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The Armour (Modern Plays)
by Ben EllisBecause power is fragile, it requires you naked. That is why the most powerful people in the world have sex in hotels. In fact, having sex in the best hotels makes you powerful. It doesn't matter how good the sex is, only how good the hotel is.Featuring three duologues, set in 2015, 1970 and 1981, all within the walls of London's Langham Hotel, The Armour is a site-specific drama about the lasting and changing effects of empire. The play received its world premiere at The Langham Hotel, in a promenade production, on 3 March 2015.
The Armour (Modern Plays)
by Ben EllisBecause power is fragile, it requires you naked. That is why the most powerful people in the world have sex in hotels. In fact, having sex in the best hotels makes you powerful. It doesn't matter how good the sex is, only how good the hotel is.Featuring three duologues, set in 2015, 1970 and 1981, all within the walls of London's Langham Hotel, The Armour is a site-specific drama about the lasting and changing effects of empire. The play received its world premiere at The Langham Hotel, in a promenade production, on 3 March 2015.
Arms and the Man
by George Bernard ShawIn the opening scene of Arms and the Man, which establishes the play's embattled Balkan setting, young Raina learns of her suitor's heroic exploits in combat. She rhapsodizes that it is "a glorious world for women who can see its glory and men who can act its romance!" Soon, however, such romantic falsifications of love and warfare are brilliantly and at times hilariously unmasked in a comedy that reveals George Bernard Shaw at his best as an acute social observer and witty provocateur. First produced on the London stage in 1894, Arms and the Man continues to be among the most performed of Shaw’s plays around the world. The play is reprinted in its entirety here from an authoritative British edition, and is complete with Shaw's stimulating preface to Volume II of Plays: Pleasant and Unpleasant.
The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789-1815 (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by Sarah BurdettThis book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Arnold Wesker: A Casebook
by Reade W. DornanFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Arnold Wesker: A Casebook
by Reade W. DornanFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Arnold Wesker's Monologues (Oberon Modern Playwrights)
by Arnold WeskerArnold Wesker's plays, written over a period of more than fifty years, offer actors, male and female, a remarkable source of monologues covering themes such as friendship, death, old age, political disillusion, failed love, and self discovery fuelled by emotions ranging through anger, joy, hope, fear, outrage, love, bewilderment, guilt, and comic irony. This is Wesker's own selection of them. In addition to definitive versions of famous monologues such as Paul’s speech from The Kitchen and Beatie Bryant’s triumphant speech from the end of Roots, this volume constitutes an introduction to an unknown Wesker. To those already familiar with The Wesker Trilogy and other plays, this volume contains further evidence of this author's power and passion.The volume also includes synopses of the plays from which the monologues come.
Arrah Na Pogue (Modern Plays)
by Dion BoucicaultWritten in 1864 and set during the Irish rebellion of 1798, Arrah na Pogue is is an entertaining tale of romance and misadventure with rascally rebels, despicable villains and love struck youths. As night falls on the Wicklow mountains, the popular but incorrigible rebel Beamish MacCaul is lying in wait. He's out to ambush the cowardly rent-collector Michael Feeny and relieve him of a 'big lump of money.' That done, he's off to marry Fanny Power. Down in the valley, love is in the air for Shaun the Post and our heroine Arrah Meelish too. But Arrah has a secret. And Michael Feeny's found out. As Shaun and Arrah celebrate their wedding, revenge comes a-calling. Love must conquer all - including the hangman's noose.The play is full of Boucicault's trademark comic roguery, farce and melodrama, which has influenced Irish playwrights including Synge, O'Casey, Shaw and McDonagh. This edition features an introduction by leading Boucicault scholar Dr Scott Boltwood.
Arrah Na Pogue (Modern Plays)
by Dion BoucicaultWritten in 1864 and set during the Irish rebellion of 1798, Arrah na Pogue is is an entertaining tale of romance and misadventure with rascally rebels, despicable villains and love struck youths. As night falls on the Wicklow mountains, the popular but incorrigible rebel Beamish MacCaul is lying in wait. He's out to ambush the cowardly rent-collector Michael Feeny and relieve him of a 'big lump of money.' That done, he's off to marry Fanny Power. Down in the valley, love is in the air for Shaun the Post and our heroine Arrah Meelish too. But Arrah has a secret. And Michael Feeny's found out. As Shaun and Arrah celebrate their wedding, revenge comes a-calling. Love must conquer all - including the hangman's noose.The play is full of Boucicault's trademark comic roguery, farce and melodrama, which has influenced Irish playwrights including Synge, O'Casey, Shaw and McDonagh. This edition features an introduction by leading Boucicault scholar Dr Scott Boltwood.
Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon
by Ryan BañagaleIn Arranging Gershwin, author Ryan Bañagale approaches George Gershwin's iconic piece Rhapsody in Blue not as a composition but as an arrangement -- a status it has in many ways held since its inception in 1924, yet one unconsidered until now. Shifting emphasis away from the notion of the Rhapsody as a static work by a single composer, Bañagale posits a broad vision of the piece that acknowledges the efforts of a variety of collaborators who shaped the Rhapsody as we know it today. Arranging Gershwin sheds new light on familiar musicians such as Leonard Bernstein and Duke Ellington, introduces lesser-known figures such as Ferde Grofé and Larry Adler, and remaps the terrain of this emblematic piece of American music. At the same time, it expands on existing approaches to the study of arrangements -- an emerging and insightful realm of American music studies -- as well as challenges existing and entrenched definitions of composer and composition. Based on a host of newly discovered manuscripts, the book significantly alters existing historical and cultural conceptions of the Rhapsody. With additional forays into visual media, including the commercial advertising of United Airlines and Woody Allen's Manhattan, it moreover exemplifies how arrangements have contributed not only to the iconicity of Gershwin and Rhapsody in Blue, but also to music-making in America -- its people, their pursuits, and their processes.
Arranging Gershwin: Rhapsody in Blue and the Creation of an American Icon
by Ryan BañagaleIn Arranging Gershwin, author Ryan Bañagale approaches George Gershwin's iconic piece Rhapsody in Blue not as a composition but as an arrangement -- a status it has in many ways held since its inception in 1924, yet one unconsidered until now. Shifting emphasis away from the notion of the Rhapsody as a static work by a single composer, Bañagale posits a broad vision of the piece that acknowledges the efforts of a variety of collaborators who shaped the Rhapsody as we know it today. Arranging Gershwin sheds new light on familiar musicians such as Leonard Bernstein and Duke Ellington, introduces lesser-known figures such as Ferde Grofé and Larry Adler, and remaps the terrain of this emblematic piece of American music. At the same time, it expands on existing approaches to the study of arrangements -- an emerging and insightful realm of American music studies -- as well as challenges existing and entrenched definitions of composer and composition. Based on a host of newly discovered manuscripts, the book significantly alters existing historical and cultural conceptions of the Rhapsody. With additional forays into visual media, including the commercial advertising of United Airlines and Woody Allen's Manhattan, it moreover exemplifies how arrangements have contributed not only to the iconicity of Gershwin and Rhapsody in Blue, but also to music-making in America -- its people, their pursuits, and their processes.
The Arrival (Modern Plays)
by Kristine Landon-Smith Sita BrahmachariA moment of kindness in a sea of unfamiliarity… A long, hard day at work… A lively party… A nostalgic lullaby…The story begins in Nigeria where the character of Dele plays a last game of football with his friends and says goodbye to his son Chidi, telling him he will send for him. He then embarks on a voyage where he meets strangers along the way carrying their own stories of upheaval, struggle and hope - sharing his dream to make their home in a new city and be joined by their families. Dele's journey melds with the present day. In an inner-city hostel, Dele is an old man being looked after by Tian Mey, his carer. He reflects the past and his journey to where he is now and his story intertwines with the other migrants, both in his memories of the journey and the present-day reality of the hostel. Based on the illustrated novel by Oscar winner Shaun Tan, one man's tale echoes the many 'arrivals' happening around us all the time. This epic migration story unfolds through an extraordinary weaving together of theatre, circus and music. The Arrival tells the age-old story of immigration that is universal across peoples of diverse histories, countries and cultures.
The Arrival (Modern Plays)
by Kristine Landon-Smith Sita BrahmachariA moment of kindness in a sea of unfamiliarity… A long, hard day at work… A lively party… A nostalgic lullaby…The story begins in Nigeria where the character of Dele plays a last game of football with his friends and says goodbye to his son Chidi, telling him he will send for him. He then embarks on a voyage where he meets strangers along the way carrying their own stories of upheaval, struggle and hope - sharing his dream to make their home in a new city and be joined by their families. Dele's journey melds with the present day. In an inner-city hostel, Dele is an old man being looked after by Tian Mey, his carer. He reflects the past and his journey to where he is now and his story intertwines with the other migrants, both in his memories of the journey and the present-day reality of the hostel. Based on the illustrated novel by Oscar winner Shaun Tan, one man's tale echoes the many 'arrivals' happening around us all the time. This epic migration story unfolds through an extraordinary weaving together of theatre, circus and music. The Arrival tells the age-old story of immigration that is universal across peoples of diverse histories, countries and cultures.
