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Object Performance in the Black Atlantic: The United States
by Paulette RichardsGiven that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry? This study approaches the question by looking at the whole performance complex surrounding African performing objects and examines the material culture of object performance. Object Performance in the Black Atlantic argues that since human beings can attribute private, personal meanings to objects obtained for personal use such as dolls, vessels, and quilts, the lines of material culture continuity between African and African American object performance run through objects that performed in ritual rather than theatrical capacity. Split into three parts, this book starts by outlining the spaces where the African American object performance complex persisted through the period of slavery. Part Two traces how African Americans began to reclaim object performance in the era of Jim Crow segregation and Part Three details how increased educational and economic opportunities along with new media technologies enabled African Americans to use performing objects as a powerful mode of resistance to the objectification of Black bodies. This is an essential study for any students of puppetry and material performance, and particularly those concerned with African American performance and performance in North America more broadly.
Objectives, Obstacles, and Tactics in Practice: Perspectives on Activating the Actor
by Valerie Pye Hillary BucsObjectives, Obstacles, and Tactics in Practice is the first book that compiles practical approaches of the best practices from a range of practitioners on the subject of working with Stanislavski’s "objectives," "obstacles," and "tactics." The book offers instructors and directors a variety of tools from leading acting teachers, who bring their own individual perspectives to the challenge of working with Stanislavski’s principles for today’s actors, in one volume. Each essay addresses its own theoretical and practical approach and offers concrete instructions for implementing new explorations both in the classroom and in the rehearsal studio. An excellent resource for acting and directing instructors at the university level, directing and theatre pedagogy students, high school/secondary theatre teachers, and community theatre leaders, Objectives, Obstacles, and Tactics in Practice serves as a resource for lesson planning and exploration, and provides an encyclopedia of the best practices in the field today.
Objectives, Obstacles, and Tactics in Practice: Perspectives on Activating the Actor
by Valerie Pye Hillary BucsObjectives, Obstacles, and Tactics in Practice is the first book that compiles practical approaches of the best practices from a range of practitioners on the subject of working with Stanislavski’s "objectives," "obstacles," and "tactics." The book offers instructors and directors a variety of tools from leading acting teachers, who bring their own individual perspectives to the challenge of working with Stanislavski’s principles for today’s actors, in one volume. Each essay addresses its own theoretical and practical approach and offers concrete instructions for implementing new explorations both in the classroom and in the rehearsal studio. An excellent resource for acting and directing instructors at the university level, directing and theatre pedagogy students, high school/secondary theatre teachers, and community theatre leaders, Objectives, Obstacles, and Tactics in Practice serves as a resource for lesson planning and exploration, and provides an encyclopedia of the best practices in the field today.
Objects in Italian Life and Culture: Fiction, Migration, and Artificiality (Italian and Italian American Studies)
by Paolo BartoloniThis book makes visible the hidden relations between things and individuals through a discussion of creative processes and cultural practices. Italian life and culture are filled with objects that cross, accompany, facilitate or disrupt experience, desires, and dreams. Yet in spite of their ubiquity, theoretical engagement in the Italian context is still underdeveloped. Paolo Bartoloni investigates four typologies—the fictional, migrant, multicultural/transnational, and the artificial—to hypothesize that the ability to treat things as partners of emotional and creative expression creates a sense of identity predicated on inclusivity, openness, care, and attention.
The Objects of Affection: Semiotics and Consumer Culture (Semiotics and Popular Culture)
by A. BergerIn this book, pre-eminent semiotician Arthur Asa Berger decodes the meanings of common objects of consumption and their perceived 'sacredness' in consumerist cultures. Using semiotic theory, consumer culture is dissected in new and fascinating ways.
Objekte, die die Welt bedeuten: Carl Niessen und der Denkraum der Theaterwissenschaft (Szene & Horizont. Theaterwissenschaftliche Studien #4)
by Nora ProbstDas Buch widmet sich in wissenschaftsgeschichtlicher Perspektive den Anfängen der Theaterwissenschaft in Köln. Es untersucht die Wissenschaftspraktiken des Kölner Institutsgründers Carl Niessen (1890–1969), der das Fach als Forscher, Dozent, Sammler und Kurator über einen Zeitraum von rund 40 Jahren geprägt hat. Besonderes Augenmerk legt diese erste wissenschaftsgeschichtliche Monografie über Niessen auf dessen erweitertes Theaterverständnis, das den Bogen von rituellen Handlungen und cultural performances bis hin zu den Phänomenen des europäischen Gegenwartstheaters spannte. – Ausgangspunkt der Studie ist das Gebäude des im Zweiten Weltkrieg zerstörten Theatermuseums am Salierring in Köln. Durch das virtuelle Abschreiten der Museumsräume werden die durch Niessen initiierten Praktiken der frühen Theaterforschung und -lehre kartografiert und vor dem Hintergrund der Fachentwicklung analysiert.
