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Unbuttoned: The Art and Artists of Theatrical Costume Design
by Shura PollatsekUnbuttoned: The Art and Artists of Theatrical Costume Design documents the creative journey of costume creation from concept to performance. Each chapter provides an overview of the process, including designing and shopping; draping, cutting, dyeing, and painting; and beading, sewing, and creating embellishments and accessories. This book features interviews with practitioners from Broadway and regional theatres to opera and ballet companies, offering valuable insights into the costume design profession. Exceptional behind-the-scenes photography illustrates top costume designers and craftspeople at work, along with gorgeous costumes in progress.
Unbuttoned: The Art and Artists of Theatrical Costume Design
by Shura PollatsekUnbuttoned: The Art and Artists of Theatrical Costume Design documents the creative journey of costume creation from concept to performance. Each chapter provides an overview of the process, including designing and shopping; draping, cutting, dyeing, and painting; and beading, sewing, and creating embellishments and accessories. This book features interviews with practitioners from Broadway and regional theatres to opera and ballet companies, offering valuable insights into the costume design profession. Exceptional behind-the-scenes photography illustrates top costume designers and craftspeople at work, along with gorgeous costumes in progress.
The Uncapturable: The Fleeting Art of Theatre (Theatre Makers)
by Rubén SzuchmacherThe Uncapturable is a wide-ranging reflection on the art of the mise en scène from the perspective of leading Argentinian theatre director Rubén Szuchmacher. It offers a timely and concise, though comprehensive, survey of the role and responsibility of the theatre director from the earliest times to the twenty-first century. Szuchmacher defines theatre as the confluence of four art forms - architecture, visual art, sound and literature - whose works only truly exist in the moment of encounter with an audience. He argues that, by taking full account of these four art forms, analysing them in detail and engaging thoughtfully with the many specialists who come together to bring a mise en scène into being, the director of today can still create work that innovates and inspires. The Uncapturable is as valuable to the apprentice director emerging from their training as it is to the veteran in need of fresh reflection. Szuchmacher draws on the unique learnings gleaned from working in Argentina, be it the impact on theatre of politics, the need for inventiveness in times of hardship, the phenomenon of Argentine 'circus theatre' or the adaptation of literary giants such as Borges, affording the Anglophone reader an alternative perspective on the ideas of theatre we often take for granted.Szuchmacher offers a unique blend of global knowledge, historical awareness and a pragmatic, resourceful and creative approach from a theatre artist working in Latin American through decades of change. The book is translated from the Spanish by William Gregory.
The Uncapturable: The Fleeting Art of Theatre (Theatre Makers)
by Rubén SzuchmacherThe Uncapturable is a wide-ranging reflection on the art of the mise en scène from the perspective of leading Argentinian theatre director Rubén Szuchmacher. It offers a timely and concise, though comprehensive, survey of the role and responsibility of the theatre director from the earliest times to the twenty-first century. Szuchmacher defines theatre as the confluence of four art forms - architecture, visual art, sound and literature - whose works only truly exist in the moment of encounter with an audience. He argues that, by taking full account of these four art forms, analysing them in detail and engaging thoughtfully with the many specialists who come together to bring a mise en scène into being, the director of today can still create work that innovates and inspires. The Uncapturable is as valuable to the apprentice director emerging from their training as it is to the veteran in need of fresh reflection. Szuchmacher draws on the unique learnings gleaned from working in Argentina, be it the impact on theatre of politics, the need for inventiveness in times of hardship, the phenomenon of Argentine 'circus theatre' or the adaptation of literary giants such as Borges, affording the Anglophone reader an alternative perspective on the ideas of theatre we often take for granted.Szuchmacher offers a unique blend of global knowledge, historical awareness and a pragmatic, resourceful and creative approach from a theatre artist working in Latin American through decades of change. The book is translated from the Spanish by William Gregory.
Uncle Tom's Cabin: Or Life Among The Lowly (1899)
by Harriet Beecher StoweThis is the original six-act version which has been produced thousands of times by professional and amateur companies.
Uncle Tom's Cabin on the American Stage and Screen (Palgrave Studies in Theatre and Performance History)
by J. FrickNo play in the history of the American stage has been as ubiquitous and as widely viewed as Uncle Tom's Cabin. This book traces the major dramatizations of Stowe's classic from its inception in 1852 through modern versions on film. Frick introduces the reader to the artists who created the plays and productions that created theatre history.
Uncle Tom's Cabin on the American Stage and Screen (Palgrave Studies in Theatre and Performance History)
by John W. FrickNo play in the history of the American Stage has been as ubiquitous and as widely viewed as Uncle Tom's Cabin . This book traces the major dramatizations of Stowe's classic from its inception in 1852 through modern versions on film. Frick introduce the reader to the artists who created the plays and productions that created theatre history.
Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book
by Tracy C Davis Stefka MihaylovaAs Harriet Beecher Stowe’s novel Uncle Tom’s Cabin traveled around the world, it was molded by the imaginations and needs of international audiences. For over 150 years it has been coopted for a dazzling array of causes far from what its author envisioned. This book tells thirteen variants of Uncle Tom’s journey, explicating the novel’s significance for Canadian abolitionists and the Liberian political elite that constituted the runaway characters’ landing points; nineteenth-century French theatergoers; liberal Cuban, Romanian, and Spanish intellectuals and social reformers; Dutch colonizers and Filipino nationalists in Southeast Asia; Eastern European Cold War communists; Muslim readers and spectators in the Middle East; Brazilian television audiences; and twentieth-century German holidaymakers. Throughout these encounters, Stowe’s story of American slavery serves as a paradigm for understanding oppression, selectively and strategically refracting the African American slave onto other iconic victims and freedom fighters. The book brings together performance historians, literary critics, and media theorists to demonstrate how the myriad cultural and political effects of Stowe’s enduring story has transformed it into a global metanarrative with national, regional, and local specificity.
Uncle Vanya (Modern Plays)
by Anton ChekhovAlong with Three Sisters and The Cherry Orchard, Uncle Vanya is credited as one of Chekhov's masterpieces and a significant precursor of modern drama. Set on a country estate in late nineteenth century Russia, Uncle Vanya is in part a study of the enervation of Russian middle-class provincial life. The major dynamics between the characters themselves are centred on two obsessive love affairs that lead nowhere and a flirtation that brings disaster. Mixing the tragic and the absurd and dealing with a form that allows for ambiguity and contradiction, Uncle Vanya has been deemed "the first modernist play". (David Lan)
Uncle Vanya: in a version
by Anton ChekhovAnton Chekhov's play Uncle Vanya in a new version by Christopher Hampton. This version will be first staged at the Vaudeville Theatre, London, on 25 October 2012 and run until 16 February 2013.'It's often said that the best of the Chekhov plays is the one you've seen most recently. Uncle Vanya doesn't have a suicide, like The Seagull, or an adulterous couple and a duel more or less indistinguishable from murder, like Three Sisters; nor does it seem to announce the end of an era, like The Cherry Orchard: all it has is a series of ludicrously bungled attempts at murder and suicide and adultery. Perhaps these failures are what makes it feel the saddest and most truthful of these great tragi-comedies, in which, possibly unique to all drama, not a single word seems redundant or out of place.' - From the author's introduction.
Uncle Vanya: Large Print
by Anton ChekhovDon't be miserable, you wonderful woman; be a mermaid. There's the ocean; throw yourself in. Fall in love with some poor mortal and drag him down with you. Astonish us! On an isolated country estate, Sonia and her Uncle Vanya are committed to a life of ceaseless toil. But when the ageing invalid Serebriakov and his bewilderingly beautiful young wife take up residence, a yearning envelops the household and disturbs the accustomed tedium. Friend and confidant Astrov grows lovelorn, Sonia's heart breaks and even Vanya falls under the spell. And so they fight, bond, belittle, lament, make peace and contemplate the odd murder.Featuring sex, comedy and unbearable sadness in nineteenth-century Russia, this version of Anton Chekhov's Uncle Vanya was written and directed by Terry Johnson and opened at Hampstead Theatre, London, in November 2018. And having weathered the storm, what's left? My feelings for you; a few droplets on a window pane, catching the sun, running down a way, drying to nothing.
Uncle Vanya: Scenes From Country Life In Four Acts
by Anton ChekhovRussia, late summer at the close of the nineteenth century. Vanya and his niece Sonya have worked for years to manage the country estate. Into this ordered and regular household come two new visitors, Sonya's father, an irritable professor, and his young wife Elena who, in the space of a few months, cause chaos, one by their selfishness, and the other by their sexual allure. Between them, they manage to have most of the inhabitants questioning their purpose in life, their happiness and, at times, their sanity.David Hare's version of Anton Chekhov's Uncle Vanya opens at Theatre Royal Bath in July 2019.
Uncle Vanya: Scenes from Country Life (Oberon Classics)
by Anton ChekhovThings your life could be: (1) a farce. (2) a tragedy. (3) pointless. (4) all of the above. Things you could do about it: (1) keep living. (2) stop living. (3) kill someone. (4) nothing.
Uncle Vanya (Modern Plays)
by Anton Chekhov Michael FraynAlong with Three Sisters and The Cherry Orchard, Uncle Vanya is credited as one of Chekhov's masterpieces and a significant precursor of modern drama. Set on a country estate in late nineteenth century Russia, Uncle Vanya is in part a study of the enervation of Russian middle-class provincial life. The major dynamics between the characters themselves are centred on two obsessive love affairs that lead nowhere and a flirtation that brings disaster. Mixing the tragic and the absurd and dealing with a form that allows for ambiguity and contradiction, Uncle Vanya has been deemed "the first modernist play". (David Lan)
Uncle Vanya (Oberon Classics)
by Anton Chekhov Bryony LaveryOne of the high points of world drama, Chekhov's bittersweet tale of frustrated lives and unrequited loves - by turns witty, playful, nostalgic and tragic - is captured in all its complexity by Bryony Lavery's spirited, sharply-written adaptation, first produced at Birmingham Rep in 2007
Uncle Vanya (Oberon Classics)
by Anya Reiss‘This is a mad bloody world with you lot walking around in it’ A once respected academic returns to his farm which has been managed without him for many years. He brings with him a new, beautiful, young wife. Their arrival turns the lives of the residents and his family upside down as old wounds are reopened, passions are awakened and thwarted ambitions bubble to the surface; threatening the lives of everyone involved. After sell-out successes of The Seagull and Three Sisters, awardwinning writer Anya Reiss reimagines this tragicomic masterpiece in a stunning new version for the 21st century.
The Unconquered (Oberon Modern Plays)
by Torben Betts"One day you will say something from the heart, a truth forced raw and screeching from the howling depths of your soul."Powerful poetic language, dark humour and provocative ideas build a fast moving story around a fiercely intelligent young girl and her relentless refusal of the establishment. When suddenly a people’s revolution breaks out and a mercenary soldier intrudes the family home, the conflict between the regime and the unconquered girl is revealed. The Unconquered toured the UK in 2007 with Stella Quines Theatre Company.
Uncrossing the Borders: Performing Chinese in Gendered (Trans)Nationalism
by Daphne LeiOver many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts, and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today.
»Und man siehet die im Lichte«: Theaterraum Buenos Aires ./. Theaterraum Istanbul (Theater #138)
by Juliane ZellnerWas sagt eine Stadt über ihr Theater, was ein Theater über eine Stadt? An der Schnittstelle zwischen Stadtforschung und Theaterwissenschaft beschreibt Juliane Zellners Bestandsaufnahme die Theaterräume in Buenos Aires und Istanbul, ihre Geschichte und Biografien, ihre betrieblichen Strukturen und kulturpolitischen Rahmenbedingungen, ihr jeweiliges Publikum, ihre architektonischen Gestalten sowie ihre stadt- und sozialräumliche Einbettung. In Form einer Gegenüberstellung identifiziert sie wechselseitige Wirkmuster zwischen Theater und Stadt und vertieft so das Verständnis von Entwicklungsprozessen, sozialen Dynamiken sowie gesellschaftlichen Konfliktpotentialen in beiden Städten.
Under The Blue Sky (Modern Plays)
by David EldridgeSad single teachers get together. Drink tequila, get very pissed and reveal secrets and then stagger home at four in the morning, with some dim light in your brain saying "Shit. Year seven first lesson."'David Eldridge's Under the Blue Sky premiered at the Royal Court Jerwood Theatre Upstairs, London, in September 2000.Methuen's Royal Court Writers Series was launched in 1981 to celebrate 25 years of the English Stage Company and 21 years since the publication of the first Methuen Modern Play. Published to coincide with specific productions in the Jerwood Theatre Downstairs and the Jerwood Theatre Upstairs, the series fulfils the dual role of programme and playscript.
Under The Blue Sky: Under The Blue Sky - Fallout - Motortown - My Child - Enron (Modern Plays)
by David EldridgeSad single teachers get together. Drink tequila, get very pissed and reveal secrets and then stagger home at four in the morning, with some dim light in your brain saying "Shit. Year seven first lesson."'David Eldridge's Under the Blue Sky premiered at the Royal Court Jerwood Theatre Upstairs, London, in September 2000.Methuen's Royal Court Writers Series was launched in 1981 to celebrate 25 years of the English Stage Company and 21 years since the publication of the first Methuen Modern Play. Published to coincide with specific productions in the Jerwood Theatre Downstairs and the Jerwood Theatre Upstairs, the series fulfils the dual role of programme and playscript.
Under Construction: Because Living My Best Life Took a Little Work
by Chrishell StauseA heartfelt, humorous personal memoir and relatable guide to overcoming obstacles, wising up about romance, and getting ahead in your career from the star of Netflix's hit reality show Selling Sunset.In this engaging, witty, and inspirational memoir, Chrishell Stause shares her story of living an unconventional childhood in small-town Kentucky marked by periods of homelessness, family addiction struggles and dreams of one day being on a daytime soap, all while managing the local Dairy Queen. Through resilience and grit, she overcame obstacles and pushed past every barrier in her path to become one of the most envied luxury realtors in Los Angeles and buzzworthy cast members in reality TV.She takes us behind the scenes of Selling Sunset, reveals never-before-told stories from her life in soaps, and even pulls back the curtain on her highly publicised love life, offering insight not before shared. With her signature honesty and charm, Stause also gives tangible advice based on the lessons she's learned over the years and offers unique insight about how to stay resilient and positive no matter how many times life knocks you down. Under Construction is for anyone who wants to remember that no matter what happens or how, you have to get up, dress up and show up - and walk back into the room stronger than ever before.
Under Milk Wood: A Play for Voices
by Dylan Thomas'It is spring, moonless night in the small town, starless and bible-black...'Under Milk Wood tells the story of a Welsh village during one spring day. It is populated by some of the best-loved characters in British literature. Lyrical, funny, moving, it is rooted in place but with a universality that has spoken to generations of readers. A Welsh epic, a work of poetic genius, a modern classic.'A tour de force of oral poetry which oozes word pictures and onomatopoeic musicality' Guardian
Under Milk Wood: Images By Peter Blake (Collins Classics)
by null Dylan ThomasHarperCollins is proud to present its new range of best-loved, essential classics. We are not wholly bad or good, who live our lives under Milk Wood. On a dark moonless night in spring, the seaside town of Llareggub sleeps. Dreams of hope and heartache unfurl, revealing the innermost desires and fears of its inhabitants. But when morning arrives, the chaotic muddle of everyday life begins again: the hardships, the gossip, the quarrels, the moments of tenderness and love, all intertwined in a spectacular chorus of voices. A much loved and celebrated modern classic, Dylan Thomas originally wrote Under Milk Wood as a radio drama and it was first broadcast by the BBC in 1954. Since then, Thomas’s masterful and humorous depiction of his characters continues to entertain and resonate with readers today.