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Cultures of Currencies: Literature and the Symbolic Foundation of Money (Routledge Interdisciplinary Perspectives on Literature)
by Joan Ramon ResinaThis book’s premise is not only the commonly accepted cultural relativity of economic concepts, but also the observation that the current shift in the meaning of concepts like “market,” “currency,” “exchange,” and “money” suggests that culture is undergoing a change with unpredictable economic and political consequences. The essays in the book raise basic questions concerning exchange – what is exchanged, who exchanges and how, which kind of currency is used, and indeed what is money and how does it convey and retain value over time. These issues are all classical objects of economic theory, but less often have they been approached from a cultural perspective. Works treating economic and monetary issues from a cultural perspective are few and far apart, and this book aims to contribute to such a perspective with a variety of approaches.
Cultures of Participation: Arts, Digital Media and Cultural Institutions (Routledge Research in Cultural and Media Studies)
by Birgit Eriksson Carsten Stage Bjarki ValtyssonThis book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions. Focusing on how ideals and practices relating to cultural participation express and (re)produce different "cultures of participation", an interdisciplinary team of authors demonstrate how the areas of arts, digital media, and cultural policy and institutions are shaped by different but interrelated contextual backgrounds. Chapters offer a variety of perspectives and strategies for empirically identifying "cultures of participation" and their current transformations and tensions in various regional and national settings. This book will be of interest to academics and cultural leaders in the areas of museum studies, media and communications, arts, arts education, cultural studies, curatorial studies and digital studies. It will also be relevant for cultural workers, artists and policy makers interested in the participatory agenda in art, digital media and cultural institutions.
Cultures of Participation: Arts, Digital Media and Cultural Institutions (Routledge Research in Cultural and Media Studies)
by Birgit Eriksson Carsten Stage Bjarki ValtyssonThis book examines cultural participation from three different, but interrelated perspectives: participatory art and aesthetics; participatory digital media, and participatory cultural policies and institutions. Focusing on how ideals and practices relating to cultural participation express and (re)produce different "cultures of participation", an interdisciplinary team of authors demonstrate how the areas of arts, digital media, and cultural policy and institutions are shaped by different but interrelated contextual backgrounds. Chapters offer a variety of perspectives and strategies for empirically identifying "cultures of participation" and their current transformations and tensions in various regional and national settings. This book will be of interest to academics and cultural leaders in the areas of museum studies, media and communications, arts, arts education, cultural studies, curatorial studies and digital studies. It will also be relevant for cultural workers, artists and policy makers interested in the participatory agenda in art, digital media and cultural institutions.
Curating Dramaturgies: How Dramaturgy and Curatorial Practices are Intersecting in the Contemporary Arts
by Peter Eckersall Bertie FerdmanCurating Dramaturgies investigates the transformation of art and performance and its impact on dramaturgy and curatorship. Addressing contexts and processes of the performing arts as interconnecting with visual arts, this book features interviews with leading curators, dramaturgs and programmers who are at the forefront of working in, with, and negotiating the daily practice of interdisciplinary live arts. The book offers a view of praxis that combines perspectives on theory and practice and looks at the way that various arts institutions, practitioners and cultural agents have been working to change the way that art and performance have developed and experienced by spectators in the last decade. Curating Dramaturgies argues that cultural producers and scholars are becoming more cognizant of this overlapping and transforming field. The introductory essay by the editors explores the rise of interdisciplinary live arts and its ramifications in cultural and political terms. This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
Curating Dramaturgies: How Dramaturgy and Curatorial Practices are Intersecting in the Contemporary Arts
by Peter Eckersall Bertie FerdmanCurating Dramaturgies investigates the transformation of art and performance and its impact on dramaturgy and curatorship. Addressing contexts and processes of the performing arts as interconnecting with visual arts, this book features interviews with leading curators, dramaturgs and programmers who are at the forefront of working in, with, and negotiating the daily practice of interdisciplinary live arts. The book offers a view of praxis that combines perspectives on theory and practice and looks at the way that various arts institutions, practitioners and cultural agents have been working to change the way that art and performance have developed and experienced by spectators in the last decade. Curating Dramaturgies argues that cultural producers and scholars are becoming more cognizant of this overlapping and transforming field. The introductory essay by the editors explores the rise of interdisciplinary live arts and its ramifications in cultural and political terms. This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidatingthe ever-evolving field of the visual arts and performance.
