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Crooked (Modern Plays)
by Catherine TrieschmannComing-of-age drama with sideways glance at evangelical and Sapphic love'I mean, the fact that Jesus chose to turn the water into wine, rather than just decontaminating it, proves that drinking alcohol is not a sin.'Fourteen-year-old Laney arrives in Oxford, Mississippi, an outsider with a twisted back and only her writing to keep her company. When she befriends the hapless born-again Maribel, Laney's penchant for story-telling soon spirals out of control. A hilarious chain of events is set in motion, sparking a spiritual and sexual journey that infuriates her mother and threatens to tear their fragile world apart.A gloriously sideways glance at evangelical and Sapphic love way down south, Crooked premiered at the Bush Theatre, London, 3 May 2006.'a work of warped loveliness, directed with exquisite delicacy and acted with tenderness and wit . . . Gorgeous almost beyond belief.' Times'a play of immense psychological shrewdness' Guardian'delicious satirical naughtiness' Independent on Sunday
Crooked Dances (Modern Plays)
by Robin FrenchYou've heard of magic hour right? We're in it. right now. Journalist Katy is desperate for her big break, and an interview in Paris with world famous concert pianist Silvia de Zingaro looks like just her chance.But the odds are against her. After a disastrous interview, Katy feels certain there's a bigger story there than meets the eye. She hunts for clues, finding Silvia has a collection of mystical books and an apparent fixation with composer Erik Satie. Just as Katy's hope begins to fade, a mysterious night-time encounter with the pianist may well give her the scoop she's looking for…This compelling new play examines music, time and attention in our modern digital age.This edition was published to coincide with the world premiere at the Royal Shakespeare Company in Stratford Upon Avon in June 2019.
Crooked Dances (Modern Plays)
by Robin FrenchYou've heard of magic hour right? We're in it. right now. Journalist Katy is desperate for her big break, and an interview in Paris with world famous concert pianist Silvia de Zingaro looks like just her chance.But the odds are against her. After a disastrous interview, Katy feels certain there's a bigger story there than meets the eye. She hunts for clues, finding Silvia has a collection of mystical books and an apparent fixation with composer Erik Satie. Just as Katy's hope begins to fade, a mysterious night-time encounter with the pianist may well give her the scoop she's looking for…This compelling new play examines music, time and attention in our modern digital age.This edition was published to coincide with the world premiere at the Royal Shakespeare Company in Stratford Upon Avon in June 2019.
Crooked Wood (Oberon Modern Plays Ser.)
by Gillian PlowmanA black comedy about ruthless property developers cashing in on the property demand around the London Olympic site, who then find themselves faced with an elderly lady refusing to move out from the last remaining house on their prime site. Andrew Veitch, the smooth-talking iron fist of Golden Future, cannot budge the intrepid Miss Barwick whose conviction that Veitch has come to restore her rotting stairs and floorboards and mend the holes in the roof generates the play's soft-centred humour.
Cross-Gender China: Across Yin-Yang, Across Cultures, and Beyond Jingju (Routledge Advances in Theatre & Performance Studies)
by Huai BaoCross-Gender China, the outcome of more than twenty years of theatrical and sociological research, deconstructs the cultural implications of cross-gender performance in today's China. The recent revival in male-to-female cross-gender nandan performance in Chinese theatre raises a multitude of questions: it may suggest new gender dynamics, or new readings of old aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being performed and the gender doing the performing, this volume gives a broad cultural account of the contexts in which this unique performance style has found new life.
Cross-Gender China: Across Yin-Yang, Across Cultures, and Beyond Jingju (Routledge Advances in Theatre & Performance Studies)
by Huai BaoCross-Gender China, the outcome of more than twenty years of theatrical and sociological research, deconstructs the cultural implications of cross-gender performance in today's China. The recent revival in male-to-female cross-gender nandan performance in Chinese theatre raises a multitude of questions: it may suggest new gender dynamics, or new readings of old aesthetic traditions in new socio-cultural contexts. Interrogating the positions of the gender being performed and the gender doing the performing, this volume gives a broad cultural account of the contexts in which this unique performance style has found new life.
Cross-Gendered Literary Voices: Appropriating, Resisting, Embracing
by Rina Kim and Claire WestallThis book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.
Crossfire (Oberon Modern Plays)
by Nigel Gearing Michel AzamaIn Michel Azama’s extraordinary play, the characters are caught in the crossfire, tumbling through the checkpoint between life and death. First performed in English at the Traverse Theatre, Edinburgh.
