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Villain (Modern Plays)
by Martin MurphyI remember the first time I met her. By her you know who I mean Tired of her highly paid sales job, Rachel makes a move into social work only to find herself involved in a controversial case bringing her into the media's unforgiving gaze. Villain tells the story of a woman who wants to make a difference, a tragedy of trying to help innocent victims but ending up looking like the villain.Villain premiered at the Edinburgh Fringe Festival 2016 to critical acclaim. This edition was published to coincide with the first revival at the King's Head Theatre, London, in February 2017.
Villette (Oberon Modern Plays)
by Charlotte Brontë Lisa Evans, Charlotte BrontëA new life beckons for Lucy Snowe. Leaving England and her past behind, she arrives in the French town of Villette, equipped only with a sharp tongue, a lively imagination and an independent spirit. She soon finds work as a teacher, coping with a fierce headmistress and a classroom of unruly coquettish schoolgirls. But Villette has even greater challenges in store. Lisa Evan's fast moving adaptation of Charlotte Bronte's sensational, gothic tale features fire, storms, ghosts, unrequited love and an intimate portrait of a bold and inspirational heroine. Production opened at SJT in October 2005.
Villette (Oberon Modern Plays)
by Charlotte Brontë Linda Marshall-Griffiths‘The sky is the first thing, I haven’t… I haven’t ever seen the sea, it isn’t the colour I… The boat dips and…’ Lucy Snowe, a clone – one of three, survivor of a deadly pandemic sets out on a journey in search of a future. She travels to an archaeological dig, a hill of bones, a project looking for the elusive Lady of Villette.p> But the hill slides, haunted by the past Lucy begins a faltering journey back to living and the possibility of desire. ‘To say it, I never said it out-loud, That love… Could be possible.’ On the 200th anniversary of Charlotte Brontë’s birth, West Yorkshire Playhouse celebrates her unique genius with a daring new adaptation by Linda Marshall-Griffiths.
Vinaver Plays: High Places; The Neighbours; Portrait of a Woman; The Television Programme (Contemporary Dramatists)
by Michel VinaverThe second collection of plays by one of France's most prominent playwrightsHigh Places: "A drama which, from second to second, maintains the spectator in suspense, and which, by the same stroke, achieves the dimension of pure, great metaphysical theatre." (Le Monde); The Neighbours " bizarre contemporary vaudeville, biting, disturbing, very subtle and wildly funny" (Le Figaro); Portrait of a Woman: "An intriguing challenging piece." (Financial Times); The Television Programme: "The piece is beautifully plotted and written from the heart." (Independent on Sunday)The translators are Gideon Y. Schein (High Places); Paul Antal (The Neighbours); Donald Watson (Portrait of a Woman); David and Hannah Bradby (The Television Programme)
Vinaver Plays: Overboard; Situation Vacant; Dissident; Goes Without Saying; Nina; That's Something Else; A Smile on (Contemporary Dramatists)
by Michel Vinaver David BradbyThe first collection of plays by one of France's most prominent playwrightsOverboard: "Combines Shakespearian tragedy, Aristophanic farce and a Chekhovian drama of lives consumed and memories that fade." Le Progrès, Situation Vacant: "The play builds to a climax which powerfully captures a mind under siege, bombarded by a cacophony of voices and tormented by guilt." (Independent); Dissident, Goes Without Saying and Nina, That's Something Else: "These two plays bring to a summit the art of suggestions...Two fables in which prosaic everyday life is captured, at times fraught with pathos, often compassionate." (L'Humanité ); A Smile on the End of the Line: "A six-part invention which interweaves half a dozen plot lines to bring life and speed into the manufacturing sector." (Daily Telegraph)
Vinaver Plays: High Places; The Neighbours; Portrait of a Woman; The Television Programme (Contemporary Dramatists)
by Michel Vinaver David BradbyThe second collection of plays by one of France's most prominent playwrightsHigh Places: "A drama which, from second to second, maintains the spectator in suspense, and which, by the same stroke, achieves the dimension of pure, great metaphysical theatre." (Le Monde); The Neighbours " bizarre contemporary vaudeville, biting, disturbing, very subtle and wildly funny" (Le Figaro); Portrait of a Woman: "An intriguing challenging piece." (Financial Times); The Television Programme: "The piece is beautifully plotted and written from the heart." (Independent on Sunday)The translators are Gideon Y. Schein (High Places); Paul Antal (The Neighbours); Donald Watson (Portrait of a Woman); David and Hannah Bradby (The Television Programme)
Vinaver Plays: Overboard; Situation Vacant; Dissident; Goes Without Saying; Nina; That's Something Else; A Smile on (Contemporary Dramatists)
by Michel Vinaver David BradbyThe first collection of plays by one of France's most prominent playwrightsOverboard: "Combines Shakespearian tragedy, Aristophanic farce and a Chekhovian drama of lives consumed and memories that fade." Le Progrès, Situation Vacant: "The play builds to a climax which powerfully captures a mind under siege, bombarded by a cacophony of voices and tormented by guilt." (Independent); Dissident, Goes Without Saying and Nina, That's Something Else: "These two plays bring to a summit the art of suggestions...Two fables in which prosaic everyday life is captured, at times fraught with pathos, often compassionate." (L'Humanité ); A Smile on the End of the Line: "A six-part invention which interweaves half a dozen plot lines to bring life and speed into the manufacturing sector." (Daily Telegraph)
Vincent River (Modern Plays)
by Philip RidleyDavey has seen something he can't forget. Anita has been forced to flee her home. These two have never met. Tonight their paths cross with devastating consequences. Thrilling, heartbreaking and darkly humorous by turns, Vincent River explores the classic Ridley themes of loss, sexual identity, the family as a destructive force, East London and the redemptive power of storytelling. Vincent River premiered at Hampstead Theatre on 6 September 2000. It received its West End premiere at the Trafalgar Studios on 30 October 2007.