Curating Live Arts: Critical Perspectives, Essays, and Conversations on Theory and Practice
by Dena Davida, Jane Gabriels, Véronique Hudon, and Marc PronovostSituated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field’s characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms—not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse.
The Cure at Troy: A Version Of Sophocles' Philoctetes
by Seamus HeaneySeamus Heaney's version of Sophocles's Philoctetes tells of the wounded hero marooned upon an island by the Greeks during the Siege of Troy. As the conflict comes to a climax, the Greeks begin to realise they cannot win the Trojan war without Philoctetes's invincible bow, and turn back to seek his help.The Cure at Troy dramatises the conflict between personal integrity and political expediency, and explores ways in which the victims of injustice can become as devoted to the contemplation of their wounds as the perpetrators are to the justification of their system. Responsive to the Greek playwright's understanding of the relations between public and private morality, The Cure at Troy is a sharp, fast-paced retelling of the Greek original, shot through with Heaney's own Irish speech and context.History says, Don't hopeOn this side of the grave.But then, once in a lifetimeThe longed-for tidal waveOf justice can rise up,And hope and history rhyme.
curious (Modern Plays)
by Jasmine Lee-JonesBeing a woman is blood and gutsIt's intestineFuck florals and ballgownsIt's ballsIt's livers and kidneys and puke and mucusRipping and tearing and shreddingRed stain on linen beddingIt's sheddingJaz is in her second year at drama school. Jaz is tired of performing. Hence her conundrum. But when she stumbles across a piece of forgotten history – her life is changed forever…What does it mean to find yourself? Especially when it seems the world you live in is diametrically set against you doing just that?Set against the sprawling backdrop of urban London across centuries, curious is a frank, funny and moving excavation of the lives of two actresses who are young, Black, queer and trying to find out who they are. It is written and performed by Jasmine Lee-Jones, the winner of Evening Standard Award 2019 and Critics' Circle Theatre Award for Most Promising Playwright for her play seven methods of killing kylie jenner.
curious (Modern Plays)
by Jasmine Lee-JonesBeing a woman is blood and gutsIt's intestineFuck florals and ballgownsIt's ballsIt's livers and kidneys and puke and mucusRipping and tearing and shreddingRed stain on linen beddingIt's sheddingJaz is in her second year at drama school. Jaz is tired of performing. Hence her conundrum. But when she stumbles across a piece of forgotten history – her life is changed forever…What does it mean to find yourself? Especially when it seems the world you live in is diametrically set against you doing just that?Set against the sprawling backdrop of urban London across centuries, curious is a frank, funny and moving excavation of the lives of two actresses who are young, Black, queer and trying to find out who they are. It is written and performed by Jasmine Lee-Jones, the winner of Evening Standard Award 2019 and Critics' Circle Theatre Award for Most Promising Playwright for her play seven methods of killing kylie jenner.
The Curious Incident Of The Dog In The Night-time: The Play (Critical Scripts (PDF))
by Mark Haddon Contribution By Simon Stephens Paul Bunyan (Volume Editor Ruth Moore (Volume EditorThis schools' edition of Mark Haddon's multi-award-winning novel adapted for the stage of the National Theatre by Simon Stephens is perfect for Key Stages 3 and 4. Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: meets the requirements at KS3 and GCSEfeatures detailed, structured schemes of work utilising drama approaches to improve literary and language analysis places pupils' understanding of the learning process at the heart of the activities will help pupils to boost English GCSE success and develop high-level skills at KS3will save teachers considerable time devising their own resources. Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, "The Curious Incident of the Dog in the Night-time" offers a richly theatrical exploration of this touching and bleakly humorous tale. ePDF: 9781408185407 ePub: 9781408183540 Paperback: 9781408185216
The Curious Incident of the Dog in the Night-Time: The Play (Critical Scripts)
by Mark Haddon Simon Stephens Ruth Moore Paul BunyanThis schools' edition of Mark Haddon's multi-award-winning novel adapted for the stage of the National Theatre by Simon Stephens is perfect for Key Stages 3 and 4. Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: meets the requirements at KS3 and GCSEfeatures detailed, structured schemes of work utilising drama approaches to improve literary and language analysis places pupils' understanding of the learning process at the heart of the activities will help pupils to boost English GCSE success and develop high-level skills at KS3will save teachers considerable time devising their own resources.Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-time offers a richly theatrical exploration of this touching and bleakly humorous tale.
