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The Off-Screen: An Investigation of the Cinematic Frame (Meridian: Crossing Aesthetics)
by Eyal PeretzFrom the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.
Off-Screen Cinema: Isidore Isou and the Lettrist Avant-Garde
by Kaira M. CabañasOne of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists. Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement's founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas's history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.
Off the Ground: First Steps to a Philosophical Consideration of the Dance
by Francis Edward SparshottWhat is dance, as seen from a philosopher's point of view? Why has dance played little part in traditional philosophies of the arts? And why do these philosophies of the arts take the form they do? The distinguished aesthetician Francis Sparshott subjects these questions to a thorough examination that takes into account all forms and aspects of dance, in art and in life, and brings them within the scope of a single discussion. By showing what is involved in deciding whether something is or is not dance, and by displaying the diversity of ways in which dance can be found meaningful, he provides a new sort of background for dance aesthetics and dance criticism. At the same time he makes a far-reaching contribution to the methodology of the philosophy of art and practice. In a witty and personal style that will be familiar to readers of his earlier books, Professor Sparshott makes a distinction between dance and its neighbors (such as work, sports, and games) and points out that it is more profoundly connected to questions of self-knowledge than the other arts. Dance differs from any of the fine arts in that it can be seen, not as the manipulation of a medium, but as self-transformation.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Off-White: Yellowface and Chinglish by Anglo-American Culture
by Sheng-mei MaHow do English-speaking novelists and filmmakers tell stories of China from a Chinese perspective? How do they keep up appearances of pseudo-Sino immanence while ventriloquizing solely in the English language? Anglo writers and their readers join in this century-old game of impersonating and dubbing Chinese. Throughout this wish fulfillment, writers lean on grammatical and conceptual frameworks of their mother tongue to represent an alien land and its yellowface aliens. Off-white or yellow-ish characters and their foreign-sounding speech are thus performed in Anglo-American fiction and visual culture; both yellowface and Chinglish are of, for, by the (white) people.Off-White interrogates seminal Anglo-American fiction and film on off-white bodies and voices. It commences with one Nobel laureate, Pearl Buck, and ends with another, Kazuo Ishiguro, almost a century later. The trajectory in between illustrates that the detective and mystery genres continue unabated their stock yellowface characters, who exude a magnetic field so powerful as to pull in Japanese anime. This universal drive to fashion a foil is ingrained in any will to power, so much so that even millennial China creates an “off-yellow,” darker-hued Orient in Huallywood films to silhouette its global ascent.
Off-White: Yellowface and Chinglish by Anglo-American Culture
by Sheng-mei MaHow do English-speaking novelists and filmmakers tell stories of China from a Chinese perspective? How do they keep up appearances of pseudo-Sino immanence while ventriloquizing solely in the English language? Anglo writers and their readers join in this century-old game of impersonating and dubbing Chinese. Throughout this wish fulfillment, writers lean on grammatical and conceptual frameworks of their mother tongue to represent an alien land and its yellowface aliens. Off-white or yellow-ish characters and their foreign-sounding speech are thus performed in Anglo-American fiction and visual culture; both yellowface and Chinglish are of, for, by the (white) people.Off-White interrogates seminal Anglo-American fiction and film on off-white bodies and voices. It commences with one Nobel laureate, Pearl Buck, and ends with another, Kazuo Ishiguro, almost a century later. The trajectory in between illustrates that the detective and mystery genres continue unabated their stock yellowface characters, who exude a magnetic field so powerful as to pull in Japanese anime. This universal drive to fashion a foil is ingrained in any will to power, so much so that even millennial China creates an “off-yellow,” darker-hued Orient in Huallywood films to silhouette its global ascent.
Off-White Hollywood: American Culture and Ethnic Female Stardom
by Diane NegraOff-White Hollywood investigates how the 'ethnicity' of white European-American actresses has played a key role in the mythology of American identity and nation building. Negra focuses on key stars of the silent - Colleen Moore and Pola Negri - classical - Sonja Henie and Hedy Lamarr - and post-classical eras - Marisa Tomei and Cher - to demonstrate how each star illuminates aspects of ethnicity, gender, consumerism, and class at work in American culture.
Off-White Hollywood: American Culture and Ethnic Female Stardom
by Diane NegraOff-White Hollywood investigates how the 'ethnicity' of white European-American actresses has played a key role in the mythology of American identity and nation building. Negra focuses on key stars of the silent - Colleen Moore and Pola Negri - classical - Sonja Henie and Hedy Lamarr - and post-classical eras - Marisa Tomei and Cher - to demonstrate how each star illuminates aspects of ethnicity, gender, consumerism, and class at work in American culture.
