- Table View
- List View
The Barber of Seville and The Marriage of Figaro: The Barber Of Seville, The Marriage Of Figaro, And The Guilty Mother (Penguin Classics Series)
by Pierre-Augustin BeaumarchaisA French courtier, secret agent, libertine and adventurer, Beaumarchais (1732-99) was also author of two sparkling plays about the scoundrelly valet Figaro - triumphant successes that were used as the basis of operas by Mozart and Rossini. A highly engaging comedy of intrigue, The Barber of Seville portrays the resourceful Figaro foiling a jealous old man's attempts to keep his beautiful ward from her lover. And The Marriage of Figaro - condemned by Louis XVI for its daring satire of nobility and privilege - depicts a master and servant set in opposition by their desire for the same woman. With characteristic lightness of touch, Beaumarchais created an audacious farce of disguise and mistaken identity that balances wit, frivolity and seriousness in equal measure.
Barber Shop Chronicles (Oberon Modern Plays)
by Inua EllamsOne day. Six cities. A thousand stories. Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.
Barber Shop Chronicles (Student Editions)
by Inua EllamsNewsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling.Barber Shop Chronicles, which was partly inspired by verbatim recordings, is a heart-warming, hilarious and insightful play that leaps from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day.It was first produced by the National Theatre, Fuel and Leeds Playhouse in 2017 and is here publishedas a Methuen Drama Student Edition with commentary and notes by Oladipo Agboluaje.
Barber Shop Chronicles (Modern Plays)
by Inua EllamsBarber Shop Chronicles is a generously funny, heart-warming and insightful new play set in five African cities, Johannesburg, Harare, Kampala, Lagos, Accra, and in London.Inspired in part by the story of a Leeds barber, the play invites the audience into a unique environment where the banter may be barbed, but the truth always telling. The barbers of these tales are sages, role models and father figures who keep the men together and the stories alive.Inua Ellams's celebrated play was first produced by the National Theatre, Fuel and Leeds Playhouse in 2017.
Barber Shop Chronicles (Modern Plays)
by Inua EllamsBarber Shop Chronicles is a generously funny, heart-warming and insightful new play set in five African cities, Johannesburg, Harare, Kampala, Lagos, Accra, and in London.Inspired in part by the story of a Leeds barber, the play invites the audience into a unique environment where the banter may be barbed, but the truth always telling. The barbers of these tales are sages, role models and father figures who keep the men together and the stories alive.Inua Ellams's celebrated play was first produced by the National Theatre, Fuel and Leeds Playhouse in 2017.
Barber Shop Chronicles (Student Editions)
by Inua EllamsNewsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling.Barber Shop Chronicles, which was partly inspired by verbatim recordings, is a heart-warming, hilarious and insightful play that leaps from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day.It was first produced by the National Theatre, Fuel and Leeds Playhouse in 2017 and is here publishedas a Methuen Drama Student Edition with commentary and notes by Oladipo Agboluaje.
The Bards of Bromley and Other Plays (Oberon Modern Plays)
by Maureen Lipman Perry PontacHaving produced a new Shakespearean canon in his previous collection of plays Codpieces, Perry Pontac turns his attention to other great names in European culture. The Three Seagulls is a Chekhovian comedy with representative characters drawn from each of Chekhov's major plays, as well as a selection of his plot-lines. The Lunchtime of the Gods is Wagner's Ring recycled into a thirty-minute play telling the entire story, plus several jokes not in the original. And in The Bards of Bromley, the first meeting of a writers' workshop is attended by a group of unusually promising authors: William Wordsworth, George Eliot, August Strindberg, A A Milne and Johan Wolfgang von Goethe
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His Plays
by Maria JaroszThe enduring appeal of Shakespeare's works derives largely from the fact that they contain brilliantly drawn characters. Interpretations of these characters are products of changing modes of thought, and thus past explanations of their behavior, including Shakespeare's, no longer satisfy us. In this work, Bernard J. Paris, an eminent Shakespearean scholar, shows how Shakespeare endowed his tragic heroes with enduring human qualities that have made them relevant to people of later eras.Bargains with Fate employs a psychoanalytic approach inspired by the theories of Karen Horney to analyze Shakespeare's four major tragedies and the personality that can be inferred from all of his works. This compelling study first examines the tragedies as dramas about individuals with conflicts like our own who are in a state of crisis due to the breakdown of their bargains with fate, a belief that they can magically control their destinies by living up to the dictates of their defensive strategies.Filled with bold hypotheses supported by carefully detailed accounts, this innovative study is a resource for students and scholars of Shakespeare, and for those interested in literature as a source of psychological insight. The author's combination of literary and psychoanalytic perspectives guides us to a humane understanding of Shakespeare and his protagonists, and, in turn, to a more profound knowledge of ourselves and human behavior.
