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Juvenalia (Oberon Modern Plays)
by Richard QuickSimon Callow does stand-up comedy. Filthy, foul mouthed, viciously funny and deeply politically incorrect. The target: immigrants, plutocrats, women, gays. As last delivered in Rome AD 100. Juvenal was one angry white middle-class male. In Juvenalia he tells it like it was. And is. The writer, Juvenal born circa AD55, wrote sixteen satires that attacked the decadence of Rome in its heyday. Here, adapted by Richard Quick, we are given a view into the moral decline that is as relevant now, as it was back then.
K-Drama School: A Pop Culture Inquiry into Why We Love Korean Television
by Grace JungFrom the Emmy Award-winning Squid Game to streaming sensations like The Glory and Crash Landing on You, Korean television has emerged onto the global pop culture scene as compelling television—but what exactly makes these shows so irresistibly bingeable? And what can we learn about our societies and ourselves from watching them? From stand-up comedian and media studies PhD Grace Jung comes a rollicking deep dive into the cultural significance of Korean television. K-Drama School analyzes everything from common tropes like amnesia and slapping to conspicuous product placements of Subway sandwiches and coffee; to representations of disability, race and gender; to what Korea's war-torn history says about South Korea&’s media output and the stories being told on screen. With chapters organized by "lessons," each one inquiring into a different theme of Korean television, K-Drama School offers a groundbreaking exploration into this singular form of entertainment, from an author who writes with humor and heart about shows that spur tears and laughter, keeping us glued to the TV while making fans of us all. Shows discussed include: Squid Game, SKY Castle, Crash Course in Romance, Extraordinary Attorney Woo, My Mister, Something in the Rain, One Spring Night, DP, Guardian: The Lonely and Great God, Autumn in My Heart, Winter Sonata, Our Blues, and more.
K-pop Dance: Fandoming Yourself on Social Media
by Chuyun OhThis book is about K-pop dance and the evolution and presence of its dance fandom on social media. Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies. Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.
K-pop Dance: Fandoming Yourself on Social Media
by Chuyun OhThis book is about K-pop dance and the evolution and presence of its dance fandom on social media. Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies. Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.
The K-Wave On-Screen: In Words and Objects (Routledge Studies in East Asian Translation)
by Jieun Kiaer Emily Lord Loli KimThe K-Wave On-Screen provides an engaging and accessible exploration of the meaning of ‘K-’ through the lens of words and objects in K-dramas and K-films. Once a small subculture known only to South Korea’s East Asian neighbours, the Korean Wave has exploded in popularity around the globe in the last decade. Its success has been fuelled by social media and the advanced technological capabilities of South Korea. With #KpopTwitter having amassed 7.8 billion tweets and with K-films receiving acclaim from major award ceremonies, the K-wave is now a global cultural phenomenon. This book touches on globally popular productions, such as Parasite (2019), Squid Game (2021), Pachinko (2022), SKY Castle (2018), and Kim Ji-young: Born 1982 (2019) to highlight that K- has departed from the traditional meaning of ‘Korean-ness’ to become a new, globally-informed, and hybrid entity. This book will be of interest to students in East Asian studies, and those engaged with Korean language learning. The book will also appeal to those interested in Korean culture and media.
The K-Wave On-Screen: In Words and Objects (Routledge Studies in East Asian Translation)
by Jieun Kiaer Emily Lord Loli KimThe K-Wave On-Screen provides an engaging and accessible exploration of the meaning of ‘K-’ through the lens of words and objects in K-dramas and K-films. Once a small subculture known only to South Korea’s East Asian neighbours, the Korean Wave has exploded in popularity around the globe in the last decade. Its success has been fuelled by social media and the advanced technological capabilities of South Korea. With #KpopTwitter having amassed 7.8 billion tweets and with K-films receiving acclaim from major award ceremonies, the K-wave is now a global cultural phenomenon. This book touches on globally popular productions, such as Parasite (2019), Squid Game (2021), Pachinko (2022), SKY Castle (2018), and Kim Ji-young: Born 1982 (2019) to highlight that K- has departed from the traditional meaning of ‘Korean-ness’ to become a new, globally-informed, and hybrid entity. This book will be of interest to students in East Asian studies, and those engaged with Korean language learning. The book will also appeal to those interested in Korean culture and media.
