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I'll Never Walk Alone
by Gerry MarsdenIn 1963, Gerry and the Pacemakers made pop-music history. Their first three singles, “How Do You Do It?”, “I Like It” and “You'll Never Walk Alone”, went to the top of the UK charts, creating a still-unbeaten record. For twenty-year-old Gerry Marsden it was the start of a long and colourful show-business career. A pioneer of the Liverpool pop explosion that reverberated around the world, he vowed to broaden his horizons and stay on stage for the rest of his life. Brought up in the tough Dingle district of Liverpool, Marsden was a street fighter and enthusiastic boxer, who left school at the age of fifteen to work as a railways delivery boy.Like thousands of teenagers in the 1950s he got the music bug, taught himself guitar, formed a group and joined the vibrant club circuit alongside the Beatles and hundreds of other young rock 'n' rollers. In 1962, Gerry and the Pacemakers were signed by manager Brian Epstein as his second group after the Beatles, and made their name with ballads like “Ferry Cross the Mersey” and “Don't Let the Sun Catch You Crying” as well as raunchy pop. But it was a Rodgers & Hammerstein song, “You'll Never Walk Alone”, which had enthralled Marsden since he saw the film Carousel in his youth, that was their biggest hit. For three decades it has remained the anthem of the crowds at Liverpool Football Club, played before kick-off every Saturday, inscribed on the club gates and always the most popular concert request. In 2020, during the Covid-19 pandemic crisis, Marsden released a version of “I'll Never Walk Alone” in tribute to the National Health Service.In this autobiography, reissued following his death in January 2021, Gerry Marsden emerges as a driven man, an artist with enormous confidence and a unique spirit. From his streetwise boyhood and early love of music to his friendship – and keen rivalry – with the Beatles, hunger for fame and hard-won success, his story is one of grit, warmth, humour and determination.
Illuminated: Autism & All The Things I’ve left Unsaid
by null Melanie SykesThe impactful and empowering memoir from Melanie Sykes Melanie Sykes has been a face on our screens, a voice on our radios for nearly thirty years. As a presenter and broadcaster people turned to her for her humour, her honesty and insight. But between all the interviews and chat shows, is a life unseen, a story unsaid. Her journey – from up north to down south, from Manchester to LA and via London, Paris and India, and through the eye of the storm of celebrity culture is a rollercoaster ride. Sex, drugs and rock and roll, certainly, but also brass bands and ice cream vans, broken hearts and healing adventures – a search not for fame but for freedom. Her autism diagnosis in midlife has supercharged that journey – and means this isn’t a story just of breakdown, but of breakthrough. Funny, furious and gloriously frank, this is a book that lifts the lid on being a woman in the media, navigating relationships, and being a neurodivergent person speaking up in a neurotypical world. Illuminated is Melanie, in her own inimitable voice.
The Illuminated Theatre: Studies on the Suffering of Images
by Joe KelleherWhat sort of thing is a theatre image? How is it produced and consumed? Who is responsible for the images? Why do the images stay with us when the performance is over? How do we learn to speak of what we see and imagine? And how do we relate what we experience in the theatre to what we share with each other of the world? The Illuminated Theatre is a book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts. It is also a book about how European practitioners working across a range of forms, from theatre and performance to dance, opera, film and visual arts, use images to address the complexities of the times in which their work takes place. Through detailed and impassioned accounts of works by artists such as Dickie Beau, Wendy Houstoun, Alvis Hermanis and Romeo Castellucci, along with close readings of experimental theoretical and art writing from Gillian Rose to T.J. Clark and Marie-José Mondzain, the book outlines the historical, aesthetic and political dimensions of a contemporary ‘suffering of images.’
The Illuminated Theatre: Studies on the Suffering of Images
by Joe KelleherWhat sort of thing is a theatre image? How is it produced and consumed? Who is responsible for the images? Why do the images stay with us when the performance is over? How do we learn to speak of what we see and imagine? And how do we relate what we experience in the theatre to what we share with each other of the world? The Illuminated Theatre is a book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts. It is also a book about how European practitioners working across a range of forms, from theatre and performance to dance, opera, film and visual arts, use images to address the complexities of the times in which their work takes place. Through detailed and impassioned accounts of works by artists such as Dickie Beau, Wendy Houstoun, Alvis Hermanis and Romeo Castellucci, along with close readings of experimental theoretical and art writing from Gillian Rose to T.J. Clark and Marie-José Mondzain, the book outlines the historical, aesthetic and political dimensions of a contemporary ‘suffering of images.’
