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London Wall (PDF)
by John Van DrutenLondon Wall is a wryly comic look at the life of women office workers in the 1930s. In a solicitor's office in the City, Brewer, the office manager, sees pretty new 19-year-old typist Pat as fair game. As some of the more experienced secretaries try to warn her, and others leave her to her fate, her steady boyfriend an idealistic young writer desperately tries to win her back. Meanwhile, cynical Miss Janus' romantic life seems to be over as she is jilted by her lover at the desperate age of 35. First performed in the West End in 1931 starring a young John Mills, filmed in 1932, televised in 1963, but unseen since then until 2013, London Wall is a surprisingly modern look at men's continuing inability to see women as professional equals and colleagues.
London Wall (PDF)
by John Van DrutenLondon Wall is a wryly comic look at the life of women office workers in the 1930s. In a solicitor's office in the City, Brewer, the office manager, sees pretty new 19-year-old typist Pat as fair game. As some of the more experienced secretaries try to warn her, and others leave her to her fate, her steady boyfriend an idealistic young writer desperately tries to win her back. Meanwhile, cynical Miss Janus' romantic life seems to be over as she is jilted by her lover at the desperate age of 35... First performed in the West End in 1931 starring a young John Mills, filmed in 1932, televised in 1963, but unseen since then, London Wall is a surprisingly modern look at men's continuing inability to see women as professional equals and colleagues.
The Lonely Londoners (Modern Plays)
by Sam SelvonLondon will do for you for now… And I will do for London.London, 1956. Newly arrived from Trinidad, Henry 'Sir Galahad' Oliver is impatient to start his new life. Carrying just pyjamas and a toothbrush, he bursts through Moses Aloetta's door only to find Moses and his friends already deflated by city life. Will the London fog dampen Galahad's dreams? Or will these Lonely Londoners make a home in a city that sees them as a threat?In the first stage adaptation of Sam Selvon's iconic novel about the Windrush Generation, Roy Williams sweeps us back in time to shine a new light on London, friendship, and what we call home.This edition of The Lonely Londoners is published to coincide with the world premiere at London's Jermyn Street Theatre in February 2024.
The Lonely Londoners (Modern Plays)
by Sam SelvonLondon will do for you for now… And I will do for London.London, 1956. Newly arrived from Trinidad, Henry 'Sir Galahad' Oliver is impatient to start his new life. Carrying just pyjamas and a toothbrush, he bursts through Moses Aloetta's door only to find Moses and his friends already deflated by city life. Will the London fog dampen Galahad's dreams? Or will these Lonely Londoners make a home in a city that sees them as a threat?In the first stage adaptation of Sam Selvon's iconic novel about the Windrush Generation, Roy Williams sweeps us back in time to shine a new light on London, friendship, and what we call home.This edition of The Lonely Londoners is published to coincide with the world premiere at London's Jermyn Street Theatre in February 2024.
The Lonesome West (Modern Classics)
by Martin McDonagh"The play combines manic energy and physical violence in a way that is both hilarious and viscerally exciting" Daily TelegraphValene and Coleman, two brothers living alone in their father's house after his recent death, find it impossible to exist without the most massive and violent disputes over the most mundane and innocent of topics. Only father Welsh, the local young priest, is prepared to try to reconcile the two before their petty squabblings spiral into vicious and bloody carnage.The Lonesome West was first presented as a Druid Theatre company and Royal Court co-production in the summer of 1997.
The Lonesome West
by Martin McDonaghThis Student Edition features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well a list of suggested reading and questions for further study and a review of performance history.The Lonesome West was first presented as a Druid Theatre company and Royal Court co-production in the summer of 1997, and is the final part of McDonagh's Leenane trilogy. This edition explores the play's substantial themes and textured controversy, which make it such a popular choice to study: the Catholic Church is exposed as irrelevant and powerless and the characters have a dangerously skewed sense of morality. The text is full of McDonagh's characteristic combination of farce, aggression and wit. The plot follows two brothers, Valene and Coleman, living alone in their father's house after his recent death. They find it impossible to exist without massive and violent disputes over the most mundane and innocent of topics. Only Father Welsh, the local young priest, is prepared to try to reconcile the two before their petty squabblings spiral into vicious and bloody carnage.Martin McDonagh is the most controversial Irish dramatist working today, with his explorations of Irish national identity which look at the darker side of provincial life. His bleak but blackly comic portrayal of modern, rural Ireland courts debate with its dark farce, caricatures of violence and barbarism and an exaggerated, poeticised dialect of Hiberno-English.
