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The Duchess of Malfi: A critical guide (Continuum Renaissance Drama Guides)
by Professor Christina LuckyjJohn Webster's classic revenge tragedy The Duchess of Malfi was first performed in 1613 and published in 1623. This guide offers students an introduction to its critical and performance history, including recent versions on stage and screen. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays presenting new critical positions that offer divergent perspectives on Webster's religio-political allegiances and the politics and gendering of secrecy in the play. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
The Duchess of Malfi (New Mermaids)
by John WebsterThis fully re-edited, modernised play text is accompanied by insightful commentary notes, while its lively introduction provides an essential contextual grounding in the court scandals, anti-Catholic sentiment and Senecan drama that formed a backdrop to Webster's tragedy. Exploring the challenges of staging this highly melodramatic play, Karen Britland guides you through the most interesting points of its rich performance history, and analyses recent productions such as Dominic Dromgoole's version at the Sam Wanamaker Playhouse, starring Gemma Arterton. Analysing its masterful poetry, she shows how the work can be harnessed to engage in contemporary social debates about privacy, torture, surveillance, and personal freedom, and empowers you to do likewise.Supplemented by a plot summary, annotated bibliography and a companion website providing thought-provoking podcasts, production images, useful web links and sample questions and essay ideas, this edition is the most enlightening and engaging you will find.
The Duchess of Malfi (New Mermaids)
by John WebsterThis fully re-edited, modernised play text is accompanied by insightful commentary notes, while its lively introduction provides an essential contextual grounding in the court scandals, anti-Catholic sentiment and Senecan drama that formed a backdrop to Webster's tragedy. Exploring the challenges of staging this highly melodramatic play, Karen Britland guides you through the most interesting points of its rich performance history, and analyses recent productions such as Dominic Dromgoole's version at the Sam Wanamaker Playhouse, starring Gemma Arterton. Analysing its masterful poetry, she shows how the work can be harnessed to engage in contemporary social debates about privacy, torture, surveillance, and personal freedom, and empowers you to do likewise.Supplemented by a plot summary, annotated bibliography and a companion website providing thought-provoking podcasts, production images, useful web links and sample questions and essay ideas, this edition is the most enlightening and engaging you will find.
The Duchess of Malfi (New Mermaids)
by John Webster Brian GibbonsA major revision of this classic revenge tragedy. The comprehensive introduction covers recent developments in criticism and key theatre productions, as well as relating the play to other early modern tragedies. The edition gives students and teachers a reliable, annotated text and a stimulating overview of the play's context, critical perspectives and an exploration of its stage history. An invaluable resource for study and performance.
The Duchess of Malfi (Arden Early Modern Drama)
by John Webster Leah MarcusThe Duchess of Malfi is one of the major tragedies of theearly modern period and remains popular in the theatre as well as inthe classroom. The story of the Duchess's secret marriage and the cruelrevenge of her brothers has fascinated and appalled audiences forcenturies. This new Arden edition offers readers a comprehensive, illustratedintroduction to the play's historical, critical and performancehistory. The text is modernised and edited to the highest scholarlystandards, with textual notes and commentary notes on the same page forease of reference. This is the lead title in the launch of The Arden Early ModernDrama Series, a series which offers all the depth and quality ofthinking long associated with the Arden. The edition will be valued bystudents, teachers and theatre professionals.
The Duchess of Malfi, The White Devil, The Broken Heart and 'Tis Pity She's a Whore: with The White Devil, The Broken Heart and 'Tis Pity She's a Whore
by John Ford John Webster Jane Kingsley-SmithThese four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and the problems of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo theme of incest and forbidden lust in a daring reworking of Romeo and Juliet.Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights explored issues around women, sex, power and violence.JOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614), which sealed his reputation. He died in the 1630s.JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638. JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.
Duck (Modern Plays)
by maatinI've always been known for my timing. It's what makes me a great batsman... Today, I've got the worst timing known to man.It's the summer of 2005, England prepares to win the Ashes, and Ismail is about to become the youngest ever player in his elite public school's First XI cricket team. He sets his sights on immortality to break the school batting record and get his name into Wisden. But things are about to heat up.Recipient of the Pleasance's Charlie Hartill Fund 2024, from award-winning playwright maatin, Duck explores the challenges of adolescence, the pressures of sporting competition, and what it means to establish your own identity.This edition was published to coincide with the run at the Pleasance Courtyard at Edinburgh Fringe Festival in August 2024.