Arson About
by Mark WheellerMollie and Ian are hot for each other. Stueey can be a real bright spark. Mr Butcher's comments have inflamed Shuttle. All in all it's combustible material but when you play with fire it can be more than your fingers that get burnt.
The Arsonists (Modern Plays)
by Alistair Beaton Max FrischFires are becoming something of a problem. But Biedermann has it all under control. He's a respected member of the community with a loving wife and a flourishing business, so surely nothing can get to him. The great philanthropist is happy to meet his civic duty by giving shelter to two new guests but when they start filling his attic with petrol drums, will he help them light the fuse? Max Frisch's parable about appeasement is given its first major UK revival since its Royal Court premiere in 1961, which was directed by Lindsay Anderson.The play is published as a programme text for the production that runs from 1 November - 15 December on the main stage at the Royal Court.
The Arsonists (Modern Plays)
by Alistair Beaton Max FrischFires are becoming something of a problem. But Biedermann has it all under control. He's a respected member of the community with a loving wife and a flourishing business, so surely nothing can get to him. The great philanthropist is happy to meet his civic duty by giving shelter to two new guests but when they start filling his attic with petrol drums, will he help them light the fuse? Max Frisch's parable about appeasement is given its first major UK revival since its Royal Court premiere in 1961, which was directed by Lindsay Anderson.The play is published as a programme text for the production that runs from 1 November - 15 December on the main stage at the Royal Court.
Art and Dance in Dialogue: Body, Space, Object
by Sarah Whatley Imogen Racz Katerina Paramana Marie-Louise CrawleyThis interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.
The Art and Occupation of Stage Design in Finnish Theatres: The Rise and Fall of a Professional Community (ISSN)
by Laura GröndahlThis study explores the formation, establishment, expansion, and disintegration of stage design as a modern profession and a recognized artform in Finnish theatres.Drawing on oral or written recollections and thoughts of stage designers from different decades, the author asks how their artistic agencies, occupational identities, and theoretical self-understanding have been constituted. She analyses Finnish theatre history from new perspectives by shifting the focus from finished performances to largely unknown practices behind the scenes. This book examines the cultural institutions that have constituted the stage designers’ role and position, like the professional city theatre system, the craft union, and education. This research shows how modern and postmodern scenographic innovations have been assimilated to local contexts, and how material and cultural circumstances have reshaped the artistic practices. Without bypassing canonical trendsetters or hegemonic cultural mindsets, the focus is directed on the everyday grassroot level of stage design practices. Personal interviews with over 20 designers make visible an ample repertoire of unwritten knowledge stored in habitual ways of working and dealing creatively with the complex system of theatre making.This book will be of great interest to students and scholars in theatre and performance studies with a focus on scenography.
The Art and Occupation of Stage Design in Finnish Theatres: The Rise and Fall of a Professional Community (ISSN)
by Laura GröndahlThis study explores the formation, establishment, expansion, and disintegration of stage design as a modern profession and a recognized artform in Finnish theatres.Drawing on oral or written recollections and thoughts of stage designers from different decades, the author asks how their artistic agencies, occupational identities, and theoretical self-understanding have been constituted. She analyses Finnish theatre history from new perspectives by shifting the focus from finished performances to largely unknown practices behind the scenes. This book examines the cultural institutions that have constituted the stage designers’ role and position, like the professional city theatre system, the craft union, and education. This research shows how modern and postmodern scenographic innovations have been assimilated to local contexts, and how material and cultural circumstances have reshaped the artistic practices. Without bypassing canonical trendsetters or hegemonic cultural mindsets, the focus is directed on the everyday grassroot level of stage design practices. Personal interviews with over 20 designers make visible an ample repertoire of unwritten knowledge stored in habitual ways of working and dealing creatively with the complex system of theatre making.This book will be of great interest to students and scholars in theatre and performance studies with a focus on scenography.
The Art and Practice of Costume Design
by Melissa MerzIn The Art and Practice of Costume Design, a panel of seven designers offer a new multi-sided look at the current state and practice of theatrical costume design. Beginning with an exploration of the role of a Costume Designer, the subsequent chapters analyse and explore the psychology of dress, the principles and elements of design, how to create costume renderings, and collaboration within the production. The book also takes a look at the costume shop and the role of the designer within it, and costume design careers within theatrical and fashion industries.