The Lonesome West: The Beauty Queen Of Leenane; A Skull Of Connemara; The Lonesome West (Modern Classics)
by Martin McDonaghThe Lonesome West was first presented as a Druid Theatre company and Royal Court co-production in the summer of 1997.'The play combines manic energy and physical violence in a way that is both hilarious and viscerally exciting' Daily TelegraphValene and Coleman, two brothers living alone in their father's house after his recent death, find it impossible to exist without massive and violent disputes over the most mundane and innocent of topics. Only father Welsh, the local young priest, is prepared to try to reconcile the two before their petty squabblings spiral into vicious and bloody carnage.
The Lonesome West: The Beauty Queen Of Leenane; A Skull Of Connemara; The Lonesome West (Modern Classics Ser.)
by Martin McDonaghThis Student Edition features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well a list of suggested reading and questions for further study and a review of performance history.The Lonesome West was first presented as a Druid Theatre company and Royal Court co-production in the summer of 1997, and is the final part of McDonagh's Leenane trilogy. This edition explores the play's substantial themes and textured controversy, which make it such a popular choice to study: the Catholic Church is exposed as irrelevant and powerless and the characters have a dangerously skewed sense of morality. The text is full of McDonagh's characteristic combination of farce, aggression and wit. The plot follows two brothers, Valene and Coleman, living alone in their father's house after his recent death. They find it impossible to exist without massive and violent disputes over the most mundane and innocent of topics. Only Father Welsh, the local young priest, is prepared to try to reconcile the two before their petty squabblings spiral into vicious and bloody carnage.Martin McDonagh is the most controversial Irish dramatist working today, with his explorations of Irish national identity which look at the darker side of provincial life. His bleak but blackly comic portrayal of modern, rural Ireland courts debate with its dark farce, caricatures of violence and barbarism and an exaggerated, poeticised dialect of Hiberno-English.
Long Day's Journey Into Night
by Eugene O'NeillLong Day's Journey into Night was written in 1940 but not staged until 1956, after O'Neill's death. Unashamedly autobiographical, it is, as he puts it himself in the dedicatory note, 'a play of old sorrow, written in tears and blood', a harrowing attempt to understand himself and his family.
Long Form Improvisation and American Comedy: The Harold
by M. FotisLong form scenic improv began with the Harold. The comic philosophy of this form started an era of comedy marked by support, trust, and collaboration. This book tells of the Harold, beginning with the development of improv theatre, through the tensions and evolutions that led to its creation at iO, and to its use in contemporary filmmaking.
The Long Road (Modern Plays)
by Shelagh StephensonAfter a sell-out run earlier this year, this topical and powerful play returns to Soho Theatre.A programme text edition published in conjunction with The SynergyTheatre Project in association with The Forgiveness Project and SohoTheatre, The Long Road runs from 10 - 29 November 2008.'Mary wants us to talk about the girl that killed our son. I want to wipe her off the face of the earth'In the aftermath of Danny's pointless murder, his family struggles to find meaning and forgiveness.The Long Road evolved out of a period of research withprisoners by Synergy Theatre Project, in collaboration with TheForgiveness Project and award-winning playwright Shelagh Stephenson. Synergy Theatre Project works through theatre withoffenders and ex-offenders towards resettlement and rehabilitationwhilst placing the wider issues surrounding imprisonment in the publicarena. The Forgiveness Project encourages and empowers people to explore the nature of forgiveness and alternatives to revenge. 'It is a rare play that hits the news with such crueltopicality . . . Stephenson offers a powerful, illuminating piece ofdramatic fiction' Nicholas de Jongh, Evening Standard'Rare and remarkable . . . this is a drama that cries out for attention - and richly rewards it' The Telegraph
The Long Road (Modern Plays)
by Shelagh StephensonAfter a sell-out run earlier this year, this topical and powerful play returns to Soho Theatre.A programme text edition published in conjunction with The SynergyTheatre Project in association with The Forgiveness Project and SohoTheatre, The Long Road runs from 10 - 29 November 2008.'Mary wants us to talk about the girl that killed our son. I want to wipe her off the face of the earth'In the aftermath of Danny's pointless murder, his family struggles to find meaning and forgiveness.The Long Road evolved out of a period of research withprisoners by Synergy Theatre Project, in collaboration with TheForgiveness Project and award-winning playwright Shelagh Stephenson. Synergy Theatre Project works through theatre withoffenders and ex-offenders towards resettlement and rehabilitationwhilst placing the wider issues surrounding imprisonment in the publicarena. The Forgiveness Project encourages and empowers people to explore the nature of forgiveness and alternatives to revenge. 'It is a rare play that hits the news with such crueltopicality . . . Stephenson offers a powerful, illuminating piece ofdramatic fiction' Nicholas de Jongh, Evening Standard'Rare and remarkable . . . this is a drama that cries out for attention - and richly rewards it' The Telegraph
Long Suffering: American Endurance Art as Prophetic Witness (Theater: Theory/Text/Performance)
by Karen Gonzalez RiceLong Suffering productively links avant-garde performance practices with religious histories in the United States, setting contemporary performances of endurance art within a broader context of prophetic religious discourse in the United States. Its focus is on the work of Ron Athey, Linda Montano, and John Duncan, American artists whose performances involve extended periods of suffering. These unsettling performances can disturb, shock, or frighten audiences, leaving them unsure how to respond. The book examines how these artists work at the limits of the personal and the interpersonal, inflicting suffering on themselves and others, transforming audiences into witnesses, straining social relations, and challenging definitions of art and of ethics. By performing the death of self at the heart of trauma, strategies of endurance signal artists’ attempts to visualize, legitimize, and testify to the persistent experience of being wounded. The artworks discussed find their foundations in artists’ early experiences of religion and connections with the work of reformers from Angelina Grimké to Rev. Martin Luther King, Jr., who also used suffering as a strategy to highlight social injustice and call for ethical, social, and political renewal.
