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Tuesday (Modern Plays)
by Michael BhimI always thought Mondays were the worst. You tell yourself get through the day, by Tuesday you'll be back on the wagon . . . But sometimes, by the time Tuesday comes, if you're still just the same, still drinking, self-loathing . . . you know the rest of the week is a write-off. Edward still lives in his marital home, albeit alone, estranged from his wife and child. When a chance encounter with an old school friend results in an invitation to a house warming, it sets him on a self-revelatory journey, with interesting results. Written by Alfred Fagon Award-winning playwright Michael Bhim, Tuesday is a dark and tense comedy of self-discovery. It was first performed at the White Bear theatre in Kennington, London, on 18 October 2016.
Tuesday (Modern Plays)
by Michael BhimI always thought Mondays were the worst. You tell yourself get through the day, by Tuesday you'll be back on the wagon . . . But sometimes, by the time Tuesday comes, if you're still just the same, still drinking, self-loathing . . . you know the rest of the week is a write-off. Edward still lives in his marital home, albeit alone, estranged from his wife and child. When a chance encounter with an old school friend results in an invitation to a house warming, it sets him on a self-revelatory journey, with interesting results. Written by Alfred Fagon Award-winning playwright Michael Bhim, Tuesday is a dark and tense comedy of self-discovery. It was first performed at the White Bear theatre in Kennington, London, on 18 October 2016.
Tuning in to the neo-avant-garde: Experimental radio plays in the postwar period
by Inge Arteel, Lars Bernaerts, Siebe Bluijs and Pim VerhulstBringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.
Tuning in to the neo-avant-garde: Experimental radio plays in the postwar period
by Pim Verhulst Lars Bernaerts Inge Arteel Siebe BluijsBringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium’s significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period. Covering radio works from the 1950s until the 2010s, the collection charts how artists across the UK, Europe and North America continued as well as reacted to the legacies of the historical avant-garde and modernism, operating within different national broadcasting contexts, by placing radio in an intermedial dialogue with prose, poetry, theatre, music and film. In doing so, the volume explores a wide variety of acoustic genres – radio play, feature, electroacoustic music, radiophonic poem, radio opera – to show that the medium deserves to occupy a more central place than it currently does in studies of literature, (inter)media(lity) and the (neo-)avant-garde.
The Turbulent Term of Tyke Tiler
by Gene KempWhen friend Danny steals a tenner and Dad stands for the local council, it's only the start of a turbulent term for Tyke Tiler. And with the discovery of a disused mill, a smelly old marrow bone, a runaway mouse called Fatty, and a conveniently abandoned stack of test papers, Tyke certainly makes this term one to remember...New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.
Turgenev Plays: The Strom Too Clever By Half Crazy Money Innocent As Charged (Nhb Modern Plays Ser.)
by Ivan Turgenev Stephen MulrineTurgenev (1818-1883) tends to be seen in Chekhov’s shadow, yet his plays pre-date Chekhov’s work by nearly half a century. A Month in the Country is Turgenev’s acknowledged masterpiece. Includes the plays; A Month in the Country, Stony Broke, One of the Family, The Bachelor, Lunch at His Excellency's and A Provincial Lady.
Turkey (Oberon Modern Plays)
by Frankie MeredithMadeline wants a baby, so a baby she will have. It doesn't matter that she is in a relationship with a woman, or that they can't afford the high private clinic fees, she'll go about getting this child whichever way she can.Together with her partner, the selfless, kind, stable Toni, the two women explore all the options available to them, but when Madeline gets excited about one possibility in particular, alarm bells are raised for Toni.Now the Nuclear Family is no longer considered the norm, how far can Madeline go to get the baby she so desires? And does it really matter who she has this baby with? People are manipulated, games are played and hearts ultimately shattered in this tale of one woman's longing for a child.
Turks, Repertories, and the Early Modern English Stage (Early Modern Literature in History)
by Mark HutchingsThis book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking. The sheer visibility of 'the Turk' in plays staged between 1567 and 1642 has tended to be interpreted as registering English attitudes to Islam, as articulating popular perceptions of Anglo-Ottoman relations, and as part of a broader interest in the wider world brought home by travellers, writers, adventurers, merchants, and diplomats. Such reports furnished playwrights with raw material which, fashioned into drama, established ‘the Turk’ as a fixture in the playhouse. But it was the demand for plays to replenish company repertories to attract London audiences that underpinned playmaking in this period. Thus this remarkable fascination for the Ottoman Empire is best understood as a product of theatre economics and the repertory system, rather than taken directly as a measure of cultural and historical engagement.
The Turn of the Screw: adapted for the stage
by Rebecca LenkiewiczA new adaptation of Henry James's classic novella adapted for the stage by Rebecca Lenkiewicz. This adaptation was first staged at the Almeida Theatre, London, in January 2013.
Turn of the Screw: The Romance Of Certain Old Clothes, The Friends Of The Friends And The Jolly Corner (Oberon Modern Plays)
by Tim LuscombeSet in 1840, a young governess agrees to look after two orphans, a boy and a girl, in Bly, a seemingly idyllic country house. But, shortly after her arrival, she realises that they are not alone. There are others – the ghosts of Bly’s troubled past. The Governess will risk everything to keep the children safe, even if it means giving herself up to The Others. Years later, confronted by the past she is compelled to account for what actually happened to her and those under her protection.This fresh, thrilling adaptation of Henry James’ much-loved and genre-defining classic ghost story Turn of the Screw lets you draw your own conclusions about the events at Bly and where guilt resides.
Turn-taking in Shakespeare (Oxford Textual Perspectives)
by Oliver MorganOxford Textual Perspectives is a series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense of that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh interpretations of fundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, and frequently testing and exploring the boundaries of the notion of text itself, the volumes in the series question familiar frameworks and provide innovative interpretations of both canonical and less well-known works. Whenever people talk to one another there are at least two things going on at once. First, and most obviously, there is an exchange of speech. Second, and slightly less obviously, there is a negotiation about how that exchange is organised—about whose turn it is to talk at any given moment. Linguists call this second, organisational level of activity 'turn-taking' and since the late 1970s it has been central to the way in which spoken interaction is understood. In spite of its obvious relevance to the study of drama, however, turn-taking has received little attention from critics and editors of Shakespeare. Turn-taking in Shakespeare offers a fresh perspective on the dramatic text by reversing the priorities of traditional literary analysis. Rather than focussing on what characters say, it focuses on when they speak. Rather than focussing on how they talk, it focuses on how they gain access to the floor. Its central argument is that the turn-taking patterns of Shakespeare's plays are a part of what Emrys Jones has called their 'basic structural shaping'—as fundamental to dialogue as rhythm is to verse. The book investigates what it means for a character to speak in or out of turn, to interrupt or overlap with a previous speaker, to pause before speaking, or to fail to speak at all. It explores how these moments are—and are not—signalled by the Shakespearean text, how best to describe and understand them, and the implications of such questions for contemporary debates about editing, rhetoric, prosody, and early modern performance practices.
Turn That Thing Off!: Collaboration and Technology in 21st-Century Actor Training
by Rose Burnett Bonczek Roger Manix David StorckAs personal technology becomes ever-present in the classroom and rehearsal studio, its use and ubiquity is affecting the collaborative behaviors that should underpin actor training. How is the collaborative impulse being distracted and what kind of solutions can re-establish its connections? The daily work of a theater practitioner thrives on an ability to connect, empathize, and participate with other artists. This is true at every level, from performing arts students to established professionals. As smartphones, social media, and other forms of digital connectedness become more and more embedded in daily life, they can inhibit these collaborative, creative skills. Turn That Thing Off! Collaboration and Technology in 21st-Century Actor Training explores ways to foster these essential abilities, paving the way for emerging performers to be more present, available, and generous in their work.
Turn That Thing Off!: Collaboration and Technology in 21st-Century Actor Training
by Rose Burnett Bonczek Roger Manix David StorckAs personal technology becomes ever-present in the classroom and rehearsal studio, its use and ubiquity is affecting the collaborative behaviors that should underpin actor training. How is the collaborative impulse being distracted and what kind of solutions can re-establish its connections? The daily work of a theater practitioner thrives on an ability to connect, empathize, and participate with other artists. This is true at every level, from performing arts students to established professionals. As smartphones, social media, and other forms of digital connectedness become more and more embedded in daily life, they can inhibit these collaborative, creative skills. Turn That Thing Off! Collaboration and Technology in 21st-Century Actor Training explores ways to foster these essential abilities, paving the way for emerging performers to be more present, available, and generous in their work.
Turning Turk: English Theater and the Multicultural Mediterranean (Early Modern Cultural Studies 1500–1700)
by D. VitkusTurning Turk looks at contact between the English and other cultures in the early modern Mediterranean, and analyzes the representation of that experience on the London stage. Vitkus's book demonstrates that the English encounter with exotic alterity, and the theatrical representations inspired by that encounter, helped to form the emergent identity of an English nation that was eagerly fantasizing about having an empire, but was still in the preliminary phase of its colonizing drive. Vitkus' research shows how plays about the multi-cultural Mediterranean participated in this process of identity formation, and how anxieties about religious conversion, foreign trade and miscegenation were crucial factors in the formation of that identity.
Tusk Tusk
by Polly StenhamCome on troops. Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.
TV Geek: The Den of Geek Guide for the Netflix Generation
by Simon BrewEssential nerdtastic reading! - Jason IssacsFrom the author of Den of Geek, this is the ultimate, nerdy television guide for TV geeks everywhere!TV Geek recounts the fascinating stories of cult-classic series, reveals the nerdy Easter eggs hidden in TV show sets, and demonstrates the awe-inspiring power of fandom, which has even been known to raise TV series from the dead. Includes:- How the live-action Star Wars TV show fell apart- The logistics and history of the crossover episode- The underrated geeky TV shows of the 1980s- The hidden details of Game of Thrones- Five Scandinavian crime thrillers that became binge hits - The Walking Dead, and the power of fandomTV series are now as big as Hollywood movies with their big budgets, massive stars, and ever-growing audience figures! TV Geek provides an insightful look at the fascinating history, facts and anecdotes behind the greatest (and not-so-great) shows.
Twelfth Night: Character Studies (Character Studies)
by Graham AtkinThe characters of Twelfth Night are both memorableand engaging and it is through their funny, and attimes bitter, interplay that we experience thepeculiar world of Shakespeare's Illyria. This studybegins with a introduction to the concept of"characters" on the early-modern stage beforeproceeding to a textual analysis of each of themain characters in the play, looking at how whatthey say and do, and what is said about them,creates the illusion of "character". Each chapteralso contains a brief account of key performancesby actors on stage and in film.
Twelfth Night: Character Studies (Character Studies)
by Graham AtkinThe characters of Twelfth Night are both memorableand engaging and it is through their funny, and attimes bitter, interplay that we experience thepeculiar world of Shakespeare's Illyria. This studybegins with a introduction to the concept of"characters" on the early-modern stage beforeproceeding to a textual analysis of each of themain characters in the play, looking at how whatthey say and do, and what is said about them,creates the illusion of "character". Each chapteralso contains a brief account of key performancesby actors on stage and in film.
Twelfth Night (The RSC Shakespeare)
by Jonathan Bate Eric RasmussenFrom the Royal Shakespeare Company – a modern, definitive edition of Shakespeare’s great comedy of love, folly and mistaken identity. With an expert introduction by Sir Jonathan Bate, this unique edition presents a historical overview of Twelfth Night in performance, takes a detailed look at specific productions, and recommends film versions. Included in this edition are interviews with three leading directors – Sam Mendes, Declan Donnellan and Neil Bartlett – providing an illuminating insight into the extraordinary variety of interpretations that are possible. This edition also includes an essay on Shakespeare’s career and Elizabethan theatre, and enables the reader to understand the play as it was originally intended – as living theatre to be enjoyed and performed. Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare editions offer a fresh, accessible and contemporary approach to reading and rediscovering Shakespeare’s works for the twenty-first century.
Twelfth Night: Language and Writing (Arden Student Skills: Language and Writing)
by Frances E. DolanFrances E. Dolan examines the puzzling pronouns and puns, the love poetry, mischief, and disguises of Twelfth Night, exploring its themes of grief, obsessive love, social climbing and gender identity, and helping you towards your own close-readings.
Twelfth Night: Language And Writing (Arden Student Skills: Language and Writing #6)
by Frances E. DolanFrances E. Dolan examines the puzzling pronouns and puns, the love poetry, mischief, and disguises of Twelfth Night, exploring its themes of grief, obsessive love, social climbing and gender identity, and helping you towards your own close-readings.
Twelfth Night: A Critical Reader (Arden Early Modern Drama Guides)
by Alison Findlay Liz Oakley-BrownTwelfth Night is the most mature and fully developed of Shakespeare's comedies and, as well as being one of his most popular plays, represents a crucial moment in the development of his art. Assembled by leading scholars, this guide provides a comprehensive survey of major issues in the contemporary study of the play.Throughout the book chapters explore such issues as the play's critical reception from John Manningham's account of one of its first performances to major current comentators like Stephen Greenblatt; the performance history of the play, from Shakespeare's day to the present and key themes in current scholarship, from issues of gender and sexuality to the study of comedy and song.Twelfth Night: A Critical Guide also includes a complete guide to resources available on the play - including critical editions, online resources and an annotated bibliography - and how they might be used to aid both the teaching and study of Shakespeare's enduring comedy.
Twelfth Night: A Critical Reader (Arden Early Modern Drama Guides)
by Alison Findlay Liz Oakley-BrownTwelfth Night is the most mature and fully developed of Shakespeare's comedies and, as well as being one of his most popular plays, represents a crucial moment in the development of his art. Assembled by leading scholars, this guide provides a comprehensive survey of major issues in the contemporary study of the play.Throughout the book chapters explore such issues as the play's critical reception from John Manningham's account of one of its first performances to major current comentators like Stephen Greenblatt; the performance history of the play, from Shakespeare's day to the present and key themes in current scholarship, from issues of gender and sexuality to the study of comedy and song.Twelfth Night: A Critical Guide also includes a complete guide to resources available on the play - including critical editions, online resources and an annotated bibliography - and how they might be used to aid both the teaching and study of Shakespeare's enduring comedy.
Twelfth Night: A Guide to the Play (Greenwood Guides to Shakespeare)
by John R. FordTwelfth Night is one of the most accessible and yet elusive of Shakespeare's plays. It has enjoyed enormous popularity in performance, but it continues to challenge students. This guide provides a thorough introduction to the play. Included are chapters on the play's background, contexts, themes, dramatic art, critical reception, and performance history. The volume cites current scholarship and closes with a bibliography.Twelfth Night is one of the most accessible yet elusive of Shakespeare's plays. It has enjoyed enormous popularity in performance, but it continues to challenge students. It has experienced numerous revivals and has provoked some of the most brilliant critical responses from Shakespeare's critics. Written for students and general readers, this guide is a comprehensive introduction to Shakespeare's play.The volume begins with a look at the play's textual history. This is followed by an exploration of its historical and cultural contexts and its sources and analogues. The book next turns to Shakespeare's dramatic art and then examines his themes of identity, sexuality, and madness. The final chapters look at the critical response to the play and give special attention to the play's performance history. The guide closes with a bibliography.
Twelfth Night: New Critical Essays (Shakespeare Criticism)
by James SchifferThis volume in the Shakespeare Criticism series offers a range of approaches to Twelfth Night, including its critical reception, performance history, and relation to early modern culture. James Schiffer’s extensive introduction surveys the play’s critical reception and performance history, while individual essays explore a variety of topics relevant to a full appreciation of the play: early modern notions of love, friendship, sexuality, madness, festive ritual, exoticism, social mobility, and detection. The contributors approach these topics from a variety of perspectives, such as new critical, new historicist, cultural materialist, feminist and queer theory, and performance criticism, occasionally combining several approaches within a single essay. The new essays from leading figures in the field explore and extend the key debates surrounding Twelfth Night, creating the ideal book for readers approaching this text for the first time or wishing to further their knowledge of this stimulating, much loved play.