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Open Wounds: Holocaust Theater and the Legacy of George Tabori
by Martin Kagel David Z. SaltzThis volume collects original essays on Hungarian-German playwright and screenwriter George Tabori (1914–2007) and his remarkable contributions to the stage. Tabori, a Jewish refugee and a truly transnational author, was best known for his work in New York theater that irreverently explored the Jewish experience, particularly the Holocaust. Although his illustrious career spanned a century, two continents, several languages, and a variety of literary genres, Tabori’s work has received scant attention in American letters, in spite of its significance for U.S. theater and Holocaust studies. Until Tabori, most dramas about the Holocaust were either rooted in American domestic realism, striving to create a strong empathetic connection between the audience and Holocaust victims, or featured an unembellished documentary style. Tabori staked out a third position, beyond realism and documentation. The volume brings together the voices of international scholars to provide a comprehensive introduction to Tabori’s theater as well as in-depth analyses of his work, discussing all of his major plays. Individual essays address Tabori’s postdramatic theater in relation to sacrificial ritual, performance studies, and post-humanist approaches to the contemporary stage, as well as performance aspects of his productions, questions of ethics and aesthetics raised by his theater, and his plays’ relation to Holocaust representation in popular culture.
Opening Bazin: Postwar Film Theory and Its Afterlife
by Dudley Andrew Herve Joubert-LaurencinWith the full range of his voluminous writings finally viewable, André Bazin seems more deserving than ever to be considered the most influential of all writers on film. His brief career, 1943-58, helped bring about the leap from classical cinema to the modern art of Renoir, Welles, and neorealism. Founder of Cahiers du Cinéma, he encouraged the future New Wave directors to confront his telltale question, What is Cinema? This collection considers another vital question, Who is Bazin? In it, thirty three renowned film scholars--including de Baecque, Elsaesser, Gunning, and MacCabe--tackle Bazin's meaning for the 2st century. They have found in his writings unmistakable traces of Flaubert, Bergson, Breton, and Benjamin and they have pursued this vein to the gold mine of Deleuze and Derrida. They have probed and assessed his ideas on film history, style, and technique, measuring him against today's media regime, while measuring that regime against him. They have located the precious ore of his thought couched within striations of French postwar politics and culture, and they have revealed the unexpected effects of that thought on filmmakers and film culture on four continents. Open Bazin; you will find a treasure.
Opening Bazin: Postwar Film Theory and Its Afterlife
by Dudley Andrew Hervé Joubert-LaurencinWith the full range of his voluminous writings finally viewable, André Bazin seems more deserving than ever to be considered the most influential of all writers on film. His brief career, 1943-58, helped bring about the leap from classical cinema to the modern art of Renoir, Welles, and neorealism. Founder of Cahiers du Cinéma, he encouraged the future New Wave directors to confront his telltale question, What is Cinema? This collection considers another vital question, Who is Bazin? In it, thirty three renowned film scholars--including de Baecque, Elsaesser, Gunning, and MacCabe--tackle Bazin's meaning for the 2st century. They have found in his writings unmistakable traces of Flaubert, Bergson, Breton, and Benjamin and they have pursued this vein to the gold mine of Deleuze and Derrida. They have probed and assessed his ideas on film history, style, and technique, measuring him against today's media regime, while measuring that regime against him. They have located the precious ore of his thought couched within striations of French postwar politics and culture, and they have revealed the unexpected effects of that thought on filmmakers and film culture on four continents. Open Bazin; you will find a treasure.
Opening Wednesday at a Theater or Drive-In Near You: The Shadow Cinema of the American '70s
by Charles Taylor"Movie criticism's Dostoyevsky . . . Taylor reveals a national identity forged from the innocence we claim to have lost but never had in the first place.†? --Steve Erickson, author of ZerovilleWhen we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity.
Oper, Publikum und Gesellschaft
by Karl-Heinz ReubandIn dem interdisziplinär besetzten Sammelband wird die sozialstrukturelle Zusammensetzung des Publikums, das wechselseitige Verhältnis von Oper und Gesellschaft und die Zukunft der Oper diskutiert. Die Erwartungen und das Erleben des Opernpublikums sind ebenso ein Thema wie Inszenierungsstile und neue Vermittlungsformen in Form von Open-Air-Veranstaltungen.
