- Table View
- List View
To The Good People of Gaza: Theatre for Young People by Jackie Lubeck and Theatre Day Productions
by Jackie LubeckThe first anthology of youth plays from Gaza and the wider Palestinian region, this timely collection ties together nineteen plays produced by Theatre Day Productions, one of the foremost community theatres in the Middle East. Written by playwright Jackie Lubeck, this collection responds to the siege on Gaza and the Israeli military operations from 2009 to 2014, reflecting how Gazan youth deal with trauma, loss and urban destruction.In the nineteen plays within this anthology, the reader and theatrical producer witnesses experiences of a forgotten youth, besieged by a silent international community and a brutal wall. The plays are arranged into five different thematic series, which include family entanglements, loss and the fundamental goodness and resourcefulness of human beings.
To The Good People of Gaza: Theatre for Young People by Jackie Lubeck and Theatre Day Productions
by Jackie LubeckThe first anthology of youth plays from Gaza and the wider Palestinian region, this timely collection ties together nineteen plays produced by Theatre Day Productions, one of the foremost community theatres in the Middle East. Written by playwright Jackie Lubeck, this collection responds to the siege on Gaza and the Israeli military operations from 2009 to 2014, reflecting how Gazan youth deal with trauma, loss and urban destruction.In the nineteen plays within this anthology, the reader and theatrical producer witnesses experiences of a forgotten youth, besieged by a silent international community and a brutal wall. The plays are arranged into five different thematic series, which include family entanglements, loss and the fundamental goodness and resourcefulness of human beings.
To Have and To Hold (Modern Plays)
by Richard BeanHe talks about going to Switzerland, to that place where you pay them to kill you… And I say “go! It'll do you good. Broaden your horizons…you've never been abroad!After sixty years of marriage, happily settled into their retirement village in Yorkshire, Jack and Florence have elevated bickering almost to the status of high art. That said, they're otherwise getting along fine with the support of a cousin and the hilarious interventions of the man known locally as 'Rhubarb Eddie'. But will their anxious son, shuttling between London and LA, and their errant daughter, contemplating a move to Australia, leave them to live out their days in peace? Richard Bean's uproarious new comedy tackles the prickly problem of dealing with ageing parents who just don't want to be dealt with! This edition was published to coincide the world premiere at London's Hampstead Theatre, in October, 2023.
To Have and To Hold (Modern Plays)
by Richard BeanHe talks about going to Switzerland, to that place where you pay them to kill you… And I say “go! It'll do you good. Broaden your horizons…you've never been abroad!After sixty years of marriage, happily settled into their retirement village in Yorkshire, Jack and Florence have elevated bickering almost to the status of high art. That said, they're otherwise getting along fine with the support of a cousin and the hilarious interventions of the man known locally as 'Rhubarb Eddie'. But will their anxious son, shuttling between London and LA, and their errant daughter, contemplating a move to Australia, leave them to live out their days in peace? Richard Bean's uproarious new comedy tackles the prickly problem of dealing with ageing parents who just don't want to be dealt with. This edition was published to coincide the world premiere at London's Hampstead Theatre, in October, 2023.
To Have to Shoot Irishmen (Faber Drama Ser.)
by Lizzie NunneryCould peace come after? After what? Who will we be?Easter morning, 1916. Gunshots ring out in the Dublin streets. In her suburban sitting-room Hanna prepares for revolution. Frank walks through the crowds calling for peace, while John recalls the trenches and sees a city soaked in blood. Eighteen-year-old William fearfully reports to the barracks for duty, determined to serve the British army with honour. Inspired by true events, this absorbing play weaves movement and folk song into a stirring tale of militarism, corruption and the power of rebellion.Lizzie Nunnery's To Have to Shoot Irishmen premiered at the Omnibus Theatre, London, in October 2018, the first date in an Almanac Arts UK tour.
To Provide All People: A Poem in the Voice of the NHS
by Owen SheersJuly 2018 marks the 70th anniversary of the National Health Service Act. Owen Sheers, the author of Pink Mistand the BAFTA nominated The Green Hollow, has created a virtuosic 'film-poem' to coincide with the Vox Pictures/BBC production broadcast to mark the occasion. To Provide All People is the intimate story of the N.H.S in British society today. Depicting 24 hours in the service, with a regional hospital at the centre of the action, the poem charts an emotional and philosophical map of the N.H.S against the personal experiences that lie its heart; from patients to surgeons, porters to midwives. This is a world of transformative pains, triumphs, losses and celebrations that joins us all in our universal experiences of health and sickness, birth and death, regardless of race, gender or wealth. Based upon over 70 hours of interviews, the work is punctuated with the historical narrative of the birth of the N.H.S Act - from its origins in a local miners' scheme in Tredegar in Wales, through multiple hearings, amendments and battles with the press, the B.M.A and the Conservative party, to its coming into effect in July 1948. To Provide All People is a work that excavates what the N.H.S. represents and means - on a personal and national level - and paints an authentic, tonal picture of a rare social phenomenon, illuminating with exquisite sensitivity and power why the ethos at its heart should always be protected.