Vincent River: Vincent River; Mercury Fur; Leaves Of Glass; Piranha Heights (Modern Plays)
by Philip RidleyDavey has seen something he can't forget. Anita has been forced to flee her home. These two have never met. Tonight their paths cross with devastating consequences. Thrilling, heartbreaking and darkly humorous by turns, Vincent River explores the classic Ridley themes of loss, sexual identity, the family as a destructive force, East London and the redemptive power of storytelling. Vincent River premiered at Hampstead Theatre on 6 September 2000. It received its West End premiere at the Trafalgar Studios on 30 October 2007.
Vinegar Girl: The Taming of the Shrew Retold (Hogarth Shakespeare) (Hogarth Shakespeare #3)
by Anne TylerThe hilarious new novel from the bestselling author of A Spool of Blue Thread'A thoroughly modern love story' Guardian, Books of the YearKate Battista is stuck. How did she end up running house and home for her eccentric scientist father and infuriating younger sister Bunny? Dr Battista has other problems. His brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, his new scientific breakthrough will fall through…When Dr Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he’s relying – as usual – on Kate to help him. Will Kate be able to resist the two men’s touchingly ludicrous campaign to win her round?Anne Tyler’s brilliant retelling of The Taming of the Shrew asks whether a thoroughly modern woman like Kate would ever sacrifice herself for a man. The answer is as surprising as Kate herself.
Violence Against Women in Early Modern Performance: Invisible Acts
by Kim SolgaExamining some of the most iconic texts in English theatre history, including Titus Andronicus and The Changeling, this book, now in paperback with a new Preface, reveals the pernicious erasure of rape and violence against women in the early modern era and the politics and ethics of rehearsing these negotiations on the 20th and 21st century stages.
Violence and Son (Oberon Modern Plays)
by Gary Owen‘People know, you’re my boy. And they know better than to lay a fucking finger on you. See? You are safer here with me, than you have ever been.’ Liam’s 17 years old, loves Doctor Who and has lost is mum. He has had to move from up North to Wales, to the Valleys, to the middle of nowhere, to live with a dad he doesn’t know. Whose nickname isn’t Violence for nothing. Gary Owen’s intimate new play is about what parents pass on and trying to do the right thing.
The Violent Hero: Heracles in the Greek Imagination
by Katherine Lu HsuThis book uses the mythological hero Heracles as a lens for investigating the nature of heroic violence in archaic and classical Greek literature, from Homer through to Aristophanes. Heracles was famous for his great victories as much as for his notorious failures. Driving each of these acts is his heroic violence, an ambivalent force that can offer communal protection as well as cause grievous harm.Drawing on evidence from epic, lyric poetry, tragedy, and comedy, this work illuminates the strategies used to justify, constrain, and deflate the threatening aspects of violence. The mixed results of these strategies also demonstrate how the figure of Heracles inherently – and stubbornly – resists reform. The diverse character of Heracles' violent acts reveals an enduring tension in understanding violence: is violence a negative individual trait, that is to say, the manifestation of an internal state of hostility? Or is it one specific means to a preconceived end, rather like an instrument whose employment may or may not be justified? Katherine Lu Hsu explores these evolving attitudes towards individual violence in the ancient Greek world while also shedding light on timeless debates about the nature of violence itself.
