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Dreams, Sleep, and Shakespeare’s Genres (Palgrave Shakespeare Studies)

by Claude Fretz

This book explores how Shakespeare uses images of dreams and sleep to define his dramatic worlds. Surveying Shakespeare’s comedies, tragedies, histories, and late plays, it argues that Shakespeare systematically exploits early modern physiological, religious, and political understandings of dreams and sleep in order to reshape conventions of dramatic genre, and to experiment with dream-inspired plots.The book discusses the significance of dreams and sleep in early modern culture, and explores the dramatic opportunities that this offered to Shakespeare and his contemporaries. It also offers new insights into how Shakespeare adapted earlier literary models of dreams and sleep – including those found in classical drama, in medieval dream visions, and in native English dramatic traditions. The book appeals to academics, students, teachers, and practitioners in the fields of literature, drama, and cultural history, as well as to general readers interested in Shakespeare’s works and their cultural context.

DreamWork: A Training for Directors

by David Zinder

DreamWork: A Training for Directors provides a theoretical basis and a highly detailed, practical, step-by-step blueprint for developing a directorial concept for a play.Directing is a complex, multi-staged artistic process which, for the most part, is a collaborative work of art. The director works with designers, composers, choreographers and actors to create the performance that is eventually shown to an audience. In this process, there is one stage of the director’s work which is uniquely personal and individual: the creation of a directorial concept. This book concentrates on this crucial stage of the director’s work, offering a template for the creation of a directorial concept prior to embarking on the collaborative stage of the director’s work. The book follows the process from the choice of the text, through a series of clearly documented and structured sets of strategies with attendant examples, up to the creation of the director’s version of the original play - the adaptation - that is the starting point for the director’s dialogue with designers, composers, choreographers and actors.DreamWork: A Training for Directors is intended for directing students at universities or theatre academies, both at undergraduate and graduate levels, as well as directors at the beginning of their careers.

DreamWork: A Training for Directors

by David Zinder

DreamWork: A Training for Directors provides a theoretical basis and a highly detailed, practical, step-by-step blueprint for developing a directorial concept for a play.Directing is a complex, multi-staged artistic process which, for the most part, is a collaborative work of art. The director works with designers, composers, choreographers and actors to create the performance that is eventually shown to an audience. In this process, there is one stage of the director’s work which is uniquely personal and individual: the creation of a directorial concept. This book concentrates on this crucial stage of the director’s work, offering a template for the creation of a directorial concept prior to embarking on the collaborative stage of the director’s work. The book follows the process from the choice of the text, through a series of clearly documented and structured sets of strategies with attendant examples, up to the creation of the director’s version of the original play - the adaptation - that is the starting point for the director’s dialogue with designers, composers, choreographers and actors.DreamWork: A Training for Directors is intended for directing students at universities or theatre academies, both at undergraduate and graduate levels, as well as directors at the beginning of their careers.

Dressaged Animality: Human and Animal Actors in Contemporary Performance (ISSN)

by Lisa Moravec

The book applies a productive interdisciplinary lens of art history, performance, and animal studies for approaching political economy issues, critiquing anthropomorphic worldviews, and provoking thoughts around animal and human nature that spark impulses for an innovative performance aesthetics and ethics.It combines Marxist analysis with feminist and posthumanist methodology to analyse the relation between ‘societal dressage’ and ‘bodily animality’ that humans and animals share. Within this original theoretical framework, the book develops the concept of ‘dressaged animality’ as a mode of critique to analyse the social and political function of interdisciplinary forms of ‘contemporary performances.’Drawing on archival and primary research, the book theorises and historicises more than 15 performance practices in which animality is allegorically staged through by humans danced, real, or filmically mediated animals. It focuses on Rose English’s pioneering approach to performance-making as well as on overlooked performances by other renown and largely unknown American (Mike Kelley/Kate Foley, Robert Morris, Bruce Nauman, Yvonne Rainer, Diana Thater), British (Mark Wallinger, Rose English), and European artists (Tamara Grcic, Judith Hopf, Joseph Beuys, Bartabas) from the late 1960s until the late 2010s. While various types of artistic practice are framed as forms of critique (for example, protest art, interventionist strategies, institutional critique), the book maps an original performance theory in art which shows that contemporary artistic performances can also take up a critique of societal dressage.This study will be of great interest to students and scholars in art history, theatre, dance and performance studies, and ecology, as well as to artists and curators working with performance.