Occidentalism in Turkey: Questions of Modernity and National Identity in Turkish Radio Broadcasting (Library of Modern Middle East Studies)
by Meltem AhiskaNJR do not use blurb in raw formThis book aims to re-think the question of 'nation building' in Turkey in connection to the use of modern technologies, such as radio broadcasting. However, rather than looking for universal tendencies or deficiencies and errors in Turkish history, as most accounts of modernisation theories do, it brings to attention how a particular subjectivity and the accompanying truth claims are dialogically produced and historically sustained. Through the analysis of the organization, programmes, missions and criticisms of radio broadcasting, the book raises the question: what happens when the 'Orient', that supposedly silent Other, placed outside of history, and marked as 'backward', speaks and answers back? 'Orient' is not only represented by the Western subject as in Orientalism. The Other's inhabiting the space of the Other and speaking for itself produces Occidentalism of the non-west. Then, the locus of enunciation of modernity shifts from West to non-West generating dialogic yet competing truths. The book offers Occidentalism as an alternative way of reading non-Western modernities in connection to the Western constructions of modernity. Occidentalism is re-defined in this context, as different from its current usages in existing literature, to mean both Westernism and anti-Westernism at the same time. Occidentalism provides the aspiration to catch the time of modern history, but at the same time promises to restore the lost authenticity brought by 'modernization'. But the promise is impossible to keep. Occidentalism can only offer authenticity in nation form, which is maintained by the denial of the past and the present as lived experience. Therefore, Occidentalism also functions as a discourse of power, which creates its own 'orientalised' Others within the society. The study of radio broadcasting, which exists in a temporally redefined space in between public and private spheres, provides an important opening to go beyond the monolithic expressions of the official discourse. Instead, the case of radio shows that other voices and desires are always on the air, and that the national-political subjectivity is a site of fragmentation and splitting
Occult Aesthetics: Synchronization in Sound Film (Oxford Music / Media)
by K.J. DonnellyIn this groundbreaking book, acclaimed film music author Kevin Donnelly offers the first sustained theorization of synchronization in sound film. Donnelly addresses the manner in which the lock of the audio and the visual exerts a perceptible synergy, an aesthetic he dubs occult: a secret and esoteric effect that can dissipate in the face of an awareness of its existence. Drawing upon theories of sound from Sergei Eisenstein to Pierre Schaeffer to Michel Chion, the book investigates points of synchronization as something like repose, providing moments of comfort in a potentially threatening environment that can be fraught with sound and image stimuli. Correspondingly, lack of synchrony between sound and images is characterized as potentially disturbing for the viewer, a discomfort that signals moments of danger. From this perspective, the interplay between the two becomes the central dynamic of audio-visual culture more generally, which, as Donnelly argues, provides a starting point for a new understanding of audio/visual interactions. This fresh approach to the topic is discussed in theoretical and historical terms as well as elaborated through analysis of and reference to a broad selection of films and their soundtracks including, among others, Singin' in the Rain, Saw, Shanghai Express, and Assault on Precinct 13.
Oceans: The Threats to Our Seas and What You Can Do to Turn the Tide
by Participant Productions Jon BowermasterThis unique tie-in to the major motion picture Oceans—coming this April from Disney & National Geographic—explores the health of our oceans, and what we can do to improve it. More than 75 percent of the globe is covered by the oceans. It is sometimes difficult to understand why it is called Planet Earth rather than Planet Ocean. Since half the world&’s human population lives within a stone&’s throw of an ocean coastline, the oceans&’ health is increasingly important. Rich with resources and potential—as a source of renewable energy, new drugs, drinking water—for years we have treated them as both infinite and undamageable. But they are not.Over-fishing, climate change, pollution, acidification, and more have put the world&’s oceans and marine life at great risk.Oceans gathers some of the most insightful visionaries, explorers, and ocean lovers— marine biologists, politicians, environmentalists, fishermen, sportsmen, deep divers, and more—in a unique anthology, in which each speaks to a unique aspect of our world&’s most dimly understood dimension.
