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Ying Tong (Play House Ser.)
by Roy SmilesUnder pressure to write The Goon Show to end all Goon shows, Spike Milligan is planning his escape from a mental institution dressed in only his pyjamas.After applying to the British Museum to get his marbles back, he starts to lose his grip on reality and threatens to kill all the Goons. Will his partners in Goon - Harry Secombe and Peter Sellers - be able to stop him?Ying Tong is an hilarious and touching insight into the mind comic genius Spike Milligan who was an inspiration for comedians from Monty Python to The League of Gentlemen and loved by many including Eddie Izzard and Robin Williams.
York Notes for AS and A2: Hamlet (PDF)
by Jeff WoodTHE ULTIMATE GUIDES TO EXAM SUCCESS from York Notes - the UK's favourite English Literature Study Guides. York Notes for AS & A2 are specifically designed for AS & A2 students to help you get the very best grade you can. They are comprehensive, easy to use, packed with valuable features and written by experienced experts to give you an in-depth understanding of the text, critical approaches and the all-important exam. * An enhanced exam skills section which includes essay plans, expert guidance on understanding questions and sample answers. You'll know exactly what you need to do and say to get the best grades. * A wealth of useful content like key quotations, revision tasks and vital study tips that'll help you revise, remember and recall all the most important information. * The widest coverage and the best, most in-depth analysis of characters, themes, language, form, context and style to help you demonstrate an exhaustive understanding of all aspects of the text
York Realist, The: Cardiff East, Certain Young Men, The York Realist, Original Sin
by Peter GillEarly 1960s, Yorkshire. Farm labourer George is cast in an amateur staging of the York Mystery Plays. His world is shaken when he falls for metropolitan assistant director John and the two men embark on a clandestine affair.Peter Gill's influential play is not only a finely drawn love story; it is also a touching reflection on the rival forces of family, class, and the origins and ownership of art.The York Realist was premiered by the English Touring Theatre at The Lowry, Salford Quays in November 2001; it moved to the Bristol Old Vic that same year and, in 2002, to the Royal Court Theatre, London. The play was revived by the Donmar Warehouse, London, in February 2018.Winner of the London Critics' Circle Award for Best New Play.'As a love story, The York Realist is riveting and heart-rendering... Gill is always terrifically perceptive about male tenderness. The personal and political are subtly united in a study of English masculinity, class and culture. Such outstanding work.' Independent on Sunday'Sensationally fine and poignant.' Evening Standard'It has the Lawrentian qualities of emotional intelligence, raw honesty and fascination with the intersection of class and sex... It is about the way the English, however hard they try, can never finally escape their origins. But, far from being emotionally conservative, it is adventurous, witty and fresh... The play comes like a rare blast of reality.' Guardian
A Yorkshire Tragedy
by ShakespeareThe plot of the play is based on the biographical account of Walter Calverley of Calverley Hall, Yorkshire, who was executed on 5 August 1605 for murdering two of his children and stabbing his wife. <P> <P> The crimes were a well-known scandal of the day; a pamphlet on the case was issued in June 1605, with a ballad following in July. The chronicler John Stow reported the case in his Annals.[1][2] The murders were also dramatised in a play titled The Miseries of Enforced Marriage (1607), by George Wilkins. Scholars have disagreed on the relationship between Wilkins's play and A Yorkshire Tragedy; some of have seen one play as a source for the other, or even the work of the same author, while others regard the two dramas as essentially separate works.[3]
Yoruba Oral Tradition in Islamic Nigeria: A History of Dàdàkúàdá (Global Africa)
by Abdul-Rasheed Na'AllahThis book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
Yoruba Oral Tradition in Islamic Nigeria: A History of Dàdàkúàdá (Global Africa)
by Abdul-Rasheed Na'AllahThis book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
Yorùbá Performance, Theatre and Politics: Staging Resistance
by Glenn OdomThis book explains the connections between traditional performance (e.g. masked dances, prophecy, praise recitations), contemporary theatre (Wole Soyinka, Ola Rotimi, Tess Onwueme, Femi Osofisan, and Stella Oyedepo) , and the political sphere in the context of the Yorùbá people in Nigeria.
