.What she can't process now, she'll be haunted by later; the spirits hounding her will make sure of that…Baghdaddy is a playfully devastating coming-of-age story, told through clowning and memory to explore the complexities of cultural identity, generational trauma and a father-daughter relationship amidst global conflict.This edition was published to coincide with the world premiere at London's Royal Court Theatre in November 2022.
Baghdaddy (Modern Plays)
by Jasmine Naziha JonesCongratulations! Your pain is commercially viable.It's 1991 and the Gulf War rages three thousand, three hundred and twenty miles away. Darlee is 8 years old, crying behind the wheelie bookcase in Miss Stratford's classroom. She's just realised she's Iraqi. Or half. Maybe both. She saw it on the news last night after Neighbours and fish fingers. Heard the fear slipping through the receiver, saw it oozing from Dad's eyeballs and into the living room as he tried to phone home.What she can't process now, she'll be haunted by later; the spirits hounding her will make sure of that…Baghdaddy is a playfully devastating coming-of-age story, told through clowning and memory to explore the complexities of cultural identity, generational trauma and a father-daughter relationship amidst global conflict.This edition was published to coincide with the world premiere at London's Royal Court Theatre in November 2022.
Bakhtin and Theatre: Dialogues with Stanislavski, Meyerhold and Grotowski
by Dick MccawWhat did Bakhtin think about the theatre? That it was outdated? That is ‘stopped being a serious genre’ after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice? Bakhtin and Theatre is the first book to explore the relation between Bakhtin’s ideas and the theatre practice of his time. In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky’s pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky’s death and Meyerhold’s assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other’s ideas. Bakhtin’s early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.
Bakhtin and Theatre: Dialogues with Stanislavski, Meyerhold and Grotowski
by Dick MccawWhat did Bakhtin think about the theatre? That it was outdated? That is ‘stopped being a serious genre’ after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice? Bakhtin and Theatre is the first book to explore the relation between Bakhtin’s ideas and the theatre practice of his time. In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky’s pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky’s death and Meyerhold’s assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other’s ideas. Bakhtin’s early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.
Bakkhai (Oberon Modern Plays)
by Anne CarsonPentheus has banned the wild, ritualistic worship of the god Dionysos. A stranger arrives to persuade him to change his mind. Euripides’ electrifying tragedy is a struggle to the death between freedom and restraint, the rational and the irrational, man and god.
Bakkhai (Greek Tragedy in New Translations)
by EuripidesRegarded by many as Euripides' masterpiece, Bakkhai is a powerful examination of religious ecstasy and the resistance to it. A call for moderation, it rejects the temptation of pure reason as well as pure sensuality, and is a staple of Greek tragedy, representing in structure and thematics an exemplary model of the classic tragic elements. Disguised as a young holy man, the god Bacchus arrives in Greece from Asia proclaiming his godhood and preaching his orgiastic religion. He expects to be embraced in Thebes, but the Theban king, Pentheus, forbids his people to worship him and tries to have him arrested. Enraged, Bacchus drives Pentheus mad and leads him to the mountains, where Pentheus' own mother, Agave, and the women of Thebes tear him to pieces in a Bacchic frenzy. Gibbons, a prize-winning poet, and Segal, a renowned classicist, offer a skilled new translation of this central text of Greek tragedy.
Bakkhai (Greek Tragedy in New Translations)
by EuripidesRegarded by many as Euripides' masterpiece, Bakkhai is a powerful examination of religious ecstasy and the resistance to it. A call for moderation, it rejects the temptation of pure reason as well as pure sensuality, and is a staple of Greek tragedy, representing in structure and thematics an exemplary model of the classic tragic elements. Disguised as a young holy man, the god Bacchus arrives in Greece from Asia proclaiming his godhood and preaching his orgiastic religion. He expects to be embraced in Thebes, but the Theban king, Pentheus, forbids his people to worship him and tries to have him arrested. Enraged, Bacchus drives Pentheus mad and leads him to the mountains, where Pentheus' own mother, Agave, and the women of Thebes tear him to pieces in a Bacchic frenzy. Gibbons, a prize-winning poet, and Segal, a renowned classicist, offer a skilled new translation of this central text of Greek tragedy.
Balanchine: A special issue of the journal Choreography and Dance
by Robert P. CohanThis detailed portrait of George Balanchine presents new approaches to his choreography. The book examines Balanchine from diverse perspectives and discusses unexplored aspects of his work, such as the notion of Balanchine as an architect, and his experiments with the African-American dance tradition. The articles complement and reinforce each other, taking interdisciplinary perspectives and encouraging a reexamination of, and expansion of, existing opinions.
Balanchine: A special issue of the journal Choreography and Dance
by Eleni HofmeisterThis detailed portrait of George Balanchine presents new approaches to his choreography. The book examines Balanchine from diverse perspectives and discusses unexplored aspects of his work, such as the notion of Balanchine as an architect, and his experiments with the African-American dance tradition. The articles complement and reinforce each other, taking interdisciplinary perspectives and encouraging a reexamination of, and expansion of, existing opinions.
Balancing Acts: Behind the Scenes at the National Theatre
by Nicholas HytnerThe Sunday Times BestsellerThis is the inside story of twelve years at the helm of Britain’s greatest theatre.It is a story of lunatic failures and spectacular successes such as The History Boys, War Horse and One Man, Two Guvnors; of opening the doors of the National Theatre to a broader audience than ever before, and changing the public’s perception of what theatre is for. It is about probing Shakespeare from every angle and reinventing the classics. About fostering new talent and directing some of the most celebrated actors of our times. Its cast includes the likes of Alan Bennett, Maggie Smith, Mike Leigh, Daniel Day-Lewis, Michael Gambon and Helen Mirren. Intimate, candid and insightful, Balancing Acts is a passionate exploration of the art and alchemy of making theatre.