October (BFI Film Classics)
by Richard TaylorRichard Taylor asks to what extent the film can lay claim to 'authentic' history. He then examines 'October''s relationship to the politics of the period and explains the theory and its application, as well as placing 'October' in the wider context of Eisenstein's career.
October: Joseph Taylor, Rebecca W. Taylor, October 15 1868 (BFI Film Classics #20)
by Richard TaylorRichard Taylor asks to what extent the film can lay claim to 'authentic' history. He then examines 'October''s relationship to the politics of the period and explains the theory and its application, as well as placing 'October' in the wider context of Eisenstein's career.
Odd Bodies and Visible Ends in Medieval Literature (The New Middle Ages)
by S. ShimomuraThis study traces how medieval audiences judge bodies from Doomsday visions to beauty contests. Employing cultural and formalist approaches, this study breaks new ground on the historical obsession about ends and changes, reflected in different genres spanning several hundred years.
Odd Boy Out: The ‘hilarious, eye-popping, unforgettable’ Sunday Times bestseller 2021
by Gyles BrandrethJoin the beloved star of Just a Minute, QI, Have I Got News For You and Celebrity Gogglebox, Gyles Brandreth, in his long-waited, moving and hilarious autobiography'Staggeringly brilliant, funny and touching, I loved it' Joanna Lumley'Hilarious, ribald, eye-popping, unforgettable, will make you laugh out loud' Daily Mail_________'I am what my childhood made me'But what is that exactly, Gyles?Who are you? And why?Odd Boy Out is an extraordinarily revealing account of growing up in an apparently well-to-do but always strapped-for-cash middle-class English family. But it is also far more than that.It is about adventures - meeting princes and presidents, visiting Death Row in America, exploring the sex clubs of Copenhagen. It is a story of a boy blessed with wit, what he got up to, and the people he met growing up in the most wonderful city in all the world in those extraordinary years after the Second World War.For Odd Boy Out is about more than Gyles and his exploits: it is also a kaleidoscopic portrait of Britain from the 1950s onwards, featuring a cast drawn from politics, the media, swinging London, stage and screen, from Laurence Olivier to Twiggy.By turns hilarious and moving, and chock full of unforgettable stories, Odd Boy Out is the unexpected and candid autobiography of one of the country's most unlikely personalities.Yet at root it is a powerful and passionate exploration of childhood - how our heritage, our parents and our upbringing make us who we are.
Oddities: Spot the Odd One Out
by John BigwoodLife’s odd, isn’t it? People are odd, places are odd, things are odd. It’s an odd old world. There’s oddity in the strangest places, not least in this extreme odd-one-out challenge.From a perfectly groomed, flowery beard and a trendy cycling cap, to a prickly cactus and a delicious flat white, discover the minute differences lurking on every page. There are odd ones out to spot, hipster accessories to match, and much more millennial fun to be had.Cool and quirky black and white illustrations are accompanied by funny one liners and utterly useless, and odd, trivia. It’s time to find the oddest of odd ones out.
Odin Teatret: Theatre in a New Century
by Adam LedgerFocusing on Odin Teatret's latest work, this discussion is updated by drawing on fresh research. The group's productions since 2000 are included and the book offers a reassessment of Odin's actor training. Its community work and legacy are discussed and Barba's intercultural practice is viewed alongside two major Theatrum Mundi productions.
Of All the Gin Joints: Stumbling through Hollywood History
by Mark BaileyTrue tales of celebrity hijinks are served up with an equal measure of Hollywood history, movie-star mayhem, and a frothy mix of forty cocktail recipes.Humphrey Bogart got himself arrested for protecting his drinking buddies, who happened to be a pair of stuffed pandas. Ava Gardner would water-ski to the set of Night of the Iguana holding a towline in one hand and a cocktail in the other. Barely legal Natalie Wood would let Dennis Hopper seduce her if he provided a bathtub full of champagne. Bing Crosby’s ill-mannered antics earned him the nickname “Binge Crosby.” And sweet Mary Pickford stashed liquor in hydrogen peroxide bottles during Prohibition. From the frontier days of silent film up to the wild auteur period of the 1970s, Mark Bailey has pillaged the vaults of Hollywood history and lore to dig up the true—and often surprising—stories of seventy of our most beloved actors, directors, and screenwriters at their most soused.Bite-size biographies are followed by ribald anecdotes and memorable quotes. If a star had a favorite cocktail, the recipe is included. Films with the most outrageous booze-soaked stories, like Apocalypse Now, From Here to Eternity, and The Misfits, are featured, along with the legendary watering holes of the day (and the recipes for their signature drinks). Edward Hemingway’s portraits complete this spirited look at America’s most iconic silver-screen legends.“This book is like being at the best dinner party in the world. And I thought I was the first person to put a bar in my closet. I was clearly born during the wrong era.” —Chelsea Handler
Of Essence and Context: Between Music and Philosophy (Numanities - Arts and Humanities in Progress #7)
by Rima Povilionienė Rūta Stanevičiūtė Nick ZangwillThis book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.
