- Table View
- List View
Human Rights and the Borders of Suffering: The Promotion of Human Rights in International Politics
by M. Anne BrownThis study of human rights argues for a greater openness in the ways we approach human rights and international rights promotion. Starting with the realities of abuse rather than the liberal architectures of rights, it casts human rights as a language for probing the political dimensions of suffering, and shows Western rights models as substantial but problematic. Brown shows that rather than a message from "us" to "them", rights promotion is a long and difficult conversation about the relationship between political organisation and suffering. Three case studies are explored - the Tiananmen Square massacre, East Timor and the circumstances of indigenous Australians.
Human Rights and the Borders of Suffering: The Promotion of Human Rights in International Politics
by M. Anne BrownThis book, newly available in paperback, argues for greater openness in the ways we approach human rights and international rights promotion, and in so doing brings some new understanding to old debates. Starting with the realities of abuse rather than the liberal architecture of rights, it casts human rights as a language for probing the political dimensions of suffering. Seen in this context, the predominant Western models of rights generate a substantial but also problematic and not always emancipatory array of practices. These models are far from answering the questions about the nature of political community that are raised by the systemic infliction of suffering. Rather than a simple message from 'us' to 'them', then, rights promotion is a long and difficult conversation about the relationship between political organisations and suffering. Three case studies are explored - the Tiananmen Square massacre, East Timor's violent modern history and the circumstances of indigenous Australians. The purpose of these discussions is not to elaborate on a new theory of rights, but to work towards rights practices that are more responsive to the spectrum of injury that we inflict and endure. The book is a valuable and innovative contribution to rights debates for students of international politics, political theory, and conflict resolution, as well as for those engaged in the pursuit of human rights.
Human Rights Film Festivals: Activism in Context
by Sonia M. TascónHuman rights film festivals have been steadily growing in number in recent years. They are all bound by a common thread, human rights, and yet show distinctly different films. What leads them to be so different, and how is the universalism of human rights made sense by each?
Human Rights, Social Movements and Activism in Contemporary Latin American Cinema
by Mariana Cunha Antônio Márcio da SilvaThis edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts. Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.
The Human Touch: Redefining the Art of British Contemporary Improvisational Theatre (ISSN)
by Chloé ArrosThe Human Touch is a book focused on the creative processes at work in British contemporary improvisational theatre and how these processes draw on the humanity of the participants: their cognitive abilities, their lives, and their relationships to each other. Vulnerability is a main feature of both the book and of improvisational theatre, both part of the hurdles that improvisers face and a creative tool. Through a study of improvisation and vulnerability, the book teaches us both what makes improvisational theatre so human and opens the door to a reflection about how to use humanity and human emotions in performance. Most importantly, it delves into the cognitive and physiological processes at work in improvisation, a topic which is missing from most manuals and studies offered to students. This book is addressed to theatre students and provides both an important overview of the form’s history and a challenge to what is usually taught about improvisation.
The Human Touch: Redefining the Art of British Contemporary Improvisational Theatre (ISSN)
by Chloé ArrosThe Human Touch is a book focused on the creative processes at work in British contemporary improvisational theatre and how these processes draw on the humanity of the participants: their cognitive abilities, their lives, and their relationships to each other. Vulnerability is a main feature of both the book and of improvisational theatre, both part of the hurdles that improvisers face and a creative tool. Through a study of improvisation and vulnerability, the book teaches us both what makes improvisational theatre so human and opens the door to a reflection about how to use humanity and human emotions in performance. Most importantly, it delves into the cognitive and physiological processes at work in improvisation, a topic which is missing from most manuals and studies offered to students. This book is addressed to theatre students and provides both an important overview of the form’s history and a challenge to what is usually taught about improvisation.