The Art and Practice of Costume Design
by Melissa L. MerzIn The Art and Practice of Costume Design, a panel of seven designers offer a new multi-sided look at the current state and practice of theatrical costume design. Beginning with an exploration of the role of a Costume Designer, the subsequent chapters analyse and explore the psychology of dress, the principles and elements of design, how to create costume renderings, and collaboration within the production. The book also takes a look at the costume shop and the role of the designer within it, and costume design careers within theatrical and fashion industries.
The Art and Practice of Directing for Theatre
by Paul B. CrookThe formation and communication of vision is one of the primary responsibilities of a director, before ever getting to the nuts and bolts of the process. The Art and Practice of Directing for Theatre helps the young director learn how to discover, harness, and meld the two. Providing both a practical and theoretical foundation for directors, this book explores how to craft an artistic vision for a production, and sparks inspiration in directors to put their learning into practice. This book includes: Guidance through day-to-day aspects of directing, including a director’s skillset and tools, script analysis, and rehearsal structure. Advice on collaborating with production teams and actors, building communication skills and tools, and integrating digital media into these practices. Discussion questions and practical worksheets covering script analysis, blocking, and planning rehearsals, with downloadable versions on a companion website.
The Art and Practice of Directing for Theatre
by Paul B. CrookThe formation and communication of vision is one of the primary responsibilities of a director, before ever getting to the nuts and bolts of the process. The Art and Practice of Directing for Theatre helps the young director learn how to discover, harness, and meld the two. Providing both a practical and theoretical foundation for directors, this book explores how to craft an artistic vision for a production, and sparks inspiration in directors to put their learning into practice. This book includes: Guidance through day-to-day aspects of directing, including a director’s skillset and tools, script analysis, and rehearsal structure. Advice on collaborating with production teams and actors, building communication skills and tools, and integrating digital media into these practices. Discussion questions and practical worksheets covering script analysis, blocking, and planning rehearsals, with downloadable versions on a companion website.
The Art and Practice of Directing for Theatre
by Paul B. CrookThe formation and communication of vision is one of the primary responsibilities of a director, before ever getting to the nuts and bolts of the process. The Art and Practice of Directing for Theatre, Second Edition helps the young director learn how to discover, harness, and meld the two.Providing both a practical and theoretical foundation for directors, this book explores how to craft an artistic vision for a production, and sparks inspiration in directors to put their learning into practice. This new edition is fully revised to address changes in theatre since the Covid pandemic, new technology, intimacy direction, and inclusive practices. It features: Guidance through day-to-day aspects of directing, including a director’s skillset and tools, script analysis, and rehearsal structure. Advice on collaborating with production teams and actors, building communication skills and tools, and integrating digital media into these practices. Discussion questions and practical worksheets covering script analysis, blocking, and planning rehearsals. Updated references to reflect the changes in the theatre community and profession since the original writing. Updated examples of studies and technology. This book is written for students in Theatre Directing courses, along with new and aspiring theatrical directors. The Art and Practice of Directing for Theatre, Second Edition includes access to downloadable worksheets, available at www.routledge.com/9781032619514.
The Art and Practice of Directing for Theatre
by Paul B. CrookThe formation and communication of vision is one of the primary responsibilities of a director, before ever getting to the nuts and bolts of the process. The Art and Practice of Directing for Theatre, Second Edition helps the young director learn how to discover, harness, and meld the two.Providing both a practical and theoretical foundation for directors, this book explores how to craft an artistic vision for a production, and sparks inspiration in directors to put their learning into practice. This new edition is fully revised to address changes in theatre since the Covid pandemic, new technology, intimacy direction, and inclusive practices. It features: Guidance through day-to-day aspects of directing, including a director’s skillset and tools, script analysis, and rehearsal structure. Advice on collaborating with production teams and actors, building communication skills and tools, and integrating digital media into these practices. Discussion questions and practical worksheets covering script analysis, blocking, and planning rehearsals. Updated references to reflect the changes in the theatre community and profession since the original writing. Updated examples of studies and technology. This book is written for students in Theatre Directing courses, along with new and aspiring theatrical directors. The Art and Practice of Directing for Theatre, Second Edition includes access to downloadable worksheets, available at www.routledge.com/9781032619514.