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Urban Children Distress
by Cristina Szanton BlancThis book describes how deprived urban children and their families and communities try to cope with scarcity, neglect and discrimination. It communicates the smell, the sweat, the agonies and the occasional triumphs of the poor in their day-to-day struggle for a rightful share of human dignity.
Urban Children Distress
by Cristina Szanton BlancThis book describes how deprived urban children and their families and communities try to cope with scarcity, neglect and discrimination. It communicates the smell, the sweat, the agonies and the occasional triumphs of the poor in their day-to-day struggle for a rightful share of human dignity.
Urban Drama: The Metropolis in Contemporary North American Plays
by J. Chris WestgateIdentifying an apprehension about the nature and constitution of urbanism in North American plays, Westgate examines how cities like New York City and Los Angeles became focal points for identity politics and social justice at the end of the twentieth century, and how urban crises inform the dramaturgy of contemporary playwrights.
Urban Playmaking: Constructivist Teaching with a Radical Agenda
by Bethany NelsonThis book explores the concept of playmaking and activism through three research projects in which culturally and linguistically diverse high school students and young adults created original theatre around the issues that inform their lives and constrain their futures. Each study discussed by the author is considered through the lens of one or more best practices. The outcomes of the playmaking experiences, communicated through detailed ethnographic data and the voices of student participants, make a strong case for using what we already know about teaching to positively impact gross inequities of outcome for culturally and linguistically diverse students. This study will be of great interest to students, scholars, and practitioners in Applied Theatre, Theatre Education, and Art Therapy.
Urban Playmaking: Constructivist Teaching with a Radical Agenda
by Bethany NelsonThis book explores the concept of playmaking and activism through three research projects in which culturally and linguistically diverse high school students and young adults created original theatre around the issues that inform their lives and constrain their futures. Each study discussed by the author is considered through the lens of one or more best practices. The outcomes of the playmaking experiences, communicated through detailed ethnographic data and the voices of student participants, make a strong case for using what we already know about teaching to positively impact gross inequities of outcome for culturally and linguistically diverse students. This study will be of great interest to students, scholars, and practitioners in Applied Theatre, Theatre Education, and Art Therapy.
Us Against Whatever (Oberon Modern Plays)
by Maureen LennonAn electrifying cabaret about the places we keep in our hearts “We don’t wanna talk about Westminster or Farage or Brussels. We want to talk about us. Here. Cos we’re the bit that matters.” Anna is starting to think she made a mistake in moving to Hull. Steph sees her city changing and misses her dad. Both are looking for somewhere to call home and something to believe in. And Sheila? She’s determined to bring people together again, the only way she knows how – karaoke! ‘Cause what we need right now is to get up on our feet, grab a mic together and belt out a ballad after a pint or five. From Pride in Poland and Windass at Wembley, to City of Culture and Brexit Britain, Us Against Whatever is an electrifying cabaret about the places we keep in our hearts, with support from Hull’s finest voices – you! Setting fire to expectations of what a night at the theatre can be, this is the latest call to arms from the company behind 2017’s award-winning All We Ever Wanted Was Everything. Us Against Whatever was developed with the support of the National Theatre and British Council.
The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror (Palgrave Studies in Theatre and Performance History)
by Min TianThis book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
User Not Found (Oberon Modern Plays)
by Chris Goode Dante Or DieIt’s the moment of your death.There’s a magic button.Do you delete your entire online legacy?Or do you keep it – and leave the choice for someone else?USER NOT FOUND is about our digital lives after we die. Dante or Die's new play, created with pioneering theatre-artist Chris Goode, is performed in cafés across the country, where you’ll be handed a smartphone and a pair of headphones. Become a fly-on-the-wall to peer into the life of a man who is faced with keeping or deleting. A story of contemporary grief unfolds through this intimate, funny performance that gently interrogates our need for connection.
Using Open Scenes to Act Successfully on Stage and Screen
by Dan Carter Brant L. PopeUsing Open Scenes as a "way in" to scripted material, this book establishes a foundational actor training methodology that can be applied to the performance of film or television acting, commercials, and theatrical realism. Unlike other methodologies, this unique approach is devoid of casting considerations or imposed identity, providing actors opportunities that do not rely on nor are restricted by age, gender, race, ethnicity, regional accent, body type, identity, or other defining or delimiting aspects that come into play during the casting process. This allows the actor to focus on personal authenticity as they develop their skills. This book will appeal to undergraduate students, acting teachers, and the contemporary actor seeking a career in film, television, or other electronic media. Visit the companion website www.usingopenscenestoactsuccessful.godaddysites.com for additional Open Scenes and more.