To Repair the World: Zelda Fichandler and the Transformation of American Theater (ISSN)
by Mary B. RobinsonThis book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage’s early years.As Head of New York University’s Graduate Acting Program for 25 years, Zelda Fichandler also trained a younger generation of gifted actors. Marcia Gay Harden, Rainn Wilson, Mahershala Ali, and other developing actors who became “artist-citizens” under her guidance, talk about the ways in which she transformed their lives.Theater practitioners who have lived during Zelda Fichandler’s time will find this book a fascinating and entertaining read––as will all theater lovers, especially those in Washington, DC. And through this vivid and compelling oral history, students and aspiring artists will come to grasp how the theatrical past can shed essential light on the theater of today and tomorrow.
To Repair the World: Zelda Fichandler and the Transformation of American Theater (ISSN)
by Mary B. RobinsonThis book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage’s early years.As Head of New York University’s Graduate Acting Program for 25 years, Zelda Fichandler also trained a younger generation of gifted actors. Marcia Gay Harden, Rainn Wilson, Mahershala Ali, and other developing actors who became “artist-citizens” under her guidance, talk about the ways in which she transformed their lives.Theater practitioners who have lived during Zelda Fichandler’s time will find this book a fascinating and entertaining read––as will all theater lovers, especially those in Washington, DC. And through this vivid and compelling oral history, students and aspiring artists will come to grasp how the theatrical past can shed essential light on the theater of today and tomorrow.
To Stage or Not to Stage Tagore: Performing Tagore's Plays
by Rajdeep KonarRabindranath Tagore (1861‒1941) was a prolific playwright with more than thirty plays to his credit. He is also known for his life-long, passionate engagement with theatre, first at Jorasanko and then at Santiniketan, in multiple roles as actor, director, singer, musician. However, during his own life-time and even after his demise, his experimental plays have proved challenging for directors to stage. Time and again they have been written off as unstageable by prominent theatre makers. Further complications have arisen from the presence of a spectre of authority around Tagore and his plays often promoted by Visva-Bharati, the institution he founded and which held the copyright of his works till 2001. This book travels through time and space intending to untangle the enigma presented by Tagore’s plays. The book on one hand immerses itself into the archive of Tagore’s plays and his dramaturgy of them in order to problematize the ways in which they have been interpreted. On the other, it also engages with productions of Tagore’s plays during and after his life-time to understand the challenges directors have faced while staging them and the strategies they have embraced to circumvent them. While performing a subjective critical reading of the Tagore theatre-archive, an underlying objective of the book remains to understand the very concept of the archive, as it manifests itself in contemporary dramatic theatre.
To Stage or Not to Stage Tagore: Performing Tagore's Plays
by Rajdeep KonarRabindranath Tagore (1861‒1941) was a prolific playwright with more than thirty plays to his credit. He is also known for his life-long, passionate engagement with theatre, first at Jorasanko and then at Santiniketan, in multiple roles as actor, director, singer, musician. However, during his own life-time and even after his demise, his experimental plays have proved challenging for directors to stage. Time and again they have been written off as unstageable by prominent theatre makers. Further complications have arisen from the presence of a spectre of authority around Tagore and his plays often promoted by Visva-Bharati, the institution he founded and which held the copyright of his works till 2001. This book travels through time and space intending to untangle the enigma presented by Tagore’s plays. The book on one hand immerses itself into the archive of Tagore’s plays and his dramaturgy of them in order to problematize the ways in which they have been interpreted. On the other, it also engages with productions of Tagore’s plays during and after his life-time to understand the challenges directors have faced while staging them and the strategies they have embraced to circumvent them. While performing a subjective critical reading of the Tagore theatre-archive, an underlying objective of the book remains to understand the very concept of the archive, as it manifests itself in contemporary dramatic theatre.
To the Actor: On the Technique of Acting
by Michael Chekhov Mala PowersMichael Chekhov's classic work To the Actor has been revised and expanded by Mala Powers to explain, clearly and concisely, the essential techniques for every actor from developing a character to strengthen awareness. Chekhov's simple and practical method – successfully used by professional actors all over the world – trains the actor's imagination and body to fulfill its potential. To the Actor includes a previously unpublished chapter on 'Psychological Gesture', translated into English by the celebrated director Andrei Malaev - Babel; a new biographical overview by Mala Powers; and a foreword by Simon Callow. This book is a vital text for actors and directors including acting and theatre history students.
