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Victorian Spectacular Theatre 1850-1910 (Routledge Library Editions: Victorian Theatre)
by Michael R. BoothOriginally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.
Victorian Theatrical Burlesques (Routledge Library Editions: The Victorian World)
by Richard SchochFirst published in 2003. Wildly popular in their own day, Victorian burlesques are now little read, scarcely studied, and never performed. Giving long overdue emphasis to an unjustly neglected theatrical tradition, this critical edition - the first to focus on Victorian burlesques of Victorian plays - represents a valuable scholarly tool for students and scholars of modern drama, theatre history, and nineteenth-century popular culture. Victorian Theatrical Burlesques includes a 'state-of-the-art' introduction which provides a general overview of theatrical burlesques in the Victorian era, emphasising performance history. Sustained reference is made to burlesques other than those presented in the anthology. Through its general introduction, prefaces and annotations to individual plays, checklist of burlesque plays, and bibliography, the unique volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre.
Victorian Theatrical Burlesques (Routledge Library Editions: The Victorian World)
by Richard W. SchochFirst published in 2003. Wildly popular in their own day, Victorian burlesques are now little read, scarcely studied, and never performed. Giving long overdue emphasis to an unjustly neglected theatrical tradition, this critical edition - the first to focus on Victorian burlesques of Victorian plays - represents a valuable scholarly tool for students and scholars of modern drama, theatre history, and nineteenth-century popular culture. Victorian Theatrical Burlesques includes a 'state-of-the-art' introduction which provides a general overview of theatrical burlesques in the Victorian era, emphasising performance history. Sustained reference is made to burlesques other than those presented in the anthology. Through its general introduction, prefaces and annotations to individual plays, checklist of burlesque plays, and bibliography, the unique volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre.
Victorian Theatricals (Diaries, Letters and Essays)
by Sara HudstonA captivating study of the plays, literature and writings about private and public theatrical spectacle during the Victorian AgeBy the 1890s the British theatre had transformed itself into a world where spectacles and public shows were aimed at the widest audience possible. The theatre had become big business. This anthology brings together a variety of plays and prose which sets this phenomenon in perspective and traces the development of Victorian theatricals from private home events in the late-Georgian period to full-scale Gilbert and Sullivan operettas in the 1890s. The section 'Theatrical Behaviour' looks at the world of the audience and includes extracts from Jane Austen's novel Mansfield Park; Thackeray's Vanity Fair; an anonymous playlet called Acting Proverbs; and an extract from Marie Corelli's novel Sorrows of Satan. In 'Fun and Freaks' we explore the world of popular, sensationalist entertainment through the eyes of Dickens, Thomas Hardy, Dion Boucicault and others. In the final section, 'Society', we have the scripts for four principal melodramas and serious plays of the age: The Factory Lad by John Walker; Society by T.W. Robertson; The Mikado by W.S. Gilbert and The Second Mrs Tanqueray by Arthur Wing Pinero.
Victorian Theatricals (Diaries, Letters and Essays)
by Sara HudstonA captivating study of the plays, literature and writings about private and public theatrical spectacle during the Victorian AgeBy the 1890s the British theatre had transformed itself into a world where spectacles and public shows were aimed at the widest audience possible. The theatre had become big business. This anthology brings together a variety of plays and prose which sets this phenomenon in perspective and traces the development of Victorian theatricals from private home events in the late-Georgian period to full-scale Gilbert and Sullivan operettas in the 1890s. The section 'Theatrical Behaviour' looks at the world of the audience and includes extracts from Jane Austen's novel Mansfield Park; Thackeray's Vanity Fair; an anonymous playlet called Acting Proverbs; and an extract from Marie Corelli's novel Sorrows of Satan. In 'Fun and Freaks' we explore the world of popular, sensationalist entertainment through the eyes of Dickens, Thomas Hardy, Dion Boucicault and others. In the final section, 'Society', we have the scripts for four principal melodramas and serious plays of the age: The Factory Lad by John Walker; Society by T.W. Robertson; The Mikado by W.S. Gilbert and The Second Mrs Tanqueray by Arthur Wing Pinero.