Illusion in Cultural Practice: Productive Deceptions (Routledge Research in Cultural and Media Studies)
by Katharina ReinThis volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world in which we live. Considering different cultural practices characterized by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion. This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM Books Volume 47An overview of the whole series can be found atwww.ikkm-weimar.de/schriften
Illusion in Cultural Practice: Productive Deceptions (Routledge Research in Cultural and Media Studies)
by Katharina ReinThis volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world in which we live. Considering different cultural practices characterized by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion. This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM Books Volume 47An overview of the whole series can be found atwww.ikkm-weimar.de/schriften
Illusive Utopia: Theater, Film, and Everyday Performance in North Korea (Theater: Theory/Text/Performance)
by Suk-Young Kim"North Korea is not just a security or human rights problem (although it is those things) but a real society. This book gets us closer to understanding North Korea beyond the usual headlines, and does so in a richly detailed, well-researched, and theoretically contextualized way." ---Charles K. Armstrong, Director, Center for Korean Research, Columbia University "One of this book's strengths is how it deals at the same time with historical, geographical, political, artistic, and cultural materials. Film and theatre are not the only arts Kim studies---she also offers an excellent analysis of paintings, fashion, and what she calls 'everyday performance.' Her analysis is brilliant, her insights amazing, and her discoveries and conclusions always illuminating." ---Patrice Pavis, University of Kent, Canterbury No nation stages massive parades and collective performances on the scale of North Korea. Even amid a series of intense political/economic crises and international conflicts, the financially troubled country continues to invest massive amounts of resources to sponsor unflinching displays of patriotism, glorifying its leaders and revolutionary history through state rituals that can involve hundreds of thousands of performers. Author Suk-Young Kim explores how sixty years of state-sponsored propaganda performances---including public spectacles, theater, film, and other visual media such as posters---shape everyday practice such as education, the mobilization of labor, the gendering of social interactions, the organization of national space, tourism, and transnational human rights. Equal parts fascinating and disturbing, Illusive Utopia shows how the country's visual culture and performing arts set the course for the illusionary formation of a distinctive national identity and state legitimacy, illuminating deep-rooted cultural explanations as to why socialism has survived in North Korea despite the fall of the Berlin Wall, the collapse of the Soviet Union, and China's continuing march toward economic prosperity. With over fifty striking color illustrations, Illusive Utopia captures the spectacular illusion within a country where the arts are not only a means of entertainment but also a forceful institution used to regulate, educate, and mobilize the population. Suk-Young Kim is Associate Professor in the Department of Theater and Dance at the University of California, Santa Barbara, and coauthor with Kim Yong of Long Road Home: A Testimony of a North Korean Camp Survivor.
An Illustrated History of British Theatre and Performance: Volume One - From the Romans to the Enlightenment
by Robert LeachAn Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacts with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. This first volume spans from the earliest forms of performance to the popular theatres of high society and the Enlightenment, tracing a movement from the outdoor and fringe to the heart of the social world. The Illustrated History acts as an accessible, flexible basis for students of the theatre, and for pure fans of British theatre history there could be no better starting point.
An Illustrated History of British Theatre and Performance: Volume One - From the Romans to the Enlightenment
by Robert LeachAn Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacts with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. This first volume spans from the earliest forms of performance to the popular theatres of high society and the Enlightenment, tracing a movement from the outdoor and fringe to the heart of the social world. The Illustrated History acts as an accessible, flexible basis for students of the theatre, and for pure fans of British theatre history there could be no better starting point.
Illustrierte Geschichte der Oper
by Beatrix GehlhoffSeit ihren Anfängen vor gut 400 Jahren hat die Oper als aufwendigste aller Kunstformen die Menschen fasziniert und die Gesellschaften bewegt. Dieser reich illustrierte Band präsentiert die Oper in all ihren Facetten: Eine Geschichte der Oper mit den Meisterwerken von Monteverdi, Händel, Mozart, Verdi, Wagner, Strauss, Puccini, Nono und vielen anderen wird hier ebenso geboten wie Einblicke in den Opernbetrieb an den kleinen und großen Häusern mit ihren Dramaturgen, Bühnenbildnern, Regisseuren, Intendanten, den Musikern, Sängerinnen und Sängern von Farinelli bis Cecilia Bartoli, und nicht zuletzt dem Publikum. Auch die stilistische Vielfalt der Opern im 20. und 21. Jahrhundert wird ausführlich beschrieben.
