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Alcohol and Entertainment Licensing Law
by Colin Manchester Susanna Poppleston Jeremy AllenThis comprehensive and authoritative guide to licensing law is co-authored by the UK’s only professor of licensing law and two eminent licensing practitioners. It provides a detailed exposition and contextual analysis of the legal provisions governing the licensing of alcohol and entertainment under the Licensing Act 2003, encompassing both the legislative and decision-making framework of the Act as well as its implications for human rights. Fully updated and revised, it covers the various forms of authorization for licensable activities and licence and certificate conditions that might be attached as well as the enforcement and appeal provisions of the Act. This new edition, building on the highly acclaimed original work published in 2005, includes subsequent legislative changes and case law decisions. New additions to this edition include: expanded coverage of enforcement provisions and police powers a revised and extended chapter on appeals, in light of the practical and procedural developments that have evolved in the appeal process amendments to existing regulations and the revised Statutory Guidance issued in 2007. This book is essential reading for all local authorities, legal advisers, licensing policy advisors, operators and the police as well as those applying for licences.
Alcohol and Entertainment Licensing Law
by Colin Manchester Susanna Poppleston Jeremy AllenThis comprehensive and authoritative guide to licensing law is co-authored by the UK’s only professor of licensing law and two eminent licensing practitioners. It provides a detailed exposition and contextual analysis of the legal provisions governing the licensing of alcohol and entertainment under the Licensing Act 2003, encompassing both the legislative and decision-making framework of the Act as well as its implications for human rights. Fully updated and revised, it covers the various forms of authorization for licensable activities and licence and certificate conditions that might be attached as well as the enforcement and appeal provisions of the Act. This new edition, building on the highly acclaimed original work published in 2005, includes subsequent legislative changes and case law decisions. New additions to this edition include: expanded coverage of enforcement provisions and police powers a revised and extended chapter on appeals, in light of the practical and procedural developments that have evolved in the appeal process amendments to existing regulations and the revised Statutory Guidance issued in 2007. This book is essential reading for all local authorities, legal advisers, licensing policy advisors, operators and the police as well as those applying for licences.
Alec Wilder in Spite of Himself: A Life of the Composer
by Desmond StoneAlec Wilder wrote songs and lyrics of unsurpassed beauty and originality, and his work won the respect and admiration of such important musical figures as Frank Sinatra, Peggy Lee, Mitch Miller, Gunther Schuller, and many others. Yet Wilder seemed almost to court obscurity. Both in the music he composed and in the way he lived his life, Wilder valued the unique and eccentric over the established and easily acceptable. And though he authored the definitive American Popular Song--which critics praised as "singular" (Studs Terkel), "pioneering" (Whitney Balliett), "rewarding" (Milton Babbitt), and "a joy to anyone who really cares about American popular music" (Max Morath)--his own contribution to that music has remained, until now, too little known and far too little appreciated. Desmond Stone's engaging and lively biography brings Alec Wilder's life and music into the spotlight where it belongs. Ranging from Wilder's childhood in Rochester, New York, to his rise as a major writer of popular songs in the 1940s, to his relationships with Frank Sinatra and the cabaret singer Mabel Mercer, Stone gives us rich insight into the creative process and profound influence of this highly unorthodox composer. We see the impulses and musical concerns that led to such standards as "I'll Be Around" and "It's So Peaceful in the Country." We also get an inside view of how he wrote his monumental American Popular Song, which remains the most significant study of America's great songwriters. More important, we get a vivid sense of a haunting, incorruptible melodist whose unique personality was mirrored in his music. Man and composer dared to be different. When Wilder in the late 1930s wrote his famous Octets, the music world did not know what to make of these irreverent, highly original pieces. Yet they had a seminal influence on jazz chamber music in America. Wilder would go on to compose hundreds of instrumental numbers. Whether he was writing concert pieces for an unprecedented and highly unusual group of instruments, or mixing jazz, classical, and popular idioms in a single song, or dashing off a sonata for a friend, Wilder followed the dictates of his own creativity rather than the expectations of the musical establishment. Such independence and unpredictability earned him the hostility of many critics but the enduring respect of the musicians he wrote for. Here then is a fascinating private portrait of a man who lived a nomad's life, who loved riding trains so much he kept a timetable in his pocket at all times, a man whose only home was a small room he maintained at the Algonquin Hotel in Manhattan (where he often held court in the lobby), a man with a serious drinking problem as well as the kindest and most generous of friends. Essential reading for anyone interested in American popular music, Alec Wilder in Spite of Himself provides a much needed account of this complex, colorful, and highly original life.
