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Doris Humphrey: A Centennial Issue (Choreography and Dance Studies Series)
In honour of Doris Humphrey's centennial, which was celebrated worldwide in 1995, this issue explores her legacy to the world of dance and her place in history. The varied aspects of her work are covered including choreography, teaching approach, Labanotation scores, reconstruction/recreations, and composition.In order to convey a sense of movement into the next century, the articles are presented in "chronological" order, beginning with that of Ernestine Stodelle, who worked with Humphrey during the 1920's and ending with an examination of Mindlin's 1995 experience learning Humphrey's work from Stodelle.
Double Booked
by Lily Lindon'A laugh-out-loud romcom about what it means to come out... A must-read' Red 'The queer rom com I've been waiting for' Laura Kay 'Literary crack. I am so on board it hurts' Leena Norms Georgina has a strict routine:1) teach piano to bored children 2) schedule dates with long-term boyfriend 3) repeat until deadPerfect.But then, one wild night, she auditions for a lesbian pop band and realises:1) she longs to play her own music 2) she wants to be just like them 3) she has a huge crush on their female drummer...Realising she might like girls as well as boys, Georgina – and her schedule – are in chaos. Torn between the safety of her old life, and the freedom of a new one, she does what any rational person would do. She splits herself in two. After all, two lives are twice the fun... right?Praise for Double Booked: 'A laugh-out-loud romcom about what it means to come out, not just to those around you but ultimately to yourself... A must-read' Red Magazine 'The queer rom com I've been waiting for. A fresh and fun take on finding yourself stuck between two worlds, I challenge anyone not to fly through this novel, rooting for Georgina Green the entire time' Laura Kay, author of Tell Me Everything 'So fun and steaming hot' Mikaella Clements and Onjuli Datta, authors of The View Was Exhausting 'Warm and witty, smart and sassy, this bi romcom is a big-hearted and beautifully fresh story of love and self-discovery' Emylia Hall, author of The Book of Summers 'Sweet, charming, and has left me feeling hopeful about the future' Matt Cain, author of The Secret Life of Albert Entwistle 'The bisexual romcom of your wildest dreams' DIVA Magazine 'I loved and adored this – it's absolutely hilarious' Emma Hughes, author of No Such Thing as Perfect
Double Feature (Modern Plays)
by Mr John LoganArt and Eros are always superimposed, don't you find? You cannot separate the two: the model naked in supplication before the artist; the artist exposing himself in trust. The beast of creation is always erect.1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him.Vincent Price is about to walk out on the film, and Michael Reeves' career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.This edition is published to coincide with the world premiere at the Hampstead Theatre, London, in February 2024.
Double Feature (Modern Plays)
by Mr John LoganArt and Eros are always superimposed, don't you find? You cannot separate the two: the model naked in supplication before the artist; the artist exposing himself in trust. The beast of creation is always erect.1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him.Vincent Price is about to walk out on the film, and Michael Reeves' career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.This edition is published to coincide with the world premiere at the Hampstead Theatre, London, in February 2024.
Double Lives: Film Composers in the Concert Hall (Routledge Research in Music)
by James WierzbickiDouble Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who, perhaps to the surprise of many fans of film music, nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold, Franz Waxman, Miklós Rózsa, Bernard Herrmann, Nino Rota, Leonard Rosenman, and Ennio Morricone. Progressing in chronological order, the chapters offer accounts of the various composers’ concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer’s music for films with his or her music for the concert hall, and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book, complete filmographies and complete works lists are included as appendices. Double Lives: Film Composers in the Concert Hall is accessible for scholars, researchers, and general readers with an interest in film music and concert music.
Double Lives: Film Composers in the Concert Hall (Routledge Research in Music)
by James WierzbickiDouble Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who, perhaps to the surprise of many fans of film music, nevertheless maintained lifelong careers as composers for the concert hall. Featured composers include Erich Wolfgang Korngold, Franz Waxman, Miklós Rózsa, Bernard Herrmann, Nino Rota, Leonard Rosenman, and Ennio Morricone. Progressing in chronological order, the chapters offer accounts of the various composers’ concert-hall careers and descriptions of their concert-hall styles. Each chapter compares the composer’s music for films with his or her music for the concert hall, and speculates as to how music in one arena might have affected music in the other. For each composer discussed in the book, complete filmographies and complete works lists are included as appendices. Double Lives: Film Composers in the Concert Hall is accessible for scholars, researchers, and general readers with an interest in film music and concert music.
Double Nugget: Marymassacre - Seven Year Itch (Oberon Modern Plays)
by Johnny McKnightThis pair of plays are from Scottish theatre company Random Accomplice, by Random Accomplice writer, Johnny McKnight & follow on from the success of their Smalltown tour.Marymassacre ‘refreshing & original production …dark, funny & at times, very hard hitting…’ - The Irvine HeraldIt’s where the fun of the fair meets a secret affair. On Irvine Moor, two women wait at the candy floss machine, both of them unaware how they’ll change each others' lives forever. These two women share a secret – a secret that will cause deadly damage on Marymass Saturday.Seven Year Itch ‘...a tremendously vivid show, in which layers of narrative jostle together with such complexity and playfulness that it fairly takes the breath away... an unobtrusively excellent script that turns on a sixpence between looming tragedy and brilliant comic one-liners...’ - The ScotsmanHas the rut set in on what was once wonderfully described as watered down David Lynch? After all, who knew that working together was going to be so bloody hard. Join our hapless duo, stuck in their monotonous part time jobs wondering what could have been as they ‘grin and bear the dashed hopes of every wannabe who never hit the big time.’ Seven Year Itch is for anyone who thinks about shredding their co-workers' fingers, for the daydreamer looking at the stapler with murderous intentions and for the performers who keep forgetting their lines on stage.
Double Vision: Moral Philosophy and Shakespearean Drama
by Tzachi ZamirHamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet, and King Lear, Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.
Double Vision: Moral Philosophy and Shakespearean Drama (PDF)
by Tzachi ZamirHamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet, and King Lear, Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.
The Downing Street Guide to Party Etiquette
by Verity Bigg-KnightWhile the UK locked down to prevent the spread of COVID-19, Boris Johnson's Number Ten played host to a series of boozy shindigs. Now, for the first time, you can learn to get wasted like they do in Whitehall. The Downing Street Party Guide will take you through every stage of a successful, pandemic-defying bash, from drafting invitations to answering awkward questions later.Contents include:· Decor tips to avoid a 'John Lewis nightmare'.· The perfect playlist to start a Cabinet conga line.· How to handle the subsequent police investigation. Read on for the night of your life. Partygate? More like party GREAT!
D’Oyly Carte: The Decline and Fall of an Opera Company (Routledge Advances in Theatre & Performance Studies)
by Paul SeeleyThis book considers and discusses aspects of the management of the D’Oyly Carte Opera Company in the twentieth century since the death of its founder Richard D’Oyly Carte, and concentrates on key events that contributed to its demise in 1982. In this book, Paul Seeley follows the analytical model that proposes no single factor triggered the collapse, but rather several, both external and internal. In the case of an opera company the external factors may include public taste and market forces, but more significant are the internal factors such as the management decisions taken in response to external factors and how these compare with the original artistic aims, aspirations and business models of the founder. This is a study by someone with close observation of the administration; at the 1982 demise, Seeley was assistant to the company manager, having earlier served on the music staff. The book is a must-read for music historians, theatre historians and arts-management professionals; as an uncompromisingly critical history of the D'Oyly Carte Opera Company it is designed to serve a wider public, not just the Gilbert and Sullivan opera specialist, but anyone keen to debate the desirability of private or public sponsorship of the performing arts.
D’Oyly Carte: The Decline and Fall of an Opera Company (Routledge Advances in Theatre & Performance Studies)
by Paul SeeleyThis book considers and discusses aspects of the management of the D’Oyly Carte Opera Company in the twentieth century since the death of its founder Richard D’Oyly Carte, and concentrates on key events that contributed to its demise in 1982. In this book, Paul Seeley follows the analytical model that proposes no single factor triggered the collapse, but rather several, both external and internal. In the case of an opera company the external factors may include public taste and market forces, but more significant are the internal factors such as the management decisions taken in response to external factors and how these compare with the original artistic aims, aspirations and business models of the founder. This is a study by someone with close observation of the administration; at the 1982 demise, Seeley was assistant to the company manager, having earlier served on the music staff. The book is a must-read for music historians, theatre historians and arts-management professionals; as an uncompromisingly critical history of the D'Oyly Carte Opera Company it is designed to serve a wider public, not just the Gilbert and Sullivan opera specialist, but anyone keen to debate the desirability of private or public sponsorship of the performing arts.
Dr Faustus: The A- And B- Texts (1604, 1616) (Revels Student Editions Mup Ser. #1616)
by David Bevington Eric RasmussenDr. Faustus is one of the jewels of early modern English drama, and is still widely performed today. Interestingly, the play has come down to the contemporary audience in two distinct versions that have become known as the 'A' and the 'B' texts. David Bevington and Eric Rasmussen, who edited the original Revels edition over twenty years ago (and are two of the most eminent editors currently working), have hit upon the fascinating idea of presenting both texts on facing pages. This allows readers to compare the two ‘versions’, the ‘A’ text which is the one closest to Marlowe, and the longer ‘B’ text with additions by Samuel Rowley; in this unique edition, the reader is made aware of the changing tastes of audiences, the stage history of the play, and of just how intricate ‘editing’ a play can be.With a concise and illuminating introduction, and relevant notes and images, this Revels Student Edition of the 'A' and 'B' texts of Dr. Faustus will prove to be an enthralling document, and an excellent edition for student and theatre-goer alike.
