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Destiny: Jail Diary Of Albie Sachs; Mary Barnes; Saigon Rose; O Fair Jerusalem; Destiny (Modern Plays)

The production of this play established David Edgar as a major playwright, one of the most important of the young generation of dramatists to emerge out of the 'portable' theatre movement of the late sixties.

Destiny (Modern Plays)

They're sayin I brought it on myself.Oh yeah, they've heard about me. Basically it must've been my fault cause I'm me, Destiny.Destiny dreams big. She dreams glamour. She's gonna be an MTV Base backing dancer, you watch. If J-Lo can make it outta the Bronx then Destiny can make it off the Hill Rise estate in Chippenham. She'sfearless, ferocious and up for the fight (she's had to be). Born below the breadline, she's desperate to see beyond the neighbourhood and find hope in hopelessness.This monologue follows the story of a teenage girl growing up on a rural Wiltshire council estate. After a big night out takes a turn for the worst, Destiny's life spirals out of control as she desperately tries to learn how to love and be loved. Florence Espeut-Nickless' debut play is a recipient of The Pleasance's 2021 National Partnerships Award with Bristol Old Vic FERMENT and was shortlisted for Theatre West's Write On Women Award.This edition was published to coincide with the run at the Edinburgh Festival Fringe 2022.

Destiny (Modern Plays)

They're sayin I brought it on myself.Oh yeah, they've heard about me. Basically it must've been my fault cause I'm me, Destiny.Destiny dreams big. She dreams glamour. She's gonna be an MTV Base backing dancer, you watch. If J-Lo can make it outta the Bronx then Destiny can make it off the Hill Rise estate in Chippenham. She'sfearless, ferocious and up for the fight (she's had to be). Born below the breadline, she's desperate to see beyond the neighbourhood and find hope in hopelessness.This monologue follows the story of a teenage girl growing up on a rural Wiltshire council estate. After a big night out takes a turn for the worst, Destiny's life spirals out of control as she desperately tries to learn how to love and be loved. Florence Espeut-Nickless' debut play is a recipient of The Pleasance's 2021 National Partnerships Award with Bristol Old Vic FERMENT and was shortlisted for Theatre West's Write On Women Award.This edition was published to coincide with the run at the Edinburgh Festival Fringe 2022.

Determining The Shakespeare Canon: Arden Of Faversham And A Lover's Complaint

Editors of Shakespeare's Complete Works must decide what to include. Although not in the First Folio collection of 1623, The Two Noble Kinsmen and Edward III have now entered the canon as plays co-authored by Shakespeare. Determining the Shakespeare Canon makes the case for lifting Arden of Faversham, first published in 1592, over the same threshold. A wealth of evidence indicates that Shakespeare was wholly or largely responsible for several of its central scenes (constituting Act III in editions divided into acts), and that the domestic tragedy can thus be added to the mounting list of his dramatic collaborations. Shakespeare's beginnings as a playwright are due for reconsideration. The second half of this volume provides solid grounds for accepting that publisher Thomas Thorpe's inclusion of A Lover's Complaint within the 1609 quarto of Shakespeare Sonnets was justified. While A Lover's Complaint has long been part of the Shakespeare canon, according to most editors, the poem's authenticity has been vigorously challenged in recent years. Its status is crucial to how critics assess the authority of the quarto's ordering of sonnets and interpret the structure of the sequence as a whole. These two problems of attribution are each addressed in five separate chapters that describe the converging results of different approaches and rebut counter-arguments. Stylometric techniques, using the resources of computers and electronic databases, are applied and the research methodologies of other scholars explained and evaluated. Quantitative tests are supplemented with traditional literary-critical analysis.

Detroit: A Play

In a suburb of a mid-sized American city, Ben and Mary welcome to the neighbourhood Sharon and Kenny who have moved in to the long-empty house next door. Fuelled by alcohol and backyard barbecues, their new friendship veers rapidly out of control as inhibitions are obliterated, laying bare the fragility of Ben and Mary's off-the-shelf lifestyle. Originally produced by Chicago's Steppenwolf Theatre, Lisa D'Amour's Detroit made its UK premiere at the National Theatre, London, in May 2012.

Detroit '67 (Oberon Modern Plays)

It's 1967 in Detroit. Motown music is getting the party started, and Chelle and her brother Lank are making ends meet by turning their basement into an after-hours joint. But when a mysterious woman finds her way into their lives, the siblings clash over more much more than the family business. As their pent-up feelings erupt, so does their city, and they find themselves caught in the middle of the '67 riots. DETROIT '67 is presented in association with Classical Theatre of Harlem and the National Black Theatre.

Developing Your Emotional Health: The Compact Guide (The\compact Guides)

This practical, empowering guide provides performers and creatives with a toolkit of techniques to improve, manage and maintain good emotional wellbeing – helping you navigate and overcome the pressures and demands of a career in the arts. Inside, you'll find key, evidence-based concepts and ideas about emotional health, as well as the benefits of taking a holistic approach to your brain, imagination and body. There are dozens of creative exercises and meditations to help you build resilience, develop your emotional intelligence, reframe negative thoughts, stay motivated, and embrace change when it comes. You'll also discover strategies for tackling auditions, preparing for performances and coping with periods of unemployment, plus guidance on creating your own personalised emotional health plan. Invaluable for anyone working in the creative industries, this book will equip you to assume responsibility for your own emotional wellbeing, and pursue your passion whilst still enjoying a life of fulfilment and satisfaction. The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time. Andy Barker, Brian Cooley and Beth Wood have all worked in the arts in various roles, including as actors, writers, directors and stage managers. Together, Andy and Brian run Mind Fitness, an organisation dedicated to developing mental health and wellbeing and business effectiveness, and Beth is Artistic Director of Prospero Theatre Company.

The Development of Aesthetic Experience: Curriculum Issues in Arts Education

Curriculum Issues in Arts Education, Volume 3: The Development of Aesthetic Experience focuses on the processes, methodologies, and approaches involved in the development of aesthetic experience, including art education, developmental theories, and aesthetic assessment. The book first tackles the concept of aesthetic development and aesthetic dimension in art education. The text then explores the psychological viewpoint of aesthetic development and aesthetic development in music. Topics include music education, music and function, task of teachers, developmental relationships between processes or roles, and uses and misuses of developmental theories.The publication ponders on the role of teachers and students, aesthetic development in dance, and drama as learning, art, and aesthetic experience. The manuscript then examines emotional development in adolescence, meaning in aesthetic experience, and aesthetic assessment and the reliability factor.The book is a reliable source of information for educators and readers interested in the development of aesthetic experience.

The Development of African Drama (Routledge Revivals)

Originally published in 1982, this book explores concepts such as ‘traditional performance’ and African theatre’. It analyses the links between drama and ritual, and drama and music and diagnoses the confusions in our thought. The reader is reminded that drama is never merely the printed word, but that its existence as literature and in performance is necessarily different. The analysis shows that literature tends to replace performance; and drama, removed from the popular domain, becomes elitist. The book’s richness lies in the constantly stimulating analysis of ‘art’ theatre, as exemplified in protest plays, in African adaptations and transpositions of such classical subjects as the Bacchae and Everyman, in plays on African history, on colonialism and neo-colonialism. The final chapters argue that the form of African drama needs to evolve as the content does.

The Development of African Drama (Routledge Revivals)

Originally published in 1982, this book explores concepts such as ‘traditional performance’ and African theatre’. It analyses the links between drama and ritual, and drama and music and diagnoses the confusions in our thought. The reader is reminded that drama is never merely the printed word, but that its existence as literature and in performance is necessarily different. The analysis shows that literature tends to replace performance; and drama, removed from the popular domain, becomes elitist. The book’s richness lies in the constantly stimulating analysis of ‘art’ theatre, as exemplified in protest plays, in African adaptations and transpositions of such classical subjects as the Bacchae and Everyman, in plays on African history, on colonialism and neo-colonialism. The final chapters argue that the form of African drama needs to evolve as the content does.

Devil with the Blue Dress (Oberon Modern Plays)

This gets called the Monica Lewinsky Scandal. You made sure everyone knew my name. January 1998: America is rocked by one of the biggest political sex scandals of all time. Slyly exhuming the little blue dress that launched the biggest media circus of a generation, the five women who were at the centre of the infamous Monica Lewinsky scandal collide on stage in this political thriller. A First Lady, a secretary, a daughter, a confidant, and an intern take us through the corridors of power and behind the closed doors where the abuse of that power took place. A theatrical battle over exactly how it all went down, DEVIL WITH THE BLUE DRESS asks who were the heroes and villains, and why, twenty years later, we’re only beginning to grapple with one of the most challenging questions in American political history: How do we respond to women seeking power, and the men who misuse it?

The Devil's Charter (Globe Quartos)

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Devil's Charter: A Tragedie, Conteining The Life And Death Of Pope Alexander The Sixt (classic Reprint) (Globe Quartos)

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Devil's Disciple

The Devil's Passion or Easter in Hell: A divine comedy in one act (Modern Plays)

Within the next hour, our operatives will isolate, engage and capture or kill the notorious leader of the most extreme, dangerous and contagious ideology to emerge in the modern era, whose terror activities represent the gravest threat to our interests across the region and the wider world. I refer, of course, to the radical preacher and populist demagogue Y'shua Bar-Yessuf – the man known, by way of shorthand to our operatives, as "Jesus†?. Satan, the narrator of Justin Butcher's one-man play who is looking out for our best interests, is on a mission to harness the ways of the dangerous extremist preacher Jesus. Jesus' radical teachings and popularity have the potential to wreak havoc in the Middle East. This is exactly the sort of man the government warn us of, again and again.This clever and evocative passion play from the devil's perspective considers Jesus' relevance to contemporary issues, and retells the story of Christ's life from the perspective of the enemy. The Devil's Passion received its world premiere in June 2015 at St James's, Piccadilly, and was revived and toured in 2016.

The Devil's Passion or Easter in Hell: A divine comedy in one act (Modern Plays)

Within the next hour, our operatives will isolate, engage and capture or kill the notorious leader of the most extreme, dangerous and contagious ideology to emerge in the modern era, whose terror activities represent the gravest threat to our interests across the region and the wider world. I refer, of course, to the radical preacher and populist demagogue Y'shua Bar-Yessuf – the man known, by way of shorthand to our operatives, as “Jesus”. Satan, the narrator of Justin Butcher's one-man play who is looking out for our best interests, is on a mission to harness the ways of the dangerous extremist preacher Jesus. Jesus' radical teachings and popularity have the potential to wreak havoc in the Middle East. This is exactly the sort of man the government warn us of, again and again.This clever and evocative passion play from the devil's perspective considers Jesus' relevance to contemporary issues, and retells the story of Christ's life from the perspective of the enemy. The Devil's Passion received its world premiere in June 2015 at St James's, Piccadilly, and was revived and toured in 2016.

Devised Theater’s Collaborative Performance: Making Masterpieces from Collective Concepts (Routledge Advances in Theatre & Performance Studies)

This book provides a fascinating and concise history of devised theatre practice. As both a founding member of Philadelphia’s Pig Iron Theater Company and a Professor, Telory Arendell begins this journey with a brief history of Joan Littlewood’s Theatre Workshop and Living Newspapers through Brecht’s Berliner Ensemble and Joe Chaikin’s Open Theatre to the racially inflected commentary of Luis Valdez’s Teatro Campesino and Ariane Mnouchkine’s collaboration with Théâtre de Soleil. This book explores the impact of devised theatre on social practice and analyzes Goat Island’s use of Pina Bausch’s gestural movement, Augusto Boal’s Theatre of the Oppressed in Giving Voice, Anna Deavere Smith’s devised envelope for Verbatim Theatre, The Tectonic Theatre Project’s moment work, Teya Sepinuck’s Theatre of Witness, Pig Iron’s use of Lecoq mime to build complex physical theatre scripts, and The Riot Group’s musical arrangement of collaborative devised text. Included are a foreword by Allen J. Kuharski and three devised plays by Theatre of Witness, Pig Iron, and The Riot Group. Replete with interviews from the initial Pig Iron collaborators on subjects of writing, directing, choreographing, teaching, and developing a pedagogical platform that supports devised theatre.

Devised Theater’s Collaborative Performance: Making Masterpieces from Collective Concepts (Routledge Advances in Theatre & Performance Studies)

This book provides a fascinating and concise history of devised theatre practice. As both a founding member of Philadelphia’s Pig Iron Theater Company and a Professor, Telory Arendell begins this journey with a brief history of Joan Littlewood’s Theatre Workshop and Living Newspapers through Brecht’s Berliner Ensemble and Joe Chaikin’s Open Theatre to the racially inflected commentary of Luis Valdez’s Teatro Campesino and Ariane Mnouchkine’s collaboration with Théâtre de Soleil. This book explores the impact of devised theatre on social practice and analyzes Goat Island’s use of Pina Bausch’s gestural movement, Augusto Boal’s Theatre of the Oppressed in Giving Voice, Anna Deavere Smith’s devised envelope for Verbatim Theatre, The Tectonic Theatre Project’s moment work, Teya Sepinuck’s Theatre of Witness, Pig Iron’s use of Lecoq mime to build complex physical theatre scripts, and The Riot Group’s musical arrangement of collaborative devised text. Included are a foreword by Allen J. Kuharski and three devised plays by Theatre of Witness, Pig Iron, and The Riot Group. Replete with interviews from the initial Pig Iron collaborators on subjects of writing, directing, choreographing, teaching, and developing a pedagogical platform that supports devised theatre.

Devising Critically Engaged Theatre with Youth: The Performing Justice Project

Devising Critically Engaged Theatre with Youth: The Performing Justice Project offers accessible frameworks for devising original theatre, developing critical understandings of racial and gender justice, and supporting youth to imagine, create, and perform possibilities for a more just and equitable society. Working at the intersections of theory and practice, Alrutz and Hoare present their innovative model for devising critically engaged theatre with novice performers. Sharing why and how the Performing Justice Project (PJP) opens dialogue around challenging and necessary topics already facing young people, the authors bring together critical information about racial and gender justice with new and revised practices from applied theatre, storytelling, theatre, and education for social change. Their curated collection of PJP "performance actions" offers embodied and reflective approaches for building ensemble, devising and performing stories, and exploring and analyzing individual and systemic oppression. This work begins to confront oppressive narratives and disrupt patriarchal systems—including white supremacy, racism, sexism, and homophobia. Devising Critically Engaged Theatre with Youth invites artists, teaching artists, educators, and youth-workers to collaborate bravely with young people to imagine and enact racial and gender justice in their lives and communities. Drawing on examples from PJP residencies in juvenile justice settings, high schools, foster care facilities, and community-based organizations, this book offers flexible and responsive ways for considering experiences of racism and sexism and performing visions of justice. Visit performingjusticeproject.org for additional information and documentation of PJP performances with youth.

Devising Critically Engaged Theatre with Youth: The Performing Justice Project

Devising Critically Engaged Theatre with Youth: The Performing Justice Project offers accessible frameworks for devising original theatre, developing critical understandings of racial and gender justice, and supporting youth to imagine, create, and perform possibilities for a more just and equitable society. Working at the intersections of theory and practice, Alrutz and Hoare present their innovative model for devising critically engaged theatre with novice performers. Sharing why and how the Performing Justice Project (PJP) opens dialogue around challenging and necessary topics already facing young people, the authors bring together critical information about racial and gender justice with new and revised practices from applied theatre, storytelling, theatre, and education for social change. Their curated collection of PJP "performance actions" offers embodied and reflective approaches for building ensemble, devising and performing stories, and exploring and analyzing individual and systemic oppression. This work begins to confront oppressive narratives and disrupt patriarchal systems—including white supremacy, racism, sexism, and homophobia. Devising Critically Engaged Theatre with Youth invites artists, teaching artists, educators, and youth-workers to collaborate bravely with young people to imagine and enact racial and gender justice in their lives and communities. Drawing on examples from PJP residencies in juvenile justice settings, high schools, foster care facilities, and community-based organizations, this book offers flexible and responsive ways for considering experiences of racism and sexism and performing visions of justice. Visit performingjusticeproject.org for additional information and documentation of PJP performances with youth.

Devising in Process

Devising in Process examines the creative processes of eight theatre companies making devising-based performances. Companies covered include:• The People Show• Station House Opera• Shunt• The Red Room• Faulty Optic Theatre of Animation• theatre O• Gecko• Third AngelAuthors were granted unusual access to the rehearsal room, enabling them to provide unique insights into how ideas evolve and develop, how strategies and methods are applied and how roles and relationships are structured. Covering a broad range of styles, the collection explores physical theatre, political theatre, puppetry, live art, new writing and performance with new technology. Accessibly framed, the book includes a comprehensive introduction which highlights similarities and differences in approach, examines the impact of economic and cultural factors and explores how definitions of devised theatre are changing and developing. This eye-opening collection will be important reading for students and practitioners interested in exploring 21st century devising processes.

Devising in Process (PDF)

Devising in Process examines the creative processes of eight theatre companies that make devising-based performances. The People Show Station House Opera Shunt The Red Room Faulty Optic Theatre of Animation Theatre O Gecko Third Angel Authors were granted unusual access to the rehearsal room, enabling them to provide unique insights into how ideas evolve and develop, how strategies and methods are applied and how roles and relationships are structured. Covering a broad range of styles, the collection explores physical theatre, political theatre, puppetry, live art, new writing and performance with new technology. Accessibly framed, the book includes a comprehensive introduction which highlights similarities and differences in approach, examines the impact of economic and cultural factors and explores how definitions of devised theatre are changing and developing. This eye-opening collection will be important reading for students and practitioners interested in exploring twenty-first-century devising processes.

Devising Performance: A Critical History (Theatre and Performance Practices)

What is the history of devised theatre? Why have theatre-makers, since the 1950s, chosen to devise performances? What different sorts of devising practices are there? What are the myths attached to devising, and what are the realities?First published in 2005, Devising Performance remains the only book to offer the reader a history of devising practice. Charting the development of collaboratively created performances from the 1950s to the early twenty-first century, it presents a range of case studies drawn from Britain, America and Australia. Companies discussed include The Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Théâtre de Complicité, Legs on the Wall, Forced Entertainment, Goat Island and Graeae. Providing a history of devising practice, Deirdre Heddon and Jane Milling encourage us to look more carefully at the different modes of devising and to consider the implications of our use of these practices in the twenty-first century.

Devising Performance: A Critical History (Theatre and Performance Practices)

What is the history of devised theatre? Why have theatre-makers, since the 1950s, chosen to devise performances? What different sorts of devising practices are there? What are the myths attached to devising, and what are the realities?First published in 2005, Devising Performance remains the only book to offer the reader a history of devising practice. Charting the development of collaboratively created performances from the 1950s to the early 21st century, it presents a range of case studies drawn from Britain, America and Australia. Companies discussed include The Living Theatre, Open Theatre, Australian Performing Group, People Show, Teatro Campesino, Théâtre de Complicité, Legs on the Wall, Forced Entertainment, Goat Island and Graeae. Providing a history of devising practice, Deirdre Heddon and Jane Milling encourage us to look more carefully at the different modes of devising and to consider the implications of our use of these practices in the 21st century.

Devising Theatre: A Practical and Theoretical Handbook

Devising Theatre is a practical handbook that combines a critical analysis of contemporary devised theatre practice with descriptions of selected companies, and suggestions for any group devising theatre from scratch. It is the first book to propose a general theory of devised theatre. After identifying the unique nature of this type of performance, the author examines how devised theatre is perceived by professional practitioners, and provides an historical overview illustrating how it has evolved since the 1960s. Alison Oddey examines the particular working practices and products of a number of professional companies, including a Reminiscence theatre for the elderly and a theatre-in-education group, and offers ideas and exercises for exploration and experimentation.