Ball & Other Funny Stories About Cancer (Oberon Modern Plays)
by Brian LobelUnexpected, quirky and provocative, BALL & Other Funny Stories About Cancer is a unique collection of performances about illness and the changing body over time. Documenting a trilogy of Brian Lobel’s monologue performances from 2001-2011, this collection challenges the inspirational stories of survivors and martyrs that have come before, infusing the ‘cancer story’ with an urgency and humour which is sometimes inappropriate, often salacious and always, above all else, honest and open.Published together for the first time, this collection of performances goes beyond the chemotherapy to include reflections on politics, sexuality and gender, providing cancer – and cancer narratives – with a much-deserved kick in the ball(s).
Ballade by Anna Sokolow (Language of Dance)
by Ray CookFirst Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Ballade by Anna Sokolow (Language of Dance #No. 5)
by Ray CookFirst Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Ballet Beyond Tradition
by Anna PaskevskaFor nearly a century, the training of ballet and modern dancers has followed two divergent paths. Modern practitioners felt ballet was artificial and injurious to the body; ballet teachers felt that modern dancers lacked the rigorous discipline and control that comes only from years of progressive training. Ballet Beyond Tradition seeks to reconcile these age-old conflicts and bring a new awareness to ballet teachers of the importance of a holistic training regimen that draws on the best that modern dance and movement-studies offers.
Ballet Beyond Tradition
by Anna PaskevskaFor nearly a century, the training of ballet and modern dancers has followed two divergent paths. Modern practitioners felt ballet was artificial and injurious to the body; ballet teachers felt that modern dancers lacked the rigorous discipline and control that comes only from years of progressive training. Ballet Beyond Tradition seeks to reconcile these age-old conflicts and bring a new awareness to ballet teachers of the importance of a holistic training regimen that draws on the best that modern dance and movement-studies offers.
The Banshees of Inisherin
by Martin McDonaghWinner: Best Screenplay, Golden Globe Awards 2023.Winner: Best Screenplay, Venice Film Festival 2022.What is he, twelve? Why doesn't he want to be friends with you no more?1923. As shots ring out from the warring mainland, on the island of Inisherin it's the rift between old drinking pals Pádraic and Colm that leads both men to ever more alarming action.
Barbarians (Modern Plays)
by Barrie KeeffeIt's 1977. Youth unemployment is at an all-time high and the pound is at an all-time low. Paul, Jan and Louis are bored, broke and demoralized by the hand that they've been dealt. How will these young lads fair with the odds stacked against them? How will they cope?Cut off from society with no-where to turn, the play resonates with a modern audience who will no doubt recognize the disaffected youth of 1970s Britain. Barrie Keeffe's tragically dark play crackles with tension throughout, building to a twisted and dramatic end.This programme text edition was published to coincide with the revival of the play by Tooting Arts Club on 3rd October 2015, staged at the former Central St Martins School of Art on the Charing Cross Road, London.
Barbarians: One: Gimme Shelter (gem, Gotcha, Getaway): Barbarians (killing Time, Abide With Me, In The City) (Modern Plays)
by Barrie KeeffeIt's 1977. Youth unemployment is at an all-time high and the pound is at an all-time low. Paul, Jan and Louis are bored, broke and demoralized by the hand that they've been dealt. How will these young lads fair with the odds stacked against them? How will they cope?Cut off from society with no-where to turn, the play resonates with a modern audience who will no doubt recognize the disaffected youth of 1970s Britain. Barrie Keeffe's tragically dark play crackles with tension throughout, building to a twisted and dramatic end.This programme text edition was published to coincide with the revival of the play by Tooting Arts Club on 3rd October 2015, staged at the former Central St Martins School of Art on the Charing Cross Road, London.
The Barber of Seville and The Marriage of Figaro: The Barber Of Seville, The Marriage Of Figaro, And The Guilty Mother (Penguin Classics Series)
by Pierre-Augustin BeaumarchaisA French courtier, secret agent, libertine and adventurer, Beaumarchais (1732-99) was also author of two sparkling plays about the scoundrelly valet Figaro - triumphant successes that were used as the basis of operas by Mozart and Rossini. A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro - condemned by Louis XVI for its daring satire of nobility and privilege - depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.
Barber Shop Chronicles (Oberon Modern Plays)
by Inua EllamsOne day. Six cities. A thousand stories. Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.
Barber Shop Chronicles (Student Editions)
by Inua EllamsNewsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling.Barber Shop Chronicles, which was partly inspired by verbatim recordings, is a heart-warming, hilarious and insightful play that leaps from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day.It was first produced by the National Theatre, Fuel and Leeds Playhouse in 2017 and is here publishedas a Methuen Drama Student Edition with commentary and notes by Oladipo Agboluaje.
Barber Shop Chronicles (Modern Plays)
by Inua EllamsBarber Shop Chronicles is a generously funny, heart-warming and insightful new play set in five African cities, Johannesburg, Harare, Kampala, Lagos, Accra, and in London.Inspired in part by the story of a Leeds barber, the play invites the audience into a unique environment where the banter may be barbed, but the truth always telling. The barbers of these tales are sages, role models and father figures who keep the men together and the stories alive.Inua Ellams's celebrated play was first produced by the National Theatre, Fuel and Leeds Playhouse in 2017.