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Irish Comedy Greats
by Liam McCannIreland has produced some of the world’s most popular comedians. This ebook explores the lives and professions of its finest exports, such as Jimmy O’Dea, Cork’s favourite son Niall Tóibín, Dublin-born Maureen Potter, Hal Roach who spent 26 of his 60 years in showbusiness performing at Jury’s Irish Cabaret and Frank Kelly, a comedian who graduated from a bit part in the original Italian Job to the outrageous Father Jack Hackett in Father Ted, a series that also introduced Dermot Morgan as the title character.
Irish Drama, Modernity and the Passion Play
by Alexandra PoulainThis book discusses Irish Passion plays (plays that rewrite or parody the story of the Passion of Christ) in modern Irish drama from the Irish Literary Revival to the present day. It offers innovative readings of such canonical plays as J. M. Synge’s The Playboy of the Western World, W. B. Yeats’s Calvary, Brendan Behan’s The Hostage, Samuel Beckett’s Endgame, Brian Friel’s Faith Healer and Tom Murphy’s Bailegangaire, as well as of less well-known plays by Padraic Pearse, Lady Gregory, G. B. Shaw, Seán O’Casey, Denis Johnston, Samuel Beckett and David Lloyd. Challenging revisionist readings of the rhetoric of “blood sacrifice” and martyrdom in the Irish Republican tradition, it argues that the Passion play is a powerful political genre which centres on the staged death of the (usually male) protagonist, and makes visible the usually invisible violence perpetrated both by colonial power and by the postcolonial state in the name ofmodernity.
Irish Film: The Emergence of a Contemporary Cinema
by Martin McLooneThis is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.
Irish Film: The Emergence of a Contemporary Cinema
by Martin McLooneThis is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.
Irish National Cinema (National Cinemas)
by Ruth BartonFrom the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.
Irish National Cinema (National Cinemas)
by Ruth BartonFrom the international successes of Neil Jordan and Jim Sheridan, to the smaller productions of the new generation of Irish filmmakers, this book explores questions of nationalism, gender identities, the representation of the Troubles and of Irish history as well as cinema's response to the so-called Celtic Tiger and its aftermath. Irish National Cinema argues that in order to understand the unique position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the so-called Irish diaspora and engage with its cinema. An invaluable resource for students of world cinema.
Irish nationalism and European integration: The official redefinition of the island of Ireland
by Katy HaywardHow has it been possible for Irish political leaders to actively promote two of the largest challenges to Irish nation-statehood: the concession of sovereignty to the European Union and the retraction of the constitutional claim over Northern Ireland? The author of this book argues that such discourses are integrally connected and, what is more, embody the enduring relevance of nationalism in modern Ireland. As the most comprehensive study to date of official discourse in twentieth-century Ireland, this book traces the ways in which nationalism can be simultaneously redefined and revitalised through European integration. The text begins with an overview of the origins and development of Irish official nationalism. It then analyses the redefinition of this nationalism in meeting the challenges to Irish nation-statehood posed by the conflict in Northern Ireland and membership of the EU. New interpretations of the symbolic and practical importance of the island of Ireland have been central to this process. Indeed, the genius of the Irish was to employ innovative EU-inspired concepts in finding agreement with and within Northern Ireland on the one hand whilst, on the other, legitimising further European integration through the notion that it furthers traditional nationalist ideals such as Irish unity. Thus, Irish political leaders were remarkably successful in not only accommodating potent nationalist and pro-European discourses but in making them appear complementary. An over-reliance on this discourse, however, plus a critical failure to adjust it to the conditions it helped to fashion, contributed to the failure of the ‘Yes’ campaigns in the Irish referendums on the EU Treaties of Nice and Lisbon. The book concludes with an assessment of the reasons for these results and argues that the symbiotic relationship between Irish nationalism and European integration can be redeemed for a new era in EU–member-state relations. This book will appeal to any reader with an interest in the changing dynamics of Ireland’s relationship with the European Union and with Northern Ireland, as well as scholars of discourses on identity, territory and governance in Europe.