I'm Buffy and You're History: Buffy the Vampire Slayer and Contemporary Feminism (Investigating Cult TV)
by Patricia PenderBuffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.
I'm Buffy and You're History: Buffy the Vampire Slayer and Contemporary Feminism
by Patricia PenderBuffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.
I'm Chevy Chase ... and You're Not: The Authorized Biography
by Rena FruchterChevy Chase is a much-loved Hollywood star. His success as a writer and actor on Saturday Night Live in the 70s made him a household name. It had been a long, hard route to the top for Chevy. Behind the fame lay a childhood riddled with abuse. But his remarkable strength and determination helped him rise above it and find his talent as an actor, writer, comedian, and musician. Best known for his role in the National Lampoon Vacation series Chevy has starred in some of the greatest comedies of our time. His latest film, Funny Money, received critical acclaim at the Sarasota Film Festival.Now, for the first time, Chevy speaks openly and candidly about his career, his personal struggle with drugs, his friendship with three American Presidents, and his family life. Honest, funny and informative, this is the complex and fascinating world of Chevy Chase.
I'm Coming To Take You To Lunch: A fantastic tale of boys, booze and how Wham! were sold to China
by Simon Napier-BellPop manager extraordinaire Simon Napier-Bell had had enough. He'd had enough of pop groups. He'd had enough of the constant grief at home with his two ex-boyfriends bickering and bleeding him dry; and most of all he'd had enough of the music biz. But then he fell in love with a new passion - the Far East; and a dynamic new duo - George and Andrew - jointly called Wham! Soon, in an audacious attempt to have the best of both worlds, he found himself offering to arrange for Wham! to be the first ever Western pop group to play in communist China - a masterstroke of PR which, in one swift stroke, would make them one of the biggest groups in the world. What follows is an exciting, unpredictable and hilarious romp around the more curious corners of the world as Napier-Bell dives into the unknown, attempting to achieve the unachievable. We soon find ourselves in the company of a wonderful cast of petulant pop stars, shady international 'businessmen', and a hilarious confusion of spies, students and institutionalised officials and ministers as he edges ever closer to inadvertently becoming one of the first Westerners to break down the walls of communist China.
I'm Dying Up Here: Heartbreak and High Times in Stand-Up Comedy's Golden Era
by William K Knoedelseder JrIn the mid-1970s, Jay Leno, David Letterman, Andy Kaufman, Richard Lewis, Robin Williams, Elayne Boosler, Tom Dreesen, and several hundred other shameless showoffs and incorrigible cutups from all across the country migrated en masse to Los Angeles, the new home of Johnny Carson's Tonight Show. There, in a late-night world of sex, drugs, dreams and laughter, they created an artistic community unlike any before or since. It was Comedy Camelot -- but it couldn't last. William Knoedelseder, then a cub reporter covering the scene for the Los Angeles Times, was there when the comedians -- who were not paid for performing -- tried to change the system and incidentally tore apart their own close-knit community. In I'm Dying Up Here he tells the whole story of that golden age, of the strike that ended it, and of how those days still resonate in the lives of those who were there.
I'm Dying Up Here: Heartbreak and High Times in Stand-Up Comedy's Golden Era
by William KnoedelsederNow a Showtime original seriesIn the mid-1970s, Jay Leno, David Letterman, Andy Kaufman, Richard Lewis, Robin Williams, Elayne Boosler, Tom Dreesen, and several hundred other shameless showoffs and incorrigible cutups from across the country migrated en masse to Los Angeles, the new home of Johnny Carson's Tonight Show. There, in a late-night world of sex, drugs, dreams and laughter, they created an artistic community unlike any before or since. It was Comedy Camelot-but it couldn't last.William Knoedelseder was then a cub reporter covering the burgeoning local comedy scene for the Los Angeles Times. He wrote the first major newspaper profiles of several of the future stars. And he was there when the comedians-who were not paid by the clubs where they performed- tried to change the system and incidentally tore apart their own close-knit community. In I'm Dying Up Here he tells the whole story of that golden age, of the strike that ended it, and of how those days still resonate in the lives of those who were there. As comedy clubs and cable TV began to boom, many would achieve stardom.... but success had its price.