‘You’ and ‘Thou’ in Shakespeare: A Practical Guide for Actors, Directors, Students and Teachers (Arden Performance Companions)
by Penelope FreedmanRomeo and Juliet always use 'thou' to each other, but they are the only pair of lovers in Shakespeare to do this. Why? All the women in Richard III address Richard as 'thou', but no man ever does. Why? When characters address the dead, they use 'thou' – except for Hamlet, who addresses Yorick as 'you'. Why? Shakespeare's contemporaries would have known the answers to these questions because they understood what 'thou' signified, but modern actors and audiences are in the dark. Through performance-oriented analysis of extracts from the plays, this book explores the language of 'trulls' and termagants, true loves and unwelcome wooers, male impersonators, smothering mothers, warring spouses and fighting men, as well as investigating lèse-majesté, Freudian slips, crisis moments and rhetorical flourishes. Drawing on work with RSC actors, as well as the author's experience of playing a range of Shakespearean roles, the book equips the reader with a new tool for tracking emotions, weighing power relations and appreciating dazzling complexity.
‘You’ and ‘Thou’ in Shakespeare: A Practical Guide for Actors, Directors, Students and Teachers (Arden Performance Companions)
by Penelope FreedmanRomeo and Juliet always use 'thou' to each other, but they are the only pair of lovers in Shakespeare to do this. Why? All the women in Richard III address Richard as 'thou', but no man ever does. Why? When characters address the dead, they use 'thou' – except for Hamlet, who addresses Yorick as 'you'. Why? Shakespeare's contemporaries would have known the answers to these questions because they understood what 'thou' signified, but modern actors and audiences are in the dark. Through performance-oriented analysis of extracts from the plays, this book explores the language of 'trulls' and termagants, true loves and unwelcome wooers, male impersonators, smothering mothers, warring spouses and fighting men, as well as investigating lèse-majesté, Freudian slips, crisis moments and rhetorical flourishes. Drawing on work with RSC actors, as well as the author's experience of playing a range of Shakespearean roles, the book equips the reader with a new tool for tracking emotions, weighing power relations and appreciating dazzling complexity.
YOU ARE GOING TO DIE and THIS IS NOT CULTURALLY SIGNIFICANT (Modern Plays)
by Adam Scott-RowleyExistential Figure silently screams. Everything is wiped clean.The fabric of reality starts to fall apart.Grieving Figure finds themself on a hillside.Eyes staring back from the darkness.A dual edition of actor, writer and theatre practitioner Adam Scott-Rowley's most impactful works to date.Performed entirely naked, YOU ARE GOING TO DIE is a nail-biting descent into existential anxiety as humanity stares down the proverbial toilet. A surreal meditation on annihilation that rests on the knife edge between physical theatre and performance art. Ideograms and archetypal forms offer a shared purge illuminating the darkest corners of the human psyche while revealing compassion and humour in the most unlikely of places.THIS IS NOT CULTURALLY SIGNIFICANT is a brutally intense and darkly comic piece that unveils the bizarre, compulsive and eccentric nature of humanity. Thunderous and fiercely grotesque, this piece utilises Adam Scott-Rowley's practice of The Sensitised Theatre to create a sharp political comment on contemporary society.This edition was published to coincide with YOU ARE GOING TO DIE playing at Southwark Playhouse, London, in April 2024 produced by The Production Exchange.
YOU ARE GOING TO DIE and THIS IS NOT CULTURALLY SIGNIFICANT (Modern Plays)
by Adam Scott-RowleyExistential Figure silently screams. Everything is wiped clean.The fabric of reality starts to fall apart.Grieving Figure finds themself on a hillside.Eyes staring back from the darkness.A dual edition of actor, writer and theatre practitioner Adam Scott-Rowley's most impactful works to date.Performed entirely naked, YOU ARE GOING TO DIE is a nail-biting descent into existential anxiety as humanity stares down the proverbial toilet. A surreal meditation on annihilation that rests on the knife edge between physical theatre and performance art. Ideograms and archetypal forms offer a shared purge illuminating the darkest corners of the human psyche while revealing compassion and humour in the most unlikely of places.THIS IS NOT CULTURALLY SIGNIFICANT is a brutally intense and darkly comic piece that unveils the bizarre, compulsive and eccentric nature of humanity. Thunderous and fiercely grotesque, this piece utilises Adam Scott-Rowley's practice of The Sensitised Theatre to create a sharp political comment on contemporary society.This edition was published to coincide with YOU ARE GOING TO DIE playing at Southwark Playhouse, London, in April 2024 produced by The Production Exchange.