Kahlil Joseph and the Audiovisual Atlantic: Music, Modernity, Transmedia Art (New Approaches to Sound, Music, and Media)
by Dr. Joe JacksonKahlil Joseph has collaborated with musicians FKA twigs, Flying Lotus, Sampha and Shabazz Palaces among many others. He has directed numerous films, music videos and advertisements across Africa, America and Europe. The award-winning filmmaker's disruptive style – which frequently merges visual representations of transcontinental experiences with the countercultural energies of Afrodiasporic music – challenges the Eurocentric biases underpinning Western media. At the same time, his works generate various contradictions and tensions because they are themselves products situated within an economic framework of neoliberal capitalism, at once offering alternative ways of being while, simultaneously, participating in and thereby sustaining the social structures that they otherwise seek to subvert and dismantle.This is the first book-length study of Kahlil Joseph's work. Distinguishing the artist's personal and professional personas, it traces Joseph's career trajectory and artistic output, emphasizing how the director's construction of a multifaceted filmmaking persona operates in tandem with his artworks to challenge fixed, unidimensional or stable notions of identity.Through biographical study and deep examinations of the director's respective transmedia artworks, this book draws from various discussions shaped by Paul Gilroy's ground-breaking text The Black Atlantic (1993). By applying The Black Atlantic's disruptive audiocentric ideas to contemporary digital media forms generated by Kahlil Joseph and his peers alike, this book challenges the latent Eurocentricity on which dominant theorizations of 'modernity' – as well as the overlapping fields of Film, Media and Screen Studies – are grounded. In turn, it offers an alternative framework for negotiating the paradoxes, contradictions and transnational flows of our media-saturated present: namely, the Audiovisual Atlantic.
Kahlil Joseph and the Audiovisual Atlantic: Music, Modernity, Transmedia Art (New Approaches to Sound, Music, and Media)
by Dr. Joe JacksonKahlil Joseph has collaborated with musicians FKA twigs, Flying Lotus, Sampha and Shabazz Palaces among many others. He has directed numerous films, music videos and advertisements across Africa, America and Europe. The award-winning filmmaker's disruptive style – which frequently merges visual representations of transcontinental experiences with the countercultural energies of Afrodiasporic music – challenges the Eurocentric biases underpinning Western media. At the same time, his works generate various contradictions and tensions because they are themselves products situated within an economic framework of neoliberal capitalism, at once offering alternative ways of being while, simultaneously, participating in and thereby sustaining the social structures that they otherwise seek to subvert and dismantle.This is the first book-length study of Kahlil Joseph's work. Distinguishing the artist's personal and professional personas, it traces Joseph's career trajectory and artistic output, emphasizing how the director's construction of a multifaceted filmmaking persona operates in tandem with his artworks to challenge fixed, unidimensional or stable notions of identity.Through biographical study and deep examinations of the director's respective transmedia artworks, this book draws from various discussions shaped by Paul Gilroy's ground-breaking text The Black Atlantic (1993). By applying The Black Atlantic's disruptive audiocentric ideas to contemporary digital media forms generated by Kahlil Joseph and his peers alike, this book challenges the latent Eurocentricity on which dominant theorizations of 'modernity' – as well as the overlapping fields of Film, Media and Screen Studies – are grounded. In turn, it offers an alternative framework for negotiating the paradoxes, contradictions and transnational flows of our media-saturated present: namely, the Audiovisual Atlantic.
Kammy: The Funny and Moving Autobiography by the Broadcasting Legend
by Chris KamaraTHE SMASH HIT SUNDAY TIMES BESTSELLERWinner of Autobiography of the Year at the 2024 Sports Book Awards‘Everyone loves Kammy . . . Full of humour and endless blunders’ – The Times'What a man, what a life, what a story and what a great read' – Paddy McGuinnessPresenter, commentator, (sometimes masked) singer, footballer, manager and campaigner, Kammy has done it all. His irrepressible enthusiasm – and a couple of legendary gaffes on Sky Sports – have seen him become broadcasting royalty.Now Kammy reveals all in this funny and moving autobiography. What happens when you double-cross José Mourinho? What's it like to play with Vinnie Jones? Who comes off better: Kammy or a rampaging gorilla? How did Kammy end up releasing his own top-ten record? What's the real story behind his infamous line, 'I don't know, Jeff!'?But, despite the crazy tales, it hasn't all been plain sailing. Kammy had a tough upbringing, faced racism during his playing career and has, in recent years, dealt with a rare brain condition – apraxia – that has affected his speech and saw him say goodbye to Sky Sports. Sharing the details of his battle against the condition, Kammy shows how he’s met every challenge with courage, determination and that trademark infectious smile.Packed with hilarious stories and featuring a cast of famous names, from Elton John to Channing Tatum, this is a book about friendship, courage and why it's always important to have a good laugh.'A talented (and daft) lad from the Boro who has entertained the nation for decades, on and off the pitch. So get the tissues ready – this book will make you laugh and cry in equal measure' – Steph McGovern
Kangaroo Dundee
by Chris BarnsBrolga (aka Chris Barns) is the 6ft 7in strong but sensitive Aussie star of the extraordinary BBC series Kangaroo Dundee. Brolga lives in a simple tin shed in the outback where he raises orphaned baby kangaroos. It is a sad fact of life that kangaroo mothers are at the mercy of speeding cars in this part of the world - killed on the road, their young still tucked up in their pouches. These young joeys holding on to life, have been given a second chance thanks to the kindness and dedication of Brolga, who carefully retrieves them and nurses them back to health. Brolga has been rescuing these special creatures for years, slowly and painstakingly creating a kangaroo sanctuary for the many kangaroos he has saved, reared and loved. He has dedicated his life to observing how kangaroo mums care for their babies and does everything he can to replicate this. The baby kangaroos, traumatised by losing their mother so early, are tucked up into pillow cases and kept warm and comforted next to Brolga at night. We see him getting up at 4am to bottle feed them, washing them in a little tub, taking them to the supermarket and generally mothering them with heart breaking tenderness. Charting Brolga's life with the joeys and honing in on his relationship with one or two in particular, Kangaroo Dundee tells the heart-warming, sometimes funny, sometimes poignant story of one man's unique relationship with a group of extraordinary animals.