Using Open Scenes to Act Successfully on Stage and Screen
by Dan Carter Brant L. PopeUsing Open Scenes as a "way in" to scripted material, this book establishes a foundational actor training methodology that can be applied to the performance of film or television acting, commercials, and theatrical realism. Unlike other methodologies, this unique approach is devoid of casting considerations or imposed identity, providing actors opportunities that do not rely on nor are restricted by age, gender, race, ethnicity, regional accent, body type, identity, or other defining or delimiting aspects that come into play during the casting process. This allows the actor to focus on personal authenticity as they develop their skills. This book will appeal to undergraduate students, acting teachers, and the contemporary actor seeking a career in film, television, or other electronic media. Visit the companion website www.usingopenscenestoactsuccessful.godaddysites.com for additional Open Scenes and more.
Using Storytelling to Support Children and Adults with Special Needs: Transforming lives through telling tales
by Nicola GroveThis innovative and wide-ranging book shows how storytelling can open new worlds for learners with or without special educational needs. With sections that outline both therapeutic and educational approaches, the leading practitioners who contribute to this practical resource draw on their extensive experience, and distil their own approaches for the reader to use as inspiration for their own lessons. Providing a highly accessible combination of theory and practice, the contributors to this book: define their own approach to storytelling describe the principles and theory that underpin their practice demonstrate how they work with different types of story provide extensive case-studies and assessment frameworks for a range of different special needs and age ranges provide some ‘top tips’ for practitioners who want to start using stories in this way. Using Storytelling to Support Children and Adults with Special Needs will be of interest to all education professionals as well as therapists, youth workers, counsellors, and storytellers and theatre practitioners working in special education.
Using Storytelling to Support Children and Adults with Special Needs: Transforming lives through telling tales
by Nicola Grove Nicola GrovesThis innovative and wide-ranging book shows how storytelling can open new worlds for learners with or without special educational needs. With sections that outline both therapeutic and educational approaches, the leading practitioners who contribute to this practical resource draw on their extensive experience, and distil their own approaches for the reader to use as inspiration for their own lessons. Providing a highly accessible combination of theory and practice, the contributors to this book: define their own approach to storytelling describe the principles and theory that underpin their practice demonstrate how they work with different types of story provide extensive case-studies and assessment frameworks for a range of different special needs and age ranges provide some ‘top tips’ for practitioners who want to start using stories in this way. Using Storytelling to Support Children and Adults with Special Needs will be of interest to all education professionals as well as therapists, youth workers, counsellors, and storytellers and theatre practitioners working in special education.
The Usual Auntijies (Modern Plays)
by Paven VirkAunti-ji - noun. a term sometimes used to address women older than oneself. Ji is traditionally used after someone's name to show respect, mainly by the communities of the Indian sub-continent. Somewhere in the city live three elderly, South Asian auntijies who have found themselves together in a refuge for abused women, empty of memories and bereft of their families and friends. Nearby, a new Indian bride has arrived in the country only to find herself in a place that she is utterly unprepared for. The Usual Auntijies is a bitter-sweet new comic-drama that visits the lives of four women as they embark on an inspiring, emotional and comic journey to overcome the past abuse and rediscover their sense of life, love and happiness.Exploring ideas of family and the cultural differences that exist between the East and West, the Auntijies struggle with popular Western culture and provide a hybrid cultural context which amusingly sits alongside the women's otherness and past pain.The Usual Auntijies is a celebration of all women of a particular age whose desires and struggles are too often forgotten.
The Usual Auntijies (Modern Plays)
by Paven VirkAunti-ji - noun. a term sometimes used to address women older than oneself. Ji is traditionally used after someone's name to show respect, mainly by the communities of the Indian sub-continent. Somewhere in the city live three elderly, South Asian auntijies who have found themselves together in a refuge for abused women, empty of memories and bereft of their families and friends. Nearby, a new Indian bride has arrived in the country only to find herself in a place that she is utterly unprepared for. The Usual Auntijies is a bitter-sweet new comic-drama that visits the lives of four women as they embark on an inspiring, emotional and comic journey to overcome the past abuse and rediscover their sense of life, love and happiness.Exploring ideas of family and the cultural differences that exist between the East and West, the Auntijies struggle with popular Western culture and provide a hybrid cultural context which amusingly sits alongside the women's otherness and past pain.The Usual Auntijies is a celebration of all women of a particular age whose desires and struggles are too often forgotten.