Crossing Jerusalem & Other Plays: The Golem, Saint Joan, Year Zero (Oberon Modern Playwright's Ser.)
by Julia PascalCrossing Jerusalem describes twenty-four hours in the life of an Israeli family in March 2002, as they cross Jerusalem at the beginning of the latest intifada. During this single day, personal and political history burst into the present. A complex family drama explodes in the most politically tense city in the world. The Golem is inspired by the medieval Yiddish legend. This story, set in Prague, explores what happens when a monster is constructed to defend his community. This version is written for children. Year Zero is a bittersweet satire inspired by interviews conducted in the north of France, where Communists, Gaulists, collaborators and those who were children during the 1940s, provided the original source material. The play exposes the day to day experiences of the men and women who suffered or profited from those zero years. Joan of Arc has, for over five centuries, proved an irresistible and enduring icon for an extremely diverse group of people both within and without France.
Crossing the floor: Reg Prentice and the crisis of British social democracy
by Geoff HornReg Prentice remains the most high-profile politician to cross the floor of the House of Commons in the post-war period. His defection reflected an important 'sea change' in British politics; the end of the post-war consensus and the beginnings of the Thatcher era. This book examines the key events surrounding Prentice's transition from a front-line Labour politician to a Conservative minister in the first Thatcher government. It focuses on the shifting political climate in Britain during the 1970s, as the post-war settlement came under pressure from adverse economic conditions, militant trade unionism and an assertive New Left. Prentice's story provides an important case study on the crisis that afflicted social democracy, highlighting Labour's left-right divide and the possibility of a realignment of British politics. This study will be invaluable to anyone interested in the turbulent and transitional nature of British politics during a watershed period.
Crossing the floor: Reg Prentice and the crisis of British social democracy
by Geoff HornReg Prentice remains the most high-profile politician to cross the floor of the House of Commons in the post-war period. His defection reflected an important 'sea change' in British politics; the end of the post-war consensus and the beginnings of the Thatcher era. This book examines the key events surrounding Prentice's transition from a front-line Labour politician to a Conservative minister in the first Thatcher government. It focuses on the shifting political climate in Britain during the 1970s, as the post-war settlement came under pressure from adverse economic conditions, militant trade unionism and an assertive New Left. Prentice's story provides an important case study on the crisis that afflicted social democracy, highlighting Labour's left-right divide and the possibility of a realignment of British politics. This study will be invaluable to anyone interested in the turbulent and transitional nature of British politics during a watershed period.
Crossing the Stage: Controversies on Cross-Dressing
by Lesley FerrisCrossing the Stage brings together for the first time essays which explore cross-dressing in theatre, cabaret, opera and dance. The volume contains seminal pieces which have become standard texts in the field, as well as new work especially commissioned from leading writers on performance.Crossing the Stage is an indispensable sourcebook on theatrical cross-dressing. It will be essential reading for all those interested in performance and the representation of gender.
Crossing the Stage: Controversies on Cross-Dressing
by Lesley FerrisCrossing the Stage brings together for the first time essays which explore cross-dressing in theatre, cabaret, opera and dance. The volume contains seminal pieces which have become standard texts in the field, as well as new work especially commissioned from leading writers on performance.Crossing the Stage is an indispensable sourcebook on theatrical cross-dressing. It will be essential reading for all those interested in performance and the representation of gender.
Crossroads: Performance Studies and Irish Culture
by Sara Brady Fintan WalshThe highly performative categories of 'Irish culture' and 'Irishness' are in need of critical address, prompted by recent changes in Irish society, the arts industry and modes of critical inquiry. This book broaches this task by considering Irish expressive culture through some of the paradigms and vocabularies offered by performance studies.
Crouch Touch Pause Engage (Oberon Modern Plays)
by Robin SoansOn the eve of one of the most important games of his career, Welsh rugby legend Gareth Thomas received a warning: The Sun newspaper was going to ‘out’ him as gay. This is the story of two Welsh names bruised, but not beaten, by media speculation: Gareth ‘Alfie’ Thomas, 100 caps for Wales, now one of the world’s most prominent gay sportsmen; and his hometown, Bridgend, itself a victim of tabloid intrusion following the deaths of several young residents. Working with Alfie himself, and young people in Bridgend, Robin Soans joins forces with some of the UK’s most exciting theatre companies to tell a great story about sport, politics, secrets, life and learning to be yourself. Includes rehearsal photos and an essay on gay people in sport by Matthew Todd, editor of Attitude magazine.
Crowd and Rumour in Shakespeare (Studies in Performance and Early Modern Drama)
by Kai WiegandtIn this study, the author offers new interpretations of Shakespeare's works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The book's focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeare's most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism.
Crowd and Rumour in Shakespeare (Studies in Performance and Early Modern Drama)
by Kai WiegandtIn this study, the author offers new interpretations of Shakespeare's works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The book's focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeare's most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism.