Duck (Modern Plays)
by maatinI've always been known for my timing. It's what makes me a great batsman... Today, I've got the worst timing known to man.It's the summer of 2005, England prepares to win the Ashes, and Ismail is about to become the youngest ever player in his elite public school's First XI cricket team. He sets his sights on immortality to break the school batting record and get his name into Wisden. But things are about to heat up.Recipient of the Pleasance's Charlie Hartill Fund 2024, from award-winning playwright maatin, Duck explores the challenges of adolescence, the pressures of sporting competition, and what it means to establish your own identity.This edition was published to coincide with the run at the Pleasance Courtyard at Edinburgh Fringe Festival in August 2024.
The Ducky
by D. C. JacksonFor the teenagers of the small Ayrshire town of Stewarton, there's change in the air. Rab's back from Cambridge. He feels alienated there; he feels alienated in his home town, too. Michelle's returned to spend some time with her great-gran while she can. She reckons university isn't all it's cracked up to be, too. Meanwhile, Norma's sweeping up in the local hairdresser's until she works out what to do. Two years is a long time in a teenager's life.The second play in the trilogy which includes The Wall and The Chooky Brae, D. C. Jackson's The Ducky premiered in a Borderline Theatre Company production at the Palace Theatre, Kilmarnock, in May 2009.
Dueling Grounds: Revolution and Revelation in the Musical Hamilton
by Mary Jo Lodge and Paul R. LairdHamilton opened on Broadway in 2015 and quickly became one of the hottest tickets the industry has ever seen. Lin-Manuel Miranda - who wrote the book, lyrics, and music, and created the title role - adapted the show from Ron Chernow's biography Alexander Hamilton. Although it seems an unlikely source for a Broadway musical, Miranda found a liminal space where the life that Hamilton led and the issues that he confronted came alive more than two centuries later while also commenting on contemporary life in the United States and how we view our nation's history. With a score largely based on rap and drawing on other aspects of hip-hop culture, and staged with actors of color playing the white Founding Fathers, Hamilton has much to say about race in the United States today and in our past, but at the same time it leaves important things insufficiently explained, such as the role of women and people of color in Hamilton's time. Dueling Grounds: Revolution and Revelation in the Musical Hamilton is a volume that combines the work of theater scholars and practitioners, musicologists, and scholars in such fields as ethnomusicology, history, gender studies, and economics in a multi-faceted approach to the show's varied uses of liminality, looking at its creation, casting philosophy, dance and movement, costuming, staging, direction, lyrics, music, marketing, and how aspects of race, gender, and class fit into the show and its production. Demonstrating that there is much to celebrate, as well as challenging issues to confront concerning Hamilton, Dueling Grounds is an uncompromising look at one of the most important musicals of the century.
Dueling Grounds: Revolution and Revelation in the Musical Hamilton
Hamilton opened on Broadway in 2015 and quickly became one of the hottest tickets the industry has ever seen. Lin-Manuel Miranda - who wrote the book, lyrics, and music, and created the title role - adapted the show from Ron Chernow's biography Alexander Hamilton. Although it seems an unlikely source for a Broadway musical, Miranda found a liminal space where the life that Hamilton led and the issues that he confronted came alive more than two centuries later while also commenting on contemporary life in the United States and how we view our nation's history. With a score largely based on rap and drawing on other aspects of hip-hop culture, and staged with actors of color playing the white Founding Fathers, Hamilton has much to say about race in the United States today and in our past, but at the same time it leaves important things insufficiently explained, such as the role of women and people of color in Hamilton's time. Dueling Grounds: Revolution and Revelation in the Musical Hamilton is a volume that combines the work of theater scholars and practitioners, musicologists, and scholars in such fields as ethnomusicology, history, gender studies, and economics in a multi-faceted approach to the show's varied uses of liminality, looking at its creation, casting philosophy, dance and movement, costuming, staging, direction, lyrics, music, marketing, and how aspects of race, gender, and class fit into the show and its production. Demonstrating that there is much to celebrate, as well as challenging issues to confront concerning Hamilton, Dueling Grounds is an uncompromising look at one of the most important musicals of the century.