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His Plays
by Maria JaroszThe enduring appeal of Shakespeare's works derives largely from the fact that they contain brilliantly drawn characters. Interpretations of these characters are products of changing modes of thought, and thus past explanations of their behavior, including Shakespeare's, no longer satisfy us. In this work, Bernard J. Paris, an eminent Shakespearean scholar, shows how Shakespeare endowed his tragic heroes with enduring human qualities that have made them relevant to people of later eras.Bargains with Fate employs a psychoanalytic approach inspired by the theories of Karen Horney to analyze Shakespeare's four major tragedies and the personality that can be inferred from all of his works. This compelling study first examines the tragedies as dramas about individuals with conflicts like our own who are in a state of crisis due to the breakdown of their bargains with fate, a belief that they can magically control their destinies by living up to the dictates of their defensive strategies.Filled with bold hypotheses supported by carefully detailed accounts, this innovative study is a resource for students and scholars of Shakespeare, and for those interested in literature as a source of psychological insight. The author's combination of literary and psychoanalytic perspectives guides us to a humane understanding of Shakespeare and his protagonists, and, in turn, to a more profound knowledge of ourselves and human behavior.
Barker: Plays Six (Oberon Modern Playwrights)
by Howard BarkerIncludes the plays Judith, (Uncle) Vanya, A House of Correction, Let Me and Lot and His GodBarker’s radical rewriting of Chekhov’s classic (Uncle) Vanya brought him more controversy than most of his other works put together. Interrogating not so much Chekhov’s text as the use to which society has put it, Barker turns Vanya’s defeat into victory and converts a play of sadness into a tragedy of desire. A House of Correction is a meditation on cause and effect. Set on the eve of a war which may destroy a society, the seemingly arbitrary arrival of a messenger with a vital communication sets off an agonizing train of events in the lives of three desperate women.Few works of drama can have plumbed the depths of solitude and rage that characterize Let Me, a nightmare set on the frontiers of the Roman Empire during the barbarian invasions. Biblical narratives serve as the origin of two shorter works, of which Judith is a contemporary classic of cultural conflict, a reinterpretation of the status of the heroine in Israel’s war of survival against the Assyrians. In Lot and His God, the imminent destruction of Sodom simultaneously licenses the moral decay of an angel and the erotic epiphany of an adored wife.
Barker: Plays Seven (Oberon Modern Playwrights)
by Howard BarkerUnd, a play for one woman and six trays, is a moving study of dignityand self-delusion. When a guest, perhaps a lover, fails to appear foran appointment, his hostess invents excuses for his neglect, evenwhen ill-manners degenerate into barbarity. The hostess is Jewish, theinvisible guest a Nazi officer.The Twelfth Battle of Isonzo is the twelfth marriage of a very old manto a young woman a fraction of his age. Their mutual fascination isintensified but also rendered ambiguous by the fact that both are blind.The intellectual and erotic manoeuvres conducted between them areakin to a dance, and what begins as a hypothesis becomes a painfulexposure of the many meanings of intimacy.12 Encounters with a Prodigy concentrates a theme Barker has exploredover many plays – the solitude of the precocious child. Kisster, an adoredorphan, has been taught to exploit the pity of the world for his ownadvantage. From inside his fortified personality, Kisster manipulates ahost of predatory characters, keeping at bay angels and vagrants in hisstruggle to survive.In Christ’s Dog the dying Lazar, arch-seducer and bigamist, treads out ajourney he feels compelled to undertake to reach accommodation withhis past. At every stage of his search, a different version of the untoldstory of Christ’s dog is proposed to him. Lazar understands that hisseemingly worthless life – akin to the mongrel that howls at the foot ofthe cross – is a critical element of human morality.Learning Kneeling is perhaps the most terrible of Barker’s works, a playof apparently unredeemed extremity, relieved by a wit and a scrupulousintensity of thought that renders it a tribute to human persistence andimagination. Sturdee, a legless man of property, finds his home andhis mistress seized by terrorists, the leader of whom, Demonstrator byname and instinct, leads him into a nightmare of ambiguities.