Öffentliche Kunst, Kunst im öffentlichen Raum Niederösterreich, Band 8: / Public Art Lower Austria, Volume 8 (Veröffentlichte Kunst. Kunst im öffentlichen Raum Niederösterreich Public Art Lower Austria #8)
Kunst im öffentlichen Raum in Niederösterreich ist ein einzigartiges Modell, das international höchste Anerkennung findet. Die im ländlichen und kleinstädtischen Raum entstandenen Projekte bedeutender, aber auch junger unbekannter KünstlerInnen setzen sich mit der Landschaft, der Kulturgeschichte und der Architektur auseinander oder entstanden auf der Basis von sozialer und wissenschaftlicher Recherche. Der vorliegende Band dokumentiert die Projekte der Jahre 2004 – 2006. Neben der Projektdokumentation äußern sich Experten unterschiedlichster Bereiche in einer kunstwissenschaftlichen und theoretischen Diskussion zur "Gestaltung von Kreisverkehren", ein Thema brisanter Aktualität in der Gestaltung von Landschaft und Umgebung.
The Official Peaky Blinders Quiz Book
by Peaky BlindersAre you razor sharp when it comes to Shelby family knowledge? Do you know The Garrison Tavern and its regulars like the back of your hand?Then summon your network of friends and foes and prepare to gamble for the title of true Blinder! By order of the Peaky Blinders.Inside The Official Peaky Blinders Quiz Book you'll find over 1,000 questions - from criminally easy to murderously hard - designed to put your Peaky knowledge to the ultimate test. So, don your flat caps, brush up on the iconic characters, lines and locations, and play against your biggest rivals to claim the title of most fearsome quiz gangster going.
The Official Razzie Movie Guide: Enjoying the Best of Hollywoods Worst
by John WilsonA paperback guide to 100 of the funniest bad movies ever made, this book covers a wide range of hopeless Hollywood product, and also including rare Razzie ceremony photos and a complete history of everything ever nominated for Tinsel Town's Tackiest Trophy.
Oh Miriam!: Stories from an Extraordinary Life
by Miriam MargolyesFrom declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's campervan, my life has been (and continues to be) a riotous adventure.Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones - laughs, surprised gasps and orgasmic sighs (I'm hoping for all those from you as you read on!) - that it had to be the title of this book. And with a castlist that stretches from Churchill to di Caprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've got so much more to tell you and so much more to say.My chapters range from 'How to Stay Married' to 'Don't Let the Bastards Get You Down'. Discover how to break the thickest conversational ice; why swearing is actually good for you (though not on the Today programme); the unexpected things I actually learnt at school and what my Spice Girl name would be. Not to mention my Tale of the Unexpected and my very own Vagina Monologue.Buckle up and join me on another unforgettable adventure, but this time through my heart and head . . .* No gerunds (or Johnsons - worse luck!) were harmed in the making of this book *
Oh, to be in England (Oberon Modern Plays)
by David PinnerLike Pinner's contemporaneous 1973 Stalin play The Teddy Bears' Picnic, Oh, To Be In England was unproduceable at the time of its writing because of its unapologetic skewering of political extremism in the UK. Unlike The Teddy Bears' Picnic, which finally ran in 1990 to press acclaim, Oh, To Be In England has remained lost. After thirty-five years, it is now receiving its world premiere after thirty five years. Frighteningly prescient, and tragically current, Oh, To Be In England is a dark comedy examining what it means to live in an ex-empire in economic free-fall, and the political and personal extremism that results when all other belief is lost. A middle-aged Englishman, bred to believe in his innate superiority as a birthright of class, race, and gender, loses his job in the City. Left floundering impotently in a world that is no longer cricket, his family, security, and sanity follow close behind.
The Oikos Project: Oikos And Protozoa (Oberon Modern Playwrights)
by Kay Adshead Simon WuThe Oikos Project and the two plays Oikos and Protozoa are an attempt to take responsibility for creating a different future in relation to the coming threat of climate change. Can we createa future based less on material gain and more on being in sympathy with our only planet?OIKOS Salil, a highly-successful businessman, has it all worked out: career, family, river-view des-res in Chiswick and a beautiful mistress. So why is he increasingly haunted by ghosts from the Old Country? When the Thames bursts its banks and his family scramble to keep their heads above water, the very foundations of his perfect life are threatened and Salil is forced to look to both his future and his past for redemption.PROTOZOA When the United Kingdom disappears in The Floods, Cordelia is determined to rebuild her grand house at any cost. When Sheann emerges half dead from the black waters, she will do anything to find her lost child. In this strange, formless new world, Inspector John Hall, born again out of the mud and slurry, will stop at nothing to ensure the survival of his citizens. If civilisation was to disappear tomorrow, how would we rebuild it? As Cordelia, Sheann and Hall’s lives collide in a volatile, repressive and increasingly familiar world, who are the women on the other side of the shrinking, fetid river who watch and wait?
Ökonomik der Kunst und Kultur: Kompakt – verständlich – anwendungsorientiert (essentials)
by Bruno S. FreyBruno S. Frey untersucht Kunst und Kultur vom Standpunkt der Wirtschaftswissenschaften – vor allem unter zwei Aspekten: der Beziehung zwischen Kunst und Wirtschaft sowie der Anwendung ökonomischen Denkens auf den Bereich der Kunst und Kultur. Wichtige Bereiche der Kunstökonomik befassen sich mit der darstellenden und bildenden Kunst, Museen, der Kulturindustrie, dem Kulturtourismus und dem kulturellen Erbe. Mit der Anwendung ökonomischen Denkens wird eine neue Art der Interdisziplinarität eröffnet. Die Kunstökonomik ist eine spannende Anwendung der ökonomischen Denkweise. Finanzwissenschaftliche Aspekte stehen dabei im Vordergrund. Der Autor erörtert Möglichkeiten, welche Rolle der Staat in der Finanzierung der Kunst spielt und spielen kann.Der Autor: Bruno S. Frey ist Ständiger Gastprofessor an der Universität Basel und Forschungsdirektor bei CREMA – Center for Research in Economics, Management and the Arts, Zürich/Schweiz. Zuvor war er Professor an den Universitäten Konstanz, Zürich, Chicago, Warwick und Friedrichshafen und ist mit fünf Ehrendoktoraten in fünf Ländern ausgezeichnet worden.
Old and New Media after Katrina
by Diane NegraTen years after Hurricane Katrina, this thoughtful collection of essays reflects on the relationship between the disaster and a range of media forms. The assessments here reveal how mainstream and independent media have responded (sometimes innovatively, sometimes conservatively) to the political and social ruptures "Katrina" has come to represent. The contributors explore how Hurricane Katrina is positioned at the intersection of numerous early twenty-first century crisis narratives centralizing uncertainties about race, class, region, government, and public safety. Looking closely at the organization of public memory of Katrina, this collection provides a timely and intellectually fruitful assessment of the complex ways in which media forms and national events are hopelessly entangled.
Old King Cole (Oberon Plays for Young People)
by Ken CampbellWill the courageous Cyril defeat the weedy Baron Wadd and win the hand of Princess Daphne? Or will his heroic efforts be thwarted by the mischievous interlopers Fazand Twoo? The answers to these important questions are revealed in Ken Campbell’s reimagining of the familiar Old King Cole story. Old King Cole has been performed in many countries and translated into many languages.
Old Norse Poetry in Performance (Routledge Advances in Theatre & Performance Studies)
by Brian McMahon Annemari FerreiraThis book presents a range of approaches to the study of Old Norse poetry in performance. The contributors examine both eddic and skaldic poems and consider the surviving evidence for how they were originally recited or otherwise performed in medieval Scandinavia, Iceland and at royal courts across Europe. This study also engages with the challenge of reconstructing medieval performance styles and examines ways of applying the modern discipline of Performance Studies to the fragmentary corpus of Old Norse verse. The performance of verse by characters who appear in the Old Icelandic saga tradition is also considered, as is the cultural value associated not only with the poems themselves but with their various means of transmission and reception. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.
Old Norse Poetry in Performance (Routledge Advances in Theatre & Performance Studies)
by Brian McMahon Annemari FerreiraThis book presents a range of approaches to the study of Old Norse poetry in performance. The contributors examine both eddic and skaldic poems and consider the surviving evidence for how they were originally recited or otherwise performed in medieval Scandinavia, Iceland and at royal courts across Europe. This study also engages with the challenge of reconstructing medieval performance styles and examines ways of applying the modern discipline of Performance Studies to the fragmentary corpus of Old Norse verse. The performance of verse by characters who appear in the Old Icelandic saga tradition is also considered, as is the cultural value associated not only with the poems themselves but with their various means of transmission and reception. This book will be of great interest to students and scholars in the fields of Old Norse studies, Performance and Theatre History.
Old Possum's Book of Practical CATS: Cats Movie Tie-in (Faber Children's Classics Ser. #13)
by T. S. EliotCats! Some are sane, some are mad and some are good and some are bad.Meet magical Mr Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there!In 1925 T.S. Eliot became co-director of Faber & Faber, who remain his publishers to this day. Throughout the 1930s he composed the now famous poems about Macavity, Old Deuteronomy, Mr Mistoffelees and many other cats, under the name of 'Old Possum'. In 1981 Eliot's poems were set to music by Andrew Lloyd Webber as Cats, which went on to become the longest-running Broadway musical in history and is now a film starring Taylor Swfit, Idris Elba, Judi Dench, Ian McKellen, Rebel Wilson, Jennifer Hudson, Jason Derulo, Francesca Hayward and James Corden. With illustrations by Rebecca Bagley.
Older and Bolder: My A-Z of surviving almost everything
by Esther RantzenBe bolder as you grow older, and make sure you float above any challenges that threaten to overwhelm you. Multi-award-winning broadcaster, founder of Childline and The Silver Line, campaigner, mother, grandmother and joyous trailblazer of our times, Dame Esther Rantzen dazzles in the glory of getting older and ever bolder.And now in this energising A-Z, she time-travels through her most signi?cant memories, from meeting Princess Diana to creating a national outrage with a mischievous short ?lm about a driving dog, and re?ects with candour and humour on the life lessons she's learned, revealing the hints, hacks and personal philosophies that have been her secrets to surviving almost everything.We may not all achieve what Dame Esther has, but here we can soak up her wisdom, laugh with her, learn from her, embrace the passing years and march boldly on.
Olga's Room: Olga's Room - Innocence - Land Without Words (Oberon Modern Plays)
by Dea Loher David TushinghamThe only way not to be a heroine, a martyr, a victim, is to make myself an accomplice, a collaborator. Communist. Jew. Revolutionary. Lover. Mother. Olga Benario's story is a searing tale of survival as alongside her fellow prisoners she struggles to hold onto her disintegrating sense of self. Based on real events of the 1930s-40s focusing on Benario's time in Brazil and Germany, this gripping play was the first work by one of Europe's foremost contemporary dramatists, Dea Loher, and was originally performed in 1992. After their highly successful run in Luxembourg City, Speaking in Tongues bring the English-language world premiere to London.
Oliver Lansley: Les Enfants Terribles Collected Plays (Oberon Modern Playwrights)
by Oliver LansleyLes Enfants Terribles is a collection of three plays from one of Britain's most innovative theatre companies. It is also a document of the company's progress so far, featuring detailed production photos, design sketches and introductions to each play. The Terrible Infants (2007) blends puppetry, live music, performance and story-telling to present a series of twisted tales for children and adults. Inspired by the likes of Edgar Allen Poe and Alfred Hitchcock, Ernest and the Pale Moon (2008) is a noir horror based upon a tale of murderous envy. The Vaudevillains (2011) is a dark miniature musical whodunnit. When the owner of a music hall is murdered, everyone's a suspect. Released to coincide with the Edinburgh Festival 2011, where Les Enfant Terribles will be performing at Edinburgh Festival, Pleasance Courtyard, August 6-29th
Olivier
by Philip ZieglerHollywood superstar; Oscar-winning director; greatest stage actor of the twentieth century. The era abounded in great actors - Gielgud, Richardson, Guinness, Burton, O'Toole - but none could challenge Laurence Olivier's range and power. By the 1940s he had achieved international stardom. His affair with Vivien Leigh led to a marriage as glamorous and as tragic as any in Hollywood history. He was as accomplished a director as he was a leading man: his three Shakespearian adaptations are among the most memorable ever filmed. And yet, at the height of his fame, he accepted what was no more than an administrator's wage to become the founding Director of the National Theatre. In 2013 the theatre celebrates its fiftieth anniversary; without Olivier's leadership it would never have achieved the status that it enjoys today. Off-stage, Olivier was the most extravagant of characters: generous, yet almost insanely jealous of those few contemporaries whom he deemed to be his rivals; charming but with a ferocious temper. With access to more than fifty hours of candid, unpublished interviews, Philip Ziegler ensures that Olivier's true character - at its most undisguised - shines through as never before.
Olympia (BFI Film Classics)
by Taylor DowningLeni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the Will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power. This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbels's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee.
Olympia (BFI Film Classics)
by Taylor DowningLeni Riefenstahl's Olympia (1938) is one of the most controversial films ever made. Capitalising on the success of Triumph of the Will (1935), her propaganda film for the Nazi Party, Riefenstahl secured Hitler's approval for her grandiose plans to film the 1936 Berlin Olympics. The result was a work as notorious for its politics as celebrated for its aesthetic power. This revised edition includes new material on Riefenstahl's film-making career before Olympia and her close relationship with Hitler. Taylor Downing also discusses newly-available evidence on the background to the film's production that conclusively proves that the film was directly commissioned by Hitler and funded through Goebbels's Ministry of Propaganda and not, as Riefenstahl later claimed, commissioned independently from the Nazi state by the Olympic authorities. In writing this edition, Taylor Downing has been given access to a magnificent new restoration of the original version of the film by the International Olympic Committee.