Victorian touring actresses: Crossing boundaries and negotiating the cultural landscape (Women, Theatre and Performance)
by Janice NorwoodVictorian touring actresses brings new attention to women’s experience of working in nineteenth-century theatre by focusing on a diverse group of largely forgotten ‘mid-tier’ performers, rather than the usual celebrity figures. It examines how actresses responded to changing political, economic and social circumstances and how the women were themselves agents of change. Their histories reveal dynamic patterns of activity within the theatrical industry and expose its relationship to wider Victorian culture. With an innovative organisation mimicking the stages of an actress’s life and career, the volume draws on new archival research and plentiful illustrations to examine the challenges and opportunities facing the women as they toured both within the UK and further afield in North America and Australasia. It will appeal to students and researchers in theatre and performance history, Victorian studies, gender studies and transatlantic studies.
Victorian touring actresses: Crossing boundaries and negotiating the cultural landscape (Women, Theatre and Performance)
by Janice NorwoodVictorian touring actresses brings new attention to women’s experience of working in nineteenth-century theatre by focusing on a diverse group of largely forgotten ‘mid-tier’ performers, rather than the usual celebrity figures. It examines how actresses responded to changing political, economic and social circumstances and how the women were themselves agents of change. Their histories reveal dynamic patterns of activity within the theatrical industry and expose its relationship to wider Victorian culture. With an innovative organisation mimicking the stages of an actress’s life and career, the volume draws on new archival research and plentiful illustrations to examine the challenges and opportunities facing the women as they toured both within the UK and further afield in North America and Australasia. It will appeal to students and researchers in theatre and performance history, Victorian studies, gender studies and transatlantic studies.
Victorian Vocalists
by Kurt GanzlVictorian Vocalists is a masterful and entertaining collection of 100 biographies of mid- to late-19th-century singers and stars. Kurt Gänzl paints a vivid picture of the Victorian operatic and concert world, revealing the backgrounds, journeys, successes, failures and misdemeanours of these singers. This volume is not only an outstanding reference work for anyone interested in vocalists of the era, but also a compelling, meticulously researched picture of life in the vast shark tank that was Victorian music.
Victorian Vocalists
by Kurt GanzlVictorian Vocalists is a masterful and entertaining collection of 100 biographies of mid- to late-19th-century singers and stars. Kurt Gänzl paints a vivid picture of the Victorian operatic and concert world, revealing the backgrounds, journeys, successes, failures and misdemeanours of these singers. This volume is not only an outstanding reference work for anyone interested in vocalists of the era, but also a compelling, meticulously researched picture of life in the vast shark tank that was Victorian music.
Victorian Writers and the Stage: The Plays of Dickens, Browning, Collins and Tennyson (Palgrave Studies in Nineteenth-Century Writing and Culture)
by R. PearsonThis book examines the dramatic work of Dickens, Browning, Collins, and Tennyson, their interaction with the theatrical world, and their attempts to develop their reputations as playwrights. These major Victorian writers each authored several professional plays, but why has their achievement been overlooked?
Victory Condition (Oberon Modern Plays)
by Chris Thorpe'A thousand people are taking a sip of coffee within the city limits of Johannesburg, each unaware of the other doing it, each one necessarily thinking they are the only one.An attempt to get to grips with the fact that everything happens at once. And to see if there’s anything we can do about it.'Find the connection between where you are and where I am. Open up the space between us and do something.
A View from the Bridge (Penguin Modern Classics)
by Arthur MillerEddie Carbone is a longshoreman and a straightforward man, with a strong sense of decency and of honour. For Eddie, it's a privilege to take in his wife's cousins, straight off the boat from Italy. But, as his niece begins to fall for one of them, it's clear that it's not just, as Eddie claims, that he's too strange, too sissy, too careless for her, but that something bigger, deeper is wrong, and wrong inside Eddie, in a way he can't face. Something which threatens the happiness of their whole family.
A View from the Bridge (Student Editions)
by Arthur MillerThe law is nature. The law is only a word for what has a right to happen. When the law is wrong it's because it's unnatural, but in this case it is natural and a river will drown you if you buck it now. Let her go. And bless her.Set among Italian-Americans on the Brooklyn waterfront, A View from the Bridge is the story of longshoreman Eddie Carbone. When his wife's cousins arrive as illegal immigrants from Italy, he is honoured to take them into his house. But when his niece begins to fall in love with one of them, Eddie grows increasingly suspicious, eventually precipitating his violation of the moral and cultural codes of his community and leading to the play's tragic finale. With its examination of the themes of sexuality, responsibility, betrayal and vengeance, A View from the Bridge is Miller at his best and a modern classic.This new edition includes an introduction by Julie Vatain-Corfdir that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring A View from the Bridge.
