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Heavy Metal at the Movies (Ashgate Screen Music Series)
by Gerd BayerThe chapters collected in this volume shed light on the areas of interaction between film studies and heavy metal research, exploring how the audio-visual medium of film relates to, builds on and shapes metal culture. At one end of the spectrum, metal music serves as a form of ambient background in horror films that creates an intense and somewhat threatening atmosphere; at the other end, the high level of performativity attached to the metal spectacle is emphasized. Alongside these tendencies, the recent and ongoing wave of metal documentaries has taken off, relying on either satire or hagiography.
Heavy Metal at the Movies (Ashgate Screen Music Series)
by Gerd BayerThe chapters collected in this volume shed light on the areas of interaction between film studies and heavy metal research, exploring how the audio-visual medium of film relates to, builds on and shapes metal culture. At one end of the spectrum, metal music serves as a form of ambient background in horror films that creates an intense and somewhat threatening atmosphere; at the other end, the high level of performativity attached to the metal spectacle is emphasized. Alongside these tendencies, the recent and ongoing wave of metal documentaries has taken off, relying on either satire or hagiography.
Hegemony and Fantasy in Irish Drama, 1899-1949
by P. MurphyHegemony and Fantasy in Irish Drama, 1899-1949 offers a theoretically innovative reconsideration of drama produced in the Irish Renaissance, as well as an engagement with non-canonical drama in the under-researched period 1926-1949.
Heidegger and Future Presencing (The Black Pages)
by Spencer GolubThis book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another.
Heightened Genre and Women's Filmmaking in Hollywood: The Rise of the Cine-fille
by Mary HarrodDespite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.
Heinemann Active Maths, Level 1, Pupil Book 6: Shape, Position and Movement (PDF)
by Lynda Keith Steve Mills Hilary KollThese bright and lively pupil books have been designed to further consolidate children's learning through independent practice. They are closely linked to the teacher activity cards and each 'Heinemann Active Maths' outcome.
Helen Keller: A Life
by Dorothy HerrmannDorothy Herrmann's powerful biography of Helen Keller tells the whole story of the controversial and turbulent relationship between Helen and her teacher, Annie Sullivan. Herrmann also chronicles Helen's doomed love affair, her struggles to earn a living, her triumphs at Radcliffe College, and her work as an advocate for the disabled. Helen Keller has been venerated as a saint or damned as a fraud, but Herrmann shows her to have been a beautiful, intelligent, high-strung, and passionate woman whose life was transformed not only by her disabilities but also by the remarkable people on whose help and friendship she relied. "Fascinating. . . . Stripping away decades of well-meaning sentimentality, Herrmann presents a pair of strong-willed women, who struggled to build their own lives while never forgetting their dependence on each other."—Ron Charles, Christian Science Monitor "We meet an entirely unexpected Helen Keller—a woman with deep if concealed ambivalence toward her self-sacrificing teacher; a political radical; and a woman longing for romantic love and the fulfilled sexual life of a woman."—Joan Mellen, Philadelphia Inquirer "Herrmann's portrait of Keller is both fully embodied and unflinchingly candid."—Mary Loeffelholz, Boston Sunday Globe "This well-proportioned biography of the deaf and blind girl who became a great American crusader rescues its subject from the shackles of sainthood without destroying her as an American hero."—Dennis Drabelle, Cleveland Plain Dealer "Herrmann's engrossing biography helps us see beyond the public's fascination with how Keller dealt with her disabilities to discover the woman Keller strived to be."—Nancy Seidman, Atlanta Journal-Constitution "Perhaps the most intimate biography [of Helen Keller]. [Herrmann] gives her back her sexuality [and] imbues her with a true humanity. . . . Helen Keller: A Life has some of the texture and the dramatic arc of a good novel."—Dinitia Smith, New York Times
Helen of Troy in Hollywood (Martin Classical Lectures #38)
by Ruby BlondellHow a legendary woman from classical antiquity has come to embody the threat of transcendent beauty in movies and TVHelen of Troy in Hollywood examines the figure of the mythic Helen in film and television, showing how storytellers from different Hollywood eras have used Helen to grapple with the problems and dynamics of gender and idealized femininity. Paying careful attention to how the image of Helen is embodied by the actors who have portrayed her, Ruby Blondell provides close readings of such works as Wolfgang Petersen’s Troy and the Star Trek episode “Elaan of Troyius,” going beyond contextualization to lead the reader through a fundamental rethinking of how we understand and interpret the classic tradition.A luminous work of scholarship by one of today’s leading classicists, Helen of Troy in Hollywood highlights the importance of ancient myths not as timeless stories frozen in the past but as lenses through which to view our own artistic, cultural, and political moment in a new light. This incisive book demonstrates how, whether as the hero of these screen adaptations or as a peripheral character in male-dominated adventures, the mythic Helen has become symbolic of the perceived dangers of superhuman beauty and transgressive erotic agency.