The Long Walk with Little Amal: The Official Companion book to 'The Walk', 8000 kms along the southern refugee route from Turkey to the U.K.
by Good Chance CompanyFrom July to November 2021, Little Amal, a 3.5m-high puppet created by Handspring Puppet Company ('War Horse') will travel 8,000km from the Syria-Turkey border along the established refugee route through Europe to the UK, ending at the Manchester International Festival. With 100 theatrical events in 65 cities, along the way, 'The Walk' will be the world's largest live performance and its aim is to celebrate the contribution that migrants and refugees make to the cultures and communities through which they pass and to the countries in which they find a new home.With an introduction by Nizar Zuabi (artistic director of Good Chance) and an afterword by David Lan (formerly of The Young Vic and one of the producers of 'The Walk'), The Long Walk with Little Amal is the official companion book to a cross-border collaboration on a magnificent scale. The journey is documented by award-winning photojournalist Andre Liohn and contributing essayists include: PEN International Writer of Courage Samar Yazbek (Syria); prize-winning Turkish-Kurdish novelist Burhan Sonmez (Turkey); Greek-Armenian literary and crime writer Petros Markaris (Greece); Prix Goncourt-winning author and film director Philippe Claudel (France); Children's Laureate Cressida Cowell (UK); crime writer Olivier Norek whose fiction has been set in Calais' The Jungle (France); and bestselling author Timur Vermes (Germany).
Longing (Modern Plays)
by William BoydAll things pass – is this your philosophy? Is there no room for love in your philosophy of life?Renowned and best-selling novelist William Boyd, CBE, adapts two Chekhov short stories, A Visit to Friends and My Life, to weave a comic tale about nineteenth-century Russian provincial life, both familiar and unfamiliar.When Kolia is invited to visit his oldest friends on their Estate in the country he anticipates a pleasant break from Moscow life. But as the comedy of provincial life plays out around him, he finds himself adrift in a miasma of false expectations, missed opportunities, and unspoken passions.
Longing (Modern Plays)
by William BoydAll things pass – is this your philosophy? Is there no room for love in your philosophy of life?Renowned and best-selling novelist William Boyd, CBE, adapts two Chekhov short stories, A Visit to Friends and My Life, to weave a comic tale about nineteenth-century Russian provincial life, both familiar and unfamiliar.When Kolia is invited to visit his oldest friends on their Estate in the country he anticipates a pleasant break from Moscow life. But as the comedy of provincial life plays out around him, he finds himself adrift in a miasma of false expectations, missed opportunities, and unspoken passions.
Longman School Shakespeare: Romeo and Juliet (PDF)
by William ShakespeareFully updated to meet the needs of the GCSE 2010 specifications, this text provides specific support to help students realise their full potential. The most accessible texts with supportive notes, activities and advice to engage students.