Opera Cinema: A New Cultural Experience
by Joseph AttardSince 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world – live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric artform and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.
Opera Cinema: A New Cultural Experience
by Joseph AttardSince 2006, leading opera companies have beamed their shows to thousands of cinema screens all over the world – live. 'Opera cinema' is the most successful marriage of this elaborate, esoteric artform and the silver screen. In the twenty-first century, more people watch opera on cinema screens than the stage. But what is different about watching Massenet at the multiplex, compared to a traditional stage performance? Is opera cinema a new, hybrid artform in its own right, or merely a new way of engaging with an old one? Is it bringing new opera fans into the fold? Is there a danger it could one day eclipse the stage altogether? This book deals with these questions by charting the history of opera transmissions, exploring how digital media changes our relationship with culture and inviting a group of 'opera virgins' to give their impressions on this developing cultural experience.
Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies)
by Clemens RisiOpera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera. This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.
Opera in Performance: Analyzing the Performative Dimension of Opera Productions (Routledge Advances in Theatre & Performance Studies)
by Clemens RisiOpera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera. This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.
Opera North: Historical and Dramaturgical Perspectives on Opera Studies (0)
by Kara McKechnieThis illustrated study is a resource for opera scholars, opera workers and opera lovers. It explores the field of opera studies in three ways: Through history: Opera North is presented through a historical lens within the UK operatic landscape. The chapter amalgamates extensive archival resources and interview material, including many illustrations from its 35 year history. Through ethnography: the day-to-day workplace behaviour of an opera company is explored in its rehearsal and performance spaces, and the production cycle from first music rehearsal to first night is traced through detailed observation and photographic records. Through production analysis: selected productions of recent years are given a dramaturgical focus, with aspects of conceptual, textual and visual analysis. Opera North was founded as English National Opera North in 1978. It became independent from English National Opera in 1981 and holds a reputation for fostering artistic talent, for adventurous programming choices and for high production values. This study explores universal issues relating to the production of opera, based on the very specific example of our National Opera Company in the North.
The Operatic and the Everyday in Postwar Italian Film Melodrama
by Louis BaymanThis monograph argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society.
The Operatic and the Everyday in Postwar Italian Film Melodrama
by Louis BaymanThis monograph argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society.
Opernarbeit: Texte aus 25 Jahren
by Sergio MorabitoSergio Morabito war der Stuttgarter Oper 25 Jahre lang als Dramaturg und Regisseur verbunden; seine Arbeit wurde vielfach ausgezeichnet. In diesem Buch gewährt Morabito Einblicke in die Praxis des Operndramaturgen und -regisseurs. Er setzt sich mit wichtigen Werken des Opernrepertoires auseinander und zeigt dabei nachvollziehbar und im Detail, was als sein Markenzeichen gelten kann: das Bestreben, wissenschaftliche Erkenntnis mit künstlerischer Freiheit, ästhetische Praxis mit analytischer Verbindlichkeit zu vermitteln. Der erste Teil des Buches ist grundsätzlichen Fragen der Operndramaturgie gewidmet, im zweiten Teil stellt Morabito dramaturgische Überlegungen zu einer Fülle von Opern an, die am Stuttgarter Haus, bei den Salzburger Festspielen, an der San Francisco Opera, an De Nederlandse Opera und anderen Theatern inszeniert wurden. Hinzu kommen Texte, die ästhetische und kulturelle Zusammenhänge werkübergreifend entfalten, beispielsweise zur romantischen Primadonnenoper. Attraktive Fotos von Aufführungen, die Sergio Morabito im Regieteam mit Jossi Wieler und Bühnenbildnern wie Anna Viebrock oder Bert Neumann realisiert hat, ergänzen die Publikation.
Opinion Polls and the Media: Reflecting and Shaping Public Opinion
by Christina Holtz-Bacha and Jesper Str�mb�ckOpinion Polls and the Media provides the most comprehensive analysis to date on the relationship between the media, opinion polls, and public opinion. Looking at the extent to which the media, through their use of opinion polls, both reflect and shape public opinion, it brings together a team of leading scholars and analyzes theoretical and methodological approaches to the media and their use of opinion polls. The contributors explore how the media use opinion polls in a range of countries across the world, and analyze the effects and uses of opinion polls by the public as well as political actors.