The Curious Incident of the Dog in the Night-Time (Modern Plays)
by Simon StephensMy name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507.Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-time offers a richly theatrical exploration of this touching and bleakly humorous tale.This edition contains some strong language and may not be suitable for all school curricula. Other editions are available.
The Curious Incident of the Dog in the Night-Time: The Play (Modern Plays)
by Simon StephensMy name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507.Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-time offers a richly theatrical exploration of this touching and bleakly humorous tale.This edition contains some strong language and may not be suitable for all school curricula. Other editions are available.
The Curious Incident of the Dog in the Night-Time: The Play (Plays for Young People)
by Simon StephensThis abridged edition is designed for schools and has been adapted for 10 actors playing all of the roles. With a running time of just 90 minutes it is suitable for performance in non-theatre spaces, with minimal technical requirements.The Curious Incident of the Dog in the Night-Time brings Mark Haddon's best-selling novel to life on stage, adapted by two-time Olivier Award-winning playwright Simon Stephens. Winner of seven Olivier Awards including Best Play, along with the Drama Desk, Outer Critics Circle, Drama League and Tony Awards for Best Play, this remarkable and exhilarating "theatrical masterpiece" originated at London's Royal National Theatre in 2012 before going on to transfer to the West End for multiple seasons, followed by its acclaimed Broadway run. The play has now been seen on five continents around the world with major productions ranging from Mexico, Australia, Canada, Seoul and Japan. This brand new edition of the play has been abridged specifically with schools in mind and published following a 12-week tour of 60 secondary schools in the UK. The play tells the story of Christopher John Francis Boone, who is fifteen years old. He stands besides Mrs Shears' dead dog, Wellington, who has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in a book he is writing to solve the mystery of who killed Wellington. He has an extraordinary brain and is exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
The Curious Incident of the Dog in the Night-Time: Abridged for Schools (Plays for Young People)
by Simon StephensThis abridged edition is designed for schools and has been adapted for 10 actors playing all of the roles. With a running time of just 90 minutes it is suitable for performance in non-theatre spaces, with minimal technical requirements.The Curious Incident of the Dog in the Night-Time brings Mark Haddon's best-selling novel to life on stage, adapted by two-time Olivier Award-winning playwright Simon Stephens. Winner of seven Olivier Awards including Best Play, along with the Drama Desk, Outer Critics Circle, Drama League and Tony Awards for Best Play, this remarkable and exhilarating "theatrical masterpiece" originated at London's Royal National Theatre in 2012 before going on to transfer to the West End for multiple seasons, followed by its acclaimed Broadway run. The play has now been seen on five continents around the world with major productions ranging from Mexico, Australia, Canada, Seoul and Japan. This brand new edition of the play has been abridged specifically with schools in mind and published following a 12-week tour of 60 secondary schools in the UK. The play tells the story of Christopher John Francis Boone, who is fifteen years old. He stands besides Mrs Shears' dead dog, Wellington, who has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in a book he is writing to solve the mystery of who killed Wellington. He has an extraordinary brain and is exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
The Curious Incident of the Dog in the Night-Time GCSE Student Edition (GCSE Student Guides)
by Simon Stephens Jacqueline BoltonWritten specifically for GCSE students by academics in the field, the Methuen Drama GCSE Student Editions provide in-depth explanatory material alongside the play texts frequently studied at Key Stage 4. Whether for use in the classroom or independent study, these editions offer a fully comprehensive and lightly glossed play text with accompanying notes specifically directed towards readers of this age, which unravel essential topics and challenge all students to delve further into literary analysis. In Simon Stephens's multi-award-winning stage adaptation of The Curious Incident of the Dog in the Night-Time, based on Mark Haddon's novel, Christopher's investigation into the death of the neighbour's dog tears his world apart and confronts him with the struggle to survive when everything feels foreign.In addition to some on-page explanatory notes and the play text itself, this edition contains sub-headed analyses of themes, characters, context and dramatic devices, as well as background information on the playwright. The Methuen Drama GCSE Student Editions never lose sight of their readership, and offer students the confidence to engage with the material, explore their own interpretations, and improve their understanding of the works.