Of Kings and Clowns: Leadership in Contemporary Egyptian Theatre Since 1967 (Routledge Advances in Theatre & Performance Studies)
by Tiran ManucharyanThis book examines the transformations Egyptian theatre has undergone since 1967. Through detailed analyses of the plays, the book investigates the ways Egyptian theatre represents, formulates, and imagines political and cultural leadership and, by implication, enacts its own leadership. Alongside the work of established playwrights, such as Yusuf Idris, Abul-ʿEla El-Salamouny, Fathia El-ʿAssal and Lenin El-Ramly, it also discusses the input in theatre of a younger generation, reflecting the new transformations in Egyptian theatre following the 2011 revolution. Relating the theoretical underpinnings of its analyses to theoretical discussions by Egyptian playwrights, the book contributes to current English-language scholarship in theatre studies, by providing a discourse largely absent from it. Considering the growing sense in English-language academia on the need for research and education beyond the Western canon this book offers an important addition to the study resources. This book will interest both scholars and students who study the Arab world, and researchers and students with an interest in cultural studies, more specifically twentieth- and twenty-first-century theatre, and literature studies. The book’s specific focus on political theatre and its gender perspective make it also of interest to the fields of political and gender studies.
Of Kings and Clowns: Leadership in Contemporary Egyptian Theatre Since 1967 (Routledge Advances in Theatre & Performance Studies)
by Tiran ManucharyanThis book examines the transformations Egyptian theatre has undergone since 1967. Through detailed analyses of the plays, the book investigates the ways Egyptian theatre represents, formulates, and imagines political and cultural leadership and, by implication, enacts its own leadership. Alongside the work of established playwrights, such as Yusuf Idris, Abul-ʿEla El-Salamouny, Fathia El-ʿAssal and Lenin El-Ramly, it also discusses the input in theatre of a younger generation, reflecting the new transformations in Egyptian theatre following the 2011 revolution. Relating the theoretical underpinnings of its analyses to theoretical discussions by Egyptian playwrights, the book contributes to current English-language scholarship in theatre studies, by providing a discourse largely absent from it. Considering the growing sense in English-language academia on the need for research and education beyond the Western canon this book offers an important addition to the study resources. This book will interest both scholars and students who study the Arab world, and researchers and students with an interest in cultural studies, more specifically twentieth- and twenty-first-century theatre, and literature studies. The book’s specific focus on political theatre and its gender perspective make it also of interest to the fields of political and gender studies.
Off Headset: Essays on Stage Management Work, Life, and Career (Backstage)
by Rafael Jaen Christopher SadlerOff Headset is a collection of chapters containing essays by a richly diverse group of stage management professionals and educators covering the challenges stage managers face on the job, in their lives, and in their careers. The book starts with the intersectional history of stage managers and the actors' union. In "Part 1: Work," the contributors share a wide range of experiences, from regional theatre and Broadway to operas and cruises—and even running with the circus. The essays in "Part 2: Life" explore the relevance of stage managers claiming their identity, their resilience, and practicing self-care. Finally, in "Part 3: Career," readers receive aspirational and business advice for life in the real world: leadership, networking, unemployment, managing demanding calendars, and career planning. The book ends with a moment of pause during tech—a direct response to the absence we have been enduring throughout the COVID-19 pandemic and a tribute to a world we used to take for granted. Intertwining practical advice with personal anecdotes, Off Headset: Essays on Stage Management Work, Life, and Career is the perfect accompaniment to students studying stage management in a university setting and professionals working in the field.