Utility
by Emily SchwendThe tenth winner of the Yale Drama Series centers on a young mother dealing with life’s many trials Marking the tenth anniversary of the Yale Drama Series for emerging playwrights, Emily Schwend’s powerful work centers on Amber, a young woman struggling to raise a family in East Texas. Amber is juggling two nearly full-time jobs and three kids. Her on-again, off-again husband Chris is eternally optimistic and charming as hell, but rarely employed. The house is falling apart and Amber has an eight-year-old’s birthday party to plan. Selected from more than 1,600 entries, Schwend’s newest play—produced by the Amoralists Theatre Company at Rattlestick Playwrights Theatre in 2016—vividly captures the economic hardships and relationship difficulties faced by so many Americans today. “Utility is a remarkable play: beautifully written and effortlessly powerful,” said contest judge Nicholas Wright. “At every moment the happiness of human lives is put at risk: is there any greater dramatic theme?”
Utopia in Performance: Finding Hope at the Theater
by Jill Dolan"Jill Dolan is the theatre's most astute critic, and this new book is perhaps her most important. Utopia in Performance argues with eloquence and insight how theatre makes a difference, and in the process demonstrates that scholarship matters, too. It is a book that readers will cherish and hold close as a personal favorite, and that scholars will cite for years to come." ---David Román, University of Southern California What is it about performance that draws people to sit and listen attentively in a theater, hoping to be moved and provoked, challenged and comforted? In Utopia in Performance, Jill Dolan traces the sense of visceral, emotional, and social connection that we experience at such times, connections that allow us to feel for a moment not what a better world might look like, but what it might feel like, and how that hopeful utopic sentiment might become motivation for social change. She traces these "utopian performatives" in a range of performances, including the solo performances of feminist artists Holly Hughes, Deb Margolin, and Peggy Shaw; multicharacter solo performances by Lily Tomlin, Danny Hoch, and Anna Deavere Smith; the slam poetry event Def Poetry Jam; The Laramie Project; Blanket, a performance by postmodern choreographer Ann Carlson; Metamorphoses by Mary Zimmerman; and Deborah Warner's production of Medea starring Fiona Shaw. While the book richly captures moments of "feeling utopia" found within specific performances, it also celebrates the broad potential that performance has to provide a forum for being human together; for feeling love, hope, and commonality in particular and historical (rather than universal and transcendent) ways.
Utopian Drama: In Search of a Genre (Methuen Drama Engage)
by Siân AdiseshiahAs the first full-length study to analyse utopian plays in Western drama from antiquity to the present, Utopian Drama: In Search of a Genre offers an illuminating appraisal of the objectives of utopianism as manifested in drama through the ages, and carefully ascertains the added value that live performance brings to the persuasion of utopian thought. Siân Adiseshiah scrutinises the distinctive intervention of utopian drama through its examination alongside the utopian prose tradition – in this way, the book establishes new ways of approaching utopian aesthetics and new ways of interpreting utopian drama. This book provides fresh understandings of the generic features of utopian plays, identifies the gains of establishing a new genre, and ascertains ways in which this genre functions as political theatre. Referring to over 40 plays, of which 18 are examined in detail, Utopian Drama traces the emergence of the utopian play in the Western tradition from ancient Greek Comedy to experimental contemporary work. Works discussed in detail include plays by Aristophanes, Margaret Cavendish, George Bernard Shaw, Howard Brenton, Claire MacDonald, Cesi Davidson, and Mojisola Adebayo. As well as offering extended attention to the work of these playwrights, the book reflects on the development of utopian drama through history, notes the persistent features, tropes, and conventions of utopian plays, and considers the implications of their registration for both theatre studies and utopian studies.