Irish nationalism and European integration: The official redefinition of the island of Ireland
by Katy HaywardHow has it been possible for Irish political leaders to actively promote two of the largest challenges to Irish nation-statehood: the concession of sovereignty to the European Union and the retraction of the constitutional claim over Northern Ireland? The author of this book argues that such discourses are integrally connected and, what is more, embody the enduring relevance of nationalism in modern Ireland. As the most comprehensive study to date of official discourse in twentieth-century Ireland, this book traces the ways in which nationalism can be simultaneously redefined and revitalised through European integration. The text begins with an overview of the origins and development of Irish official nationalism. It then analyses the redefinition of this nationalism in meeting the challenges to Irish nation-statehood posed by the conflict in Northern Ireland and membership of the EU. New interpretations of the symbolic and practical importance of the island of Ireland have been central to this process. Indeed, the genius of the Irish was to employ innovative EU-inspired concepts in finding agreement with and within Northern Ireland on the one hand whilst, on the other, legitimising further European integration through the notion that it furthers traditional nationalist ideals such as Irish unity. Thus, Irish political leaders were remarkably successful in not only accommodating potent nationalist and pro-European discourses but in making them appear complementary. An over-reliance on this discourse, however, plus a critical failure to adjust it to the conditions it helped to fashion, contributed to the failure of the ‘Yes’ campaigns in the Irish referendums on the EU Treaties of Nice and Lisbon. The book concludes with an assessment of the reasons for these results and argues that the symbiotic relationship between Irish nationalism and European integration can be redeemed for a new era in EU–member-state relations. This book will appeal to any reader with an interest in the changing dynamics of Ireland’s relationship with the European Union and with Northern Ireland, as well as scholars of discourses on identity, territory and governance in Europe.
The Irish Paradox: How and Why We Are Such a Contradictory People
by Sean MoncrieffWhat does it mean to be Irish?‘We’ve been clever and stupid, principled and corrupt. We can be kind and cruel, guilty of dopey optimism and chronic fatalism. We’re friendly, but near impossible to get to know. We’re proud to be Irish but often crippled with self-loathing. We think we’re great, but not really. We find ourselves fascinating. Of course we do. We’re a paradox.’There’s something about Irish people, about the way their minds work. But what does it mean to be Irish?In his search for the key to the Irish psyche, Sean Moncrieff roams far and wide – from the pub to the dole queue, the laboratory to the pulpit. Packed with offbeat anecdotes, observations and intriguing detours into the murkier recesses of Irish history and culture, The Irish Paradox is a roadmap for those struggling to make sense of a country defined as much by its contradictions as its sense of community.
Irish Repertory Theatre: Celebrating Thirty-Five Years Off-Broadway (New Directions in Irish and Irish American Literature)
by Maria SzaszThe Irish Repertory Theatre: Celebrating Thirty-Five Years Off-Broadway is the first book-length history of the multi-award winning Off-Broadway Irish Repertory Theatre Company, from its beginning in 1988 to its thirty-fifth season in 2023. The book considers how the Irish Rep’s plays and musicals reflect the Irish diaspora, the relationship between Ireland and America, and what it means to be Irish and Irish American, both historically, and in the twenty-first century, including how the Irish Rep is showcasing more diverse voices and experiences, from women, the LGBTQIA+ community, and Irish and Irish American people of color.
Irish Stereotypes in Vaudeville, 1865-1905 (Palgrave Studies in Theatre and Performance History)
by Jennifer MooneyVaudeville is often viewed as the source of some of the crude stereotypes that positioned the Irish immigrant in America as the antithesis of native-born American citizens. Using primary archival material, Mooney argues that the vaudeville stage was an important venue in which an Irish-American identity was constructed, negotiated, and refined.
Irish Theatre in Transition: From the Late Nineteenth to the Early Twenty-First Century
by Donald E. MorseThe Irish Theatre in Transition explores the ever-changing Irish Theatre from its inception to its vibrant modern-day reality. This book shows some of the myriad forms of transition and how Irish theatre reflects the changing conditions of a changing society and nation.
The Ironic Filmmaking of Stephen Frears
by Lesley BrillStephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.
The Ironic Filmmaking of Stephen Frears
by Lesley BrillStephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.
Irony in Film (Palgrave Close Readings in Film and Television)
by James MacDowellIrony in Film is the first book about ironic expression in this medium. We often feel the need to call films or aspects of them ironic; but what exactly does this mean? How do films create irony? Might certain features of the medium help or hinder its ironic potential? How can we know we are justified in dubbing any film or moment ironic? This book attempts to answer such questions, investigating in the process crucial and under-examined issues that irony raises for our understanding of narrative filmmaking.A much-debated subject in other disciplines, in film scholarship irony is habitually referred to but too seldom explored. Combining in-depth theorising with detailed close analysis, this pioneering study asks what ironic capacities films might possess, how film style may be used ironically, and what role intention should play in film interpretation. The proposed answers have significance for our understanding of not only ironic filmmaking, but the nature of expression in this medium.