Helen of Troy in Hollywood (Martin Classical Lectures #38)
by Ruby BlondellHow a legendary woman from classical antiquity has come to embody the threat of transcendent beauty in movies and TVHelen of Troy in Hollywood examines the figure of the mythic Helen in film and television, showing how storytellers from different Hollywood eras have used Helen to grapple with the problems and dynamics of gender and idealized femininity. Paying careful attention to how the image of Helen is embodied by the actors who have portrayed her, Ruby Blondell provides close readings of such works as Wolfgang Petersen’s Troy and the Star Trek episode “Elaan of Troyius,” going beyond contextualization to lead the reader through a fundamental rethinking of how we understand and interpret the classic tradition.A luminous work of scholarship by one of today’s leading classicists, Helen of Troy in Hollywood highlights the importance of ancient myths not as timeless stories frozen in the past but as lenses through which to view our own artistic, cultural, and political moment in a new light. This incisive book demonstrates how, whether as the hero of these screen adaptations or as a peripheral character in male-dominated adventures, the mythic Helen has become symbolic of the perceived dangers of superhuman beauty and transgressive erotic agency.
Hélène Cixous: Critical Impressions
by Lee A. Jacobus Regina BarrecaFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Hélène Cixous: Critical Impressions
by Lee A. Jacobus Regina BarrecaFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Hellenic Common: Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era (Routledge Advances in Theatre & Performance Studies)
by Philip ZapkinHellenic Common argues that theatrical adaptations of Greek tragedy exemplify the functioning of a cosmopolitan cultural commonwealth. Analyzing plays by Femi Osofisan, Moira Buffini, Marina Carr, Colin Teevan, and Yael Farber, this book shows how contemporary adapters draw tragic and mythic material from a cultural common and remake those stories for modern audiences. Phillip Zapkin theorizes a political economy of adaptation, combining both a formal reading of adaptation as an aesthetic practice and a political reading of adaptation as a form of resistance. Drawing an ethical centre from Kwame Anthony Appiah’s work on cosmopolitanism and Michael Hardt and Antonio Negri’s theory of the common, Hellenic Common argues that Attic tragedy forms a cultural commonwealth from which dramatists the world over can rework, reimagine, and restage materials to envision aspirational new worlds through the arts. This study will be of great interest to students and scholars of drama, adaptation studies, literature, and neoliberalism.
Hellenic Common: Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era (Routledge Advances in Theatre & Performance Studies)
by Philip ZapkinHellenic Common argues that theatrical adaptations of Greek tragedy exemplify the functioning of a cosmopolitan cultural commonwealth. Analyzing plays by Femi Osofisan, Moira Buffini, Marina Carr, Colin Teevan, and Yael Farber, this book shows how contemporary adapters draw tragic and mythic material from a cultural common and remake those stories for modern audiences. Phillip Zapkin theorizes a political economy of adaptation, combining both a formal reading of adaptation as an aesthetic practice and a political reading of adaptation as a form of resistance. Drawing an ethical centre from Kwame Anthony Appiah’s work on cosmopolitanism and Michael Hardt and Antonio Negri’s theory of the common, Hellenic Common argues that Attic tragedy forms a cultural commonwealth from which dramatists the world over can rework, reimagine, and restage materials to envision aspirational new worlds through the arts. This study will be of great interest to students and scholars of drama, adaptation studies, literature, and neoliberalism.
Hellfire: The Jerry Lee Lewis Story
by Nick ToschesThe dramatic and tormented life of Jerry Lee Lewis is the most fabled in rock 'n' roll history. Hellfire is a wild, riveting, and beautifully written biography that received universal acclaim on its original publication and is now an American classic. Born in Louisiana to a family legacy of great courage and greater madness, Jerry Lee was torn throughout his life between a harsh Pentecostal God and the Devil of alcohol, drugs, and rock 'n' roll. At twenty-one he recorded 'Whole Lotta Shakin' Goin' On', which propelled him to stardom. Almost immediately, news of his marriage to his thirteen-year-old cousin all but destroyed his career. Over the next twenty years, Jerry Lee, ever indomitable and ever wild, would rise again as a country star, and then lose it all again to his own inner demons. Hellfire is a brilliant, audacious journey into the soul of a rock 'n' roll legend, and into the soul of rock 'n' roll itself.
Hello: The Autobiography
by Leslie PhillipsThe autobiography of a true national treasure, an actor who has featured in more British Number One box office smashes than anyone else.Leslie Phillips's story begins with a poverty-stricken childhood in north London, made all the worse when his father died when Leslie was just ten years old. Soon after, he began his acting career, and since then he has worked with all the greats, from Laurence Olivier to Steven Spielberg.Best known for his comic roles in the Carry On and Doctor series, he took the decision in later life to take on more serious roles in films such as Empire of the Sun, Out of Africa and Scandal, as well as performing in plays such as The Cherry Orchard.Packed with hilarious anecdotes, in this long-awaited autobiography he recalls some of the great characters he has worked with, and also highlights how different he is in real life from his onscreen persona as a bounder. It is a fascinating story, brilliantly told.
Hello Again: Nine decades of radio voices
by Simon ElmesIt’s now ninety years since the BBC made its first broadcast and the British love affair with radio began.This book is a journey through that fascinating history and a celebration of the many wonderful voices that were part of it: Marion Cran, who pioneered the first gardening programme in the 1920s; The Goons and Kenneth Horne, comedy greats of the 1950s; John Peel, Alan Freeman, Kenny Everett and other heroes of the pirate stations; all the way up to Eddie Mair, Fi Glover and Danny Baker, the much-loved voices of today. A delightful blend of insight, history and nostalgia, Hello Again will appeal to any radio aficionado.
Hello, Darlings!: The Authorized Biography of Kenny Everett
by James Hogg Robert SellersSpontaneous, hilarious, irrepressible and, of course, trailblazing - Kenny Everett was revolutionary in television and radio comedy. Chris Evans, Chris Moyles, Rob Brydon and Steve Wright have all cited Kenny as a huge influence on their work - even the great Spike Milligan called him a genius. It was Kenny who developed the radio show format with which we are so familiar today: a mix of music, jingles, funny voices and sound effects. When he seamlessly made the move to television in the seventies, he created unforgettable characters such as Sid Snot, Cupid Stunt and Marcel Wave.Rarely seen without a smile on his face in public, in reality, Kenny was a deeply insecure man who suffered severe bouts of depression. He also struggled with his sexuality, only coming out to the public in 1985. Diagnosed with HIV in 1987, Kenny died in 1995.This in-depth and affectionate biography has been fully authorised by Kenny's family and contains original interviews with Kenny's sister, Kate and with his former wife, Lee, as well as entertainment figures such as Barry Cryer, Cliff Richard, Chris Tarrant and Paul Gambaccini. Packed with fabulous stories about the highs and lows of Kenny's life, his great friendships with The Beatles and Freddie Mercury, this is a book that any fan of comedy and entertainment must read.
Hello Life!
by Marcus ButlerThe Sunday Times number 1 bestseller.Marcus Butler's irreverent YouTube channel has long combined laughs and comedy sketches with thoughts on more serious issues. What sets him apart from the rest is his ability to mix light-hearted banter with a deep empathy for the problems facing young people today. Thanks to his experiences of family illness, his parents' divorce, weight issues and catastrophic hair days, Marcus is in a unique position to share everything he has learned about healthy living, relationships and dealing with the daily pressures life throws at us all. Working with journalist and writer Matt Allen, in HELLO LIFE! his part-autobiography, part-self help guide Marcus shares his trademark big-brotherly advice and unveils his roadmap to success for anyone navigating the trickier aspects of modern living. Funny, cool, fully illustrated and totally readable, this book is the ultimate must-have for fans of Marcus Butler.
Hellraisers: The Life and Inebriated Times of Burton, Harris, O'Toole and Reed
by Robert Sellers'God put me on this earth to raise sheer hell.' Richard Burton'I was a sinner. I slugged some people. I hurt many people. And it's true, I never looked back to see the casualties.' Richard Harris'Booze is the most outrageous of all drugs, which is why I chose it.' Peter O'Toole'I don't have a drink problem. But if that was the case and doctors told me I had to stop I'd like to think I would be brave enough to drink myself into the grave.' Oliver ReedThis is the story of four of the greatest thespian boozers who ever walked - or staggered - off a film set into a pub. It's a story of drunken binges of near biblical proportions, parties and orgies, broken marriages, drugs, riots and wanton sexual conquests. They got away with it because of their extraordinary acting talent and because the public loved them. They were truly the last of a breed, the last of the movie hellraisers.
