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The Stranger: A gripping thriller from the #1 bestselling creator of hit Netflix show Fool Me Once

by Harlan Coben

NOW A MAJOR NETFLIX SERIES. WE ALL HAVE SECRETS...'I wanted to finish it so fast so I could learn the truth about what really happened' ⭐⭐⭐⭐⭐'Right from page one this is a real pageturner' ⭐⭐⭐⭐⭐Adam Price has a lot to lose: a beautiful family, a big house, a good job - a perfect life.But then he meets a stranger in a bar and learns a shocking secret about his wife.With the mirage of perfection shattered, Adam finds himself caught up in something far darker than his wife's deception.And if he doesn't make the right moves, the conspiracy he's stumbled into will not only ruin lives - it will end them.

STRATEG FOR SUCCESS IN MUS THEATRE C: A Guide for Music Directors in School, College, and Community Theatre

by Herbert D. Marshall

In Strategies for Success in Musical Theatre, veteran musical director and teacher Herbert Marshall provides an essential how-to guide for teachers or community members who find themselves in charge of music directing a show. Stepping off the podium, Marshall offers practical and often humorous real-world advice on managing auditions; organizing rehearsals; working with a choir, choreographer, and leads; how to run a sitzprobe, a technical rehearsal, and a dress rehearsal; how to manage the cast and crew energy for a successful opening night; and ways to end the experience on a high note for all involved. Throughout the book, Marshall emphasizes the importance of learning through performance and the beauty of a group united in a common goal. In doing so, he turns what can appear as a never-ending list of tasks and demand for specialized knowledge into a manageable, educational, and ultimately engaging and fun experience for all. Because the techniques in Marshall's book have been thoroughly workshopped and classroom tested, they are based in proven pedagogy and will be of particular use for the music director in acting as a teaching director: someone imparting theatrical knowledge to his or her cast and production staff. Marshall provides both extended and abbreviated timelines, flexible to fit any director's needs. Marshall's book is a greatly beneficial resource for music education students and teachers alike, giving an insightful glimpse into the range of possibilities within a music educator's career. Musicians and actors with varying levels of skill and experience will be able to grow simultaneously through Marshall's innovative teaching plans. Through collaborative techniques, steps in the book serve to educate both director and student. Thoroughly illustrated with charts, diagrams, and scores, Strategies for Success in Musical Theatre is an ideal companion for all who work with school and community based musical theater productions.

Strategies for Success in Musical Theatre: A Guide for Music Directors in School, College, and Community Theatre

by Herbert D. Marshall

In Strategies for Success in Musical Theatre, veteran musical director and teacher Herbert Marshall provides an essential how-to guide for teachers or community members who find themselves in charge of music directing a show. Stepping off the podium, Marshall offers practical and often humorous real-world advice on managing auditions; organizing rehearsals; working with a choir, choreographer, and leads; how to run a sitzprobe, a technical rehearsal, and a dress rehearsal; how to manage the cast and crew energy for a successful opening night; and ways to end the experience on a high note for all involved. Throughout the book, Marshall emphasizes the importance of learning through performance and the beauty of a group united in a common goal. In doing so, he turns what can appear as a never-ending list of tasks and demand for specialized knowledge into a manageable, educational, and ultimately engaging and fun experience for all. Because the techniques in Marshall's book have been thoroughly workshopped and classroom tested, they are based in proven pedagogy and will be of particular use for the music director in acting as a teaching director: someone imparting theatrical knowledge to his or her cast and production staff. Marshall provides both extended and abbreviated timelines, flexible to fit any director's needs. Marshall's book is a greatly beneficial resource for music education students and teachers alike, giving an insightful glimpse into the range of possibilities within a music educator's career. Musicians and actors with varying levels of skill and experience will be able to grow simultaneously through Marshall's innovative teaching plans. Through collaborative techniques, steps in the book serve to educate both director and student. Thoroughly illustrated with charts, diagrams, and scores, Strategies for Success in Musical Theatre is an ideal companion for all who work with school and community based musical theater productions.

Strategies for Survival at SIBIKWA 1988 – 2021: Landmarks of South African Theatre History (Routledge Advances in Theatre & Performance Studies)

by Phyllis Klotz Smal Ndaba

This book provides an engaging and contextualised insight into a South African township-based arts centre that has survived the vicissitudes of steady militarisation in townships during some of the worst years of apartheid as well as the exhilaration of a new democratic policy while attempting to circumnavigate different policies and funding dispensations. Sibikwa provides arts centres across the world and especially those in decolonising countries with strategies for survival in tumultuous times. This multi-disciplinary book maps and co-ordinates wider historical, political, and social contextual concerns and events with matters specific to a community-based east of Johannesburg and provides an exploration and analysis by experts of authentic theatre-making and performance, dance, indigenous music, arts in education and NGO governance. It has contemporary significance and raises important questions regarding inclusivity and transformation, the function and future of arts centres, community-based applied arts practices, creativity, and international partnerships. This study will be of great interest to students and scholars in theatre and performance, indigenous music, dance, and South African history.

Strategies for Survival at SIBIKWA 1988 – 2021: Landmarks of South African Theatre History (Routledge Advances in Theatre & Performance Studies)

by Phyllis Klotz Smal Ndaba

This book provides an engaging and contextualised insight into a South African township-based arts centre that has survived the vicissitudes of steady militarisation in townships during some of the worst years of apartheid as well as the exhilaration of a new democratic policy while attempting to circumnavigate different policies and funding dispensations. Sibikwa provides arts centres across the world and especially those in decolonising countries with strategies for survival in tumultuous times. This multi-disciplinary book maps and co-ordinates wider historical, political, and social contextual concerns and events with matters specific to a community-based east of Johannesburg and provides an exploration and analysis by experts of authentic theatre-making and performance, dance, indigenous music, arts in education and NGO governance. It has contemporary significance and raises important questions regarding inclusivity and transformation, the function and future of arts centres, community-based applied arts practices, creativity, and international partnerships. This study will be of great interest to students and scholars in theatre and performance, indigenous music, dance, and South African history.

Strawberry And Chocolate: Introduction, translations & interview by Peter Bush

by Senel Paz Peter Bush

[Amazon] The central relationship between Diego, the gay Cuban intellectual, and David a young communist militant, is developed by writer Senel Paz from his prize-winning short story "The Wolf, the Woods and the New Man". Introduction, translations & interview by Peter Bush

The Street Of Crocodiles (Modern Plays)

by Bruno Schulz

"Complicite not only open our eyes to Bruno Schulz but turn his densely impressionistic stories into a piece of vividly imaginative theatre" (Michael Billington, Guardian)The Street of Crocodiles is inspired by the life and stories of Polish writer Bruno Schulz (1892-1942). Originally co-produced by Théâtre de Complicité and the Royal National Theatre it opened at the Cottesloe in 1992 and toured all over the world until 1994. The original production was remounted in 1998 and played in New York, Toronto, Minneapolis and Tokyo before opening at the Queen's Theatre London in January 1999."This astounding production creates a vision of provincial Poland in the early part of the century as a restless ocean of unending flux...the miracle of Complicite's interpretation of Schulz's stories...is its ability to give specific theatrical life to this perceptual anarchy...when you leave the theatre you expect the ground beneath your feet to give way." (New York Times)

The Street Of Crocodiles: The Street Of Crocodiles And Sanatorium Under The Sign Of The Hourglass (Modern Plays)

by Bruno Schulz

"Complicite not only open our eyes to Bruno Schulz but turn his densely impressionistic stories into a piece of vividly imaginative theatre" (Michael Billington, Guardian)The Street of Crocodiles is inspired by the life and stories of Polish writer Bruno Schulz (1892-1942). Originally co-produced by Théâtre de Complicité and the Royal National Theatre it opened at the Cottesloe in 1992 and toured all over the world until 1994. The original production was remounted in 1998 and played in New York, Toronto, Minneapolis and Tokyo before opening at the Queen's Theatre London in January 1999."This astounding production creates a vision of provincial Poland in the early part of the century as a restless ocean of unending flux...the miracle of Complicite's interpretation of Schulz's stories...is its ability to give specific theatrical life to this perceptual anarchy...when you leave the theatre you expect the ground beneath your feet to give way." (New York Times)

Street Scenes: Late Medieval Acting and Performance (The New Middle Ages)

by S. Aronson-Lehavi

Street Scenes offers a theory of late medieval acting and performance through a fresh and original reading of the Tretise of Miraclis Pleyinge. The performance theory perspective employed here, along with the examination of actor/character dialectics, paves the way to understanding both religious theatre and the complexity of late medieval theatricalities. Sharon Aronson-Lehavi demonstrates the existence of a late medieval discourse about the double appeal of theatre performance: an artistic medium enacting sacred history while simultaneously referring to the present lives of its creators and spectators.

Street theatre and the production of postindustrial space: Working memories (Theatre: Theory – Practice – Performance)

by David Calder

Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable.Working memories brings together some of current theatre scholarship’s fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

Street theatre and the production of postindustrial space: Working memories (Theatre: Theory – Practice – Performance)

by David Calder

Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable.Working memories brings together some of current theatre scholarship’s fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

Street theatre and the production of postindustrial space: Working memories (Theatre: Theory – Practice – Performance)

by David Calder

Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable.Working memories brings together some of current theatre scholarship’s fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

Street theatre and the production of postindustrial space: Working memories (Theatre: Theory – Practice – Performance)

by David Calder

Deindustrialising communities have called upon street theatre companies to re-animate public space and commemorate industrial heritage. How have these companies converted derelict factories into spaces of theatrical production? How do they connect their work to the industrial work that once occurred there? How do those connections manifest in theatrical events, and how do such events give shape and meaning to ongoing redevelopment projects? This book develops an understanding of the relationship between theatre and redevelopment that goes beyond accusations of gentrification or celebrations of radical resistance. Ultimately, Calder argues that deindustrialisation and redevelopment depend on theatrical events and performative acts to make ongoing change intelligible and navigable.Working memories brings together some of current theatre scholarship’s fundamental concerns while demonstrating the significance of those concerns to an interdisciplinary readership.

Street Trilogy: Car/Raw/Kid (Oberon Modern Plays)

by Chris O'Connell

Features the plays Car, Raw, and Kid. Brutality. Fear. Self-loathing. A need to belong. The plays in O'Connell's Street Trilogy portray the vulnerable and the violent as they lash out against the world around them. From the adrenaline-fuelled anarchy of a car theft and the ritualised violence of teenage gangs, to the new beginning offered by a baby in the womb, life on the dirty side of the tracks is shown without compromise or sentimentality. The characters lurch between hope and despair, giving voice to the trials of change through verbal pyrotechnics and acts of sudden aggression.Street Trilogy was performed at the Pleasance Theatre, Edinburgh in 2003.

A Streetcar Named Desire: A Screen Adaptation (Penguin Modern Classics)

by Tennessee Williams

Fading southern belle Blanche Dubois depends on the kindness of strangers and is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.

A Streetcar Named Desire (Student Editions)

by Tennessee Williams

This revised Student Edition includes an introduction by Bess Rowen, Visiting Assistant Professor at Villanova University, US, which looks in particular at the play's treatment of rape, vulnerable people, mental institutions (especially in connection to Williams's own family), sexuality and sexual desire.A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America.METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· An introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· A succinct overview of the creation processes followed and subsequent performance history of the piece· An analysis of, and commentary on, some of the major themes and specific issues addressed by the text· A bibliography of suggested primary and secondary materials for further study

A Streetcar Named Desire (Student Editions)

by Tennessee Williams

This revised Student Edition includes an introduction by Bess Rowen, Visiting Assistant Professor at Villanova University, US, which looks in particular at the play's treatment of rape, vulnerable people, mental institutions (especially in connection to Williams's own family), sexuality and sexual desire.A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America.METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· An introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· A succinct overview of the creation processes followed and subsequent performance history of the piece· An analysis of, and commentary on, some of the major themes and specific issues addressed by the text· A bibliography of suggested primary and secondary materials for further study

A Streetcar Named Desire

by Tennessee Williams Michael Hooper Patricia Hern

A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America. This revised edition features a new production history of the play that considers both stage and screen presentations, an updated bibliography and extensive notes on the language of the play.Commentary and notes by Patricia Hern and Michael Hooper.

A Streetcar Named Desire: A Screen Adaptation (Sparknotes Literature Study Guides)

by Tennessee Williams Michael Hooper Patricia Hern

A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America. This revised edition features a new production history of the play that considers both stage and screen presentations, an updated bibliography and extensive notes on the language of the play.Commentary and notes by Patricia Hern and Michael Hooper.

A Streetcar Named Desire (PDF)

by Sam Eddy Hana Sambrook Tennessee Williams

An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop analysis and understanding, plus regular study tips, revision questions and progress checks to help students track their learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping students to reach their potential.

A Streetcar Named Desire (Student Editions) (PDF)

by Tennessee Williams Patricia Hern Michael Hooper

A comprehensively revised student edition of this classic play which depicts a turbulent confrontation between traditional values in the American South and the rough-edged, aggressive materialism of the new world.

Strife

by John Galsworthy

Strife (Student Editions)

by John Galsworthy Non Worrall

John Galsworthy (1867-1933), novelist and dramatist, is most widely known as the author of The Forsyte Saga, but recent productions testify to the power that his plays still exert over modern audiences and the strength and relevance of the issues he raiseStrife charts the progress of an industrial strike, seen from both the workers' and directors' points of view as well as the directors and looks at the relationship between wives across the class divide as they attempt to persuade their obdurate husbands to broker a deal.

Strife: A Drama In Three Acts (Student Editions)

by John Galsworthy Non Worrall

John Galsworthy (1867-1933), novelist and dramatist, is most widely known as the author of The Forsyte Saga, but recent productions testify to the power that his plays still exert over modern audiences and the strength and relevance of the issues he raiseStrife charts the progress of an industrial strike, seen from both the workers' and directors' points of view as well as the directors and looks at the relationship between wives across the class divide as they attempt to persuade their obdurate husbands to broker a deal.

Strindberg Plays: The Father; Miss Julie; The Ghost Sonata (One Act Plays Ser.)

by August Strindberg

This volume contains three of Strindberg's most famous plays, spanning twenty years of prodigious creativity and recurrent personal crises: The Father, which displays Strindberg's suspicion of women at its most implacable, 'powerful and profound' (Guy de Maupassant); Miss Julie (1888), which he called his masterpiece, and in which he presents with startling modernity the conflict between sexual passion and social position; and The Ghost Sonata (1907), written in physical pain and spiritual torment, which is a phantasmagoric dream play, 'a direct source for the Theatre of the Absurd' (Martin Esslin)."Michael Meyer is the translator most actors turn to when seeking a definitive text" (Sunday Times)

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