The Curious Incident of the Dog in the Night-Time GCSE Student Edition (GCSE Student Guides)
by Simon Stephens Jacqueline BoltonWritten specifically for GCSE students by academics in the field, the Methuen Drama GCSE Student Editions provide in-depth explanatory material alongside the play texts frequently studied at Key Stage 4. Whether for use in the classroom or independent study, these editions offer a fully comprehensive and lightly glossed play text with accompanying notes specifically directed towards readers of this age, which unravel essential topics and challenge all students to delve further into literary analysis. In Simon Stephens's multi-award-winning stage adaptation of The Curious Incident of the Dog in the Night-Time, based on Mark Haddon's novel, Christopher's investigation into the death of the neighbour's dog tears his world apart and confronts him with the struggle to survive when everything feels foreign.In addition to some on-page explanatory notes and the play text itself, this edition contains sub-headed analyses of themes, characters, context and dramatic devices, as well as background information on the playwright. The Methuen Drama GCSE Student Editions never lose sight of their readership, and offer students the confidence to engage with the material, explore their own interpretations, and improve their understanding of the works.
The Curious Incident of the Dog in the Night-Time GCSE Student Guide (GCSE Student Guides)
by Jacqueline BoltonWritten specifically for GCSE students by academics in the field, the Methuen Drama GCSE Guides conveniently gather indispensable resources and tips for successful understanding and writing all in one place, preparing students to approach their exams with confidence.Key features include a critical commentary of the play with extensive, clearly labelled analyses on themes, characters and context. They take studying drama even further with sections on dramatic technique, critical reception, related works, fascinating behind-the-scenes interviews with playwrights, directors or actors, and a helpful glossary of dramatic terms.In Simon Stephens's multi-award-winning stage adaptation of The Curious Incident of the Dog in the Night-Time, based on Mark Haddon's novel, Christopher's investigation into the death of the neighbour's dog tears his world apart and confronts him with the struggle to survive when everything feels foreign.Carefully following the requirements of GCSE English Literature assessment objectives, these studies include expert advice on how to write about modern drama. With featured activities for group study and independent work, they are versatile and valuable to students and teachers alike.
The Curious Incident of the Dog in the Night-Time GCSE Student Guide (GCSE Student Guides)
by Jacqueline BoltonWritten specifically for GCSE students by academics in the field, the Methuen Drama GCSE Guides conveniently gather indispensable resources and tips for successful understanding and writing all in one place, preparing students to approach their exams with confidence.Key features include a critical commentary of the play with extensive, clearly labelled analyses on themes, characters and context. They take studying drama even further with sections on dramatic technique, critical reception, related works, fascinating behind-the-scenes interviews with playwrights, directors or actors, and a helpful glossary of dramatic terms.In Simon Stephens's multi-award-winning stage adaptation of The Curious Incident of the Dog in the Night-Time, based on Mark Haddon's novel, Christopher's investigation into the death of the neighbour's dog tears his world apart and confronts him with the struggle to survive when everything feels foreign.Carefully following the requirements of GCSE English Literature assessment objectives, these studies include expert advice on how to write about modern drama. With featured activities for group study and independent work, they are versatile and valuable to students and teachers alike.