Barker: Plays Three (Oberon Modern Playwrights)
by Howard BarkerIncludes the plays Claw, Ursula, He Stumbled and The Love of a Good ManThe plays in this volume range over twenty years, beginning with Barker's first major work for the stage, Claw, a study of urban discontent and political impotence, developed over three stylistically contrasting acts. Its terrible conclusion marked the debut of a vivid dramatic imagination. In Ursula Barker's engagement with the pains of the past, and his way of reinvigorating ancient arguments reaches a high point in his treatment of the legend of St Ursula and the martyrdom of 11,000 virgins, where the virtues of celibacy and marriage are set against the catastrophic passion of a woman described as a 'perfect liar'. Barker's scrutiny of the body and its complex meanings is never more intense than in He Stumbled, the tragedy of a celebrated anatomist whose last dissection becomes his own. The body as a site of political and personal investment is also at the heart of The Love of a Good Man, an early work set on the empty battlefields of the Great War, where the burial of the dead becomes a pretext for private ambition as well as national grief.
Barker: Plays Eight (Oberon Modern Playwrights)
by Howard BarkerThe Trojan legend and the character of Helen form the basis for The Bite of the Night. As with all Barker’s mythical and historical works, it is overlaid and undermined by a contemporary narrative, in this instance the search for the origin of the erotic undertaken by the redundant university teacher Dr Savage and his nihilistic student, Hogbin. Through all twelve Troys, Savage and Helen struggle with a passion both intellectual and physical, and the idea of beauty is refined to a terrifying degree. In Brutopia Barker’s controversial portrait of the humanist Thomas More is shaped around his strained relationship with his daughter Cecilia, here discovered to be the author of a counter-text to her parent’s infamous Utopia. Cecilia’s wit and cruelty mark her out as one of Barker’s least compromising and heroic young women. The Forty is a significant departure from Barker’s dramatic practice, his investment in language reduced to a few phrases which punctuate detailed scenes of conflict and solitude. Physical movement, and intense concentration on gesture show the author’s flair for visuality in a new and surprising way. The theme of sacrifice features increasingly in Barker’s theatre, and in Wonder and Worship in the Dying Ward it is a mother’s refusal to apologize for an act of passion – notwithstanding the dire consequence for her own child – that is at the heart of the argument. Set in a home for terminally-ill patients, many of whom create a hilarious chorus around the protagonists, Wonder and Worship in the Dying Ward shows Barker’s imagination in its most startling form.
Barker: Plays Four (Oberon Modern Playwrights)
by Howard BarkerIncludes the plays I Saw Myself, The Dying of Today, Found in the Ground and The Road, the House, the RoadHoward Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. In I Saw Myself a woman's longing to understand her compulsion to transgress the laws of her society comes into collision with the conventions of an art form. In the weaving of a tapestry Barker's13th century heroine privileges private life over public responsibility. If she is cruelly punished she is also granted self-awareness. A critical moment in social decay is also at the centre of The Dying of Today, in which a stranger who luxuriates in the telling of bad news observes the effects of his devastating narrative on a humble barber. The barber's recovery from pain, and the beauty of his sensibility, bring the two strangers into an emotional proximity. Barker's most experimental work in form and content is probably Found in the Ground, a mobile, musical work set during the last days of an aged Nuremberg judge whose baying hounds and burning library form an uncanny background to his wayward daughter's struggle to make meaning from the atrocities of the 20th century. The contradictions of the humanist personality are explored in The Road, the House, the Road. Erasmus' obscure colleague Aventinus was found dead on a wintry road. How he arrived at his solitary death forms the subject of this speculation on scholarship, mischief and the murderer's vocation.
Barker: Plays One (Oberon Modern Playwright's Ser.)
by Howard BarkerIncludes the plays Victory, The Europeans, The Possibilities and Scenes from an Execution.Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. These plays are among his best-known works, and their energy, poetic language and imagination have fixed them firmly in the international repertoire.Exploring the tragic form defined by Barker as Theatre of Catastrophe, three of the plays speculate on human behaviour in moments of historical crisis. Victory is set in the English Civil War and follows the ethical voyage of a widow towards personal reconstruction. The Europeans takes one of the great eruptions of Islamic imperialism as the background for a young woman's insistence on her right to her own identity. Scenes from an Execution shows the struggle of an independently-minded artist against the power of the Venetian state.The Possibilities, a disturbing series of short plays set in various times and cultures, reveals Barker's unconventional way with moral dilemmas.
Barker: Plays Five (Oberon Modern Playwrights)
by Howard BarkerIncludes the plays The Last Supper, Seven Lears, Hated Nightfall and Wounds to the FaceHoward Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose.Both The Last Supper and Seven Lears exemplify Barker's way with great religious and literary stories, the first placing the wilful suicide of a Christ-like prophet, Lvov, in the context of modern chaos, illuminating his moral ambiguities with comic or painful parables, the second taking its inspiration from the significant absence in Shakespeare's play, that of Lear's wife, the queen whose murder is here discerned as the origin as the great family tragedy.The execution of the Russian royal family remains shrouded in mystery - not least that of the identity of two bodies discovered in the mass grave years after the event. In Hated Nightfall Barker's speculative imagination leads him to identify these as the children's tutor, Dancer, and a recalcitrant servant, Jane. Dancer is perhaps Barker's archetypal hero, febrile, iconoclastic, yet in search of a self-sacrifice nothing appears to justify. In Wounds to the Face, our complex and sometimes violent relations with our own physiognomy form the psychological link between related scenes of wounding, notoriety, shame and vanity in a play of kaleidoscopic energy and imagery.
Barker: Plays Two (Oberon Modern Playwrights)
by Howard BarkerIncludes the plays The Castle, Gertrude - The Cry, Animals in Paradise and 13 Objects.Howard Barker is one of the most significant and controversial dramatists of his time. His plays challenge, unsettle and expose. The plays in this volume examine collisions of culture, gender and creed at moments of turmoil, developing the tragic form Barker defines as Theatre of Catastrophe.The Castle is set at the end of Crusades and describes the clashes that occur when returning soldiers bring an Arab architect home with them as a prisoner. Barker's abiding interest in interrogating the great classics for their 'silences' is shown in Gertrude - The Cry, his re-writing of the Hamlet story. Scarcely examined in Shakespeare, the passion of Gertrude for Claudius is made the centre of this harrowing tragedy, casting new light on the personality of Hamlet himself. Animals in Paradise was commissioned by the Swedish and Danish governments to celebrate their connection by bridge, a symbolic finish to centuries of antagonism. Barker's unexpected treatment of the theme provoked unrest on its first showing.13 Objects movingly reveals the investment we make in inanimate things, their power to unsettle us, and how their talismanic qualities license new ways of seeing the world.
Barking in Essex (Modern Plays)
by Clive ExtonFreedom finally beckons for Algie Packer, Essex's most notorious gangster. He's done seven years inside and now he's coming home to collect his reward – £3,672,000 in untraceable notes. But there's something Algie's family have forgotten to mention . . . The Packers are Essex's lovable, but most dysfunctional family. Witness their desperate attempts to cover their tracks before Algie arrives to collect what is rightfully his.Barking In Essex is a riotously funny comedy by Clive Exton, published and produced for the first time in 2013.
Barking in Essex (Modern Plays)
by Clive ExtonFreedom finally beckons for Algie Packer, Essex's most notorious gangster. He's done seven years inside and now he's coming home to collect his reward – £3,672,000 in untraceable notes. But there's something Algie's family have forgotten to mention . . . The Packers are Essex's lovable, but most dysfunctional family. Witness their desperate attempts to cover their tracks before Algie arrives to collect what is rightfully his.Barking In Essex is a riotously funny comedy by Clive Exton, published and produced for the first time in 2013.
Barnbow Canaries (Oberon Modern Plays)
by Alice NutterAs the Great War gathers pace, Agnes and her sister Edith revel in their new-found independence and prosperity as Barnbow lasses. Not only does their danger money buy them a new life of confidence, men, work and politics but the thrill of a new future with friendship and freedom. In the wake of the catastrophic 1916 explosion, the women discover the true cost of the cry for ‘More Shells!’ Alice Nutter (My Generation) brings her unique voice to this incredible story of Yorkshire grit, determination and solidarity, marking 100 years since the largest ever single loss of life in the history of Leeds.