Utopian Drama: In Search of a Genre (Methuen Drama Engage)
by Siân AdiseshiahAs the first full-length study to analyse utopian plays in Western drama from antiquity to the present, Utopian Drama: In Search of a Genre offers an illuminating appraisal of the objectives of utopianism as manifested in drama through the ages, and carefully ascertains the added value that live performance brings to the persuasion of utopian thought. Siân Adiseshiah scrutinises the distinctive intervention of utopian drama through its examination alongside the utopian prose tradition – in this way, the book establishes new ways of approaching utopian aesthetics and new ways of interpreting utopian drama. This book provides fresh understandings of the generic features of utopian plays, identifies the gains of establishing a new genre, and ascertains ways in which this genre functions as political theatre. Referring to over 40 plays, of which 18 are examined in detail, Utopian Drama traces the emergence of the utopian play in the Western tradition from ancient Greek Comedy to experimental contemporary work. Works discussed in detail include plays by Aristophanes, Margaret Cavendish, George Bernard Shaw, Howard Brenton, Claire MacDonald, Cesi Davidson, and Mojisola Adebayo. As well as offering extended attention to the work of these playwrights, the book reflects on the development of utopian drama through history, notes the persistent features, tropes, and conventions of utopian plays, and considers the implications of their registration for both theatre studies and utopian studies.
Utoya (Modern Plays)
by Edoardo ErbaI've got goosebumps. One of us. It's horrendous.July 2011. A far-right terrorist has just massacred sixty-nine people, most of them students attending a Norwegian Labour Party Youth's summer camp on the island of Utoya.Gunnar and Malin have sent their daughter to the island, and desperately seek contact. On the farm next-door to the perpetrator's, Petter and Inga realise their suspicions about him are well-founded. At Central Command, Alf and Unni must decide on the best course of action in response to the attack.A searing reflection on the domestic effects of societal trauma, Edoardo Erba's Utoya offers a timely reminder of the threat of far-right extremism, inviting us to consider how tragedy can both bind people together and pull them further apart. This edition was published to coincide with the UK premiere at London's Arcola Theatre in August 2024.
Utoya (Modern Plays)
by Edoardo ErbaI've got goosebumps. One of us. It's horrendous.July 2011. A far-right terrorist has just massacred sixty-nine people, most of them students attending a Norwegian Labour Party Youth's summer camp on the island of Utoya.Gunnar and Malin have sent their daughter to the island, and desperately seek contact. On the farm next-door to the perpetrator's, Petter and Inga realise their suspicions about him are well-founded. At Central Command, Alf and Unni must decide on the best course of action in response to the attack.A searing reflection on the domestic effects of societal trauma, Edoardo Erba's Utoya offers a timely reminder of the threat of far-right extremism, inviting us to consider how tragedy can both bind people together and pull them further apart. This edition was published to coincide with the UK premiere at London's Arcola Theatre in August 2024.
Utpal Dutt and Political Theatre in Postcolonial India (Elements in Theatre, Performance and the Political)
by null Mallarika Sinha RoyAmong the most significant playwrights and theatre-makers of postcolonial India, Utpal Dutt (1929–1993), was an early exponent of rethinking colonial history through political theatre. Dutt envisaged political theatre as part of the larger Marxist project, and his incorporation of new developments in Marxist thinking, including the contributions of Antonio Gramsci, makes it possible to conceptualise his protagonists as insurgent subalterns. A decolonial approach to staging history remained a significant element in Dutt's artistic project. This Element examines Dutt's passionate engagement with Marxism and explores how this sense of urgency was actioned through the writing and producing of plays about the peasant revolts and armed anti-colonial movements which took place during the period of British rule. Drawing on contemporary debates in political theatre regarding the autonomy of the spectator and the performance of history, the author locates Dutt's political theatre in a historical frame.
Utpal Dutt's Theatre: Continuities and Disjunctions in His Politics and Aesthetics (Performance Studies & Cultural Discourse in South Asia #1)
by Uddalak DuttaThis book offers the reader an in-depth understanding of Utpal Dutt’s entire career in drama. Covering Dutt’s career in proscenium, street theatre and Jatra, it analyzes the interesting exchange of dramatic art with politics in his theatre. Owing to a plethora of unsubstantiated opinions, Dutt is either revered by his followers or dismissed by his opponents, but hardly ever studied with necessary objectivity and intellectual rigour. The book attempts to bust the myth that Dutt was primarily a political propagandist who used theatre only as a means to achieve his political end. The remarkable range of Dutt’s subject matter makes him as internationally significant as he is loved by Indian theatre enthusiasts. His work has been discussed on various reputed international platforms. Yet there is a stark lacuna when it comes to intellectual attention devoted to Dutt’s theatre. This is the first book which attempts to introduce Dutt’s theatre comprehensively to an international readership. The book looks briefly at Dutt’s life, the impact of his politics on his theatre, the art of his characterization, his dramaturgy and stage technique, and the legacy of his work in theatre. It also offers the reader with a chronological list of the first performances of his original theatrical works and an exhaustive bibliography, which, it is hoped, shall prove especially useful for researchers. The book is designed for lay theatre enthusiasts as well as advanced students of theatre.