The Duke (Oberon Modern Plays)
by Shôn Dale-JonesHoipolloi’s Artistic Director, Shôn Dale-Jones, the multiaward winning writer/performer behind Edinburgh Fringe favourite Hugh Hughes, wrote The Duke, a new solo show, to raise money for Save the Children’s Child Refugee Crisis Appeal. Whenever possible, the show is presented for free, with audiences asked to make a donation to the charity rather than buy a ticket. Funny, poignant and playful, The Duke weaves together the tragi-comic fate of a family heirloom – a porcelain figure of The Duke of Wellington, the quandary of a scriptwriter stretching his integrity, and an unfolding disaster as thousands of children flee their homes. Blending fantasy and reality, the show gently challenges our priorities in a world full of crisis. “In the autumn of 2015 I sit at my desk waiting for an email that will tell me what I need to do to the script to get it onto the screen. I turn the radio on. I listen to a report about the refugee crisis. My mother calls. She tells me she’s broken The Duke … My mother, my film script and the refugee crisis all need my attention.” All profits from sales of this publication go directly to Save the Children’s Child Refugee Crisis Appeal.
Dunbar: King Lear Retold (Hogarth Shakespeare) (Hogarth Shakespeare #7)
by Edward St AubynFrom the author of the Patrick Melrose novels, now a major Sky Atlantic television series starring Benedict CumberbatchHenry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage he handed over care of the corporation to his two eldest daughters, Abby and Megan. But relations quickly soured, leaving him to doubt the wisdom of past decisions. Now imprisoned in a care home in the Lake District with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. Who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate?
Duncan Macmillan: Plays One (Oberon Modern Playwrights)
by Duncan MacmillanThis is the first collection from critically acclaimed playwright Duncan Macmillan, containing the plays Monster, Lungs, Every Brilliant Thing, 2071 and People, Places and Things.
Dungeness (Plays for Young People)
by Chris ThompsonIn a remote part of the UK, where nothing ever happens, a group of teenagers share a safe house for LGBT+ young people. While their shared home welcomes difference, it can be tricky for self-appointed group leader Birdie to keep the peace.The group must decide how they want to commemorate an attack that happened to people like them in a country far away. How do you take to the streets and protest if you're not ready to tell the world who you are? If you're invisible, does your voice still count? A play about love, commemoration and protest.Written fifty years on from the partial decriminalisation of homosexuality in England, this is a unique play for young people about the struggles and joys of being gay.Published alongside Stonewall Housing, a charity that works to ensure lesbian, gay, bisexual and trans people live in safer homes, free from fear, where they can celebrate their identity and support each other to achieve their full potential. This new edition features a new Q&A with the author alongside teaching resources and information from Stonewall Housing.
Dungeness (Plays for Young People)
by Chris ThompsonIn a remote part of the UK, where nothing ever happens, a group of teenagers share a safe house for LGBT+ young people. While their shared home welcomes difference, it can be tricky for self-appointed group leader Birdie to keep the peace.The group must decide how they want to commemorate an attack that happened to people like them in a country far away. How do you take to the streets and protest if you're not ready to tell the world who you are? If you're invisible, does your voice still count? A play about love, commemoration and protest.Written fifty years on from the partial decriminalisation of homosexuality in England, this is a unique play for young people about the struggles and joys of being gay.Published alongside Stonewall Housing, a charity that works to ensure lesbian, gay, bisexual and trans people live in safer homes, free from fear, where they can celebrate their identity and support each other to achieve their full potential. This new edition features a new Q&A with the author alongside teaching resources and information from Stonewall Housing.
Dunsinane (Faber Drama Ser.)
by David GreigLate at night in a foreign land, an English army sweeps through the landscape under cover of darkness and takes the seat of power. Struggling to contain his men and the ambitions of his superiors, the commanding officer attempts to negotiate the unspoken rules of this alien country. He seeks to restore peace to a country ravaged by war. This is Scotland in the eleventh century at the height of the fight for succession of the Scottish throne. David Greig's Dunsinane premiered in February 2010 at Hampstead Theatre, London, in a production by the Royal Shakespeare Company.