Off Headset: Essays on Stage Management Work, Life, and Career (Backstage)
by Rafael Jaen Christopher SadlerOff Headset is a collection of chapters containing essays by a richly diverse group of stage management professionals and educators covering the challenges stage managers face on the job, in their lives, and in their careers. The book starts with the intersectional history of stage managers and the actors' union. In "Part 1: Work," the contributors share a wide range of experiences, from regional theatre and Broadway to operas and cruises—and even running with the circus. The essays in "Part 2: Life" explore the relevance of stage managers claiming their identity, their resilience, and practicing self-care. Finally, in "Part 3: Career," readers receive aspirational and business advice for life in the real world: leadership, networking, unemployment, managing demanding calendars, and career planning. The book ends with a moment of pause during tech—a direct response to the absence we have been enduring throughout the COVID-19 pandemic and a tribute to a world we used to take for granted. Intertwining practical advice with personal anecdotes, Off Headset: Essays on Stage Management Work, Life, and Career is the perfect accompaniment to students studying stage management in a university setting and professionals working in the field.
Off Key: When Film and Music Won't Work Together
by Kay DickinsonIn Off Key, Kay Dickinson offers a compelling study of how certain alliances of music and film are judged aesthetic failures. Based on a fascinating and wide-ranging body of film-music mismatches, and using contemporary reviews and histories of the turn to post-industrialization, the book expands the ways in which the union of the film and music businesses can be understood. Moving beyond the typical understanding of film music that privileges the score, Off Key also incorporates analyses of rock 'n' roll movies, composer biopics, and pop singers crossing over into acting. By doing this, it provides a fuller picture of how two successful entertainment sectors have sought out synergistic strategies, ones whose alleged "failures" have much to tell about the labor practices of the creative industries, as well as our own relationship to them and to work itself. A provocative and politically-conscious look at music-image relations, Off Key will appeal to students and scholars of film music, cinema studies, media studies, cultural studies, and labor history.
Off Nevsky Prospekt: St Petersburg's Theatre Studios in the 1980s and 1990s
by Elena MarkovaOff Nevsky Prospekt is the first study to be published in English of the exceptionally rich and diverse theatre studio movement which has flourished in St Petersburg during the 1980s and '90s. Professor Markova charts the development of the theatre studios - from their beginnings as a reaction to the repressive atmosphere of the Soviet period and through the "theatre bacchanalia" of the Perestroika years. She then surveys today's vibrant scene, with analyses of key productions and interviews with many of the central figures, and describes how theatre studios have subverted the conventions of the past to create a new dialogue with the changing society from which their audience is drawn.
Off Nevsky Prospekt: St Petersburg's Theatre Studios in the 1980s and 1990s
by Elena MarkovaOff Nevsky Prospekt is the first study to be published in English of the exceptionally rich and diverse theatre studio movement which has flourished in St Petersburg during the 1980s and '90s. Professor Markova charts the development of the theatre studios - from their beginnings as a reaction to the repressive atmosphere of the Soviet period and through the "theatre bacchanalia" of the Perestroika years. She then surveys today's vibrant scene, with analyses of key productions and interviews with many of the central figures, and describes how theatre studios have subverted the conventions of the past to create a new dialogue with the changing society from which their audience is drawn.
Off-Road with Clarkson, Hammond and May: Behind The Scenes of Their "Rock and Roll" World Tour
by Phillipa Sage'Amazing adventures. Apparently I was there.' Richard HammondFor over 12 years Phillipa Sage worked alongside Jeremy Clarkson, Richard Hammond and James May as their PA, gofer, and fixer where she saw the boys at their best and, hilariously, at their worst. A closet petrol head, Phillipa started working in the motor industry on live events over 20 years ago and first worked with Jeremy Clarkson in 1997. She proved to be a loyal, trusted friend and colleague to all the presenters—from back in the beginning with Tiff Needell, Vicki Butler-Henderson and Quentin Wilson—to the now infamous trio of Clarkson, Hammond and May, and was a key member of what became known as 'The Bubble', the exclusive, dysfunctional working family that toured the world.With an enormous budget, they travelled like rock stars—with super cars, yachts, private jets, helicopters, and five-star wining and dining—taking their unique brand of motoring madness to 18 countries, 31 cities and to over 2 million fans in arenas and at festivals from New Zealand to Norway.Supported by a large crew and their personal entourage, Clarkson, Hammond and May, when not performing in their extraordinary, high octane, live action, motoring theatre, indulged in extravagant holidays. They and their 'Bubble' family relaxed in luxury resorts or private houses entertaining themselves with pool parties, drinking, heli-sightseeing, drinking, private motorboat cruises, drinking, jet skiing, sailing, drinking and eating, and drinking.In Off-Road with Clarkson, Hammond & May, Phillipa shares the tour highs, lows and laughter of three clever, funny, and very stupid motoring journalists.