Crowning Glory (Oberon Modern Plays)
by Somalia Seaton‘In a world saturated with images of unrealistic and unobtainable beauty, how do women see themselves?’Crowning Glory is a new play that explores some of the ways in which mainstream Western definitions of beauty in today’s world affects the way women see themselves. It challenges us to question our own personal perceptions of beauty and ask who exactly sets these ideals?
The Crowstarver
by Dick King-Smith Daniel JamiesonBased on a novel written by Dick King-Smith, this warm and immensely moving story is about community and respecting people for what they can do rather than setting them apart because of their limitations. 'The Crowstarver' will give your students the chance to experiment with puppets.
The Crucible: A Play In Four Acts (Modern Classics Ser.)
by Arthur MillerArthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - 'one of the strangest and most awful chapters in human history' - and the McCarthyism which gripped America in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations.
The Crucible (Student Editions #24)
by Arthur MillerBecause it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!In a small tight-knit community, gossip and rumour spread like wildfire, inflaming personal grievances until no-one is safe from accusation and vengeance. The Crucible is Arthur Miller's classic dramatisation of the witch-hunt and trials that besieged the Puritan community of Salem in 1692. Seen as a chilling parallel to the McCarthyism and repressive culture of fear that gripped America in the 1950s, the play's timeless relevance and appeal remains as strong as when the play opened on Broadway in 1953.This new edition includes an introduction by Soyica Diggs Colbert, that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring The Crucible.
The Crucible (Student Editions)
by Arthur MillerBecause it is my name! Because I cannot have another in my life! Because I lie and sign myself to lies! Because I am not worth the dust on the feet of them that hang! How may I live without my name? I have given you my soul; leave me my name!In a small tight-knit community, gossip and rumour spread like wildfire, inflaming personal grievances until no-one is safe from accusation and vengeance. The Crucible is Arthur Miller's classic dramatisation of the witch-hunt and trials that besieged the Puritan community of Salem in 1692. Seen as a chilling parallel to the McCarthyism and repressive culture of fear that gripped America in the 1950s, the play's timeless relevance and appeal remains as strong as when the play opened on Broadway in 1953.This new edition includes an introduction by Soyica Diggs Colbert, that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring The Crucible.
The Crucible: A Play in Four Acts (Penguin Modern Classics)
by Arthur MillerArthur Miller's classic parable of mass hysteria draws a chilling parallel between the Salem witch-hunt of 1692 - 'one of the strangest and most awful chapters in human history' - and the McCarthyism which gripped America in the 1950s. The story of how the small community of Salem is stirred into madness by superstition, paranoia and malice, culminating in a violent climax, is a savage attack on the evils of mindless persecution and the terrifying power of false accusations.
The Crucible
by Arthur Miller Susan AbbotsonThis Student Edition of The Crucible is perfect for students of literature and drama and offers an unrivalled guide to Miller's classic play. It features an extensive introduction by Susan C. W. Abbotson which includes: a chronology of Miller's life and times; a summary of the plot and commentary on the characters, themes, language, context and production history of the play. Together with over twenty questions for further study, detailed notes on words and phrases from the text and the additional scene 2 of the second Act, this is the definitive edition of the play. In a small tight-knit community gossip and rumour spread like wildfire inflaming personal grievances until no-one is safe from accusation and vengeance. The Crucible is Miller's classic dramatisation of the witch-hunt and trials that besieged the Puritan community of Salem in 1692. Seen as a chilling parallel to the McCarthyism and repressive culture of fear that gripped America in the 1950s, the play's timeless relevance and appeal remains as strong as when the play opened on Broadway in 1953.
The Crucible: Complete Teacher's Kit (Forsyte chronicles)
by Arthur Miller Susan AbbotsonThis Student Edition of The Crucible is perfect for students of literature and drama and offers an unrivalled guide to Miller's classic play. It features an extensive introduction by Susan C. W. Abbotson which includes: a chronology of Miller's life and times; a summary of the plot and commentary on the characters, themes, language, context and production history of the play. Together with over twenty questions for further study, detailed notes on words and phrases from the text and the additional scene 2 of the second Act, this is the definitive edition of the play. In a small tight-knit community gossip and rumour spread like wildfire inflaming personal grievances until no-one is safe from accusation and vengeance. The Crucible is Miller's classic dramatisation of the witch-hunt and trials that besieged the Puritan community of Salem in 1692. Seen as a chilling parallel to the McCarthyism and repressive culture of fear that gripped America in the 1950s, the play's timeless relevance and appeal remains as strong as when the play opened on Broadway in 1953.