Oprah, Celebrity and Formations of Self
by S. WilsonOprah Winfrey has transcended her status as talk show host to become a cultural icon of some considerable stature. This book explores the nature of Oprah's celebrity persona and considers the relevance that she has to contemporary audiences. The stories recounted by guests, and the ways in which confessional discourse works to produce a particular relationship between Oprah, her guests and the audience members are considered within the context of contemporary American culture.
The Optical Vacuum: Spectatorship and Modernized American Theater Architecture
by Jocelyn Szczepaniak-GilleceBetween the 1920s and the 1960s, American mainstream cinematic architecture underwent a seismic shift. From the massive movie palace to the intimate streamlined theater, movie theaters became neutralized spaces for calibrated, immersive watching. Leading this charge was New York architect Benjamin Schlanger, a fiery polemicist whose designs and essays reshaped how movies were watched. In its close examination of Schlanger's work and of changing patterns of spectatorship, this book reveals that the essence of film viewing lies not only in the text, but in the spaces where movies are shown. The Optical Vacuum demonstrates that our changing models of cinephilia are always determined by physical structure: from the decorations of the palace to the black box of the contemporary auditorium, variations in movie theater design are icons for how viewing has similarly transformed.
The Optical Vacuum: Spectatorship and Modernized American Theater Architecture
by Jocelyn Szczepaniak-GilleceBetween the 1920s and the 1960s, American mainstream cinematic architecture underwent a seismic shift. From the massive movie palace to the intimate streamlined theater, movie theaters became neutralized spaces for calibrated, immersive watching. Leading this charge was New York architect Benjamin Schlanger, a fiery polemicist whose designs and essays reshaped how movies were watched. In its close examination of Schlanger's work and of changing patterns of spectatorship, this book reveals that the essence of film viewing lies not only in the text, but in the spaces where movies are shown. The Optical Vacuum demonstrates that our changing models of cinephilia are always determined by physical structure: from the decorations of the palace to the black box of the contemporary auditorium, variations in movie theater design are icons for how viewing has similarly transformed.
Or Is That Just Me?
by Richard HammondMore antics from the much-loved TOP GEAR presenter, and the No.1 bestselling author of ON THE EDGE."There is, I discovered, a technique to performing a low-rent, comedy motorcycle jump with a bad hip joint following a low-speed fall off a horse on to your wife's Land Rover keys..."More of the wry, honest and often hilarious chronicles of Richard Hammond - TV presenter, adventurer and general drawer of the Short Straw. Continuing where AS YOU DO left off, OR IS THAT JUST ME? focuses on just a few of the many hair-raising stunts, expeditions and encounters experienced by Richard Hammond over the last eventful year.
The Oral History Workshop: Collect and Celebrate the Life Stories of Your Family and Friends
by Cynthia Hart Lisa SamsonWe all know that we should ask now, before it's too late, before the stories are gone forever. But knowing and doing are two different things.Cynthia Hart, author of Cynthia Hart's Scrapbook Workshop, shows exactly how to collect, record, share, and preserve a family member's or a friend's oral history in this practical and inspirational guide. The Oral History Workshop breaks down what too often feels like an overwhelming project into a series of easily manageable steps: how to prepare for an interview; how to become a better listener; why there's always more beneath the surface and the questions to ask to get there; the pros and cons of video recording, including how your subjects should dress so the focus is on their words; four steps to keeping the interview on track; how to be attentive to your subject's energy levels; and the art of archiving or scrapbooking the interview into a finished keepsake.At the heart of the book are hundreds of questions designed to cover every aspect of your subject's history: Do you remember when and how you learned to read? Who in your life showed you the most kindness? What insights have you gained about your parents over the years? Would you describe yourself as an optimist or a pessimist? In what ways were you introduced to music? What is the first gift you remember giving? If you could hold on to one memory forever, what would it be? When the answers are pieced together, a mosaic appears—a living history.
