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The Animals of Madame Malone's Music Hall
by Laura WoodCallie's stuck helping Gran's bickering drama group save their local theatre. But when she goes exploring backstage, Callie stumbles into an altogether different world … A cast of creative creatures take centre stage in this theatrical Barrington Stoke debut from Blue Peter Book Award shortlisted author Laura Wood.
Anita and Me (Oberon Modern Plays)
by Tanika GuptaThis poignant coming-of-age tale follows Meena, the irreverent teenage daughter of the only Punjabi family in the mining village of Tollington. When she becomes friends with the impossibly feisty Anita, she thinks she’s found her soul mate but her world is turned upside down and she finds herself caught between her two cultures. Adapted from the much-loved novel by the award winning playwright Tanika Gupta and with specially composed music by the Ringham brothers, Anita And Me paints a colourful portrait of village life in 1970’s West Midlands during the era of flares, power cuts and glam rock.
Anna Bella Eema
by Lisa D'AmourOn the day my little girl made a girl, the temperature was 91 degrees at sunrise. The trailer home felt like the inside of a wolf's mouth. My girl skipped her bed-jumping, brushed her white teeth and started talking something like this . . . Ten-year-old Anna Bella and her hermetic mother Irene live in a decaying trailer on the edge of town. When interstate highway development threatens their home, Anna Bella brings to life a new girl from the mud in the trailer park. Together, they navigate mythology, Frankenstein and police chases in a fiercely hypnotic tale about survival and the mother/daughter bond.A haunting, rhythmic 'ghost story' from Pulitzer Prize finalist Lisa D'Amour. Anna Bella Eema opened at the Arcola Theatre, London, in September 2019.
Anna Christie
by Eugene O'NeillEarly in his career, Eugene O'Neill (1888-1953) wrote a series of plays revolving around characters obsessed with the sea. This period culminated in the 1922 production of Anna Christie, a drama of social realism that was among the first of the author's plays to explore characters searching for their own identities. Centering on the reunion of a barge captain and his daughter after a twenty-year separation, the play derives its tension from the former's disaffection for the seafaring life and the latter's love for a sailor. The father-daughter conflict elicits a shocking confession, which illuminates the author's contention that character is fate and the seemingly external forces controlling destiny actually lie within<P><P> .Anna Christie amply displays O'Neill's extraordinary insights into character and his masterly use of language, qualities that have earned him acclaim as one of America's greatest playwrights. Students and lovers of modern theater will prize this inexpensive edition of his landmark drama.<P> Pulitzer Prize Winner
Anna Halprin (Routledge Performance Practitioners)
by Libby Worth Helen PoynorAnna Halprin traces the life's work of this radical dance-maker, documenting her early career as a modern dancer in the 1940s through to the development of her groundbreaking approach to dance as an accessible and life-enhancing art form. Now revised and reissued, this book: sketches the evolution of the San Francisco Dancers' Workshop, exploring Halprin's connections with the avant-garde theatre, music, visual art and architecture of the 1950s and 60s offers a detailed analysis of Halprin’s work from this period provides an important historical guide to a time when dance was first explored beyond the confines of the theatre and considered as a healing art for individuals and communities. As a first step towards critical understanding, and an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Anna Halprin (Routledge Performance Practitioners)
by Libby Worth Helen PoynorAnna Halprin traces the life's work of this radical dance-maker, documenting her early career as a modern dancer in the 1940s through to the development of her groundbreaking approach to dance as an accessible and life-enhancing art form. Now revised and reissued, this book: sketches the evolution of the San Francisco Dancers' Workshop, exploring Halprin's connections with the avant-garde theatre, music, visual art and architecture of the 1950s and 60s offers a detailed analysis of Halprin’s work from this period provides an important historical guide to a time when dance was first explored beyond the confines of the theatre and considered as a healing art for individuals and communities. As a first step towards critical understanding, and an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Anna Karenina
by Marina CarrVronsky What were you thinking about with your head stuck to the watering can? Anna Oh, the same, always the same. I was thinking about my happiness and about my unhappiness.Russia is changing. Rules have been broken. Chaos is looming. Families are falling apart. Tolstoy's Anna Karenina is an examination of a country in the midst of extraordinary change. Through the impact of one woman's decision, it looks at the troubling cost of love on the human soul. Marina Carr brings a new perspective to Anna Karenina in her stage adaptation of this epic love story, which opened at the Abbey Theatre, Dublin, in December 2016.
Anna Sokolow: The Rebellious Spirit (Choreography and Dance Studies Series)
by Larry WarrenA pioneer choreographer in modern American dance, Anna Sokolow has led a bewildering, active international life. Her meticulous biographer Larry Warren once looked up Anna Sokolow in a few reference books and found that she was born in three different years and that her parents were from Poland except when they were in Russia, and found many other inaccuracies. Drawing on material from nearly 100 interviews, Larry Warren has created a fascinating account and assessment of the life and work of Anna Sokolow, whose nomadic career was divided between New York, Mexico, and Israel. Setting her work on more than 70 dance companies, Anna Sokolow not only pioneered the development of a personal approach to movement, which has become part of the language of contemporary dance, but also created such masterpieces as Rooms, dealing with loneliness and alienation, and Dreams, which concerns the inner torment of victims of the Nazi Holocaust.
Anna Sokolow: The Rebellious Spirit (Choreography and Dance Studies Series #Vol. 14)
by Larry WarrenA pioneer choreographer in modern American dance, Anna Sokolow has led a bewildering, active international life. Her meticulous biographer Larry Warren once looked up Anna Sokolow in a few reference books and found that she was born in three different years and that her parents were from Poland except when they were in Russia, and found many other inaccuracies. Drawing on material from nearly 100 interviews, Larry Warren has created a fascinating account and assessment of the life and work of Anna Sokolow, whose nomadic career was divided between New York, Mexico, and Israel. Setting her work on more than 70 dance companies, Anna Sokolow not only pioneered the development of a personal approach to movement, which has become part of the language of contemporary dance, but also created such masterpieces as Rooms, dealing with loneliness and alienation, and Dreams, which concerns the inner torment of victims of the Nazi Holocaust.
Anna X
by Joseph CharltonAnd the Internet has democratised overly. But you know what? People love hierarchy. It infuriates them but it makes them horny. It's gold dust.Anna. 25. Curator. I ? art, fashion, NYC. Ariel. 32. CEO @Genesis. A dating app by invite only. SF-NYC-LDN.It's all about concept, and it's so easy. Anna and Ariel, they make the world. They curate and create and know what people want. The fashionistas, the art scene, the elite party circuit. Outsiders who infiltrate, who influence, who dazzle. Appearance is everything. And then it isn't. And there's a price to pay.A story about narcissism inspired by real events, Anna X premiered at the VAULT Festival, 2019, and transferred to the Harold Pinter Theatre, London, in July 2021.
Anna Ziegler: Plays One (Oberon Modern Playwrights)
by Anna ZieglerThe first collection of plays from a major American playwright, Plays One includes: Photograph 51, A Delicate Ship, Boy and The Last Match. Photograph 51: Does Rosalind Franklin know how precious her photograph is? In the race to unlock the secret of life it could be the one to hold the key. With rival scientists looking everywhere for the answer, who will be first to see it and more importantly, understand it? Anna Ziegler’s extraordinary play looks at the woman who cracked DNA and asks what is sacrificed in the pursuit of science, love and a place in history. A Delicate Ship: A haunting love triangle triggers an unexpected chain of events in this poetic play. A humorous and heartbreaking look at love and memory. This play received its world premiere in March 2014 at Cincin+P31nati Playhouse in the Park. Boy: Inspired by a true story, Boy explores the complicated terrain of trying to find love in a new body, and the inextricable bonds between doctor and patient – creator and creation. Commissioned by the Manhattan Theatre Club and the Sloan Foundation. The Last Match: The semifinals of the U.S. Open are underway. Sergei Sergeyev, an up-and-coming Russian phenom, and Tim Porter, a great American superstar in the twilight of his career, battle under the lights on center court. As the intense, back-and-forth action unfolds, Anna Ziegler take us inside the minds of these two extraordinary players to contemplate athleticism, masculinity and marriage. And by match point, much more has been won and lost than a game of tennis.
Anna Ziegler Plays Two: The Great Moment; Another Way Home; The Wanderers; Actually
by Anna Ziegler"[Her] dialogue bristles with smart, eloquent talk…Ms. Ziegler's quietly lyrical language has a luminous beauty, and her talent for creating characters whose complicated depths are just visible on their surfaces is still more remarkable." (The New York Times) This second play collection from one of America's most successful theatre writers brings together four plays that offer differing perspectives on family and the human condition. Each play has enjoyed successful productions in cities across America, cementing Ziegler's position as one of the world's most exciting contemporary dramatists. The Wanderers: A funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love. "As perfect a piece of theater as I've seen in many years. The script by Anna Ziegler is a revelation, touching on family truths, marriage, and personal histories...Go see this show. It's magnificent." (DC Theatre Scene) The Great Moment: A personal and poignant meditation on beginnings and endings, birth and age, and the moments of transition that mark our passage from life to death. "A reflection on family, love, life, expected loss, and the peculiarity of our relationship with time, The Great Moment blends moments of sweetness, sadness, nostalgia, delight, and humor to create a delightful evening of theater." (Seattle Pockets)Another Way Home: A funny, moving, and uplifting examination of what it means to be a family. "a laugh-packed serio-comedy that shoves family life under a microscope. The dialogue is ironic, sardonic, poignant, insightful and funny - with each sensation rapidly piling atop the next." (Marinscope)Actually: Investigates gender and race politics, our crippling desire to fit in, and the three sides to every story. “Gripping. Beautifully rendered and complex. Destined to trigger discussion.” (LA Times)
Anna Ziegler Plays Two: The Great Moment; Another Way Home; The Wanderers; Actually
by Anna Ziegler"[Her] dialogue bristles with smart, eloquent talk…Ms. Ziegler's quietly lyrical language has a luminous beauty, and her talent for creating characters whose complicated depths are just visible on their surfaces is still more remarkable." (The New York Times) This second play collection from one of America's most successful theatre writers brings together four plays that offer differing perspectives on family and the human condition. Each play has enjoyed successful productions in cities across America, cementing Ziegler's position as one of the world's most exciting contemporary dramatists. The Wanderers: A funny, insightful, and mysterious new drama explores the hidden connections between seemingly disparate people, drawing audiences into an intriguing puzzle and a deeply sympathetic look at modern love. "As perfect a piece of theater as I've seen in many years. The script by Anna Ziegler is a revelation, touching on family truths, marriage, and personal histories...Go see this show. It's magnificent." (DC Theatre Scene) The Great Moment: A personal and poignant meditation on beginnings and endings, birth and age, and the moments of transition that mark our passage from life to death. "A reflection on family, love, life, expected loss, and the peculiarity of our relationship with time, The Great Moment blends moments of sweetness, sadness, nostalgia, delight, and humor to create a delightful evening of theater." (Seattle Pockets)Another Way Home: A funny, moving, and uplifting examination of what it means to be a family. "a laugh-packed serio-comedy that shoves family life under a microscope. The dialogue is ironic, sardonic, poignant, insightful and funny - with each sensation rapidly piling atop the next." (Marinscope)Actually: Investigates gender and race politics, our crippling desire to fit in, and the three sides to every story. “Gripping. Beautifully rendered and complex. Destined to trigger discussion.” (LA Times)
Anne Frank on the Postwar Dutch Stage: Performance, Memory, Affect (Routledge Advances in Theatre & Performance Studies)
by Remco EnselThis book is a case study into the affective history of Holocaust drama offering a new perspective on the impact of The Diary of Anne Frank, the pivotal 1950s play that was a turning point in Holocaust consciousness. Despite its overwhelming success, criticism of the Broadway makeover has been harsh, suggesting that the alleged Americanization would not do justice to the violence of the Holocaust or Anne Frank’s budding Jewishness. This study revisits these issues by focusing on the play’s European appropriation delving into the emotional intensity with which the play was produced and received. The core of the exploration is a history of the Dutch staging in ethnographic detail, based on unique archival material such as correspondence with Otto Frank, prompt books, original tapes, blueprints of the set and oral history. The microhistory of the first Dutch performance of the stage adaptation of Anne Frank’s diary examines the staging in the context of the postwar hesitant development of publicly voiced Holocaust consciousness. Influenced by memory studies and affect theory, the emphasis is on the emotional impact of the drama on both the members of the cast and the audience and will be of great interest to students and scholars in theater and performance studies, memory studies, cultural history, Jewish studies, Holocaust studies and contemporary European history.
Anne Frank on the Postwar Dutch Stage: Performance, Memory, Affect (Routledge Advances in Theatre & Performance Studies)
by Remco EnselThis book is a case study into the affective history of Holocaust drama offering a new perspective on the impact of The Diary of Anne Frank, the pivotal 1950s play that was a turning point in Holocaust consciousness. Despite its overwhelming success, criticism of the Broadway makeover has been harsh, suggesting that the alleged Americanization would not do justice to the violence of the Holocaust or Anne Frank’s budding Jewishness. This study revisits these issues by focusing on the play’s European appropriation delving into the emotional intensity with which the play was produced and received. The core of the exploration is a history of the Dutch staging in ethnographic detail, based on unique archival material such as correspondence with Otto Frank, prompt books, original tapes, blueprints of the set and oral history. The microhistory of the first Dutch performance of the stage adaptation of Anne Frank’s diary examines the staging in the context of the postwar hesitant development of publicly voiced Holocaust consciousness. Influenced by memory studies and affect theory, the emphasis is on the emotional impact of the drama on both the members of the cast and the audience and will be of great interest to students and scholars in theater and performance studies, memory studies, cultural history, Jewish studies, Holocaust studies and contemporary European history.
Anne of Green Gables (Oberon Modern Plays)
by L. M. Montgomery Emma Jane ReevesMatthew and Marilla Cuthbert advertise for a boy to help on their farm. Due to a misunderstanding Anne Shirley arrives instead. To stay at Green Gables would be a dream come true for Anne, but she just keeps getting into scrapes. She dyes her hair green, accidentally gets her best friend drunk and smashes her slate over the head of the handsomest boy in school... Impetuous, rebellious and gloriously red-headed, Anne is one of literature's most appealing heroines, brought faithfully and imaginatively to life in Emma Reeves' new stageplay for all the family.
Another Day's Begun: Thornton Wilder’s Our Town in the 21st Century
by Howard ShermanA work of startling originality when it debuted in 1938, Thornton Wilder's Our Town evolved to be seen by some as a vintage slice of early 20th Century Americana, rather than being fully appreciated for its complex and eternal themes and its deceptively simple form. This unique and timely book shines a light on the play's continued impact in the 21st century and makes a case for the healing powers of Wilder's text to a world confronting multiple crises. Through extensive interviews with more than 100 artists about their own experience of the play and its impact on them professionally and personally – and including background on the play's early years and its pervasiveness in American culture – Another Day's Begun shows why this particular work remains so important, essential, and beloved.Every production of Our Town has a story to tell beyond Wilder's own. One year after the tragedy of 9/11, Paul Newman, in his final stage appearance, played the Stage Manager in Our Town on Broadway. Director David Cromer's 2008 Chicago interpretation would play in five more cities, ultimately becoming New York's longest-running Our Town ever. In 2013, incarcerated men at Sing Sing Correctional Facility brought Grover's Corners inside a maximum security prison. After the 2017 arena bombing in Manchester UK, the Royal Exchange Theatre chose Our Town as its offering to the stricken community.80 years after it was written, more than 110 years after its actions take place, Our Town continues to assert itself as an essential play about how we must embrace and appreciate the value of life itself. Another Day's Begun explains how this American classic has the power to inspire, heal and endure in the modern day, onstage and beyond.
Another Day's Begun: Thornton Wilder’s Our Town in the 21st Century
by Howard ShermanA work of startling originality when it debuted in 1938, Thornton Wilder's Our Town evolved to be seen by some as a vintage slice of early 20th Century Americana, rather than being fully appreciated for its complex and eternal themes and its deceptively simple form. This unique and timely book shines a light on the play's continued impact in the 21st century and makes a case for the healing powers of Wilder's text to a world confronting multiple crises. Through extensive interviews with more than 100 artists about their own experience of the play and its impact on them professionally and personally – and including background on the play's early years and its pervasiveness in American culture – Another Day's Begun shows why this particular work remains so important, essential, and beloved.Every production of Our Town has a story to tell beyond Wilder's own. One year after the tragedy of 9/11, Paul Newman, in his final stage appearance, played the Stage Manager in Our Town on Broadway. Director David Cromer's 2008 Chicago interpretation would play in five more cities, ultimately becoming New York's longest-running Our Town ever. In 2013, incarcerated men at Sing Sing Correctional Facility brought Grover's Corners inside a maximum security prison. After the 2017 arena bombing in Manchester UK, the Royal Exchange Theatre chose Our Town as its offering to the stricken community.80 years after it was written, more than 110 years after its actions take place, Our Town continues to assert itself as an essential play about how we must embrace and appreciate the value of life itself. Another Day's Begun explains how this American classic has the power to inspire, heal and endure in the modern day, onstage and beyond.
Another Door Closed
by Peter Gill'Have you grown hard? Is that it? You were never hard then, you know. Just two spoiled daughters. Two little, selfish daughters. Two unemancipated daughters. Without her you have become hard, is that it? She was so soft, you see.'Two elderly sisters get an unexpected visit from a younger man. It appears, many years ago, the sisters' mother had been very kind to him.Peter Gill's Another Door Closed premiered at the Theatre Royal, Bath, in August 2009.
Another Part of a Long Story: Literary Traces of Eugene O'Neill and Agnes Boulton
by William D King"An engrossing biography about the marital breakdown of a major literary figure, of particular interest for what it reveals about O'Neill's creative process, activities, and bohemian lifestyle at the time of his early successes and some of his most interesting experimental work. In addition, King's discussion of Boulton's efforts as a writer of pulp fiction in the early part of the 20th century reveals an interesting side of popular fiction writing at that time, and gives insight into the lifestyle of the liberated woman." ---Stephen Wilmer, Trinity College, Dublin Biographers of American playwright Eugene O'Neill have been quick to label his marriage to actress Carlotta Monterey as the defining relationship of his illustrious career. But in doing so, they overlook the woman whom Monterey replaced---Agnes Boulton, O'Neill's wife of over a decade and mother to two of his children. O'Neill and Boulton were wed in 1918---a time when she was a successful pulp novelist and he was still a little-known writer of one-act plays. During the decade of their marriage, he gained fame as a Broadway dramatist who rejected commercial compromise, while she mapped that contentious territory known as the literary marriage. His writing reflected her, and hers reflected him, as they tried to realize progressive ideas about what a marriage should be. But after O'Neill left the marriage, he and new love Carlotta Monterey worked diligently to put Boulton out of sight and mind---and most O'Neill biographers have been quick to follow suit. William Davies King has brought Agnes Boulton to light again, providing new perspectives on America's foremost dramatist, the dynamics of a literary marriage, and the story of a woman struggling to define herself in the early twentieth century. King shows how the configuration of O'Neill and Boulton's marriage helps unlock many of O'Neill's plays. Drawing on more than sixty of Boulton's published and unpublished writings, including her 1958 memoir, Part of a Long Story, and an extensive correspondence, King rescues Boulton from literary oblivion while offering the most radical revisionary reading of the work of Eugene O'Neill in a generation. William Davies King is Professor of Theater at the University of California, Santa Barbara, and author of several books, most recently Collections of Nothing, chosen by Amazon.com as one of the Best Books of 2008. Illustration: Eugene O'Neill, Shane O'Neill, and Agnes Boulton ca. 1923. Eugene O'Neill Collection, Beinecke Rare Book and Manuscript Library, Yale University.