Humanism, Drama, and Performance: Unwriting Theatre
by Hana WorthenThis book examines the appropriation of theatre and theatrical performance by ideologies of humanism, in terms that continue to echo across the related disciplines of literary, drama, theatre, and performance history and studies today. From Aristotle onward, theatre has been regulated by three strains of critical poiesis: the literary, segregating theatre and the practices of the spectacular from the humanizing work attributed to the book and to the internality of reading; the dramatic, approving the address of theatrical performance only to the extent that it instrumentalizes literary value; and the theatrical, assimilating performance to the conjunction of literary and liberal values. These values have been used to figure not only the work of theatre, but also the propriety of the audience as a figure for its socializing work, along a privileged dualism from the aestheticized ensemble—harmonizing actor, character, and spectator to the essentialized drama—to the politicized assembly, theatre understood as an agonistic gathering.
Humor, Entertainment, and Popular Culture during World War I
by Karen A. Ritzenhoff Clémentine Tholas-DissetHumor and entertainment were vital to the war effort during World War I. While entertainment provided relief to soldiers in the trenches, it also built up support for the war effort on the home front. This book looks at transnational war culture by examining seemingly light-hearted discourses on the Great War.
Humor in Latin American Cinema (New Directions in Latino American Cultures)
by Juan Poblete Juana SuárezThis book addresses a variety of regional humor traditions such as exploitation cinema, Brazilian chanchada, the Cantinflas heritage, the comedy of manners and light sexuality, iconic figures and characters, as well as a variety of humor registers evident in different Latin American films.
Humor und erfolgreiche Kinderfilme
by André F. NebeAndré F. Nebe macht mithilfe seiner Humorstrukturanalyse Präferenzen von Zuschauern und entsprechende audiovisuelle Angebote in Filmen sichtbar. Komplexer und mehrschichtiger audiovisueller (hypotaktischer) Humor wird in den erfolgreicheren Filmen verwendet, während weniger erfolgreiche Filme einfache (parataktische) Humorofferten machen. Die Humorstrukturanalyse bietet Einblicke in erfolgversprechende Humorangebote und kann auch in der Stoffentwicklungsphase für Autoren, Regisseure, Produzenten und Dramaturgen genutzt werden.
Humorality in Early Modern Art, Material Culture, and Performance (Palgrave Studies in Literature, Science and Medicine)
by Amy Kenny Kaara L. PetersonHumorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production.
Humour and successful children's films: Structures and relevance of a cinematic medium
by André F. NebeAndré F. Nebe uses his humour structure analysis to make viewers' preferences and corresponding audiovisual offerings in films visible. Complex and multi-layered audiovisual (hypotactic) humour is used in the more successful films, while less successful films make simple (paratactic) humour offerings. The humour structure analysis offers insights into promising humour offerings and can also be used in the story development phase for writers, directors, producers and dramaturges.
Humour as Politics: The Political Aesthetics of Contemporary Comedy
by Nicholas HolmThis book argues that recent developments in contemporary comedy have changed not just the way we laugh but the way we understand the world. Drawing on a range of contemporary televisual, cinematic and digital examples, from Seinfeld and Veep to Family Guy and Chappelle’s Show, Holm explores how humour has become a central site of cultural politics in the twenty-first century. More than just a form of entertainment, humour has come to play a central role in the contemporary media environment, shaping how we understand ideas of freedom, empathy, social boundaries and even logic. Through an analysis of humour as a political and aesthetic category, Humour as Politics challenges older models of laughter as a form of dissent and instead argues for a new theory of humour as the cultural expression of our (neo)liberal moment.
Humour as Politics: The Political Aesthetics of Contemporary Comedy
by Nicholas HolmThis book argues that recent developments in contemporary comedy have changed not just the way we laugh but the way we understand the world. Drawing on a range of contemporary televisual, cinematic and digital examples, from Seinfeld and Veep to Family Guy and Chappelle’s Show, Holm explores how humour has become a central site of cultural politics in the twenty-first century. More than just a form of entertainment, humour has come to play a central role in the contemporary media environment, shaping how we understand ideas of freedom, empathy, social boundaries and even logic. Through an analysis of humour as a political and aesthetic category, Humour as Politics challenges older models of laughter as a form of dissent and instead argues for a new theory of humour as the cultural expression of our (neo)liberal moment.