Dressaged Animality: Human and Animal Actors in Contemporary Performance (ISSN)

by Lisa Moravec

The book applies a productive interdisciplinary lens of art history, performance, and animal studies for approaching political economy issues, critiquing anthropomorphic worldviews, and provoking thoughts around animal and human nature that spark impulses for an innovative performance aesthetics and ethics.It combines Marxist analysis with feminist and posthumanist methodology to analyse the relation between ‘societal dressage’ and ‘bodily animality’ that humans and animals share. Within this original theoretical framework, the book develops the concept of ‘dressaged animality’ as a mode of critique to analyse the social and political function of interdisciplinary forms of ‘contemporary performances.’Drawing on archival and primary research, the book theorises and historicises more than 15 performance practices in which animality is allegorically staged through by humans danced, real, or filmically mediated animals. It focuses on Rose English’s pioneering approach to performance-making as well as on overlooked performances by other renown and largely unknown American (Mike Kelley/Kate Foley, Robert Morris, Bruce Nauman, Yvonne Rainer, Diana Thater), British (Mark Wallinger, Rose English), and European artists (Tamara Grcic, Judith Hopf, Joseph Beuys, Bartabas) from the late 1960s until the late 2010s. While various types of artistic practice are framed as forms of critique (for example, protest art, interventionist strategies, institutional critique), the book maps an original performance theory in art which shows that contemporary artistic performances can also take up a critique of societal dressage.This study will be of great interest to students and scholars in art history, theatre, dance and performance studies, and ecology, as well as to artists and curators working with performance.

dressed. (Oberon Modern Plays)

by ThisEgg

After being stripped at gunpoint, Lydia set out to redress herself with a new healing set of armour. Lydia now only wears clothes she has made. Told with a tender intimacy, dressed. is a true story told by four women who have been friends since school. Combining choreography, live sewing, comedy and original music, dressed. celebrates the power clothes have to define us, to liberate us, to hide us and to embellish us.

The Dreyfus Affair: A Trilogy (Oberon Modern Playwrights)

by George R. Whyte

In 1894, Captain Alfred Dreyfus, an innocent Jewish Officer in the French Army, was convicted on false evidence for a crime of high treason. He was stripped of his rank, publicly degraded and deported to the penal colony of Devil's Island to serve a sentence of life imprisonment in total isolation and under inhumane conditions. The fight to prove his innocence was to last 12 years.This trilogy of plays are a dramatic adaptation of this episode in 19th century European history. Also includes an introduction, a chronology of the Dreyfus Affair and an epilogue by the author, My Burning Protest by George Whyte after Emile Zola. The Dreyfus trilogy includes the dramatizations The Dreyfus Affair (premiered at the Deutsche Oper Berlin, 8 May 1994), Dreyfus - J'Accuse (premiered at the Oper der Stadt Bonn, 8 September 1999) and Rage and Outrage (premiered by Franco/German TV Channel Arte 18 May 1995).‘An excellent example of how drama can bring alive history. This volume is an important read, and would benefit students of history as well as drama.’ – Ink Pellet

Drink, Dance, Laugh and Lie

by Samuel Adamson

No one has recognised Reade Collins in the street for over a decade. Suddenly everyone seems to know who he is again - things are looking up. But there's a flip side to second-hand fame - and Reade discovers that there's more than one way of getting shafted. Drink, Dance, Laugh and Lie is a wildly entertaining look at the nature of celebrity.Drink, Dance, Laugh and Lie premiered at the Bush Theatre, London, in 1999.

Drones, Baby, Drones (Oberon Modern Plays)

by Christina Lamb Ron Hutchinson David Greig

Three writers. Two plays. One vital tale of power, sex and infighting at the top of the Washington establishment, and its far-reaching repercussions. This Tuesday by Ron Hutchinson and Christina Lamb It’s 5a.m. A CIA director learns her daughter has been injured in a car crash, a White House security adviser is sleeping with an intern, a Pentagon General is working out in the gym. This Tuesday, in an hour, they have a vital decision to make. The Kid by David Greig Wednesday. A missile hits a wedding in Pakistan. 7,500 miles away, two drone operators begin their celebration. Pushing the button was the start. If only it were the end... Drones, Baby, Drones premiered at Arcola Theatre in November 2016, directed by Nicolas Kent and Mehmet Ergen.