A View from the Bridge (Student Editions)
by Arthur MillerThe law is nature. The law is only a word for what has a right to happen. When the law is wrong it's because it's unnatural, but in this case it is natural and a river will drown you if you buck it now. Let her go. And bless her.Set among Italian-Americans on the Brooklyn waterfront, A View from the Bridge is the story of longshoreman Eddie Carbone. When his wife's cousins arrive as illegal immigrants from Italy, he is honoured to take them into his house. But when his niece begins to fall in love with one of them, Eddie grows increasingly suspicious, eventually precipitating his violation of the moral and cultural codes of his community and leading to the play's tragic finale. With its examination of the themes of sexuality, responsibility, betrayal and vengeance, A View from the Bridge is Miller at his best and a modern classic.This new edition includes an introduction by Julie Vatain-Corfdir that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring A View from the Bridge.
A View from the Bridge
by Arthur Miller Steve MarinoThis Student Edition of A View from the Bridge is perfect for students of literature and drama and offers an unrivalled guide to Miller's play. It features an extensive introduction by Steve Marino which includes: a chronology of Miller's life and times; a summary of the plot and commentary on the characters, themes, language, context and production history of the play. Together with over twenty questions for further study and detailed notes on words and phrases from the text, this is the definitive edition of the play. Set among Italian-Americans on the Brooklyn waterfront, A View from the Bridge is the story of longshoreman Eddie Carbone. When his wife's cousins arrive as illegal immigrants from Italy, he is honoured to take them into his house. But when his niece begins to fall in love with one of them Eddie grows increasingly suspicious, eventually precipitating his violation of the moral and cultural codes of his community and leading to the play's tragic finale. With its examination of the themes of sexuality, responsibility, betrayal and vengeance, the play is vintage Miller and a modern classic.
A View from the Bridge (York Notes)
by Arthur Miller Steve MarinoThis Student Edition of A View from the Bridge is perfect for students of literature and drama and offers an unrivalled guide to Miller's play. It features an extensive introduction by Steve Marino which includes: a chronology of Miller's life and times; a summary of the plot and commentary on the characters, themes, language, context and production history of the play. Together with over twenty questions for further study and detailed notes on words and phrases from the text, this is the definitive edition of the play. Set among Italian-Americans on the Brooklyn waterfront, A View from the Bridge is the story of longshoreman Eddie Carbone. When his wife's cousins arrive as illegal immigrants from Italy, he is honoured to take them into his house. But when his niece begins to fall in love with one of them Eddie grows increasingly suspicious, eventually precipitating his violation of the moral and cultural codes of his community and leading to the play's tragic finale. With its examination of the themes of sexuality, responsibility, betrayal and vengeance, the play is vintage Miller and a modern classic.
A View From The Bridge (PDF)
by Arthur Miller Stephen A. MarinoA modern classic examining themes of sexuality, responsibility, betrayal and vengeance.
Viktor Simov: Stanislavsky’s Designer
by Paul Fryer Anastasia TorosViktor Simov is the first English-language biography of Konstantin Stanislavsky’s principal scenic designer at the Moscow Art Theatre from the company’s formation in 1898. His ground-breaking work included the designs for the premieres of Anton Chekhov’s major stage plays, and his approach to theatre design still influences contemporary scenography. Translated from the original Russian text written by author, editor, and literary critic Yuri Ivanovich Nekhoroshev, the book provides a revealing insight into the staging and technical practices of one of the world’s most influential theatre companies. Supported by 60 illustrations representing the full range of Simov’s designs, this volume provides a historical account of Simov’s career and a vivid description and critical assessment of his work. The book traces the artist’s development from his early years as a painter to his later experiments in early silent film design, including his work for the classic Russian science fiction film Aelita, Queen of Mars (1924). Written for theatre scholars and students of Scenic Design and Drama courses, Viktor Simov: Stanislavsky’s designer re-establishes Simov as one of the most influential theatre designers of the 20th century.
Viktor Simov: Stanislavsky’s Designer
by Paul Fryer Anastasia TorosViktor Simov is the first English-language biography of Konstantin Stanislavsky’s principal scenic designer at the Moscow Art Theatre from the company’s formation in 1898. His ground-breaking work included the designs for the premieres of Anton Chekhov’s major stage plays, and his approach to theatre design still influences contemporary scenography. Translated from the original Russian text written by author, editor, and literary critic Yuri Ivanovich Nekhoroshev, the book provides a revealing insight into the staging and technical practices of one of the world’s most influential theatre companies. Supported by 60 illustrations representing the full range of Simov’s designs, this volume provides a historical account of Simov’s career and a vivid description and critical assessment of his work. The book traces the artist’s development from his early years as a painter to his later experiments in early silent film design, including his work for the classic Russian science fiction film Aelita, Queen of Mars (1924). Written for theatre scholars and students of Scenic Design and Drama courses, Viktor Simov: Stanislavsky’s designer re-establishes Simov as one of the most influential theatre designers of the 20th century.
The Village
by April de AngelisVillage life for Jyoti is simple: the people work hard, sing and live off the earth. She would rather devour a delicious meal than think about a suitable partner. But when the Inspector and his men arrive in town, things begin to sour. The Inspector's reign of terror sees him commit unspeakable acts against the village with young Jyoti in his sights, pushing everyone to breaking point.De Vega's Fuenteovejuna is transported to contemporary India and set against a backdrop of political unrest in this adaptation by April De Angelis.The Village premiered at Theatre Royal Stratford East, London, in September 2018.
The Village Bike
by Penelope SkinnerIsn't she gorgeous? Hardly been ridden. She's been in the garage just gathering dust.Becky's pregnant and frustrated. But her husband is more interested in the baby manual than her new underwear, so she turns to the porn stash under the bed. As the summer heats up, a brief encounter sends her speeding downhill towards reckless abandon.A provocative and darkly comic look at fantasy and romance, The Village Bike by Penelope Skinner premiered at the Royal Court Theatre, London, in June 2011.Penelope Skinner won the George Devine Award for Most Promising Playwright 2011.
Village Idiot (Modern Plays)
by Samson HawkinsIf I were an animal there would be legislation to protect my home, but because I'm just a bloody human they can do whatever the f**k they like.Welcome to the village of Syresham; it's not quite the Cotswolds. Townies have decided they want a lie in, so they're building a new high-speed railway. Issue is, it's going right through Barbara Honeybone's house, and she 'ent having none of it. Barbara's grandson Peter works for the townies and it's his job to convince the village that having a two-tonne bullet hurtling through their cabbage patches will actually be for the best. Then there's Harry, Barbara's younger grandson, he 'ent that bothered about trains, he's only got eyes for Debbie Mahoney. But the only thing Barbara hates more than townies is the Mahoneys.Originally commissioned by Nottingham Playhouse, Village Idiot by Samson Hawkins is an audacious comedy, where family feuds kick off around a country fair that all you townies are invited to.This edition was published to coincide with the world premiere of the Theatre Royal Stratford East, Nottingham Playhouse and Ramps On The Moon co-production in March 2023.
Village Idiot (Modern Plays)
by Samson HawkinsIf I were an animal there would be legislation to protect my home, but because I'm just a bloody human they can do whatever the f**k they like.Welcome to the village of Syresham; it's not quite the Cotswolds. Townies have decided they want a lie in, so they're building a new high-speed railway. Issue is, it's going right through Barbara Honeybone's house, and she 'ent having none of it. Barbara's grandson Peter works for the townies and it's his job to convince the village that having a two-tonne bullet hurtling through their cabbage patches will actually be for the best. Then there's Harry, Barbara's younger grandson, he 'ent that bothered about trains, he's only got eyes for Debbie Mahoney. But the only thing Barbara hates more than townies is the Mahoneys.Originally commissioned by Nottingham Playhouse, Village Idiot by Samson Hawkins is an audacious comedy, where family feuds kick off around a country fair that all you townies are invited to.This edition was published to coincide with the world premiere of the Theatre Royal Stratford East, Nottingham Playhouse and Ramps On The Moon co-production in March 2023.
Villain (Modern Plays)
by Martin MurphyI remember the first time I met her. By her you know who I mean Tired of her highly paid sales job, Rachel makes a move into social work only to find herself involved in a controversial case bringing her into the media's unforgiving gaze. Villain tells the story of a woman who wants to make a difference, a tragedy of trying to help innocent victims but ending up looking like the villain.Villain premiered at the Edinburgh Fringe Festival 2016 to critical acclaim. This edition was published to coincide with the first revival at the King's Head Theatre, London, in February 2017.
Villain (Modern Plays)
by Martin MurphyI remember the first time I met her. By her you know who I mean Tired of her highly paid sales job, Rachel makes a move into social work only to find herself involved in a controversial case bringing her into the media's unforgiving gaze. Villain tells the story of a woman who wants to make a difference, a tragedy of trying to help innocent victims but ending up looking like the villain.Villain premiered at the Edinburgh Fringe Festival 2016 to critical acclaim. This edition was published to coincide with the first revival at the King's Head Theatre, London, in February 2017.