Humour Theory and Stylistic Enquiry
by Taiwo Oloruntoba-OjuThis edited book brings together scholarly chapters on linguistic aspects of humour in literary and non-literary domains and contexts in different parts of the world. Previous scholarly engagements and theoretical postulations on humour and the comic provide veritable resources for reexamining the relationship between linguistic elements and comic sensations on the one hand, and the validity of interpretive humour stylistics on the other hand. Renowned Stylistics scholars, such as Michael Toolan, who writes the volume’s foreword against the backdrop of nearly four decades of scholarly engagement with stylistics, and Katie Wales, who in this volume engages with Charles Dickens, one of the most eminent satirists in English literature, as well as many other European and African authors who have worked ceaselessly in the area of humour and language, weigh in on the topic of language and humour in this volume. Together, they provide a variety of interesting perspectives on the topic, deploying different textual sources from different media and from different regions of the world. Part of the book’s offering includes integrative stylistic approaches to humour in African, European and American written texts, examinations of social media and political humour in Nigeria, Cameroon and Zimbabwe, pragmatics and humorous stance-taking, incongruity as comedy in works of fiction, and a unified levels of linguistic analysis approach to the investigation of humour. This book will be of interest to academics and students of Linguistics, Stylistics, Communications and Media Studies, and Humour Studies. Taiwo Oloruntoba-Oju is a Professor in the Department of English at the University of Ilorin in Nigeria
Humphrey Bogart (Great Stars Ser.)
by David Thomson'Look, I'm hardly pretty, he seems to say. I sound like gravel; I look rough and tough; and, honest, I don't give you the soft, foolish answers the pretty boys will give you. You may not like what I say, but you better believe it.'He became a legend as 'Bogie', the world-weary, wise-cracking outsider, but in reality Humphrey Bogart was plagued by doubts and demons. He was born upper-class yet made his name playing mavericks, drank with the rat pack and met four wives on set - including his great love, Lauren Bacall - yet always mistrusted stardom. Here David Thomson, one of film's most provocative writers, reveals the man behind cinema's greatest icon.
Humphrey Jennings: Film-maker, Painter, Poet (BFI Silver)
by Marie-Louise JenningsHumphrey Jennings was one of Britain's greatest documentary film-makers, described by Lindsay Anderson in 1954 as 'the only real poet the British cinema has yet produced'. A member of the GPO Film Unit and director of wartime canonical classics such as Listen to Britain (1942) and A Diary for Timothy (1945), he was also an acclaimed writer, painter, photographer and poet. This seminal collection of critical essays, first published in 1982 and here reissued with a new introduction, traces Jennings's fascinating career in all its aspects with the aid of documents from the Jennings family archive. Situating Jennings's work in the world of his contemporaries, and illuminating the qualities by which his films are now recognised, Humphrey Jennings: Film-Maker, Painter, Poet explores the many insights and cultural contributions of this truly remarkable artist.
Humphrey Jennings and British Documentary Film: A Re-assessment
by Philip C. LoganHumphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
Humphrey Jennings and British Documentary Film: A Re-assessment
by Philip C. LoganHumphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
The Hundamental Guide to Life: Learn to Live, Love & Laugh Like a True Hun
by HunsnetHiya Dallyns! Crack open a cutla bottles of Zinfandel and embrace your true hun self. Do you ever wonder why, when it all starts kicking off, all you can hear is Pam from Gav & Stacey saying "It's all the drama, Mick, I just love it!" When Wednesday rolls around, do you often find yourself down All Bar Hun for some 2-4-1 Cocky Ts with the girlies? Does Kat Slater announcing herself to be not just "a little bit of a slag, but a TOTAL SLAG" weirdly resonate with you? And have you studied multiple series of reality TV just to better get toknow the inner workings of the human mind?If the answer is yes to any of these, you're a little bita hun, dallyn, and this book will help you live, love and laugh your way to becoming a truly Gemma Collins level premi-hun.
