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Death Comes in Yellow
by Felicja KarayDeath Comes in Yellow" presents the history of one slave labor camp in order to shed light on all aspects of the slave labor camps established in Poland under German occupation. Hasag-Skarzysko was one of hundreds of camps scattered throughout occupied Poland. They were distinguished by size, the nationality of the prisoners, their location, the date of their establishment, and the authority in charge. The large number of labor camps reflected the German policy of exploiting the work forces of the occupied countries. These camps were part of a Europe-wide system of forced labor.The first part of this volume reviews the external history of the camp. The second section, which studies the internal workings of the camp, is quite different in approach and includes an analysis of prisoner society and a moving description of the individual prisoner's struggle to survive.
Death in modern theatre: Stages of mortality (Theatre: Theory – Practice – Performance)
by Adrian CurtinDeath in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion.In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences’ conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
Death in modern theatre: Stages of mortality (Theatre: Theory – Practice – Performance)
by Adrian CurtinDeath in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences’ conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
The Death of a Black Man (Modern Plays)
by Alfred FagonAt least I am my own boss. No regrets. I choose what I do. I am luckyIt's 1973 and the West Indies have spectacularly beaten England at their own game, in their own backyard.Shakie, an 18-year-old super-savvy wheeler-dealer, is in his element – and not just because of the cricket. Life is good: his furniture business is making serious money and he owns a flat on the King's Road, the epicentre of everything that's cool. Moreover, his best friend Stumpie has come up with a plan to crack the booming music industry together - the possibilities are endless so when Shakie's ex-lover Jackie arrives at the Chelsea flat, the trio toast the future.The champagne is flowing and ambition is running sky high - but how far will they go, and who will they sacrifice, in their quest to be rich beyond their wildest dreams?The Death of a Black Man received its world premiere at Hampstead Theatre in 1975. This new edition is published to coincide with its return to Hampstead Theatre, 46 years on, in May 2021.
The Death of a Black Man (Modern Plays)
by Alfred FagonAt least I am my own boss. No regrets. I choose what I do. I am luckyIt's 1973 and the West Indies have spectacularly beaten England at their own game, in their own backyard.Shakie, an 18-year-old super-savvy wheeler-dealer, is in his element – and not just because of the cricket. Life is good: his furniture business is making serious money and he owns a flat on the King's Road, the epicentre of everything that's cool. Moreover, his best friend Stumpie has come up with a plan to crack the booming music industry together - the possibilities are endless so when Shakie's ex-lover Jackie arrives at the Chelsea flat, the trio toast the future.The champagne is flowing and ambition is running sky high - but how far will they go, and who will they sacrifice, in their quest to be rich beyond their wildest dreams?The Death of a Black Man received its world premiere at Hampstead Theatre in 1975. This new edition is published to coincide with its return to Hampstead Theatre, 46 years on, in May 2021.
Death of a Comedian: Absence Of Women; Titanic; Quietly; Unfaithful; Death Of A Comedian; Beach
by Owen McCaffertywhat if i'm not funny though - what if i go out there and i'm not funnySteve Johnston, guided and inspired by his girlfriend, is a small-time comedian, raw, original and true. Until he's spotted by an agent, who suggests he could be so much more: his act just needs to change. It's a Faustian pact. As tension builds over the course of four gigs, so too do the audiences. But at what cost?Death of a Comedian by Owen McCafferty premiered at the Lyric Theatre, Belfast, in February 2015 in a co-production with the the Abbey Theatre, Dublin, and Soho Theatre, London.
Death of a Salesman (Text and Performance)
by Arthur MillerAn examination of two of America's best-known plays. Part 1 revolves around the key aspects of the plays' relationship to America, and in Part 2 special emphasis is placed on the Broadway productions of "Death of a Salesman" in 1949 and the 1953, 1965 and 1980 productions of "The Crucible".
Death of a Salesman (Student Editions)
by Arthur MillerWhy am I trying to become what I don't want to be … when all I want is out there, waiting for me the minute I say I know who I am.Willy Loman is an ageing travelling salesman haunted, driven and yet held back by empty dreams of prosperity and success. Justly celebrated as one of the most famous dramatisations of the failure of the American Dream, the play's moral and political purpose is perfectly counterbalanced by a powerful and moving human drama of a man trying to make his way in the world and of the human flaws that lead to the shattering of his family and of their figurehead.Death of a Salesman is Miller's tragic masterpiece and considered one of the greatest plays of the twentieth century. Awarded the Pulitzer Prize in 1949, the play remains a classic work of literature and drama that is studied and performed around the world.This new edition includes an introduction by Claire Conceison that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring Death of a Salesman.
Death of a Salesman (Student Editions)
by Arthur MillerWhy am I trying to become what I don't want to be … when all I want is out there, waiting for me the minute I say I know who I am.Willy Loman is an ageing travelling salesman haunted, driven and yet held back by empty dreams of prosperity and success. Justly celebrated as one of the most famous dramatisations of the failure of the American Dream, the play's moral and political purpose is perfectly counterbalanced by a powerful and moving human drama of a man trying to make his way in the world and of the human flaws that lead to the shattering of his family and of their figurehead.Death of a Salesman is Miller's tragic masterpiece and considered one of the greatest plays of the twentieth century. Awarded the Pulitzer Prize in 1949, the play remains a classic work of literature and drama that is studied and performed around the world.This new edition includes an introduction by Claire Conceison that explores the play's production history as well as the dramatic, thematic, and academic debates that surround it; a must-have resource for any student exploring Death of a Salesman.
Death of a Salesman: Certain Private Conversations in Two Acts and a Requiem (Penguin Modern Classics)
by Arthur MillerIn the spring of 1948 Arthur Miller retreated to a log cabin in Connecticut with the first two lines of a new play already fixed in his mind. He emerged six weeks later with the final script of Death of a Salesman - a painful examination of American life and consumerism. Opening on Broadway the following year, Miller's extraordinary masterpiece changed the course of modern theatre. In creating Willy Loman, his destructively insecure anti-hero, Miller himself defined his aim as being 'to set forth what happens when a man does not have a grip on the forces of life.'
Death of a Salesman
by Arthur Miller Enoch BraterDeath of a Salesman is Miller's tragic masterpiece and one of the greatest plays of the twentieth century. Awarded the Pulitzer Prize in 1949, the play remains a classic work of literature and drama that is studied and performed around the world. This critical edition offers a wealth of authoritative and helpful commentary by one of the leading international Miller scholars. Prepared in consultation with the author's estate, it is the definitive edition of the work.Willy Loman is an ageing travelling salesman haunted and driven by empty dreams of prosperity and success. Justly celebrated as one of the most famous dramatisations of the failure of the American Dream, the play's moral and political purpose is perfectly counterbalanced by a powerful and moving human drama of a man trying to make his way in the world and of the human flaws that lead to the shattering of his family and of their idol.This Student Edition features an extensive introduction by Enoch Brater which makes it the perfect edition for students of literature and drama. It includes a chronology of Miller's life and times; a summary of the plot, commentary on the characters, themes, language and context, a production history of the play and questions for further study.
Death of a Salesman: Certain Private Conversations In Two Acts And A Requiem (Penguin Twentieth-century Classics Ser.)
by Arthur Miller Enoch BraterDeath of a Salesman is Miller's tragic masterpiece and one of the greatest plays of the twentieth century. Awarded the Pulitzer Prize in 1949, the play remains a classic work of literature and drama that is studied and performed around the world. This critical edition offers a wealth of authoritative and helpful commentary by one of the leading international Miller scholars. Prepared in consultation with the author's estate, it is the definitive edition of the work.Willy Loman is an ageing travelling salesman haunted and driven by empty dreams of prosperity and success. Justly celebrated as one of the most famous dramatisations of the failure of the American Dream, the play's moral and political purpose is perfectly counterbalanced by a powerful and moving human drama of a man trying to make his way in the world and of the human flaws that lead to the shattering of his family and of their idol.This Student Edition features an extensive introduction by Enoch Brater which makes it the perfect edition for students of literature and drama. It includes a chronology of Miller's life and times; a summary of the plot, commentary on the characters, themes, language and context, a production history of the play and questions for further study.
'Death of a Salesman' in Beijing: 2nd Edition (Theatre Makers)
by Arthur Miller Claire ConceisonIn 1983 Arthur Miller was invited to direct Death of a Salesman at the Beijing People's Theatre, with Chinese actors. This was an entirely new experience for Miller and for the Chinese company, most of whom had never even heard of 'life insurance' or 'installment payments'. Miller had forty-eight days of rehearsals in which to direct his play and, while there, he kept a diary.This book tells the fascinating story of Miller's time in China and the paradoxes of directing a tragedy about American capitalism in a Communist country, and features photographs throughout by Inge Morath. In this edition, Miller's diary is given a contemporary context as the production and process is investigated against the backdrop of twenty-first century China and its theatre, through a new introduction by Claire Conceison, Professor of Theatre Studies at Duke University.
'Death of a Salesman' in Beijing: 2nd Edition (Theatre Makers)
by Arthur Miller Claire ConceisonIn 1983 Arthur Miller was invited to direct Death of a Salesman at the Beijing People's Theatre, with Chinese actors. This was an entirely new experience for Miller and for the Chinese company, most of whom had never even heard of 'life insurance' or 'installment payments'. Miller had forty-eight days of rehearsals in which to direct his play and, while there, he kept a diary.This book tells the fascinating story of Miller's time in China and the paradoxes of directing a tragedy about American capitalism in a Communist country, and features photographs throughout by Inge Morath. In this edition, Miller's diary is given a contemporary context as the production and process is investigated against the backdrop of twenty-first century China and its theatre, through a new introduction by Claire Conceison, Professor of Theatre Studies at Duke University.
Death of England: The Plays (Modern Plays)
by Clint Dyer Mr Roy WilliamsUnless it's a football match… maybe then or 'em… at the supermarket… food and football, eh, the Englishman common ground Neutral territory for the masses. Yeah a place where no ideas are shared, borrowed or worked through… Perfect.Following acclaimed seasons at the National Theatre, Clint Dyer and Roy Williams' extraordinary series of three state of the nation plays, Death of England comes to @sohoplace in the West End. These three interconnected plays are, by turns, exhilarating, profoundly moving, funny but furious, and deeply theatrical, available together in this collection. Enjoy as a standalone experience or discover the connections between two or three of the plays as Michael, Delroy, Denise and Carly navigate the joys and challenges of what it means to be British in 2024. The run starred Thomas Coombes (Baby Reindeer), Paapa Essiedu, (I May Destroy You, Gangs of London), Erin Doherty (The Crown) and Sharon Duncan-Brewster (Dune) and was directed by Clint Dyer (NT Deputy Artistic Director). The 'uniquely brilliant' (Evening Standard) Death of England trilogy is unmissable.This collection was published to coincide with the West End run of the Death of England trilogy which ran from July to September 2024 at London's @sohoplace.
Death of England: The Plays (Modern Plays)
by Clint Dyer Mr Roy WilliamsUnless it's a football match… maybe then or 'em… at the supermarket… food and football, eh, the Englishman common ground Neutral territory for the masses. Yeah a place where no ideas are shared, borrowed or worked through… Perfect.Following acclaimed seasons at the National Theatre, Clint Dyer and Roy Williams' extraordinary series of three state of the nation plays, Death of England comes to @sohoplace in the West End. These three interconnected plays are, by turns, exhilarating, profoundly moving, funny but furious, and deeply theatrical, available together in this collection. Enjoy as a standalone experience or discover the connections between two or three of the plays as Michael, Delroy, Denise and Carly navigate the joys and challenges of what it means to be British in 2024. The run starred Thomas Coombes (Baby Reindeer), Paapa Essiedu, (I May Destroy You, Gangs of London), Erin Doherty (The Crown) and Sharon Duncan-Brewster (Dune) and was directed by Clint Dyer (NT Deputy Artistic Director). The 'uniquely brilliant' (Evening Standard) Death of England trilogy is unmissable.This collection was published to coincide with the West End run of the Death of England trilogy which ran from July to September 2024 at London's @sohoplace.
Death of England (Modern Plays)
by Roy Williams Clint DyerHe wanted you to be a better man. He wanted to be a better man himself. He was lied to. Just like you are being lied to. A family in mourning. A man in crisisAfter the death of his dad, Michael is powerless and angry.In a state of heartbreak, he confronts the difficult truths about his father's legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.Death of England is a powerful new monologue play by Roy Williams and Clint Dyer that explores family feelings and a country on the brink. This edition was published to coincide with the world premiere at the National Theatre, London, in 2020.
Death of England (Modern Plays)
by Roy Williams Clint DyerHe wanted you to be a better man. He wanted to be a better man himself. He was lied to. Just like you are being lied to. A family in mourning. A man in crisisAfter the death of his dad, Michael is powerless and angry.In a state of heartbreak, he confronts the difficult truths about his father's legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.Death of England is a powerful new monologue play by Roy Williams and Clint Dyer that explores family feelings and a country on the brink. This edition was published to coincide with the world premiere at the National Theatre, London, in 2020.
Death of England: Closing Time (Modern Plays)
by Mr Roy Williams Clint DyerLook at it Carly, look at our dream.No one's happy Denise.There are two sides to every story.Grieving the loss of the family shop and their dreams destroyed, Denise and daughter-in-law Carly are left to pick up the pieces of their relatives' mistakes.Will all be forgiven?Jo Martin (Doctor Who) and Hayley Squires (I, Daniel Blake) play Denise and Carly in this thought-provoking drama that explores family dynamics, race, colonialism and cancel culture.Clint Dyer (Othello) and Roy Williams (Sucker Punch) reunite to write this powerful new play, the final, standalone chapter of the award-winning Death of England series.This edition was published to coincide with the world premiere at the Dorfman Theatre, National Theatre, London, in September 2023.
Death of England: Closing Time (Modern Plays)
by Mr Roy Williams Clint DyerLook at it Carly, look at our dream.No one's happy Denise.There are two sides to every story.Grieving the loss of the family shop and their dreams destroyed, Denise and daughter-in-law Carly are left to pick up the pieces of their relatives' mistakes.Will all be forgiven?Jo Martin (Doctor Who) and Hayley Squires (I, Daniel Blake) play Denise and Carly in this thought-provoking drama that explores family dynamics, race, colonialism and cancel culture.Clint Dyer (Othello) and Roy Williams (Sucker Punch) reunite to write this powerful new play, the final, standalone chapter of the award-winning Death of England series.This edition was published to coincide with the world premiere at the Dorfman Theatre, National Theatre, London, in September 2023.
Death of England: Delroy (Modern Plays)
by Roy Williams Clint DyerMe jumping out of the van, was the beginning of a very bad day for me. I just didn't know it, but I was going to know it, in about four minutes, I was going to know, fer trut.2020. Delroy is arrested on his way to the hospital.Filled with anger and grief, he recalls the moments and relationships that gave him hope before his life was irrevocably changed.Written in response to their play Death of England, Death of England: Delroy is a new standalone work by Clint Dyer and Roy Williams, which follows a Black working-class man searching for truth and confronting his relationship withWhite Britain.This edition was published to coincide with the world premiere of Death of England: Delroy, at the National Theatre in 2020. The production was the first play to reopen the theatre following the Coronavirus pandemic.
Death of England: Delroy (Modern Plays)
by Roy Williams Clint DyerMe jumping out of the van, was the beginning of a very bad day for me. I just didn't know it, but I was going to know it, in about four minutes, I was going to know, fer trut.2020. Delroy is arrested on his way to the hospital.Filled with anger and grief, he recalls the moments and relationships that gave him hope before his life was irrevocably changed.Written in response to their play Death of England, Death of England: Delroy is a new standalone work by Clint Dyer and Roy Williams, which follows a Black working-class man searching for truth and confronting his relationship withWhite Britain.This edition was published to coincide with the world premiere of Death of England: Delroy, at the National Theatre in 2020. The production was the first play to reopen the theatre following the Coronavirus pandemic.
Death Of A Salesman (PDF)
by Arthur Miller Enoch BraterMiller's tragic masterpiece about Willy Loman, the ageing travelling salesman haunted and driven by empty dreams of prosperity and success.
Death, The One and the Art of Theatre
by Howard BarkerDeath, The One and the Art of Theatre is the latest collection of Barkers distinctive and revelatory philosophical musings on theatre. It is a stunning array of speculations, deductions, prose poems and poetic aperçus that casts a unique and unflinching light on the nature of tragedy, eroticism, love and theatre. Exploring the juncture between aesthetics and metaphysics, the book looks at the human experience of love and death as life at its most intrinsically theatrical. Howard Barker is an internationally renowned playwright whose works are regularly produced throughout Europe and the US. He is widely known for his controversial explorations into contemporary tragedy and his anti-Brechtian focus on the irrational and the catastrophic. He is often credited as a major influence on the generation of playwrights that includes Sarah Kane. Death, The One and the Art of the Theatre is a profoundly unsettling and inspiring piece of writing and extends the challenge to orthodox morality that Barker first presented in Arguments for a Theatre, a challenge he describes as men and womens secret longing for the incomprehensible nature of pain.
Death, The One and the Art of Theatre
by Howard BarkerDeath, The One and the Art of Theatre is the latest collection of Barkers distinctive and revelatory philosophical musings on theatre. It is a stunning array of speculations, deductions, prose poems and poetic aperçus that casts a unique and unflinching light on the nature of tragedy, eroticism, love and theatre. Exploring the juncture between aesthetics and metaphysics, the book looks at the human experience of love and death as life at its most intrinsically theatrical. Howard Barker is an internationally renowned playwright whose works are regularly produced throughout Europe and the US. He is widely known for his controversial explorations into contemporary tragedy and his anti-Brechtian focus on the irrational and the catastrophic. He is often credited as a major influence on the generation of playwrights that includes Sarah Kane. Death, The One and the Art of the Theatre is a profoundly unsettling and inspiring piece of writing and extends the challenge to orthodox morality that Barker first presented in Arguments for a Theatre, a challenge he describes as men and womens secret longing for the incomprehensible nature of pain.