Oral Literary Performance in Africa: Beyond Text (Routledge African Studies)
by Nduka Otiono and Chiji AkọmaThis book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. Gathering insights from distinguished scholars in the field, the book provides a range of contemporary interdisciplinary perspectives in the study of oral literature and its transformations in everyday life, fiction, poetry, popular culture, and postcolonial politics. Topics discussed include folklore and folklife; oral performance and masculinities; intermediated orality, modern transformations, and globalization; orality and mass media; spoken word and imaginative writing. The book also addresses research methodologies and the thematic and theoretical trajectories of scholars of African oral literatures, looking back to the trailblazing legacies of Ruth Finnegan, Harold Scheub, and Isidore Okpewho. Ambitious in scope and incisive in its analysis, this book will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.
Oral Literary Performance in Africa: Beyond Text (Routledge African Studies)
by Nduka Otiono Chiji Ak 7885 MaThis book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. Gathering insights from distinguished scholars in the field, the book provides a range of contemporary interdisciplinary perspectives in the study of oral literature and its transformations in everyday life, fiction, poetry, popular culture, and postcolonial politics. Topics discussed include folklore and folklife; oral performance and masculinities; intermediated orality, modern transformations, and globalization; orality and mass media; spoken word and imaginative writing. The book also addresses research methodologies and the thematic and theoretical trajectories of scholars of African oral literatures, looking back to the trailblazing legacies of Ruth Finnegan, Harold Scheub, and Isidore Okpewho. Ambitious in scope and incisive in its analysis, this book will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.
Orality: The Power of the Spoken Word
by Graham FurnissOral communication is quite different in its spontaneity and communicative power from textual and visual communication. Culturally-bounded expectations of ways of speaking and individual creativity provide the spark that can ignite revolution or calm the soul. This book explores, from a cross-cultural perspective, the centrality of orality in the ideological processes that dominate public discourse, providing a counterbalance to the debates that foreground literacy and the power of written communication.
An Orderly Man: A Memoir
by Dirk BogardeFirst published in 1983, An Orderly Man is volume three of Dirk Bogarde's best-selling memoirsAfter completing work on Visconti's Death in Venice, the celebrated actor seeks a refuge from 20 years of 'continual motion'. This dream of a peaceful retreat materialises itself in the form of a neglected farmhouse in the South of France. However, before he is rewarded with the calm he craves, he is forced to endure the relative evils of dying olive trees and the rampaging mistral.In this pursuit of the tranquil, Bogarde manages to portray the simplest of issues in the most delicate and humane way. This volume also covers the years in which Dirk Bogarde gave some of his finest acting performances and began his career as a gifted writer, imposing order on a rich and varied life.
Ordinary Joe
by Joe Schmidt'He's a great coach. He lives and breathes the game. There's nothing he doesn't know.' Brian O'Driscoll'The best coach Irish rugby - arguably Irish sport - has ever had'Malachy Clerkin, Irish TimesIn the autumn of 2010, a little-known New Zealander called Joe Schmidt took over as head coach at Leinster. He had never been in charge of a professional team. After Leinster lost three of their first four games, a prominent Irish rugby pundit speculated that Schmidt had 'lost the dressing room'.Nine years on, Joe Schmidt has stepped down as Ireland coach having achieved success on a scale never before seen in Irish rugby. Two Heineken Cups in three seasons with Leinster. Three Six Nations championships in six seasons with Ireland, including the Grand Slam in 2018. And a host of firsts: the first Irish victory in South Africa; the first Irish defeat of the All Blacks, and then a second; and Ireland's first number 1 world ranking.Along the way, Schmidt became a byword for precision and focus in coaching, remarkable attention to detail and the highest of standards. But who is Joe Schmidt? In Ordinary Joe, Schmidt tells the story of his life and influences: the experiences and management ideas that made him the coach, and the man, that he is today. And his diaries of the 2018 Grand Slam and the 2019 Rugby World Cup provide a brilliantly intimate insight into the stresses and joys of coaching a national team in victory and defeat.From the small towns in New Zealand's North Island where he played barefoot rugby and jostled around the dinner table with seven siblings, to the training grounds and video rooms where he consistently kept his teams a step ahead of the opposition, Ordinary Joe reveals an ordinary man who has helped his teams to achieve extraordinary things.
Organic Cinema: Film, Architecture, and the Work of Béla Tarr
by Thorsten Botz-BornsteinThe “organic” is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Béla Tarr, the renowned Hungarian filmmaker and pioneer of the “slow cinema” movement. Through a wholly original analysis of the long take and other signature features of Tarr’s work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries.