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Spanish Film Policies and Gender (Routledge Focus on Media and Cultural Studies)
by Jara Fernández MenesesThis book provides a comprehensive cultural and historical account of the key film policies put into place by the Spanish state between 1980 and 2010 through a gendered lens, framing these policies within the wider context of European film legislation.Departing from the belief that there is no such thing as an objective and value-neutral approach to policy analysis because our society is organised around gender, this volume builds upon Pierre Bourdieu’s theory of field to propose that film policies do not emerge in a vacuum because they respond to different demands from those agents involved in the field of the Spanish cinema. By so doing, it critically assesses how these policies have come into being, by whom, in response to what interests, how they have shaped the Spanish film industry, and how far and in what ways they have tackled gender inequality in the Spanish film industry.This book will be of great interest to scholars and students of Spanish cinema, gender studies, film industry studies, film policy, and feminist film studies.
Spanish Theatre 1920-1995: Strategies in Protest and Imagination (1)
by Maria M. DelgadoBeginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Spanish Theatre 1920-1995: Strategies in Protest and Imagination (1)
by Maria M. DelgadoBeginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Spanish Theatre 1920 - 1995: Strategies in Protest and Imagination (2)
by Maria M. DelgadoBeginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
Spanish Theatre 1920 - 1995: Strategies in Protest and Imagination (2) (Contemporary Theatre Review Ser. #Vols. 7, Pts. 4)
by Maria M DelgadoBeginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
The Spanish Tragedy (New Mermaids)
by Thomas Kyd Andrew GurrThe first fully-fledged example of a revenge tragedy, the genre that became so influential in later Elizabethan and Jacobean drama, The Spanish Tragedy (1589) occupies a very special place in the history of English Renaissance drama. Hieronimo, Knight-Marshal of Spain during its war with Portugal, fails to obtain justice when his son is murdered for courting Bel-Imperia, the Duke of Castile's daughter, and decides to take justice into his own hands...This new student edition has been freshly revised by Professor Andrew Gurr to incorporate the latest stage history and critical interpretations of the play. It also appends the scenes that were added in 1602, discusses Elizabethan attitudes to revenge, the Senecan features of the play and the significance of the Anglo-Spanish conflict in the 1580s.
The Spanish Tragedy: A Play (New Mermaids #No. 88)
by Thomas Kyd Andrew GurrThe first fully-fledged example of a revenge tragedy, the genre that became so influential in later Elizabethan and Jacobean drama, The Spanish Tragedy (1589) occupies a very special place in the history of English Renaissance drama. Hieronimo, Knight-Marshal of Spain during its war with Portugal, fails to obtain justice when his son is murdered for courting Bel-Imperia, the Duke of Castile's daughter, and decides to take justice into his own hands...This new student edition has been freshly revised by Professor Andrew Gurr to incorporate the latest stage history and critical interpretations of the play. It also appends the scenes that were added in 1602, discusses Elizabethan attitudes to revenge, the Senecan features of the play and the significance of the Anglo-Spanish conflict in the 1580s.
The Spanish Tragedy: A Critical Reader (Arden Early Modern Drama Guides)
by Thomas RistThe Spanish Tragedy was the first 'revenge tragedy' on the English Renaissance stage: but for its influence, major dramas including The Revenger's Tragedy, The Duchess of Malfi and even Hamlet would not exist as they do. It is thus a key text for the study of Renaissance drama and normally appears in introductory undergraduate courses on Renaissance drama and Shakespeare. Despite its initial smash-hit status, after the closing of the theatres in 1642 the play was only once performed in Britain before its gradual revival in the 20th century. Following its first professional performance in 1973, the play has come to be recognised as a Renaissance classic, receiving frequent performance. This volume will bring together its most insightful and influential modern scholars to produce an edition read both by experts in the field and lovers of Thomas Kyd's drama.
The Spanish Tragedy: A Critical Reader (Arden Early Modern Drama Guides)
by Thomas RistThe Spanish Tragedy was the first 'revenge tragedy' on the English Renaissance stage: but for its influence, major dramas including The Revenger's Tragedy, The Duchess of Malfi and even Hamlet would not exist as they do. It is thus a key text for the study of Renaissance drama and normally appears in introductory undergraduate courses on Renaissance drama and Shakespeare. Despite its initial smash-hit status, after the closing of the theatres in 1642 the play was only once performed in Britain before its gradual revival in the 20th century. Following its first professional performance in 1973, the play has come to be recognised as a Renaissance classic, receiving frequent performance. This volume will bring together its most insightful and influential modern scholars to produce an edition read both by experts in the field and lovers of Thomas Kyd's drama.
Sparkleshark (PDF)
by Philip RidleyFourteen-year-old Jake, the classroom 'geek', takes refuge on the roof of a tower block in order to write his stories. Before long other young people join him and the taunting begins. Although at first he endeavours to hide he learns to fight back in the only way he knows how - storytelling. Soon the whole group is enmeshed in the story, enacting a fantastic tale which resonates with the dynamics of their own friendships and enmities.
Sparks (Modern Plays)
by Jessica Butcher Anoushka LucasFifteen years of disconnected sparks to do the damage.To stop her beautiful fantastical brain from working.'Fall in love in my early 20s, get married in my late 20s, have at least one child by the time I'm 30. F*ck!'Life is hard to navigate when you've got so many questions. Can I put this jumper in the washing machine? Do you have my birth certificate? Where did you find love? How did you do it? How do you survive? A story of a kamikaze love affair with unexpected consequences. Hilarious and heartbreaking, written by Jessica Butcher and with original music by Anoushka Lucas. Sparks is a two-hander musical about thebrain's response to grief. This edition was published to coincide with the run at the Edinburgh Festival Fringe in August 2018, ahead of its transfer to the HighTide Festivals 2018 in Aldeburgh, Suffolk and Walthamstow, London.
Sparks (Modern Plays)
by Jessica Butcher Anoushka LucasFifteen years of disconnected sparks to do the damage.To stop her beautiful fantastical brain from working.'Fall in love in my early 20s, get married in my late 20s, have at least one child by the time I'm 30. F*ck!'Life is hard to navigate when you've got so many questions. Can I put this jumper in the washing machine? Do you have my birth certificate? Where did you find love? How did you do it? How do you survive? A story of a kamikaze love affair with unexpected consequences. Hilarious and heartbreaking, written by Jessica Butcher and with original music by Anoushka Lucas. Sparks is a two-hander musical about thebrain's response to grief. This edition was published to coincide with the run at the Edinburgh Festival Fringe in August 2018, ahead of its transfer to the HighTide Festivals 2018 in Aldeburgh, Suffolk and Walthamstow, London.
Sparks (Modern Plays)
by Simon LongmanRemember you saying you could speak to anything if you wanted to. Right? Did you say that? Remember that. Said you could speak to the stars. Just had to know how to do it.It's raining in the Midlands. Again. It won't stop. Someone's standing in it. They're shivering. They're cold. They're waiting for someone they haven't seen in a very long time. They've got a rucksack full of alcohol. And a fish.A touching play about abandoned responsibilities, what we choose to remember and what we thought we'd forgotten.This programme text edition was published to coincide with the world premiere at the Old Red Lion theatre, London on 10 November 2015.
Sparks (Modern Plays)
by Simon LongmanRemember you saying you could speak to anything if you wanted to. Right? Did you say that? Remember that. Said you could speak to the stars. Just had to know how to do it.It's raining in the Midlands. Again. It won't stop. Someone's standing in it. They're shivering. They're cold. They're waiting for someone they haven't seen in a very long time. They've got a rucksack full of alcohol. And a fish.A touching play about abandoned responsibilities, what we choose to remember and what we thought we'd forgotten.This programme text edition was published to coincide with the world premiere at the Old Red Lion theatre, London on 10 November 2015.
Speaking in Tongues: Languages at Play in the Theatre
by Marvin CarlsonSpeaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various "levels" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. Speaking in Tongues draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction; Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present; and The Haunted Stage: The Theatre as Memory Machine, among many other books.
Speaking Like Magpies
by Frank McGuinnessBut I can hear them speaking like magpies,And they mean to thieve his life,The Lord's anointed servant,They mean to kill God.Speaking Like Magpies, specially commissioned by the RSC as part of the Gunpowder Season to mark the 400th anniversary of the Gunpowder Plot, brings to vibrant life the background to this notorious event in British history. Frank McGuinness' play premiered at the Swan Theatre, Stratford-upon-Avon, in September 2005, its final performance marking the end of the RSC's Gunpowder Season on 5 November 2005.
Speaking of Dance: Twelve Contemporary Choreographers on Their Craft
by Joyce MorgenrothSpeaking of Dance: Twelve Contemporary Choreographers on Their Craft delves into the choreographic processes of some of America's most engaging and revolutionary dancemakers. Based on personal interviews, the book's narratives reveal the methods and quests of, among others, Merce Cunningham, Meredith Monk, Bill T. Jones, Trisha Brown, and Mark Morris. Morgenroth shows how the ideas, craft, and passion that go into their work have led these choreographers to disrupt known forms and expectations. The history of dance in the making is revealed through the stories of these intelligent, articulate, and witty dance masters.
Speaking of Dance: Twelve Contemporary Choreographers on Their Craft
by Joyce MorgenrothSpeaking of Dance: Twelve Contemporary Choreographers on Their Craft delves into the choreographic processes of some of America's most engaging and revolutionary dancemakers. Based on personal interviews, the book's narratives reveal the methods and quests of, among others, Merce Cunningham, Meredith Monk, Bill T. Jones, Trisha Brown, and Mark Morris. Morgenroth shows how the ideas, craft, and passion that go into their work have led these choreographers to disrupt known forms and expectations. The history of dance in the making is revealed through the stories of these intelligent, articulate, and witty dance masters.
Speaking Out: Storytelling and Creative Drama for Children
by Jack ZipesIn his successful Creative Storytelling, Jack Zipes showed how storytelling is a rich and powerful tool for self-expression and for building children's imaginations. In Speaking Out, this master storyteller goes further, speaking out against rote learning and testing and for the positive force within storytelling and creative drama during the K-12 years.For the past four years, Jack Zipes has worked with the Neighborhood Bridges Program of the Children's Theatre Company of Minneapolis, taking his storytelling techniques into inner-city schools. Speaking Out is in part a record of the transformations storytelling can work on the minds and lives of young people. But it is also a vivid and exhilarating demonstration of a different kind of education - one built from deep inside each child. Speaking Out is a book for storytellers, educators, parents, and anyone who cares about helping kids find within themselves the keys to imagination.
Speaking Out: Storytelling and Creative Drama for Children
by Jack ZipesIn his successful Creative Storytelling, Jack Zipes showed how storytelling is a rich and powerful tool for self-expression and for building children's imaginations. In Speaking Out, this master storyteller goes further, speaking out against rote learning and testing and for the positive force within storytelling and creative drama during the K-12 years.For the past four years, Jack Zipes has worked with the Neighborhood Bridges Program of the Children's Theatre Company of Minneapolis, taking his storytelling techniques into inner-city schools. Speaking Out is in part a record of the transformations storytelling can work on the minds and lives of young people. But it is also a vivid and exhilarating demonstration of a different kind of education - one built from deep inside each child. Speaking Out is a book for storytellers, educators, parents, and anyone who cares about helping kids find within themselves the keys to imagination.
Speaking Shakespeare
by Patsy RodenburgFrom A Midsummer Night's Dream's Puck to Othello's Desdemona, this new edition of Speaking Shakespeare gives you all the necessary tools to bring any of Shakespeare's eclectic characters to life. Patsy Rodenburg uses practical exercises and textual analysis to hone in on your dramatic resonance, breathing and placement in order to unlock your potential for playing these iconic characters. Speeches and scenes such as Mark Antony's 'O, pardon me, thou bleeding piece of earth' and the bloody scene in which Macbeth admits to Lady Macbeth that he has 'done the deed' are placed in context and discussed in depth.Combining clear practical, textual and imaginative work with a brilliant analysis of scenes and speeches from the whole range of Shakespeare's plays, this is an essential and inspiring guide for anyone working on his plays today. It brings a renewed focus on the language of power, so frequently spoken in the worlds of politicians and company directors, which will give readers insight into the potency of clear, direct communication, specifically in the context of Shakespeare. Each chapter has been revised following the author's 20 additional years of experience as a voice coach and includes techniques necessary for a clear and convincing performance.
Speaking Shakespeare
by Patsy RodenburgFrom A Midsummer Night's Dream's Puck to Othello's Desdemona, this new edition of Speaking Shakespeare gives you all the necessary tools to bring any of Shakespeare's eclectic characters to life. Patsy Rodenburg uses practical exercises and textual analysis to hone in on your dramatic resonance, breathing and placement in order to unlock your potential for playing these iconic characters. Speeches and scenes such as Mark Antony's 'O, pardon me, thou bleeding piece of earth' and the bloody scene in which Macbeth admits to Lady Macbeth that he has 'done the deed' are placed in context and discussed in depth.Combining clear practical, textual and imaginative work with a brilliant analysis of scenes and speeches from the whole range of Shakespeare's plays, this is an essential and inspiring guide for anyone working on his plays today. It brings a renewed focus on the language of power, so frequently spoken in the worlds of politicians and company directors, which will give readers insight into the potency of clear, direct communication, specifically in the context of Shakespeare. Each chapter has been revised following the author's 20 additional years of experience as a voice coach and includes techniques necessary for a clear and convincing performance.
The Special Relationship (Oberon Modern Plays)
by Hassan AbdulrazzakTrue stories from the sharp edge of transatlantic deportation. In America, foreign nationals can be deported after serving prison sentences; some of them are British. Hassan Abdulrazzak interviewed ex-prisoners and experts in immigration and criminal law to get behind the political rhetoric, and to explore the extraordinary realities of people caught up in the quagmire of immigration detention and deportation. These are their verbatim stories of double punishment and separation, stuck in the transatlantic tango between Trump and May.
A Specimen of a Commentary on Shakspeare: Being the Text of the First (1794) Edition Revised by the Author and Never Previously Published (Routledge Library Editions: Study of Shakespeare)
by Walter WhiterIf it is not generally known that the foundations of twentieth-century criticism of Shakespeare’s imagery were laid over one hundred and fifty years ago, the explanation lies in the limited availability of the single original edition of Walter Whiter’s Specimen of a Commentary on Shakspeare published in 1794. In an age in which the study of Shakespeare’s characters was of prime interest and importance, Whiter – a classical scholar who took holy orders and ended his life as a country parson – developed a form of textual criticism closely linked to a study of the workings of the human mind: and his book offers a psychological survey of the creative imagination, following the principles laid down in Locke’s Essay on Human Understanding and illustrated by examples from Shakespeare’s plays. In his realization that Shakespeare provides the finest examples of the poetic imagination Whiter is of his time: but in his particular study of the associative powers of such a mind engaged in the process of creation, he is far in advance of his time and has no immediate disciples in the later nineteenth century. In the twentieth century, however, there was an increasing acknowledgement of Whiter’s work and a more frequent appeal for the reissue of his book. Originally published in 1967, the present edition was started in response to that appeal more than ten years before Mr Alan Over’s tragic death in 1964 and incorporates the revisions and additions made by Whiter for his own projected second edition.