I'm A Lebowski, You're A Lebowski: Life, The Big Lebowski And What-have-you
by Will Russell Scott ShuffittIn 1998, the Coen Brothers followed the global success of their smash hit Fargo with a rambling tale of lies, corruption and bowling in early 90s LA - The Big Lebowski. It flopped at the box office. But in the years that followed, the movie took on a life of its own, spawning a culture of quotable lines, White Russians and even Lebowski Fest, an annual event attracting thousands of Big Lebowski die-hards. In I'm a Lebowski, You're a Lebowski ('That's terrific') the curators of Lebowski Fest offer the complete guide to one of the few true cult movies of the last twenty years, with photographs, real locations and interviews with the stars of the film, including John Turturro, John Goodman and Julianne Moore - and a foreword by the Dude himself, Jeff Bridges. The book also contains a glossary, trivia questions and the ultimate soundtrack listing - in other words, the whole Lebowski.
I’m Not a Film Star: David Bowie as Actor
by Ian Dixon and Brendan BlackThe first collection dedicated to David Bowie's acting career shows that his film characterisations and performance styles shift and reform as decoratively as his musical personas. Though he was described as the most influential pop artis of the 20th century, whose work became synonymous with mask, mystery, sexual excess and ch-ch-ch-changing genres, Bowie also applied his genius to the craft of acting.Bowie's considerable filmography is systematically examined in 12 scholarly essays that include tributes to Bowie's performance craft in other media forms. Classic films such as The Prestige and Merry Christmas, Mr. Lawrence, cult hits Labyrinth and The Man Who Fell To Earth, as well as lesser-known roles in The Image, Christiane F. and Broadway hit The Elephant Man are viewed, not simply through the lens of Bowie's mega-stardom, but as the work of a serious actor with inimitable talent. This compelling analysis celebrates the risk-taking intelligence and bravura of David Bowie: actor, mime, mimic and icon.
I’m Not a Film Star: David Bowie as Actor
The first collection dedicated to David Bowie's acting career shows that his film characterisations and performance styles shift and reform as decoratively as his musical personas. Though he was described as the most influential pop artis of the 20th century, whose work became synonymous with mask, mystery, sexual excess and ch-ch-ch-changing genres, Bowie also applied his genius to the craft of acting.Bowie's considerable filmography is systematically examined in 12 scholarly essays that include tributes to Bowie's performance craft in other media forms. Classic films such as The Prestige and Merry Christmas, Mr. Lawrence, cult hits Labyrinth and The Man Who Fell To Earth, as well as lesser-known roles in The Image, Christiane F. and Broadway hit The Elephant Man are viewed, not simply through the lens of Bowie's mega-stardom, but as the work of a serious actor with inimitable talent. This compelling analysis celebrates the risk-taking intelligence and bravura of David Bowie: actor, mime, mimic and icon.
I’m Not as Well as I Thought I Was: The Sunday Times Bestseller
by Ruby WaxChecking into a psychiatric institution wasn't exactly on Ruby Wax's agenda for 2022 - writing about it wasn't either, but here we are. These days, trying to stay sane in a completely chaotic world makes life incredibly difficult, especially if you're struggling with your mental health. While searching for inner peace and equanimity amidst global chaos, Ruby realises that, ultimately, the most challenging gauntlet we all must face is ourselves.I'm Not as Well as I Thought I Was is Ruby's most honest and raw book to date - an insight into the depths of her psyche, and a stark exploration of what trauma can do to someone. Reflecting on years of personal and professional experience, she opens up to readers about her struggles with mental health and different treatments over the years, hoping to provide reassurance and guidance to anyone confronting their own anticipated, or unanticipated, struggles with mental health.
I'm Not Here Right Now (Oberon Modern Plays)
by Thomas EccleshareOn top of a mountain in the middle of a blizzard, you see a figure: eight foot tall, with white, matted hair covering his body. He stands upright on two legs. You see him. He sees you. But who will believe you and how far can you trust what you see?
I’m Sure I Speak For Many Others…: Unpublished letters to the BBC
by Colin Shindler'Dear Mr. Adam, I am writing on behalf of the Central Watch and Social Problems Committee of the Mothers’ Union to ask whether you have a programme in mind on the moral issue of venereal disease.''Sir, Where are the B.B.C’s censors? We do not care for the language that was inflicted on us Tuesday night in “The Battle of Britain”. Don’t retort, ‘You need not listen if you don’t want to’. We did not know it was coming.''Dear Mr. Frost, Let me start by saying how much I enjoy your programme & that I was among those many who felt almost that they had lost a blowsy old friend when dear & vulgar, but nonetheless thought-provoking and funny TW3 went off the air.'For anyone who regularly feels tempted to put pen to paper, I’m Sure I Speak For Many Others is an alternative history of the BBC, from its triumphant broadcast of the coronation in 1953, to that Tynan moment, the controversial That Was The Week That Was, and the groundbreaking Grange Hill.Stretching across over forty years of programming, these never before seen letters represent the joy, the fury and the wit of the nation.