The Curious Incident of the Dog in the Night Time (PDF)
by Haddon Mark adapted by Simon StephensMy name is Christopher John Francis Boone. I know all the countries of the world and the capital cities. And every prime number up to 7507. Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down. Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-time offers a richly theatrical exploration of this touching and bleakly humorous tale. 9781408173374
Curtain Up!: How to Stage Great Youth Productions
by Charon Williams-RosThis comprehensive, hands-on guide to making theatre – perfect for any school, college, youth group or amateur-theatre company – gives you the knowledge you need to take your productions to the next level. Curtain Up! is packed with invaluable advice and practical tips on every aspect of putting on your show, including: - Direction: from choosing your project to casting, rehearsals and opening night - Vocal Direction: give your singers and actors the confidence to deliver great performances - Choreography: step-by-step advice on bringing your choreography to life - Production Design: use set, costumes and more to realise your vision innovatively (and come in on budget) - Puppets & Props: inject some practical magic into your production – and how to make your own puppets - Scriptwriting: beat the blank page and pen your own original show - Lighting Design: maximise your resources to create a whole world on stage - Publicity: identify your audience, reach them and get those bums on seats Each section is written by an experienced theatre professional, laying out the essentials of every role and offering creative, practical ideas to breathe new life into your own theatre projects. Also included is a section on planning, with tips and worksheets to assist with everything from budgeting to selecting your production team. Wherever and however you make theatre, this inspiring, empowering and highly accessible manual will help make your next production your best yet! 'An extremely useful starting point for anyone wanting to put on a school or amateur theatre production… Lots of really useful ideas for where to begin when putting on a show but also contains a variety of useful tips for use in the classroom' - Drama & Theatre Magazine
The Custom of the Country: The Custom Of The Country. Elder Brother. Spanish Curate. Wit Without Money. Beggars' Bush (Globe Quartos)
by John FletcherFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Custom of the Country (Globe Quartos)
by John FletcherFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The 'Cut' and 'Product' (Modern Plays)
by Mark RavenhillTwo bold new dramas from the author of Shopping & F***ingThe CutPaul is an ordinary man with a shocking secret. At home, he is a loving husband and father. At work, he administers the cut. In a society sickened by his profession, Paul struggles with his conscience and longs to tell the truth. The Cut has its world premiere at the Donmar Warehouse, London, on 23 February 2006, starring Ian McKellan.Product'I love your work, I love it. I've seen you do those turns on a sixpence....You're fabulous. And this material is going to be fabulous once it's punched up.' Amy is a hot young starlet. Now all she needs is the script which will save her from B movie hell, a script which balances artistic integrity with blockbuster bucks. Mark thinks he's got the perfect pitch - a script which combines a torrid love story with the dark spectre of terrorism and big, big explosions. If he can only persuade Amy, he's got the perfect Product. Mark Ravenhill starred in this monologue piece when it premiered to critical acclaim at the Traverse Theatre, Edinburgh, in August 2005.'Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation' Time Out'There are few stage authors writing more interestingly than Mark Ravenhill ... He is – it is now yet more evident – a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism' Financial Times'Compelling viewing' Guardian (on The Cut at the Donmar Warehouse)
The 'Cut' and 'Product' (Modern Plays)
by Mark RavenhillTwo bold new dramas from the author of Shopping & F***ingThe CutPaul is an ordinary man with a shocking secret. At home, he is a loving husband and father. At work, he administers the cut. In a society sickened by his profession, Paul struggles with his conscience and longs to tell the truth. The Cut has its world premiere at the Donmar Warehouse, London, on 23 February 2006, starring Ian McKellan.Product'I love your work, I love it. I've seen you do those turns on a sixpence....You're fabulous. And this material is going to be fabulous once it's punched up.' Amy is a hot young starlet. Now all she needs is the script which will save her from B movie hell, a script which balances artistic integrity with blockbuster bucks. Mark thinks he's got the perfect pitch - a script which combines a torrid love story with the dark spectre of terrorism and big, big explosions. If he can only persuade Amy, he's got the perfect Product. Mark Ravenhill starred in this monologue piece when it premiered to critical acclaim at the Traverse Theatre, Edinburgh, in August 2005.'Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation' Time Out'There are few stage authors writing more interestingly than Mark Ravenhill ... He is – it is now yet more evident – a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism' Financial Times'Compelling viewing' Guardian (on The Cut at the Donmar Warehouse)