Barnes Plays: Red Noses, The Spirit of Man, Nobody Here But Us Chickens, Sunsets and Glories, Bye Bye Columbus (Contemporary Dramatists)
by Peter BarnesA selection of plays by "one of the most original and biting comic writers working in Britain" (The Times)The Spirit of Man is "an ingenious triple-bill exploring Man's need for faith through three short satires based in medieval France, Protectorate England and nineteenth-century Eastern Europe" (Independent); Nobody Here But Us Chickens is a linked trilogy of satires on New Age, corporate and bedroom politics. Red Noses is a political satire about the plague and takes place in 1348. Set in medieval Italy during a crisis in the Church, Sunsets and Glories is "a work of the highest and most thrilling theatrical energy" (Independent on Sunday), whilst Bye Bye Columbus is a "highly entertaining" (Guardian) television play."Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)
Barnes Plays: Clap Hands; Heaven's Blessings; Revolutionary Witness (Contemporary Dramatists)
by Peter BarnesA selection of plays by "one of the most original and biting comic writers working in Britain" (The Times)Clap Hands Here Comes Charlie is a riotous, scabrous comedy concerning a demonic figure, a destroyer and giver of life, who is always trying to jump, with both feet into his left trouser leg. Heaven's Blessings, taken from the grim pages of the Bible is a charming epic comedy of Tobit, his wife, their son and a cantankerous guardian angel, who set out to reclaim an outstanding IOU, overcoming many dangers which test their faith to breaking point. Revolutionary Witness, about the French Revolution, is a series of four monologues televised by the BBC in 1989."Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)
Barnes Plays: Red Noses, The Spirit of Man, Nobody Here But Us Chickens, Sunsets and Glories, Bye Bye Columbus (Contemporary Dramatists)
by Peter BarnesA selection of plays by "one of the most original and biting comic writers working in Britain" (The Times)The Spirit of Man is "an ingenious triple-bill exploring Man's need for faith through three short satires based in medieval France, Protectorate England and nineteenth-century Eastern Europe" (Independent); Nobody Here But Us Chickens is a linked trilogy of satires on New Age, corporate and bedroom politics. Red Noses is a political satire about the plague and takes place in 1348. Set in medieval Italy during a crisis in the Church, Sunsets and Glories is "a work of the highest and most thrilling theatrical energy" (Independent on Sunday), whilst Bye Bye Columbus is a "highly entertaining" (Guardian) television play."Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)
Barnes Plays: Clap Hands; Heaven's Blessings; Revolutionary Witness (Contemporary Dramatists)
by Peter BarnesA selection of plays by "one of the most original and biting comic writers working in Britain" (The Times)Clap Hands Here Comes Charlie is a riotous, scabrous comedy concerning a demonic figure, a destroyer and giver of life, who is always trying to jump, with both feet into his left trouser leg. Heaven's Blessings, taken from the grim pages of the Bible is a charming epic comedy of Tobit, his wife, their son and a cantankerous guardian angel, who set out to reclaim an outstanding IOU, overcoming many dangers which test their faith to breaking point. Revolutionary Witness, about the French Revolution, is a series of four monologues televised by the BBC in 1989."Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)
Barney Norris: Plays One (Oberon Modern Playwrights)
by Barney NorrisVisitors: On a farmhouse at the edge of Salisbury Plain, a family is falling apart. Stephen can’t afford to put his mother into care; Arthur can’t afford to stop working and look after his wife. When a young stranger with blue hair moves in to look after Edie as her mind unravels, the family are forced to ask: are we living the way we wanted? Visitors is a haunting, beautiful look at the way our lives slip past us. Eventide: A love song, an elegy, a celebration: Eventide tells the story of three people whose worlds are disappearing. John is a landlord forced to sell up; Liz is a church organist who can't get a gig; Mark takes what work he can just to pay the rent. Their tale unfold round the back of a pub hidden deep in the heart of the Hampshire countryside – a heart that doesn't seem to be beating any more. While We’re Here: Eddie and Carol were lovers once, but their lives went in different directions. Now they meet again on a park bench in a town full of memories, and find something still burns between them. Nightfall: What you believed in seemed to vanish overnight. So how are you going to live now? One family struggling in the heart of the country looks for a star to steer by as they try to plot a route out of the dark they’ve been pitched into.