The Drowned World (Modern Plays)

by Gary Owen

Winner of the George Devine Award for 2002, published to tie in with the opening at the Traverse Theatre at the Edinburgh FestivalAnd that is why we can't have these/Fatally radiant creatures/Walking round the place/Reminding us how clumsy/And mean-spirited/And graceless/And cowardly/And shapeless/And flabby and foul we all are.In a drowned world - how far will you go to save your own skin? In this vicious tale of love, revolt and beauty, Gary Owen presents a vision of a world divided between citizens and non-citizens, where friends betray one another and where surfaces matter more than love or kinship."A blazing new talent" Guardian"A blast of brilliant theatrical writing straight from the heart of post-modern Wales" Scotsman

The Drowned World: Crazy Gary's Mobile Disco - The Shadow Of A Boy - The Drowned World - Fags - Cancer Time (Modern Plays)

by Gary Owen

Winner of the George Devine Award for 2002, published to tie in with the opening at the Traverse Theatre at the Edinburgh FestivalAnd that is why we can't have these/Fatally radiant creatures/Walking round the place/Reminding us how clumsy/And mean-spirited/And graceless/And cowardly/And shapeless/And flabby and foul we all are.In a drowned world - how far will you go to save your own skin? In this vicious tale of love, revolt and beauty, Gary Owen presents a vision of a world divided between citizens and non-citizens, where friends betray one another and where surfaces matter more than love or kinship."A blazing new talent" Guardian"A blast of brilliant theatrical writing straight from the heart of post-modern Wales" Scotsman

DruidMurphy: Plays By Tom Murphy (Modern Plays)

by Tom Murphy

This collection brings together three of Tom Murphy's finest plays, Famine, A Whistle in the Dark and Conversations on a Homecoming. Together, they tell the story of Irish emigration - of those who went and those who were left behind. Crossing oceans and spanning decades, Murphy's three plays cover the period from the Great Hunger of the nineteenth century to the 'new' Ireland of the 1970s, exploring what we mean when we call a place 'home'. Conversations on a Homecoming: County Galway, 1970s. Even the humblest of small-town pubs can be a magnet for dreamers. Michael, after a ten-year absence, suddenly returns from New York and has a reunion with old friends, in that same pub 'The White House'.A Whistle in the Dark: Coventry, 1960Irish emigrants, the uprooted Carney family, adapt aggressively to life in an English city.Famine: County Mayo, 1846In Glanconnor village in the west of Ireland, the second crop of potatoes fails. The community now faces the real prospect of starvation.With an introduction by Dr Patrick Lonergan, NUI GalwayDruidMurphy, presented by Druid in a co-production with Quinnipiac University Connecticut, NUI Galway, Lincoln Center Festival and Galway Arts Festival, marks a major celebration of one of Ireland's most respected living dramatists and toured Ireland, London and the US in 2012.

DruidMurphy: Plays By Tom Murphy (Modern Plays)

by Tom Murphy

This collection brings together three of Tom Murphy's finest plays, Famine, A Whistle in the Dark and Conversations on a Homecoming. Together, they tell the story of Irish emigration - of those who went and those who were left behind. Crossing oceans and spanning decades, Murphy's three plays cover the period from the Great Hunger of the nineteenth century to the 'new' Ireland of the 1970s, exploring what we mean when we call a place 'home'. Conversations on a Homecoming: County Galway, 1970s. Even the humblest of small-town pubs can be a magnet for dreamers. Michael, after a ten-year absence, suddenly returns from New York and has a reunion with old friends, in that same pub 'The White House'.A Whistle in the Dark: Coventry, 1960Irish emigrants, the uprooted Carney family, adapt aggressively to life in an English city.Famine: County Mayo, 1846In Glanconnor village in the west of Ireland, the second crop of potatoes fails. The community now faces the real prospect of starvation.With an introduction by Dr Patrick Lonergan, NUI GalwayDruidMurphy, presented by Druid in a co-production with Quinnipiac University Connecticut, NUI Galway, Lincoln Center Festival and Galway Arts Festival, marks a major celebration of one of Ireland's most respected living dramatists and toured Ireland, London and the US in 2012.