Alejandro Amenábar (Spanish and Latin-American Filmmakers)
by Barry JordanSince the release of his first feature in 1996, Alejandro Amenábar has become the ‘golden boy’ of Spanish filmmaking, a bankable star director whose brand virtually guarantees quality, big audiences and domestic box office success. He has directed three of the highest-grossing movies in Spanish film history and has enjoyed enormous international and critical acclaim, including an Oscar for Best Foreign Film for Mar Adentro/The Sea Inside, 2004. This book is the first full-length study in English of Amenábar’s shorts and feature films. It provides detailed analysis of his engagement with popular film genres as the basis for an auteur cinema and incorporates a reappraisal of his auteurism as fundamentally decentred and shared. An essential resource for students, scholars and fans of Amenábar, the book will also appeal to a wider readership, including professionals in the film, media and culture industries as well as those who have a general interest in the best of Spanish, European and world cinema.
Alejandro Jodorowsky: Filmmaker and Philosopher (Philosophical Filmmakers)
by William EggintonAlejandro Jodorowsky is a force of nature. At 90 years old he is still making films and is a cultural phenomenon who has influenced other artists as disparate as John Waters and Yoko Ono. Although his body of work has long been considered disjointed and random, William Egginton claims that Jodorowsky's writings, theatre work and mime, and his films, along with the therapeutic practice he calls psychomagic, can all be tied together to form the philosophical programme that underpins his films. Incorporating surrealism and thinkers including Lacan, Kant, Hegel, and Žižek into his interpretation of Jodorowsky's work, Egginton shows how his diverse films are connected by interpretive practices with a fundamental similarity to Lacanian psychoanalysis. Using case studies of Jodorowsky's cult films, El Topo, Fando y Lis and Holy Mountain and more, this book provides a unique perspective on a filmmaker whose work has been notoriously difficult to analyse.
Alejandro Jodorowsky: Filmmaker and Philosopher (Philosophical Filmmakers)
by William EggintonAlejandro Jodorowsky is a force of nature. At 90 years old he is still making films and is a cultural phenomenon who has influenced other artists as disparate as John Waters and Yoko Ono. Although his body of work has long been considered disjointed and random, William Egginton claims that Jodorowsky's writings, theatre work and mime, and his films, along with the therapeutic practice he calls psychomagic, can all be tied together to form the philosophical programme that underpins his films. Incorporating surrealism and thinkers including Lacan, Kant, Hegel, and Žižek into his interpretation of Jodorowsky's work, Egginton shows how his diverse films are connected by interpretive practices with a fundamental similarity to Lacanian psychoanalysis. Using case studies of Jodorowsky's cult films, El Topo, Fando y Lis and Holy Mountain and more, this book provides a unique perspective on a filmmaker whose work has been notoriously difficult to analyse.
Aleksandr Vampilov: The Major Plays
by Alma LawFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Aleksandr Vampilov: The Major Plays (Russian Theatre Archive Ser. #Vol. 6.)
by Alma LawFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Alesha Dixon: Her Story - The Unauthorized Biography
by Anna TrippAlesha Dixon has not followed the easy path to fame. Suffering heartbreak, rejection and struggles that would test any of us, her strength of will and character were pushed to the limit. After early fame with R&B girl band Mis-Teeq, Alesha was dropped from her record label and experienced the breakdown of her marriage. However, her inner strength and determination to succeed were demonstrated in her victory as 2007 winner of Strictly Come Dancing. Since then, she has never looked back, becoming a platinum-selling solo artist, Strictly judge and household name. This is Alesha's story: of how she scaled and conquered the heights, as well as the crevasses, of celebrity to become one of Britain's best-loved celebrities.
Alex and the Warrior (Oberon Modern Plays)
by Ann CoburnAlex wants Grandad home from hospital for Christmas, so he makes a foolish wish. In spite of Cat's warnings, he asks his favourite computer game character to come and help. But when The Warrior steps out of the screen, with a large sword and a lot of attitude, Alex begins to wonder what he's let himself in for.The Warrior's deadly enemies, the Skarg, soon follow, trying to fit in as human beings in a world they don't really understand. Alex and Cat struggle to keep The Warrior under control as they head through the winter streets to rescue Grandad, defeat the Skarg, conquer Karaoke and explain carol singing, all on one hectic and exciting adventure. Alex and the Warrior is a quest full of magic and danger, music and laughter: Dickens meets The Terminator in this modern fairytale for all the family.
Alex and the Winter Star (Oberon Plays for Young People)
by Ann CoburnIn this hilarious sequel to Alex and The Warrior, Alex and Cat are once again faced with keeping the unruly Warrior under control, not an easy feat for the pair as I'm sure you all know. One year older, Alex has started to doubt his old friend Warrior, but Warrior cannot leave until he's vanquished his deadly enemy the Skarg... Somehow the dreaded Skarg, who still can't decide whether to destroy the Earth or star in the next Hollywood movie, have found a way to break out of the game and with their new found freedom are planning world domination! Only through securing the help of his friend Alex can Warrior stop the villains dastardly plans and save the world from invasion... Incorporating the themes of friendship and what it means to belong, Alex and the Winter Star is not only play jam packed with adventure, danger and magic, but is underlined by important concepts and issues. Ideal for young actors and schools, Alex's new adventures are sure to capture the imagination of young readers, sending them spinning into a mystical world of possibilities.
Alex Cox's Introduction to Film: A Director's Perspective
by Alex CoxEmerging filmmakers need to know the basics of their art form: the language of the camera, and lenses, the different crew roles, the formats, the aspect ratios. They also need to know some bare-bones theory: what an auteur is, what montage is, what genres are. Most important, all filmmakers require serious grounding in film. You cannot be a great artist if you aren’t versed in great art. An Introduction to Film covers all these aspects, from a director and filmmaker’s perspective. According to Cox, ‘Academics have a very specific take on things, and a language of their own. That take and that language aren’t mine. I’m a film director, writer, actor and producer. So my ‘intro to film’ may be somewhat different from the standard introductory text. I am less focused on film theory, and more on a film’s meaning, the intentions of the filmmaker, and how they got their film made.’
Alexander Medvedkin: Kinofile Filmmakers' Companion 2 (KINO - The Russian and Soviet Cinema)
by Emma WiddisThis first introduction to Medvedkin's film-making career traces his process of developing a unique brand of cinematic satire throughout the period of the Soviet revolutionary experiment. Using original archival material and Medvedkin's writings towards his unfinished autobiography, Widdis explores his films from the 1936 The Miracle Worker, through the unreleased New Moscow of 1938 and the experimental 'film train' – or Kinopoezd – up to the rediscovery of his 1934 film Happiness in the 1960s.
The Alexander Medvedkin Reader (Cinema and Modernity)
by Alexander MedvedkinFilmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.
The Alexander Medvedkin Reader (Cinema and Modernity)
by Alexander MedvedkinFilmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.
The Alexander Medvedkin Reader (Cinema and Modernity)
by Alexander MedvedkinFilmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.
The Alexander Medvedkin Reader (Cinema and Modernity)
by Alexander MedvedkinFilmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.
The Alexander Medvedkin Reader (Cinema and Modernity)
by Alexander MedvedkinFilmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.
The Alexander Medvedkin Reader (Cinema and Modernity)
by Alexander MedvedkinFilmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.
The Alexander Technique: Twelve Fundamentals of Integrated Movement
by Penelope EastenOur entire human structure is built for movement, for all aspects of life. This book offers a new theoretical framework for understanding integrated movement, based on the latest scientific models and practical explorations.Presenting a new interpretation of how Alexander developed his work, Easten covers twelve fundamentals of movement and shows how optimal movement is organised around sensory and spatial awareness, and our focus and goals. The book describes how to reawaken innate balanced movement possibilities. Up-to-date scientific research is woven into Alexander's concepts to give a whole picture of how the human body feels, perceives, and self-organises. Clarifying the functional anatomy that underpins the Alexander technique, this book explains how to utilize the power of the autonomic nervous system and spatial awareness to allow us to change old harmful movement habits and enable new body learning.Written accessibly and supported by illustrations and video demonstrations of techniques, this book is ideal for Alexander technique teachers and trainees, movement educators and somatic therapists.