You Can Still Make A Killing (Modern Plays)
by Nicholas PierpanHe wants me to fuck about with paper clips in some office with a smile on my face, fuck him . . . but there's just one thing I've got to take care of first. I've got to do something to make this right.Four years on from the collapse of the Lehman Brothers and still we find ourselves in crisis. It's time to work out what's wrong. It's time to look at the heart of the system.You Can Still Make A Killing is the story of the normal men and women who fill the City's institutions, of a world radically altered when right became wrong, and of the private worlds that fall apart when there are no alternatives in sight. This production reunites director Matthew Dunster with playwright Nicholas Pierpan, following their collaboration in 2010 on Pierpan's play The Maddening Rain (Old Red Lion and Soho Theatre). The cast includes Alecky Blythe (writer of London Road), which marks her much-anticipated return to acting, and Kellie Bright (Love and Money, Royal Exchange and Young Vic). It will run at the Southwark Playhouse in its main house (which holds 150 seats) from 10 October until 3 November 2012. A German production will open at Theatre Ulm in April, 2013.
You Can Still Make A Killing (Modern Plays)
by Nicholas PierpanHe wants me to fuck about with paper clips in some office with a smile on my face, fuck him . . . but there's just one thing I've got to take care of first. I've got to do something to make this right.Four years on from the collapse of the Lehman Brothers and still we find ourselves in crisis. It's time to work out what's wrong. It's time to look at the heart of the system.You Can Still Make A Killing is the story of the normal men and women who fill the City's institutions, of a world radically altered when right became wrong, and of the private worlds that fall apart when there are no alternatives in sight. This production reunites director Matthew Dunster with playwright Nicholas Pierpan, following their collaboration in 2010 on Pierpan's play The Maddening Rain (Old Red Lion and Soho Theatre). The cast includes Alecky Blythe (writer of London Road), which marks her much-anticipated return to acting, and Kellie Bright (Love and Money, Royal Exchange and Young Vic). It will run at the Southwark Playhouse in its main house (which holds 150 seats) from 10 October until 3 November 2012. A German production will open at Theatre Ulm in April, 2013.
You For Me For You (Modern Plays)
by Mia ChungTrees don't have ears.How are you so sure?As they attempt to flee the Best Nation in the World, North Korean sisters Minhee and Junhee are torn apart at the border. Each must race across time and space to be together again – navigating the perilous Land of the Free and the treacherous terrain of personal belief.Food has learned to sprint. Money is so fast it doesn't wait to be printed. Gossip travels swifter than germs.You For Me For You was first presented in the US at Woolly Mammoth Theatre, Washington D.C., in Autumn 2012 and received its UK premiere at London's Royal Court in the Jerwood Theatre Upstairs on 3 December 2015.
You For Me For You (Modern Plays)
by Mia ChungTrees don't have ears.How are you so sure?As they attempt to flee the Best Nation in the World, North Korean sisters Minhee and Junhee are torn apart at the border. Each must race across time and space to be together again – navigating the perilous Land of the Free and the treacherous terrain of personal belief.Food has learned to sprint. Money is so fast it doesn't wait to be printed. Gossip travels swifter than germs.You For Me For You was first presented in the US at Woolly Mammoth Theatre, Washington D.C., in Autumn 2012 and received its UK premiere at London's Royal Court in the Jerwood Theatre Upstairs on 3 December 2015.
You Wouldnt Want To Be Married To Henry Viii!
by Fiona Macdonald David AntramDivorced, beheaded, and died. Divorced, beheaded, survived! Uncover the secret lives of Henry VIII's ill-fated wives and what life was like as a Tudor queen. Henry VIII has asked for your hand in marriage, but marrying the King was no easy option. Henry VIII was a powerful, ruthless leader, with a track history of beheadings, adultery and scandal. Set against the turbulent backdrop of the Tudor court, this book explores Henry and his many wives - what went right, what went wrong, and what ultimately became of them all. With information on the church's break with Rome and the roles of key figures, such as Wolsey and Cranmer, this treacherous guide is the perfect curriculum companion to the Tudor period. The ever-popular You Wouldn't Want to Be series transports readers to the grisliest times and places in history, perfect for reluctant readers. The first-person narrative approach puts children in the shoes of some of the most unfortunate people ever to have lived.
You'll Have Had Your Hole (Modern Plays)
by Irvine WelshA play from the author of TrainspottingWithin the sound-proofed walls of a disused recording studio, a score is being settled. Two inner city low-lifes take the law into their own hands to satisfy their craving for fun, fear and a freakish sense of justice. "You'll Have Had Your Hole" premièred at the West Yorkshire Playhouse and toured internationally - although it was banned in Belgium.