The Violent Hero: Heracles in the Greek Imagination
by Katherine Lu HsuThis book uses the mythological hero Heracles as a lens for investigating the nature of heroic violence in archaic and classical Greek literature, from Homer through to Aristophanes. Heracles was famous for his great victories as much as for his notorious failures. Driving each of these acts is his heroic violence, an ambivalent force that can offer communal protection as well as cause grievous harm.Drawing on evidence from epic, lyric poetry, tragedy, and comedy, this work illuminates the strategies used to justify, constrain, and deflate the threatening aspects of violence. The mixed results of these strategies also demonstrate how the figure of Heracles inherently – and stubbornly – resists reform. The diverse character of Heracles' violent acts reveals an enduring tension in understanding violence: is violence a negative individual trait, that is to say, the manifestation of an internal state of hostility? Or is it one specific means to a preconceived end, rather like an instrument whose employment may or may not be justified? Katherine Lu Hsu explores these evolving attitudes towards individual violence in the ancient Greek world while also shedding light on timeless debates about the nature of violence itself.
Violent Women in Contemporary Theatres
by Nancy Taylor PorterThis book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence -- not how it's been sensationalized or demonized or sexualized, but how it is -- and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.
Violent Women in Contemporary Theatres: Staging Resistance (PDF)
by Nancy Taylor PorterThis book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence — not how it's been sensationalized or demonized or sexualized, but how it is — and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.
Violet (Oberon Modern Plays)
by Bebe SandersViolet is starting to forget, but she's got a long life to remember before she does. There are rights to wrong and ends to tie up; a life well lived is never neat. Generations younger, Bertie is at the beginning with no idea what lies ahead. She's looking for something to point her in the right direction.From new playwright Bebe Sanders and award-winning company Poor Michelle, VIOLET is a new play about human connection and inter-generational friendships. It quietly explores themes of mental health, dementia, and loneliness without forgetting the often funny and absurd moments of ordinary life.
The VIP (Oberon Modern Playwrights)
by Roy SmilesIn The VIP, Welsh film and theatre icon Richard Burton is trapped at a fog-bound Heathrow Airport in 1968 shortly after finishing filming Where Eagles Dare. He is haunted by visions of his wives Sybil and Elizabeth Taylor; his drinking companions Dylan Thomas and Peter O’Toole and his miner father. Has Burton sacrificed his considerable talent for the tarnished glory of fame, fortune and love?
Viral Dramaturgies: Hiv And Aids In Performance In The Twenty-first Century
by Alyson Campbell Dirk GindtHiv And Aids In Performance In The Twenty-first Century
Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century
by Alyson Campbell Dirk GindtThis book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV; the tension between a damaging cultural amnesia and a potentially equally damaging partner ‘AIDS nostalgia’; the criminalisation of HIV non-disclosure; and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV.This collection presents work from a vast range of contexts, grouped around four main areas: women’s voices and experiences; generations, memories and temporalities; inter/national narratives; and artistic and personal reflections and interventions.
Virtual Theatres: An Introduction
by Gabriella GiannachiThe first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything - even the viewer - can be simulated. In this fascinating volume, Gabriella Giannachi analyzes the aesthetic concerns of current computer-arts practices through discussion of a variety of artists and performers including: * blast Theory* Merce Cunningham* Eduardo Kac* forced entertainment* Lynn Hershman* Jodi Orlan* Guillermo Gómez-Peña* Marcel-lí Antúnez Roca* Jeffrey Shaw* Stelarc. Virtual Theatres not only allows for a reinterpretation of what is possible in the world of performance practice, but also demonstrates how 'virtuality' has come to represent a major parameter for our understanding and experience of contemporary art and life.
Virtual Theatres: An Introduction
by Gabriella GiannachiThe first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything - even the viewer - can be simulated. In this fascinating volume, Gabriella Giannachi analyzes the aesthetic concerns of current computer-arts practices through discussion of a variety of artists and performers including: * blast Theory* Merce Cunningham* Eduardo Kac* forced entertainment* Lynn Hershman* Jodi Orlan* Guillermo Gómez-Peña* Marcel-lí Antúnez Roca* Jeffrey Shaw* Stelarc. Virtual Theatres not only allows for a reinterpretation of what is possible in the world of performance practice, but also demonstrates how 'virtuality' has come to represent a major parameter for our understanding and experience of contemporary art and life.
Vision 2020
by Ervin LaszloThis revised edition of the classic text of the period provides both the student and the specialist with an informative account of post-Roman English society.
Vision 2020: Reordering Chaos For Global Survival
by Ervin LaszloThis revised edition of the classic text of the period provides both the student and the specialist with an informative account of post-Roman English society.
Vision and Audience in Medieval Drama: A Study of The Castle of Perseverance (The New Middle Ages)
by Andrea Louise YoungThe earliest complete morality play in English, The Castle of Perseverance depicts the culture of medieval East Anglia, a region once known for its production of artistic objects. Discussing the spectator experience of this famed play, Young argues that vision is the organizing principle that informs this play's staging, structure, and narrative.