Irreversible (Controversies)
by Tim PalmerGaspar Noé's Irreversible is uncompromising and visceral, an essential piece of modern cinema. Punctuated by dazzling avant-garde techniques, the film depicts, in reverse-chronological order, a woman's rape and her boyfriend and friend's subsequent hunt for vengeance through the underworld of Paris. Confrontational yet influential, Irreversible has polarized audiences since its release in 2002, making it until now almost impossible to study dispassionately. This first book-length study of Irreversible situates Noé's work in the ecosystem of contemporary French media, exploring how Irreversible and a larger-scale cinéma du corps actually inspired France's film resurgence in the early twenty-first century. From there, Palmer shows Irreversible to be one of the most subversive star vehicles in recent world cinema, in the form of its iconic lead performers, Vincent Cassel, Monica Bellucci, and Albert Dupontel. Investigating the spectrum of reactions created by Noé's film — through its pugnacious stylistic design, its on-screen deconstruction of Paris, its international critical reception and its unexpectedly utopian counterpoints to violence and despair — the book generates a new rational dialogue about Irreversible that challenges any instinct simply to reject or condemn it.
Irreversible (Controversies)
by Tim PalmerGaspar Noé's Irreversible is uncompromising and visceral, an essential piece of modern cinema. Punctuated by dazzling avant-garde techniques, the film depicts, in reverse-chronological order, a woman's rape and her boyfriend and friend's subsequent hunt for vengeance through the underworld of Paris. Confrontational yet influential, Irreversible has polarized audiences since its release in 2002, making it until now almost impossible to study dispassionately. This first book-length study of Irreversible situates Noé's work in the ecosystem of contemporary French media, exploring how Irreversible and a larger-scale cinéma du corps actually inspired France's film resurgence in the early twenty-first century. From there, Palmer shows Irreversible to be one of the most subversive star vehicles in recent world cinema, in the form of its iconic lead performers, Vincent Cassel, Monica Bellucci, and Albert Dupontel. Investigating the spectrum of reactions created by Noé's film - through its pugnacious stylistic design, its on-screen deconstruction of Paris, its international critical reception and its unexpectedly utopian counterpoints to violence and despair - the book generates a new rational dialogue about Irreversible that challenges any instinct simply to reject or condemn it.
IRRFAN: A Life in Movies | Conversations on an Actor and His Legacy
by Shubhra GuptaAn eminent film critic engages Bollywood and beyond in conversation about Irrfan Khan’s art, craft, life and legacy.A spellbinding performer, Irrfan Khan was also a seeker who never stopped honing his skills, each new work a revelation, his oeuvre transformative for Hindi cinema. From his National School of Drama days to his nearly decade-long stint in television and subsequently his arrival in the movies, everyone who watched Irrfan knew they were in the presence of someone special. With his death from an incurable cancer, we lost an actor nonpareil. What is it that gave Irrfan, an ‘outsider’ to Bollywood, his distinction? What has been his contribution to cinema? How does one measure his legacy?Long-time film critic Shubhra Gupta asks these and other probing questions to members of the film fraternity who knew Irrfan, worked with him or observed him closely – Sutapa Sikdar, Shailja Kejriwal, Shyam Benegal, Tigmanshu Dhulia, Vishal Bhardwaj, Naseeruddin Shah, Mira Nair, Konkona Sen Sharma, Anup Singh, Tillotama Shome, Karan Johar, Anurag Kashyap, among several others. As they discuss Irrfan’s films, his craft, and his philosophy as an actor, what emerges is a deeply layered, complex and endlessly absorbing portrait of one of Indian cinema’s most influential artistes.Abuzz with a polyphony of perspectives on the actor and Hindi cinema at large, this is a rich collectible for Irrfan’s admirers and cinephiles alike.