You'll Have Had Your Hole (Modern Plays)
by Irvine WelshA play from the author of TrainspottingWithin the sound-proofed walls of a disused recording studio, a score is being settled. Two inner city low-lifes take the law into their own hands to satisfy their craving for fun, fear and a freakish sense of justice. "You'll Have Had Your Hole" premièred at the West Yorkshire Playhouse and toured internationally - although it was banned in Belgium.
Young At Art: Classroom Playbuilding In Practice (PDF)
by Christine Hatton Sarah LovesyYoung at Artis a practical guide to playbuilding for teachers working with students at an upper primary and secondary level. Focusing on an area often neglected in traditional drama text books, the book covers the process of devising drama, and the teacher's role in facilitating students to collectively become playwrights, actors, designers, directors and critics of their ensemble work. The playbuilding process is covered in a structured manner, which includes: Mapping the Territory: identifying critical issues relating to teaching and learning in playbuilding, and laying the basic foundations of understandings and practice. Levels at Work: offering three approaches to playbuilding, catering for a range of learning experiences. Playbuilding for All: explores theatre practitioners' techniques, working with students' personal stories and narratives and playbuilding with a contemporary edge. An essential guide for all drama teachers Young at Artcovers practical teaching issues and strategies for working with groups of students to help them perform their playbuilt stories to an audience, as well as techniques for student assessment and evaluation, providing a wealth of exemplary starting points and approaches. The book offers detailed guidance on working with students to help facilitate the collaborative creative and reflective processes, offering practical ideas and structures which can be easily implemented in the classroom.
Young at Art: Classroom Playbuilding in Practice
by Christine Hatton Sarah LovesyYoung at Art is a practical guide to playbuilding for teachers working with students at an upper primary and secondary level. Focusing on an area often neglected in traditional drama text books, the book covers the process of devising drama, and the teacher’s role in facilitating students to collectively become playwrights, actors, designers, directors and critics of their ensemble work. The playbuilding process is covered in a structured manner, which includes: Mapping the Territory: identifying critical issues relating to teaching and learning in playbuilding, and laying the basic foundations of understandings and practice. Levels at Work: offering three approaches to playbuilding, catering for a range of learning experiences. Playbuilding for All: explores theatre practitioners’ techniques, working with students’ personal stories and narratives and playbuilding with a contemporary edge. An essential guide for all drama teachers Young at Art covers practical teaching issues and strategies for working with groups of students to help them perform their playbuilt stories to an audience, as well as techniques for student assessment and evaluation, providing a wealth of exemplary starting points and approaches. The book offers detailed guidance on working with students to help facilitate the collaborative creative and reflective processes, offering practical ideas and structures which can be easily implemented in the classroom.
Young Chekhov: Platonov; Ivanov; The Seagull (Faber Drama Ser.)
by Anton ChekhovYoung Chekhov contains a trilogy of plays by the Russian writer Anton Chekhov, written as he emerged as the greatest playwright of the late nineteenth century. The three works, Platanov, Ivanov and The Seagull, in contemporary adaptations by David Hare, will be staged at the Chichester Festival Theatre in the summer of 2015.
A Young Man's Passage
by Julian ClaryThis is Julian Clary's story, in his own words - the tale of an awkward schoolboy who became a huge worldwide success on stage and screen.After a sheltered suburban upbringing, Julian was sent to St Benedict's, where beatings from 'holy' men gave him some brutal life lessons, and other 'unholy' boys his first awakenings of sexuality. He had just one true friend and ally, Nick - to his other school peers, Julian's aloof demeanour made him an enigma or simply a figure of ridicule. In school he was just another pained adolescent, but inside Julian was a new Jean Genet or Quentin Crisp bursting to get out.Leaving St Benedict's thankfully behind him, Julian went on to college where he found his true vocation as an entertainer with a peculiar comic brand of smut and glamour. At the same time, he was finding as much sex as he could, sometimes with remarkably less-than-glamorous characters.Periods in community theatre and the singing telegram industry followed before Julian hit the big time with cabaret co-star Fanny the Wonder Dog as The Joan Collins Fan Club. Soon, the world was his oyster. But fame came at a price, as Julian struggled not only with the reality of being a high-profile gay man in the 1980s but also the pain of losing his lover to terminal illness.Far more than just another celebrity autobiography or 'funny book', this is a touching, beautifully written and wryly witty account of a unique progression from shy child to comedy icon.
Young Marx (Oberon Modern Plays)
by Clive Coleman Richard Bean1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures.His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.