Look Back in Anger: Collected Plays: Epitaph For George Dillon, The World Of Paul Slickley And Dejavu (Faber Drama Ser. #Vol. 9)
by John OsborneIn 1956 John Osborne's Look Back in Anger changed the course of English theatre.'Look Back in Anger presents post-war youth as it really is. To have done this at all would be a significant achievement; to have done it in a first play is a minor miracle. All the qualities are there, qualities one had despaired of ever seeing on stage - the drift towards anarchy, the instinctive leftishness, the automatic rejection of "official" attitudes, the surrealist sense of humour . . . the casual promiscuity, the sense of lacking a crusade worth fighting for and, underlying all these, the determination that no one who dies shall go unmourned.' Kenneth Tynan, Observer, 13 May 1956'Look Back in Anger . . . has its inarguable importance as the beginning of a revolution in the British theatre, and as the central and most immediately influential expression of the mood of its time, the mood of the "angry young man".' John Russell Taylor
Look, I Made a Hat: Collected Lyrics (1981-2011) with attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany
by Stephen SondheimAs he did in the acclaimed Finishing the Hat, Sondheim richly annotates his lyrics with personal and theatre history, discussions of his collaborations, and exacting, charming dissections of his work - both the successes and the failures. Picking up where he left off in Finishing the Hat, he gives us all the lyrics, along with cutouts and early drafts, to the Pulitzer Prize-winning Sunday in the Park with George, as well as Into the Woods, Assassins, and Passion. Here too is an in-depth look at Wise Guys, subsequently transformed into Bounce, and eventually into Road Show. And we are treated to chapters on his work for television and film and his "orphan songs," culled from parodies and special occasions over the years. Filled with behind-the-scenes photographs and illustrations from original manuscripts, and with the same elegant design as the earlier book, Look, I Made A Hat will be devoured by Sondheim's passionate fans today and for years to come.
Look Who's Laugh:Stud/Gender/C
by FinneyFirst Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Look Who's Laugh:Stud/Gender/C
by FinneyFirst Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Looking at Agamemnon
by David StuttardAgamemnon is the first of the three plays within the Oresteia trilogy and is considered to be one of Aeschylus' greatest works. This collection of 12 essays, written by prominent international academics, brings together a wide range of topics surrounding Agamemnon from its relationship with ancient myth and ritual to its modern reception. There is a diverse array of discussion on the salient themes of murder, choice and divine agency. Other essays also offer new approaches to understanding the notions of wealth and the natural world which imbue the play, as well as a study of the philosophical and moral questions of choice and revenge. Arguments are contextualized in terms of performance, history and society, discussing what the play meant to ancient audiences and how it is now received in the modern theatre. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume includes a performer-friendly and accessible English translation by David Stuttard.
Looking at Agamemnon
Agamemnon is the first of the three plays within the Oresteia trilogy and is considered to be one of Aeschylus' greatest works. This collection of 12 essays, written by prominent international academics, brings together a wide range of topics surrounding Agamemnon from its relationship with ancient myth and ritual to its modern reception. There is a diverse array of discussion on the salient themes of murder, choice and divine agency. Other essays also offer new approaches to understanding the notions of wealth and the natural world which imbue the play, as well as a study of the philosophical and moral questions of choice and revenge. Arguments are contextualized in terms of performance, history and society, discussing what the play meant to ancient audiences and how it is now received in the modern theatre. Intended for readers ranging from school students and undergraduates to teachers and those interested in drama (including practitioners), this volume includes a performer-friendly and accessible English translation by David Stuttard.
Looking at Ajax
by David StuttardAjax is perhaps the earliest of Sophocles' tragedies, yet the issues at its heart remain profoundly resonant today. Set in the Greek encampment during the siege of Troy, it traces not just the story of a respected war hero's mental breakdown but (like Sophocles' Antigone) the treatment of an enemy's remains and the management of his memory. Pitting the fate of the individual against not just his own community but the cosmic world of the divine, it explores questions of loyalty and power, compassion and control, integrity and political expediency – and ultimately what it is to be human. In Antiquity the fate of Ajax fascinated writers and artists alike. Today it has assumed a new importance with Sophocles' play being used to help treat military veterans suffering from PTSD.This collection of 12 essays by leading academics from across the UK, US and Ireland draws together many of the themes explored in Ajax, from how Sophocles exploits audiences' awareness of mythology and visual arts, to questions of politics and religion, staging and characterization, changing perceptions of the heroic, and the therapeutic use to which the play is put today. The essays are accompanied by David Stuttard's introduction and performer-friendly, accurate and easily accessible English translation.
Looking at Ajax
by David StuttardAjax is perhaps the earliest of Sophocles' tragedies, yet the issues at its heart remain profoundly resonant today. Set in the Greek encampment during the siege of Troy, it traces not just the story of a respected war hero's mental breakdown but (like Sophocles' Antigone) the treatment of an enemy's remains and the management of his memory. Pitting the fate of the individual against not just his own community but the cosmic world of the divine, it explores questions of loyalty and power, compassion and control, integrity and political expediency – and ultimately what it is to be human. In Antiquity the fate of Ajax fascinated writers and artists alike. Today it has assumed a new importance with Sophocles' play being used to help treat military veterans suffering from PTSD.This collection of 12 essays by leading academics from across the UK, US and Ireland draws together many of the themes explored in Ajax, from how Sophocles exploits audiences' awareness of mythology and visual arts, to questions of politics and religion, staging and characterization, changing perceptions of the heroic, and the therapeutic use to which the play is put today. The essays are accompanied by David Stuttard's introduction and performer-friendly, accurate and easily accessible English translation.