A Hundred or More Hidden Things: The Life and Films of Vincente Minnelli
by Mark GriffinHe was the acclaimed director of such cinematic classics as Meet Me in St. Louis, An American in Paris, and Gigi, and equally well known for his tumultuous marriage to the legendary Judy Garland. But to say that Vincente Minnelli's conflicted personal life informed his films would be an understatement. As Mark Griffin persuasively demonstrates in this definitive biography of the Academy Award–winning director, Minnelli was not only building a remarkable Hollywood legacy, but also creating an intriguing autobiography in code. Drawing on more than 100 interviews with such icons as Kirk Douglas, Angela Lansbury, Lauren Bacall, Tony Curtis, and George Hamilton, Griffin turns the spotlight on the enigmatic &“elegant director,&” revealing long-kept secrets at the heart of Minnelli&’s genius.
The Hungover Games: The gloriously funny Sunday Times bestselling memoir of motherhood
by Sophie Heawood'Deftly explores expectations of modern womanhood . . . Full of adventure and awe' Dolly AldertonPeople always said I'd find love where I least expected it. I always said they were idiots.I had no idea how to commit to another human being.I could barely commit to reading a magazine, and I wrote for magazines for a living. My specialist subject was celebrities, and my own relationships made their marriages look eternal.I'd never paid a household bill that didn't mention bailiffs, and my idea of exercise was to go and stand outside a famous person's house and stare until I'd convinced myself that I lived in it.But my life in LA was happy; free of care and consequence. That was, until I came down to earth - with a bump.So this is the story of how I staggered from partying in Hollywood to bringing up a baby in Piss Alley, Dalston; how I never did find a copy of What To Expect When You Weren't Even Fucking Expecting To Be Expecting, and why paternity testing is not a good topic for a first-date conversation.A deeply profound, laugh out loud Mother's Day gift for all parents, from shocked novices to experienced pros. ___________________Praise for THE HUNGOVER GAMES:'Funny, dark and true' Caitlin Moran'A deeper, funnier, realer, more poignant Bridget Jones' Philippa Perry'Sharply observed and funny' Guardian'Frank and fearless' Red'Outrageously entertaining' David Nicholls'This is the first time I've read anything about motherhood that didn't bore me' Sara Pascoe
Hunting the Dark Knight: Twenty-First Century Batman
by Will BrookerPublishing alongside the world premiere of Christopher Nolan's third Batman film The Dark Knight Rises, Will Brooker's new book explores Batman's twenty-first century incarnations.Brooker's close analysis of Batman Begins and The Dark Knight offers a rigorous, accessible account of the complex relationship between popular films, audiences, and producers in our age of media convergence. By exploring themes of authorship, adaptation and intertextuality, he addresses a myriad of questions raised by these films: did Batman Begins end when The Dark Knight began? Does its story include the Gotham Knight DVD, or the 'Why So Serious' viral marketing campaign? Is it separate from the parallel narratives of the Arkham Asylum videogame, the monthly comic books, the animated series and the graphic novels? Can the brightly campy incarnations of the Batman ever be fully repressed by The Dark Knight, or are they an intrinsic part of the character? Do all of these various manifestations feed into a single Batman metanarrative? This will be a vital text for film students and academics, as well as legions of Batman fans.
The Hurt: The Sunday Times Sports Book of the Year
by Dylan Hartley'Rugby is great for the soul,' he writes, 'but terrible for the body.'Rugby hurts. It demands mental resilience and resistance to pain. It explores character, beyond a capacity to endure punishment. Dylan Hartley, one of England's most successful captains, tells a story of hard men and harsh truths. From the sixteen-year-old Kiwi who travelled alone to England, to the winner of ninety-seven international caps, he describes with brutal clarity the sport's increasing demand on players and the toll it takes on their mental health, as well as the untimely injury that shattered his dreams of leading England in the 2019 World Cup.The Hurt is rugby in the raw, a unique insight into the price of sporting obsession. 'Few have had more twists and turns in a pro rugby career' Robert Kitson, Guardian'Anyone who cares about the game, in which he won 97 caps for England and played 250 times for Northampton, should read Hartley's book' Don McRae, Guardian
Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era
by E. Oliete-AldeaHybrid Heritage on Screen provides a long overdue thorough analysis of the 1980s 'Raj Revival'. It examines imperial nostalgia and troubled ethnic, gender and class relations during the Thatcher Era as represented in cinema and television.