Helmet (Oberon Modern Plays)
by Douglas MaxwellHelmet (a.k.a. Roddy) lives his life completely immersed in computer games. The little time he has away from his consoles is spent in The Zone, a low tech games shop, which has just this very day gone bankrupt. Sal, the down-trodden owner of The Zone, is left wondering where it all went wrong. The shop is Sal's prison, but it's Helmet's church. As they get to know each other, hiding from reality for a while, it becomes clear that Helmet has a secret that could make things a lot worse for both of them. Helmet is structured in levels like a computer game, in which each character has three lives. A production involving art graphics projections and effects, Helmet toured in 2002, including performances at The Traverse, Edinburgh and the Soho Theatre, London.
Help (Everyman's Library CLASSICS)
by Simon Amstell'Hard to imagine anyone not loving this... go Simon Amstell!' - Stephen Fry'A beautiful and clever book about being human. All the warmth of this comedy without the inconvenience of his face' - Russell BrandCOMEDY, TRAGEDY, THERAPY Simon Amstell did his first stand-up gig at the age of thirteen. His parents had just divorced and puberty was confusing. Trying to be funny solved everything. HELP is the hilarious and heartbreaking account of Simon’s ongoing compulsion to reveal his entire self on stage. To tell the truth so it can’t hurt him any more. Loneliness, anxiety, depression – this book has it all. And more. From a complicated childhood in Essex to an Ayahuasca-led epiphany in the Amazon rainforest, this story will make you laugh, cry and then feel happier than you’ve ever been.
Help I S*xted My Boss: The Sunday Times Bestselling Guide to Avoiding Life’s Awkward Moments
by William Hanson Jordan North'Funny, filthy and fantastic. Cackled from start to finish' - Rylan ClarkHow do you ask your mate for that £50 back?When is OK to trump in front of your partner?And what should you do if you've accidentally sexted your boss?William and Jordan are from very different worlds.William's an etiquette expert, with his tongue firmly in his teacup and unparalleled knowledge of table linen. Jordan's a TV and radio presenter, the patron saint of Burnley and an expert in all things common. Together they've entertained millions of listeners worldwide with their hit podcast Help I Sexted My Boss.Now, they’ve pooled all of their wisdom on how to get through life’s most awkward moments.From candlelight suppers to picky teas, first dates to flatmate dramas, Help I Sexted My Boss is full of both useful and useless advice. This is your indispensable guide to navigating the trepidation and challenges of modern life.'Hilarious lads.. and weirdly useful. This generation’s Ant and Dec. If one of them was really posh. Great read' - Vicky PattisonSunday Times Bestseller, November 2023
The Hen Night Epiphany (Oberon Modern Plays)
by Jimmy MurphyShould some secrets never be kept no matter what the cost? Five women come together to help clear out a run-down cottage a week before the wedding of its new owner, Una. Joining her on this hen night of sorts are her two best friends, Kelly and Triona, her soon to be mother-in-law, Olive, and Olive’s best friend, Anta. But Una is keeping a secret that, if revealed, will destroy all hopes of her dream wedding and living happily ever after with the love ofher life. As the play unfolds we see the women, one by one, forced to confront awkward truths of their own.
Henrik Ibsen: The Man and the Mask
by Ivo de FigueiredoA magnificent new biography of Henrik Ibsen, among the greatest of modern playwrights Henrik Ibsen (1820–1908) is arguably the most important playwright of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.
Henry Irving and The Victorian Theatre (Routledge Library Editions: Victorian Theatre)
by Madeleine BinghamOriginally published in 1978. Henry Irving achieved an astounding success in Britain and America as an actor; yet he lacked good looks, had spindly legs, and did not have a good voice. He said so himself. Today Irving is regarded as the archetype of the old-time actor, but in his own time he was regarded as a great theatrical innovator. Even Bernard Shaw, who attacked him pitilessly, even unto death, called him ‘modern’ when he first saw him act. Irving, the man, with his tenacious, obsessive talent, his human limitations and weaknesses, and his ephemeral glory is brought most sympathetically to life in this biography. It is written from contemporary sources, and from criticisms, lampoons, caricatures and gossip columns. If Irving reflected certain aspects of his age, this book underlines the Victorian ethic to which he appealed and the backcloths against which it was set – the extraordinary lavishness of the Lyceum productions and the incredible extravagance of social entertaining. Not the least absorbing aspect of this biography is the fascinating account of the long partnership between Irving and Ellen Terry, still in many respects an enigmatic one, but here portrayed with lively insight into character combined with understanding and deep knowledge of the social and theatrical context of the Victorian age.