Drum Belly (Modern Plays)

by Richard Dormer

This city is changing. Different world from when I was a boy. I came over here when I wasn't much taller than you are now. Different world. You know what getting old is? Getting old is slowly losing everything that you're familiar with.Man has just set foot on the moon. The streets of Brooklyn are tense. The Irish Mafia is desperately trying to hold on to their power and more importantly their identity. After all, they built these streets. In this edgy new story, relationships between family, friends and enemies are ultimately challenged. Hold tight as Drum Belly casts you into New York City's deep and dark underworld.

Drum Belly: Freefall; Forgotten; Drum Belly; Planet Belfast; Desolate Heaven; The Boys Of Foley Street (Modern Plays)

by Richard Dormer

This city is changing. Different world from when I was a boy. I came over here when I wasn't much taller than you are now. Different world. You know what getting old is? Getting old is slowly losing everything that you're familiar with.Man has just set foot on the moon. The streets of Brooklyn are tense. The Irish Mafia is desperately trying to hold on to their power and more importantly their identity. After all, they built these streets. In this edgy new story, relationships between family, friends and enemies are ultimately challenged. Hold tight as Drum Belly casts you into New York City's deep and dark underworld.

The Dry House (Modern Plays)

by Eugene O'Hare

“I don't know what's beyond this minute. But whatever it is it can't be worse than all the minutes that brought us here”.Two sisters, one last drink. In the Irish border town of Newry, Chrissy promises her sister Claire that after four cans of lager she will go to the dry house to get sober. Does she mean it this time? One woman's refusal to give up on her sister powers The Dry House, an emotionally searing new family drama about love, loss and the possibility of hope after years of self-destruction.This edition was published to coincide with the world premiere at London's Marylebone Theatre in March 2023.

The Dry House (Modern Plays)

by Eugene O'Hare

“I don't know what's beyond this minute. But whatever it is it can't be worse than all the minutes that brought us here”.Two sisters, one last drink. In the Irish border town of Newry, Chrissy promises her sister Claire that after four cans of lager she will go to the dry house to get sober. Does she mean it this time? One woman's refusal to give up on her sister powers The Dry House, an emotionally searing new family drama about love, loss and the possibility of hope after years of self-destruction.This edition was published to coincide with the world premiere at London's Marylebone Theatre in March 2023.

Dry Swallow (Modern Plays)

by Lucas Baisch

Took me twenty years, from fetus to fuck-up,to know what weight looked like, whatweight feels like, what weight makes a bodydo in place of freedom.Sitting within the confines of a shipping container, people are rendered commodity and turf is marked for value. Chula and Pal create competition on a Boyle Heights street corner. Nasir and Porter offer medicinal intake as artistic practice. Sik and Dori turn to drastic measures in order to save their family.Dry Swallow explores surrogacy, consumption, and substance abuse, while provoking the question: who's allowed a healthy life?Lucas Baisch's play was the recipient of The Kennedy Center's KCACTF 2020 Latinx Playwriting Award, the Princess Grace Award in Playwriting (2021) and the Chesley/Bumbalo Award in Playwriting (2021).

Dry Swallow (Modern Plays)

by Lucas Baisch

Took me twenty years, from fetus to fuck-up,to know what weight looked like, whatweight feels like, what weight makes a bodydo in place of freedom.Sitting within the confines of a shipping container, people are rendered commodity and turf is marked for value. Chula and Pal create competition on a Boyle Heights street corner. Nasir and Porter offer medicinal intake as artistic practice. Sik and Dori turn to drastic measures in order to save their family.Dry Swallow explores surrogacy, consumption, and substance abuse, while provoking the question: who's allowed a healthy life?Lucas Baisch's play was the recipient of The Kennedy Center's KCACTF 2020 Latinx Playwriting Award, the Princess Grace Award in Playwriting (2021) and the Chesley/Bumbalo Award in Playwriting (2021).

Dublin by Lamplight (Modern Plays)

by Michael West

Martyn Wallace awoke in his boarding house and held his aching head. His room was brown and dirty and bare. He called it Reading Gaol.Amidst the filth and fury of Dublin 1904, the theatrical event of the century is about to explode! Fading stars, rebels, whores and romantics irreverently expose the strange and lurid world of Dublin by Lamplight.An instant hit when it first opened in 2004, this hugely entertaining and anarchic production is a night to change a nation's destiny! Unless it all goes horribly wrong . . . Written by Michael West in collaboration with Corn Exchange theatre company, Dublin by Lamplight was first produced at the Project Arts Centre in Dublin in 2004, before a transfer to the Traverse Theatre, Edinburgh, in 2005. This new edition of the playscript was published to coincide with a major revival at the Abbey Theatre in spring 2017

Dublin by Lamplight (Modern Plays)

by Michael West

Martyn Wallace awoke in his boarding house and held his aching head. His room was brown and dirty and bare. He called it Reading Gaol.Amidst the filth and fury of Dublin 1904, the theatrical event of the century is about to explode! Fading stars, rebels, whores and romantics irreverently expose the strange and lurid world of Dublin by Lamplight.An instant hit when it first opened in 2004, this hugely entertaining and anarchic production is a night to change a nation's destiny! Unless it all goes horribly wrong . . . Written by Michael West in collaboration with Corn Exchange theatre company, Dublin by Lamplight was first produced at the Project Arts Centre in Dublin in 2004, before a transfer to the Traverse Theatre, Edinburgh, in 2005. This new edition of the playscript was published to coincide with a major revival at the Abbey Theatre in spring 2017

Dublin Oldschool (Modern Plays)

by Emmet Kirwan

Epic.In small ways. Jason, a wannabe DJ, is making his way through the streets of Dublin on a chemically enhanced trip, stumbling from one misguided misadventure to another. Somewhere between the DJs, decks, drug busts and hilltop raves, he stumbles across a familiar face from the past: his brother, Daniel.Daniel is an educated, homeless addict, living on the streets of Dublin. The brothers haven't seen or spoken to each other in three years but over a lost weekend they reconnect and reminisce over tunes, trips, their history and their city. Two brothers living on the edge, perhaps they have more in common than they think, but how long can this buzz last?This programme text edition of Dublin Oldschool was published to coincide with the revival of the play at the Project Arts Centre, Dublin, on 11 January 2016.

Dublin Oldschool (Modern Plays)

by Emmet Kirwan

Epic.In small ways. Jason, a wannabe DJ, is making his way through the streets of Dublin on a chemically enhanced trip, stumbling from one misguided misadventure to another. Somewhere between the DJs, decks, drug busts and hilltop raves, he stumbles across a familiar face from the past: his brother, Daniel.Daniel is an educated, homeless addict, living on the streets of Dublin. The brothers haven't seen or spoken to each other in three years but over a lost weekend they reconnect and reminisce over tunes, trips, their history and their city. Two brothers living on the edge, perhaps they have more in common than they think, but how long can this buzz last?This programme text edition of Dublin Oldschool was published to coincide with the revival of the play at the Project Arts Centre, Dublin, on 11 January 2016.

The Duchess (of Malfi)

by Zinnie Harris

You should know: I sing at parties, I wear colourful dresses, I am headstrong, I won't wear my hair up because you say I should, or do this because you prefer it, in fact I might do the other just to be contrary, but I am utterly and always myself.The Duchess is a young widow. Her husband is dead, she is free. But her financial position, sexual freedom and youth mean that she could be dangerous, she could get to determine her own life. That is if she isn't stopped first.Terrified by her sudden power and its implications, her brothers Ferdinand and The Cardinal seek to block The Duchess' desire to re-marry, repress her agency, and dismantle both her authority and spirit through any means necessary, with horrifying results and bloody vengeance from the most unexpected of sources . . . The Duchess (of Malfi) premiered at the Royal Lyceum Theatre, Edinburgh, in May 2019

The Duchess of Malfi: A critical guide (Continuum Renaissance Drama Guides)

by Professor Christina Luckyj

John Webster's classic revenge tragedy The Duchess of Malfi was first performed in 1613 and published in 1623. This guide offers students an introduction to its critical and performance history, including recent versions on stage and screen. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays presenting new critical positions that offer divergent perspectives on Webster's religio-political allegiances and the politics and gendering of secrecy in the play. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.

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