I'm Talking: My Life, My Words, My Music
by Kate Ceberano Tom GillingFor the first time, Kate Ceberano, one of Australia's best-loved entertainers, shares her story.In her own unmistakeable voice, Kate Ceberano takes us on a very personal journey from her suburban childhood, her immersion in the Melbourne club scene of the eighties and her rise to stardom at the age of fourteen when she fronted the wildly popular funk band I'm Talking, to the life of a female performer and recording artist in London, Los Angeles and New York.With parallel careers as a pop and jazz singer and songwriter, Kate has received the highest awards in the Australian music industry including the ARIA for Best Female Artist. She has delighted audiences in Harry M. Miller's hugely successful Jesus Christ Superstar, won a legion of fans when she won Dancing with the Stars, and made a triumphant debut for Opera Australia in South Pacific. Now she reveals, for the first time, just what that was like.People have been talking about Kate Ceberano since she was a teenager: Hugh Jackman described her as having 'truly one of the great voices this country has produced'; for Rolling Stone she is 'pure, soulful and powerful'. Now Kate is talking for herself.Accompanied by never before seen photos.
I'm the Man: The Story of That Guy from Anthrax
by Scott IanI'm the Man is the fast-paced, humorous, and revealing memoir from the man who co-founded Anthrax, the band that proved to the masses that brutality and fun didn't have to be mutually exclusive. Through various lineup shifts, label snafus, rock 'n' roll mayhem, and unforeseen circumstances galore, Scott Ian has approached life and music with a smile, viewing the band with deadly seriousness while recognizing the ridiculousness of the entertainment industry. Always performing with abundant energy that revealed his passion for his craft, Ian has never let the gravity of being a rock star go to his shaven, goateed head. Ian tells his life story with a clear-eyed honesty that spares no one, least of all himself, starting with his upbringing as a nerdy Jewish boy in Queens and evolving through his first musical epiphany when he saw KISS live on television and realized what he wanted to do with his life. He chronicles his adolescence growing up in a dysfunctional home where the records blasting on his stereo failed to drown out the sound of his parents shouting at one another. He sets down the details of his fateful escape into the turbulent world of heavy metal. And of course he lays bare the complete history of Anthrax -- from the band's formation to their present-day reinvigoration -- as they wrote and recorded thrash classics like Spreading the Disease, Among the Living, and the top-twenty-charting State of Euphoria. Along the way, Ian recounts harrowing, hysterical tales from his long tour of duty in the world of hard rock. He witnesses the rise of Metallica, for which he had a front row seat. He parties with the late Dimebag Darrell while touring with Pantera and gets wild with Black Label Society frontman and longtime Ozzy Osbourne guitarist Zakk Wylde. He escapes detection while interviewing Ozzy for "The Rock Show" while dressed as Gene Simmons and avoids arrest after getting detained on suspicion of drugs while riding the tube in England with the late Metallica bassist Cliff Burton. In addition, I'm the Man addresses the trials and tribulations of Ian's life and loves. He admits his foibles and reveals the mistakes made along the way to becoming a fully-functioning adult. He celebrates finally finding peace and a true sense of family with his wife, singer/songwriter Pearl Aday, and examines how his world changed after the birth of their first son.I'm the Man is a blistering hard rock memoir, one that is astonishing in its candor and deftly told by the man who's kept the institution of Anthrax alive for more than thirty years.
Im Wandel ... Metamorphosen der Animation
by Julia Eckel Erwin Feyersinger Meike UhrigDer Sammelband widmet sich dem spezifischen Verhältnis von Animation und verschiedenen Transformationsprozessen. In den geplanten Aufsätzen werden (Ver-)Wandlungen von Formen und Körpern, von Zeit und Raum, aber auch der Wandel von wissenschaftlichen Definitionen oder (inter-)kulturellen Bezügen untersucht. Ziel ist es, die Wandlungsfähigkeiten der Animation in den Blick zu nehmen und ihre Umgestaltungs- und Umsetzungs- und Übersetzungsleistungen als Phänomene genauer zu beschreiben.