To the Actor: On the Technique of Acting
by Michael Chekhov Mala PowersMichael Chekhov's classic work To the Actor has been revised and expanded by Mala Powers to explain, clearly and concisely, the essential techniques for every actor from developing a character to strengthen awareness. Chekhov's simple and practical method – successfully used by professional actors all over the world – trains the actor's imagination and body to fulfill its potential. To the Actor includes a previously unpublished chapter on 'Psychological Gesture', translated into English by the celebrated director Andrei Malaev - Babel; a new biographical overview by Mala Powers; and a foreword by Simon Callow. This book is a vital text for actors and directors including acting and theatre history students.
Toast (Modern Plays Series)
by Richard BeanA brilliantly moving and funny play from the writer of the award-winning Under the Whaleback, Harvest and One Man, Two Guvnors. Another Sunday night shift. The smell of bread baking. The industrial thump, thump, thump of the machines that never stop. The ovens are cranked up to full blast, the factory is humming, and everyone wants to be somewhere else. But this shift is going to be different. Because when a crisis hits the factory, the men have more to lose than just their wages…
Toller: Plays Two (Oberon Modern Playwrights)
by Ernst TollerThe second collection of plays from the German Expressionist playwright. Includes the plays: The Machine Breakers, The German Hinkemann, The Revenge of the Lover Scorned, Wotan Unbound, Day of the Proletariat and German Revolution. Ernst Toller (1893-1939) was a formative figure in the development of theatrical modernism. He was also a revolutionary activist who experienced fully the unbearable cataclysms of his times: war, revolution, imprisonment, the chaos of Weimar life, Nazi persecution, exile and the Holocaust. His revolutionary intensity infuses these three innovative plays, all of which inspired landmark productions and substantially extended the language of theatricality. These stage-worthy new translations capture that spirit of artistic and political combustion and should help to restore Toller's rightful place in the modern repertoire.
Tom and Viv (Oberon Modern Plays)
by Michael HastimgsIt is Cambridge, 1915, and Tom, an awkward American graduate, meets Viv. Enchanted with each other, the couple are sucked into a whirlwind romance, but as Tom begins to become successful in the field of literature, Viv's volatility becomes a problem rather than a quirk. Their swift marriage turns into an impossible love story. Tom and Viv explores the complex relationship between T.S Eliot and his wife, Vivienne. It premiered at the Royal Court Theatre in 1984, and was made into a major motion picture starring Willem Dafoe and Miranda Richardson in 1994. A new production opens at the Almeida Theatre, London in September 2006.
Tom Jones (Modern Plays)
by Ross EricsonAll the girls love a bastard.Tom Jones follows the adventures of a young man of illegitimate birth through a tale of love, deception and mistaken identity; a feast of human nature, served up in the plain and simple manner of the West Country with all the high French and Italian seasoning of sex and vice. Will he gain his darling Sophia's hand? Will he escape the hangman's noose? Will he ever learn to keep it in his trousers…?Henry Fielding's comic picaresque novel 'A History Of Tom Jones, a foundling' caused a stir upon first publication in 1749. Often referred to as the first novel in the English language, this cunning new stage version tells the escapades and exploits of the infamous protagonist through an accessible and highly entertaining adaptation.
Tom Jones (Modern Plays)
by Ross EricsonAll the girls love a bastard.Tom Jones follows the adventures of a young man of illegitimate birth through a tale of love, deception and mistaken identity; a feast of human nature, served up in the plain and simple manner of the West Country with all the high French and Italian seasoning of sex and vice. Will he gain his darling Sophia's hand? Will he escape the hangman's noose? Will he ever learn to keep it in his trousers…?Henry Fielding's comic picaresque novel 'A History Of Tom Jones, a foundling' caused a stir upon first publication in 1749. Often referred to as the first novel in the English language, this cunning new stage version tells the escapades and exploits of the infamous protagonist through an accessible and highly entertaining adaptation.
Tom Jones (Oberon Modern Plays)
by Henry Fielding John OsborneTom Jones was Henry Fielding’s greatest work. The first piece of English prose to be considered a novel, Samuel Taylor Coleridge praised it as ‘one of the most perfect plots ever planned’. A hero, a heroine, dead parents, adversity, misadventure, mistakes and then resolution, happy ever after. A story told throughout the ages, part of our collective unconscious. Uproarious and unconventional, Tom Jones was adapted by John Osborne for the 1963 Oscar-winning film. Directed by Tony Richardson and starring Albert Finney, it won Best Picture, Best Director and Best Adapted Screenplay. The novel has been used as a basis for opera and television adaptations as well as Osborne’s much-loved screenplay. Re-published in this new edition, Tom Jones is eminently suitable for stage productions.
Tom Stoppard: Faber Critical Guide
by Jim HunterAre you fascinated by Stoppard's plays but want an informed view into their complexities?Are you studying his plays and looking for help with interpretation?Do you teach Stoppard and need a reliable guide?A Faber Critical Guide to Tom Stoppard's major work gives us all this and more:- an introduction to the distinctive features of the playwright's work- the significance of the playwright in the context of modern theatre- a detailed analysis of each of the classic plays: language, structure and character- feature of performance- select bibliographyComplied by experts in their field, for use in classroom, college or home, Faber Critical Guides are the essential companions to the work of all the leading dramatists.Also in this series: Faber Critical Guides to the major works of Samuel Beckett, Brian Friel, Sean O'Casey and Harold Pinter.
Tom Stoppard Plays 1: The Real Inspector Hound, Dirty Linen, Dogg's Hamlet, Cahoot's Macbeth & After Magritte
by Tom StoppardThe plays in this collection reveal in combination the 'frivolous' and 'serious' aspects of Tom Stoppard's talent: his sense of fun, his sense of theatre, his sense of the absurd, and his gifts for parody and satire. The author rounds off his brief introduction, giving the genesis of each piece, with the comment: 'The role of the theatre is much debated (by almost nobody, of course), but the thing defines itself in practice first and foremost as a recreation. This seems satisfactory'.Leading off is The Real Inspector Hound, the ultimate country-house whodunnit; Dirty Linen moves a Whitehall farce to Parliament Square; Dogg's Hamlet, Cahoot's Macbeth subverts Shakespeare; and After Magritte explains the inexplicable.
Tom Stoppard Plays 2: The Dissolution of Dominic Boot; 'M' is for Moon Among Other Things; If You're Glad I'll Be Frank; Albert's Bridge; Where Are They Now?; Artist Descending a Staircase; The Dog It Was That Died; In the Native State; On 'Dover Beach'
by Tom StoppardThis second collection of work by Tom Stoppard contains his radio plays, which complement (and sometimes prefigure) his work for the stage. The volume includes In the Native State, which became the stage play Indian Ink.Also in this volume are The Dissolution of Dominic Boot, 'M' is for Moon Among Other Things, If You're Glad I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died and an introduction by the author. This new edition contains the previously unpublished radio play, On 'Dover Beach'.
Tom Stoppard Plays 3: Separate Peace; Teeth; Another Moon Called Earth; Neutral Ground; Professional Foul; Squaring the Circle.
by Tom StoppardThis third collection of plays by Tom Stoppard contains his television plays, written between 1965 and 1984. They show that Stoppard's writing for the small screen is comparable to his more celebrated stage work, as the masterly Professional Foul demonstrates. In his introduction the author briefly describes how the individual pieces came to be written and the circumstances of their original production.
Tom Stoppard Plays 4: Dalliance; Undiscovered Country; Rough Crossing; On the Razzle; The Seagull
by Tom StoppardThis fourth volume of Tom Stoppard's work for the stage brings together five of his most celebrated translations and adaptations of plays by Arthur Schnitzler (Dalliance and Undiscovered Country), Ferenc Molnar (Rough Crossing), Johann Nestroy (On the Razzle) and Anton Chekhov (The Seagull).
Tom Stoppard Plays 5: The Real Thing; Night & Day; Hapgood; Indian Ink; Arcadia
by Tom StoppardThis fifth collection of Tom Stoppard's plays brings together five classic plays by one of the most celebrated dramatists writing in the English language.The collection includes The Real Thing, Night & Day, Hapgood, Indian Ink and Arcadia, about which the reviewer for the Daily Telegraph said 'I have never left a new play more convinced that I'd just witnessed a masterpiece'.
Tombs in Shakespearean Drama: Monumental Theater (Routledge Studies in Shakespeare)
by H. Austin WhitverTombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing references to tombs in plays by Shakespeare and others in conjunction with extant monuments, this volume demonstrates how these references function in two overlapping ways in period drama: monuments act as repositories of information about the past, and they allow the living to construct and preserve fictive narratives. The stage exposes the flimsy materiality of paper, placing less value on the written word than period poetry. In this way, critics have perhaps oversold as universal Shakespeare’s poetic praise of stone. Tombs within plays act as a powerful historical and narrative medium, raising the stakes to provide the stage with the illusion of permanency. Playwrights use tombs to anchor the stage action, giving a sense of lasting importance to dramatic events and combatting the ephemeral nature of the playhouse. In drama, Shakespeare and others drew on the persona preserved on tombs; this volume widens our view of how these representations interacted in the commemorative economy of early modern England. Within the playhouse, it was the tomb, not the tome, that stood as a symbol of permanence.