Another Place (Modern Plays)
by Dc MooreIt's forty million miles. Two and a half years, yeah? It takes a radiowave - right? Travelling at the speed of fucking light, 13 minutes, to get back from Mars. So . . . if anything goes wrong - anything at all - out there . . . they're really . . . they're on their own, you know?When Earth is the loneliest planet, where else is there to go?Paul is a specialist in cognitive behaviour, tasked with designing a twenty-year mission to Mars. Daniel is a husband and new father struggling with the reality of marriage and the monotony of everyday life. Nat is a twin sister, disillusioned by the world's obsession with space travel and sorry that she didn't say goodbye. And Amy asks a lot of questions . . . Following his critically acclaimed The Empire at the Royal Court, and The Swan at the National Theatre, DC Moore's Another Place is a compelling play about our obsession to uncover the secrets of space, and the tragedy of what we leave behind. Full of dark humour, razor-sharp wit and intricately portrayed characters, this is a gripping play about what it means to be human.Another Place received its world premiere at the Theatre Royal Plymouth on 6 November 2014.
Another Place (Modern Plays)
by Dc MooreIt's forty million miles. Two and a half years, yeah? It takes a radiowave - right? Travelling at the speed of fucking light, 13 minutes, to get back from Mars. So . . . if anything goes wrong - anything at all - out there . . . they're really . . . they're on their own, you know?When Earth is the loneliest planet, where else is there to go?Paul is a specialist in cognitive behaviour, tasked with designing a twenty-year mission to Mars. Daniel is a husband and new father struggling with the reality of marriage and the monotony of everyday life. Nat is a twin sister, disillusioned by the world's obsession with space travel and sorry that she didn't say goodbye. And Amy asks a lot of questions . . . Following his critically acclaimed The Empire at the Royal Court, and The Swan at the National Theatre, DC Moore's Another Place is a compelling play about our obsession to uncover the secrets of space, and the tragedy of what we leave behind. Full of dark humour, razor-sharp wit and intricately portrayed characters, this is a gripping play about what it means to be human.Another Place received its world premiere at the Theatre Royal Plymouth on 6 November 2014.
Another World: Losing our Children to Islamic State (Oberon Modern Plays)
by Gillian SlovoOver the last twelve months headlines have been dominated by the growth of Islamic State, and terror attacks claimed by IS have spread across the world. What is the entity that calls itself Islamic State? Why are some young Muslim men and women from across Western Europe leaving their homes to answer the call of Jihad? And what should we do about it? This piece of verbatim documentary theatre, written by novelist Gillian Slovo using material from the interviews she conducted and directed by Nicolas Kent, is the result of many months researching Islamic State, meeting people affected by the organisation and involved in the fight against it.
Answers from The Working Actor: Two Backstage Columnists Share Ten Years of Advice
by Jackie Apodaca Michael KostroffFor nearly a decade, Jackie Apodaca and Michael Kostroff shared duties as advice columnists for the actors’ trade paper, Backstage. Their highly popular weekly feature, "The Working Actor," fielded questions from actors all over the country. A cross between "Dear Abby" and The Hollywood Reporter, their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. Using some of their most interesting, entertaining, and informative columns as launch points, Answers from "The Working Actor" guides readers through the ins and outs (and ups and downs) of the acting industry. Apodaca and Kostroff share an approach that is decidedly "on the ground." They’ve both labored in the trenches just like their readers—dealing with auditions, classes, photos, résumés, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Unlike books that claim to offer "Quick Steps to a Successful Acting Career," Answers from "The Working Actor" deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that, in the acting business, there is never only one answer to any question.
Answers from The Working Actor: Two Backstage Columnists Share Ten Years of Advice
by Jackie Apodaca Michael KostroffFor nearly a decade, Jackie Apodaca and Michael Kostroff shared duties as advice columnists for the actors’ trade paper, Backstage. Their highly popular weekly feature, "The Working Actor," fielded questions from actors all over the country. A cross between "Dear Abby" and The Hollywood Reporter, their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. Using some of their most interesting, entertaining, and informative columns as launch points, Answers from "The Working Actor" guides readers through the ins and outs (and ups and downs) of the acting industry. Apodaca and Kostroff share an approach that is decidedly "on the ground." They’ve both labored in the trenches just like their readers—dealing with auditions, classes, photos, résumés, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Unlike books that claim to offer "Quick Steps to a Successful Acting Career," Answers from "The Working Actor" deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that, in the acting business, there is never only one answer to any question.