Irving Berlin: New York Genius (Jewish Lives)
by James KaplanFrom the prizewinning Jewish Lives series, a fast†‘moving, musically astute portrait of arguably the greatest composer of American popular music Irving Berlin (1888–1989) has been called—by George Gershwin, among others—the greatest songwriter of the golden age of the American popular song. “Berlin has no place in American music,” legendary composer Jerome Kern wrote; “he is American music.” In a career that spanned an astonishing nine decades, Berlin wrote some fifteen hundred tunes, including “Alexander’s Ragtime Band,” “God Bless America,” and “White Christmas.” From ragtime to the rock era, Berlin’s work has endured in the very fiber of American national identity. Exploring the interplay of Berlin’s life with the life of New York City, noted biographer James Kaplan offers a visceral narrative of Berlin as self†‘made man and witty, wily, tough Jewish immigrant. This fast†‘paced, musically opinionated biography uncovers Berlin’s unique brilliance as a composer of music and lyrics. Masterfully written and psychologically penetrating, Kaplan’s book underscores Berlin’s continued relevance in American popular culture.About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: “Excellent.” – New York times “Exemplary.” – Wall St. Journal “Distinguished.” – New Yorker “Superb.” – The Guardian
Is it French? Popular Postnational Screen Fiction from France (Palgrave European Film and Media Studies)
by Mary Harrod Raphaëlle MoineThis book investigates the recently accelerated phenomenon of mainstream French film and serial television’s remarkable popularity not only within but – more novelly for European audiovisual narratives – outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole. This book is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Is Shakespeare Still Our Contemporary?
by John ElsomFirst published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Is Shakespeare Still Our Contemporary?
by John ElsomFirst published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Is This the Real Life?: The Untold Story of Queen
by Mark BlakeThe definitive biography of Queen and Freddie Mercury, by the author of Comfortably Numb and Bring It On HomeDespite the death of their exuberant front man Freddie Mercury in 1991, Queen remains one of the most popular bands on the planet, with 300 million global album sales and the biopic Bohemian Rhapsody, a "foot-stomping celebration of Queen," hitting theaters. Yet the full story of their extraordinary success and the truths behind the enigmatic Mercury has never fully been told, until now.Journalist Mark Blake, author of the bestselling Pink Floyd biography Comfortably Numb, has drawn on his own earlier interviews with the band and conducted nearly 100 exclusive interviews with record producers, ex-band members, personal assistants, and school friends, including many of Freddie Mercury's earliest associates, to produce a complete, fascinating account of the band's rise from suburbia to worldwide super-stardom. Is This the Real Life? tells, for the first time, how this groundbreaking band became champions of the world.
Is You Okay?
by GloZell Green'Is you okay? Is you good? Cuz I want to know!' Eager to entertain, dedicated to making people laugh, comedian and video superstar GloZell Green is game for any challenge, no matter how silly, gross, or absurd. As one of the earliest vloggers, her hilarious videos have propelled her from anonymity in Florida to stardom as one of our most beloved internet stars. Is You Okay? speaks the truth about the elements of life we wrestle with every day – from love and relationships to empowerment and body image – as GloZell uses examples from own life and her unforgettable video challenges to explore each issue. Sharing formative stories and insights from her own life, she encourages young women to love their bodies, break free of their shells, and carve out their own identities. Most importantly, in this candid and hilarious memoir, GloZell shows that we’re all in this together. 'Everything isn’t just gonna be okay. It doesn’t just have to be good,' she reminds us. 'It can be great (even with a spoonful of pepper in your mouth).'
Isabelle Huppert: Stardom, Performance, Authorship
by Nick Rees-Roberts and Darren WaldronFeaturing a lineup of distinguished academics, this collection remedies the absence of scholarly attention on French cinematic legend Isabelle Huppert. This volume deconstructs Huppert's star persona and public profile through critical and theoretical analysis of her various screen roles-from her very early appearances alongside Romy Schneider in César et Rosalie (Sautet, 1972) and Gérard Depardieu in Les Valseuses (1974) to a number of celebrated collaborations with high-profile European auteurs such as Catherine Breillat, Claire Denis, Jean-Luc Godard, Michael Haneke and Joseph Losey, and with more popular auteurs such as Claude Chabrol and François Ozon. Known for a cerebral internalization of characterization, a technical mastery of extreme emotions, and a singular brand of icy intellectualism, Huppert's performances continue to impress, stun and surprise audiences. By focusing on several theoretical questions that relate to image, identity, sexuality and place, this volume situates Huppert's star persona in the more practical creative contexts of performance, authorship, genre and collaboration. This volume contrasts complementary critical accounts of her stardom by working across the different periods and territories of her career.