The Vagrant Trilogy: The Hour of Feeling; The Vagrant; Urge for Going
by Mona Mansour“The [Vagrant Trilogy] extends far beyond the timeline of devastating events, and instead shows us something greater: humanity.” - Broadway World The Vagrant Trilogy is a set of three plays by award-winning Arab American playwright Mona Mansour which explores the Palestinian condition prior to, during, and after the infamous Six-Day War. It sketches the devastating effect this conflict had on members of the Palestinian diaspora scattered in Europe and in Lebanese refugee camps. With productions in Washington DC, New York, and Abu Dhabi, this trilogy has moved audiences across both America and the Arabic-speaking world. The Hour of Feeling, The Vagrant, and Urge for Going offer a deep exploration of the Palestinian struggle for home and identity, a powerful glimpse into a reality that many face and few understand. The volume includes a foreword by director Mark Wing-Davey; an introduction by Arab American theatre scholars Hala Baki and Michael Malek Najjar; the three plays in their final performance versions; an interview with playwright Mona Mansour; and a critical essay by literary scholar Diya Abdo. This collection of Mansour's outstanding plays is another important contribution to the Arab American theatrical canon and the larger body of American drama.
The Vagrant Trilogy: The Hour of Feeling; The Vagrant; Urge for Going
by Mona Mansour“The [Vagrant Trilogy] extends far beyond the timeline of devastating events, and instead shows us something greater: humanity.” - Broadway World The Vagrant Trilogy is a set of three plays by award-winning Arab American playwright Mona Mansour which explores the Palestinian condition prior to, during, and after the infamous Six-Day War. It sketches the devastating effect this conflict had on members of the Palestinian diaspora scattered in Europe and in Lebanese refugee camps. With productions in Washington DC, New York, and Abu Dhabi, this trilogy has moved audiences across both America and the Arabic-speaking world. The Hour of Feeling, The Vagrant, and Urge for Going offer a deep exploration of the Palestinian struggle for home and identity, a powerful glimpse into a reality that many face and few understand. The volume includes a foreword by director Mark Wing-Davey; an introduction by Arab American theatre scholars Hala Baki and Michael Malek Najjar; the three plays in their final performance versions; an interview with playwright Mona Mansour; and a critical essay by literary scholar Diya Abdo. This collection of Mansour's outstanding plays is another important contribution to the Arab American theatrical canon and the larger body of American drama.
The Valiant Black Man in Flanders / El valiente negro en Flandes: by Andrés de Claramonte (Aris & Phillips Hispanic Classics)
A play about defiance of systemic racism. Juan de Mérida, an Afro-Spanish soldier aspires to social advancement in the Netherlands during the Eighty Years' War (1566-1648). His main enemies are not Dutch rebels but his white countrymen, whom he defeats at every attempt to humiliate him. In this play one encounters military culture, upward mobility, mistaken identities, defying destiny, royal pageantry, swordfights, cross-dressing, revenge, homosexual anxiety, and inter-racial marriage. Andrés de Claramonte’s El valiente negro en Flandes (c.1625) is an Afrodiasporic play that enjoyed great success and multiple stagings in Spain and in Latin America. Its 1938 negrista performance in Havana, Cuba, and Frantz Fanon’s Black Skin, White Masks, attest to the power of this play to illuminate contemporary racial dynamics. This is the first annotated, critical edition and English translation of El valiente negro en Flandes with a comprehensive introduction, three critical essays, the critical apparatus comparing the eleven extant versions of the play, and an appendix with alternative scenes and related historical documents. A tool for scholars of early modern European literature and a pedagogical aid to discuss the early discourses on Blackness in Spain and its trans-Atlantic empire.