The Alexander Technique: A Personal and Critical Guide for Practitioners, Students and Performance Artists
by Peter RibeauxFrom scrutinizing what exactly the Alexander Technique is to offering guidance on more advanced elements, such as core postural support and psycho-physical unity, this book offers a holistic insight to the Alexander Technique for practitioners and artists.It is difficult to explain the Alexander Technique without hands-on instruction by a qualified teacher. Written by expert Alexander Technique practitioner Peter Ribeaux, who has a wealth of pedagogical and practice experience spanning 45 years, this book steps into that space.In doing so, it refuses to shy away from some of the most alienating elements of the practice (e.g. the arcane language often used), instead breaking them down to make them more easy to understand, while also setting out the most elementary aspects of Alexander Technique for someone who may not yet be familiar with its principles.The author uses his own extensive experience of the Technique to offer tried-and-tested advice and posits that the Alexander Technique is not just about posture, but about choice and the control of reaction. Overall, the book provides a wide scope of the field, from concepts to techniques, as well as an exploration of its application within many different domains.
The Alexander Technique: A Personal and Critical Guide for Practitioners, Students and Performance Artists
by Peter RibeauxFrom scrutinizing what exactly the Alexander Technique is to offering guidance on more advanced elements, such as core postural support and psycho-physical unity, this book offers a holistic insight to the Alexander Technique for practitioners and artists.It is difficult to explain the Alexander Technique without hands-on instruction by a qualified teacher. Written by expert Alexander Technique practitioner Peter Ribeaux, who has a wealth of pedagogical and practice experience spanning 45 years, this book steps into that space.In doing so, it refuses to shy away from some of the most alienating elements of the practice (e.g. the arcane language often used), instead breaking them down to make them more easy to understand, while also setting out the most elementary aspects of Alexander Technique for someone who may not yet be familiar with its principles.The author uses his own extensive experience of the Technique to offer tried-and-tested advice and posits that the Alexander Technique is not just about posture, but about choice and the control of reaction. Overall, the book provides a wide scope of the field, from concepts to techniques, as well as an exploration of its application within many different domains.
The Alexander Technique For Actors (Performance Books)
by Kelly McEvenueThis practical book with illustrations links Alexander technique to acting, dancing and singing by the trainer of performers on The Lion KingThe Alexander Technique is a method of physical relaxation that reduces tension and strain throughout the body. It promotes a beneficial use of movement that is stress-free by learning to free-up the body. It teaches an individual to use their body efficiently in order to avoid damage or loss of control. Kelly McEvenue has been teaching the Alexander Technique to performers for nearly twenty years and is a world expert on the system. In this book she draws on her considerable experience and sets up a series of set-by-step warm-ups and exercises that anybody can follow. The exercises are linked to accurate anatomical drawings, showing where stress is most pronounced in the body.The Foreword is by Patsy Rodenburg, Head of Voice for the Royal National Theatre and author of Methuen titles The Right to Speak and The Actor Speaks.
The Alexander Technique For Actors (Performance Books)
by Kelly McEvenueThis practical book with illustrations links Alexander technique to acting, dancing and singing by the trainer of performers on The Lion KingThe Alexander Technique is a method of physical relaxation that reduces tension and strain throughout the body. It promotes a beneficial use of movement that is stress-free by learning to free-up the body. It teaches an individual to use their body efficiently in order to avoid damage or loss of control. Kelly McEvenue has been teaching the Alexander Technique to performers for nearly twenty years and is a world expert on the system. In this book she draws on her considerable experience and sets up a series of set-by-step warm-ups and exercises that anybody can follow. The exercises are linked to accurate anatomical drawings, showing where stress is most pronounced in the body.The Foreword is by Patsy Rodenburg, Head of Voice for the Royal National Theatre and author of Methuen titles The Right to Speak and The Actor Speaks.
Alfred Bester’s The Stars My Destination: A Critical Companion (Palgrave Science Fiction and Fantasy: A New Canon)
by D. Harlan WilsonIn this comprehensive study of The Stars My Destination, D. Harlan Wilson makes a case for the continued significance of Alfred Bester’s SF masterwork, exploring its distinctive style, influences, intertextuality, affect, and innovation as well as its extensive metafictional properties. In Stars, Bester established himself as a son of the pulp-SF and high-modernist writers that preceded him and a forefather to the New Wave and cyberpunk movements that followed his lead. Wilson’s study depicts Bester as an SF insider as much as an outlier, writing in the spirit of the genre but breaking with the fixation on hard science in favor of psychological interiority, literary experimentation, and adult themes. The book combines close-readings of the novel with broader concerns about contemporary media, technoculture, and the current state of SF itself. In Wilson’s view, SF is a moribund artform, and Stars foresaw the inevitable science fictionalization of our benighted world. With scholarly lucidity and precision, Wilson shows us that Stars pointed the way to what we have (un)become.