Dr Frankenstein (Oberon Modern Plays)
by Selma DimitrijevicHENRY: You are playing God. VICTORIA: I would be if he was the one that created life. But he didn’t. I did. Women are not allowed to study medicine in England, so Victoria travels to Ingolstadt, Bavaria to fulfil her destiny and become Dr Frankenstein. Convinced that there is no magic, no god, only undiscovered science, Victoria’s experiments lead her to the very brink of human knowledge: the secret of life itself. In the dark of night, a creature is given life. There is violence, there is anger, there is fear. There will be consequences.
Dr Jekyll and Mr Hyde (Oberon Modern Plays)
by Glyn MaxwellA new version, from award-winning poet Glyn Maxwell, of Robert Louis Stevenson's Gothic masterpiece. A decent man finds himself stalked and confronted by his own evil alter-ego.
Dracula and Frankenstein: Two Horror Plays (Perfect Partners Ser.)
by Bryony Lavery Lisa EvansDracula and Frankenstein: Two Horror Plays brings together two classic horror tales updated for the 21st century and adapted for the stage by two of Britain’s leading playwrights.Bram Stoker’s Dracula adapted by Bryony LaveryThis is the modern world. Its inhabitants can go anywhere, even toTransylvania. They can communicate globally in the blink of an eye. Buttheir feet, in their modern shoes, walk upon the gravestones of a vastcosmic graveyard. Count Dracula is still alive. He could always comethrough walls, arrive on a moonbeam but, in the modern world, he hasemails, smartphones, webcams and the worldwide web…Mary Shelley’s Frankenstein adapted by Lisa EvansMary is imprisoned in a present-day psychiatric hospital, convicted ofmurdering her baby daughter. During her incarceration she becomesobsessed with Mary Shelley’s famous novel. The novel comes to lifewithin her imagination, and we are left to question just who the realmonster really is, Mary or Frankenstein himself…
Drafting Fundamentals for the Entertainment Classroom: A Process-Based Introduction Integrating Hand Drafting, Vectorworks, and SketchUp
by Eric AppletonDrafting Fundamentals for the Entertainment Classroom: A Process-Based Introduction to Hand Drafting, Vectorworks, and SketchUp guides students through a syllabus-formatted semester of integrated drafting concepts and skills. This book links beginner visualization practices with fundamental software knowledge through step-by-step exercises and examples. By presenting hand drafting and Vectorworks through incremental exercises, students not only gain an understanding of the tools used in drafting but also learn why the tools, practices, and standards exist in the first place. SketchUp, a user-friendly 3D modeling program, is integrated into the various exercises to help readers visualize concepts and begin modeling their own ideas. By the end of the book, students will understand drawing construction techniques, United States Institute for Theatre Technology (USITT)-recommended graphic standards, and the typical drawings created for entertainment design, preparing them to dive more deeply into the further complexities and opportunities of Vectorworks and SketchUp. Drafting Fundamentals for the Entertainment Classroom is written to complement a 14- or 15-week semester of an Entertainment Drafting course. The book’s format also provides structure for independent and self-directed study.
Drafting Fundamentals for the Entertainment Classroom: A Process-Based Introduction Integrating Hand Drafting, Vectorworks, and SketchUp
by Eric AppletonDrafting Fundamentals for the Entertainment Classroom: A Process-Based Introduction to Hand Drafting, Vectorworks, and SketchUp guides students through a syllabus-formatted semester of integrated drafting concepts and skills. This book links beginner visualization practices with fundamental software knowledge through step-by-step exercises and examples. By presenting hand drafting and Vectorworks through incremental exercises, students not only gain an understanding of the tools used in drafting but also learn why the tools, practices, and standards exist in the first place. SketchUp, a user-friendly 3D modeling program, is integrated into the various exercises to help readers visualize concepts and begin modeling their own ideas. By the end of the book, students will understand drawing construction techniques, United States Institute for Theatre Technology (USITT)-recommended graphic standards, and the typical drawings created for entertainment design, preparing them to dive more deeply into the further complexities and opportunities of Vectorworks and SketchUp. Drafting Fundamentals for the Entertainment Classroom is written to complement a 14- or 15-week semester of an Entertainment Drafting course. The book’s format also provides structure for independent and self-directed study.
Drag Histories, Herstories and Hairstories: Drag in a Changing Scene Volume 2 (Methuen Drama Engage)
by Enoch Brater Mark Taylor-BattyDrawing on rich interdisciplinary research that has laced the emerging subject of drag studies as an academic discipline, this book examines how drag performance is a political, socio-cultural practice with a widespread lineage throughout the history of performance. This volume maps the multi-threaded contexts of contemporary practices while rooting them in their fabulous historical past and memory.The book examines drag histories and what drag does with history, how it enacts or tells stories about remembering and the past. Featuring work about the USA, UK and Ireland, Japan, Australia, Brazil and Barbados, this book allows the reader to engage with a range of archival research including camp and history; ethnicity and drag; queering ballet through drag; the connections between drag king and queen history; queering pantomime performance; drag and military veterans; Puerto Rican drag performers and historical film.
Drag Histories, Herstories and Hairstories: Drag in a Changing Scene Volume 2 (Methuen Drama Engage)
by Enoch Brater Mark Taylor-BattyDrawing on rich interdisciplinary research that has laced the emerging subject of drag studies as an academic discipline, this book examines how drag performance is a political, socio-cultural practice with a widespread lineage throughout the history of performance. This volume maps the multi-threaded contexts of contemporary practices while rooting them in their fabulous historical past and memory.The book examines drag histories and what drag does with history, how it enacts or tells stories about remembering and the past. Featuring work about the USA, UK and Ireland, Japan, Australia, Brazil and Barbados, this book allows the reader to engage with a range of archival research including camp and history; ethnicity and drag; queering ballet through drag; the connections between drag king and queen history; queering pantomime performance; drag and military veterans; Puerto Rican drag performers and historical film.
Drama: Between Poetry and Performance
by W. B. WorthenAn engaging book spanning the fields of drama, literary criticism, genre, and performance studies, Drama: Between Poetry and Performance teaches students how to read drama by exploring the threshold between text and performance. Draws on examples from major playwrights including Shakespeare, Ibsen, Beckett, and Parks Explores the critical terms and controversies that animate the performance and study of drama, such as the status of language, the function of character and plot, and uses of writing Engages in a theoretical, disciplinary, and cultural repositioning of drama, by exploring and contesting its position at the threshold between text and performance
Drama and Digital Arts Cultures (Methuen Drama Engage)
by David Cameron Rebecca Wotzko Michael AndersonDrama and Digital Arts Cultures is a critical guide to the new forms of playful exploration, co-creativity, and improvised performance made possible by digital networked media. Drawing on examples from games, education, online media, technology-enabled performance and the creative industries, the book uses the elements of applied drama to frame our understanding of digital cultures.Exploring the connected real-world and virtual spaces where young people are making and sharing digital content, it draws attention to the fundamental applied drama conventions that infuse and activate this networked culture. Challenging descriptions of drama and digital technology as binary opposites, the book maps common principles and practice grounded in role, embodiment, performance, play, and identity that are being amplified and enhanced by the affordances of online media. Drama and Digital Arts Cultures draws together extensive original research including interviews with game designers, media producers, educators, artists and makers at the heart of these new digital cultures. Young people discuss their own creative practices and products, providing insight into a complex and evolving world being transformed by digital technologies. A practical guide to the field, it contains case studies and examples of the intersections of drama conventions and networked cultures drawn from the US, Canada, UK, Netherlands, Singapore and Australia.Written for scholars, educators, students and 'makers' everywhere, Drama and Digital Arts Cultures provides a clear understanding of how young people are blending creativity and learning with the powerful and empowering conventions of drama to create new forms of multimodal and transmedia storytelling.
Drama and Digital Arts Cultures (Methuen Drama Engage)
by David Cameron Rebecca Wotzko Michael AndersonDrama and Digital Arts Cultures is a critical guide to the new forms of playful exploration, co-creativity, and improvised performance made possible by digital networked media. Drawing on examples from games, education, online media, technology-enabled performance and the creative industries, the book uses the elements of applied drama to frame our understanding of digital cultures.Exploring the connected real-world and virtual spaces where young people are making and sharing digital content, it draws attention to the fundamental applied drama conventions that infuse and activate this networked culture. Challenging descriptions of drama and digital technology as binary opposites, the book maps common principles and practice grounded in role, embodiment, performance, play, and identity that are being amplified and enhanced by the affordances of online media. Drama and Digital Arts Cultures draws together extensive original research including interviews with game designers, media producers, educators, artists and makers at the heart of these new digital cultures. Young people discuss their own creative practices and products, providing insight into a complex and evolving world being transformed by digital technologies. A practical guide to the field, it contains case studies and examples of the intersections of drama conventions and networked cultures drawn from the US, Canada, UK, Netherlands, Singapore and Australia.Written for scholars, educators, students and 'makers' everywhere, Drama and Digital Arts Cultures provides a clear understanding of how young people are blending creativity and learning with the powerful and empowering conventions of drama to create new forms of multimodal and transmedia storytelling.