Duologues for All Accents and Ages (Monologue And Scene Bks.)
by Eamonn Jones Jean MarlowThis is a volume of scenes for two characters, hence duologues. The authors have selected meaty scenes from major plays, as well as from a few wonderful ones not well known. Here Jack and Algernon in The Importance of Being Earnest, Yvan and Marc in Art, Cecile and the Marquise de Merteuil in Les Liaisons Dangereuses, Mozart and Constanze in Amadeus, as well as two-character scenes from The Killing of Sister George, Kindertransport, The Crucible, and dozens of other works. Duologues provide a concentrated way of practicing skills and encourage actors to listen and respond. Helpful advice is given in the book by contributors such as Tom Stoppard, April De Angelis and Don Taylor.
Duologues for All Accents and Ages
by Eamonn Jones Jean MarlowThis is a volume of scenes for two characters, hence duologues. The authors have selected meaty scenes from major plays, as well as from a few wonderful ones not well known. Here Jack and Algernon in The Importance of Being Earnest, Yvan and Marc in Art, Cecile and the Marquise de Merteuil in Les Liaisons Dangereuses, Mozart and Constanze in Amadeus, as well as two-character scenes from The Killing of Sister George, Kindertransport, The Crucible, and dozens of other works. Duologues provide a concentrated way of practicing skills and encourage actors to listen and respond. Helpful advice is given in the book by contributors such as Tom Stoppard, April De Angelis and Don Taylor.
Durrenmatt: A Study in Plays, Prose, Theory (PDF)
by Timo TiusanenDürrenmatt's apparently conflicting statements about his central concerns have baffled scholars attempting to interpret his works. In his critical approach to Dürrenmatt, Timo Tiusanen emphasizes the author's relation to the theater, and analyzes the thirteen original stage plays, eight radio plays, and five adaptations, using the special concept of "scenic image" developed in an earlier study of O'Neill. Four books by Dürrenmatt on the theater and politics are related to the dramatist's creative practice, and his six books of prose are also carefully considered. Exploring the writer's career to reconcile conflicting attitudes that have been taken toward his work, Timo Tiusanen sees Dürrenmatt's writings as representing a persistent effort to express artistically a paradoxical view of the world.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Dusa, Fish, Stas and Vi: Manuscript Edition (Oberon Modern Plays)
by Pam GemsCommemorating the centenary year of the death of suffragette martyr Emily Wilding Davison, the first full professional production in more than thirty-five years of Pam Gems' feminist classic Dusa, Fish, Stas and Vi.Four determinedly 'liberated' – and very different – women ricochet around a tiny shared flat, while trying to pull together the shattered strands of their lives: Dusa is struggling to regain her children from their father, Fish is losing her lover to another woman, Stas is on the game to finance the course she wants to study at university, while Vi steadfastly refuses to eat....A bitingly sardonic modern classic, widely regarded as an historic icon of early feminism, Dusa, Fish, Stas and Vi was first seen at the Edinburgh Festival Fringe in 1976 under the title Dead Fish, Michael Codron transferred the play to the West End under its new title where it enjoyed a huge success and established Pam Gems as a major new voice in British theatre
Dust (Oberon Modern Plays)
by Milly ThomasA woman. A suicide. A choice. A lie. A truth. An ending. Of sorts. Life, Alice thinks, isn’t worth living. So she kills herself. But she’s stuck. A fly on the wall. Forced to watch the aftermath of her suicide and its ripple effect on her family and friends, Alice quickly learns that death changes people. And discovers that death isn’t the change she hoped for.
Dust & A First World Problem: Two Plays (Oberon Modern Plays)
by Milly ThomasDUSTA woman. A suicide. A choice. A fly on the wall. A funeral. A Bakewell tart. A life. A lie. A truth. An ending. Of sorts.Alice thinks that life isn’t worth living. So she kills herself. Sort of. She is stuck, a fly on the wall. Forced to watch the aftermath of her suicide and its ripple effect on her family and friends, Alice quickly learns that death changes people. And that death is not the change she hoped for.A FIRST WORLD PROBLEMIt’s the final term in Britain’s most elite school for girls. Three young women hold envelopes that will determine the rest of their lives. One of these girls is not the sort of young lady their school is supposed to produce. There is porn on her laptop and pills in her book bag, and she is about to make a very big mistake…Savagely funny and excruciatingly honest, Milly Thomas’ debut play A First World Problem gives a rare insight into the cruelty of adolescence.