Kanye West: A Biography (Greenwood Biographies)
by Robert C. Jr.A revealing biography of Kanye West explores the artist—and the man.Kanye West is a star. His music has jumped from sensation to staple in the rap industry, while his personality, his philosophies, and his willingness to speak out for what he believes in regularly place him at the center of controversy. Kanye West: A Biography traces the star's life from his birth through the present day to paint a detailed picture of the artist and the man.Raised by a single mother who was an English professor in Chicago, West admits he came from "the wrong side of the mall" rather than the wrong side of the tracks. His name, his style, and the way he conducts his business are unique. His thoughtful reflections in interviews reveal a complex man few have taken the time to understand. This biography looks at that multifaceted star, exploring his career as singer and producer, but also looking at the forces that prepared him to chase his dreams—and chase off anyone who stood in his way.
Kanye West: A Biography (Greenwood Biographies)
by Robert C. Jr.A revealing biography of Kanye West explores the artist—and the man.Kanye West is a star. His music has jumped from sensation to staple in the rap industry, while his personality, his philosophies, and his willingness to speak out for what he believes in regularly place him at the center of controversy. Kanye West: A Biography traces the star's life from his birth through the present day to paint a detailed picture of the artist and the man.Raised by a single mother who was an English professor in Chicago, West admits he came from "the wrong side of the mall" rather than the wrong side of the tracks. His name, his style, and the way he conducts his business are unique. His thoughtful reflections in interviews reveal a complex man few have taken the time to understand. This biography looks at that multifaceted star, exploring his career as singer and producer, but also looking at the forces that prepared him to chase his dreams—and chase off anyone who stood in his way.
Karel Reisz (British Film-Makers)
by Colin GardnerCzech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema ‘movement’ which attacked the parochial middle-class values of home-grown studio product with a vigorous commitment to everyday working-class subject matter and a poetically-charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz’s first feature, Saturday Night and Sunday Morning (1960). As the import of Free Cinema rapidly dissipated during the ‘Swinging London’ era, Reisz confronted the changing cultural mores of the 1960s and ‘70s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978). Drawing on Reisz’s early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz’s personal brand of character-based realism, offering the spectator a privileged insight into an artist’s developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado.
Kate: Inside the Rainbow
by John Carder BushA MUST-HAVE COLLECTION OF RARE AND UNSEEN PHOTOGRAPHS OF KATE BUSH.WITH ESSAYS BY HER BROTHER, JOHN CARDER BUSH, ABOUT KATE'S LIFE AND CAREER.Stunning and unique images from throughout Kate Bush's career including:Outtakes from classic album shoots and never-before-seen photographs from The Dreaming and Hounds of Love sessionsRare candid studio shots and behind-the-scenes stills from video sets, including 'Army Dreamers' and 'Running Up that Hill'Includes original essays from Kate's brother: From Cathy to Kate: Describes in vibrant detail their shared childhood and the whirlwind days of Kate's career Chasing the Shot: A vivid evocation of John's experience of photographing his sister 'For me, each of these images forms part of a golden thread that shoots through the visual tapestry of Kate's remarkable career. Storytelling has always been the heartbeat of Kate's body of work, and it has been a privilege to capture these photographic illustrations that accompany those magical tales' John Carder Bush
Kate Moss: The Complete Picture
by Laura CollinsShe has amassed a fortune, defined and defied fashion mores and proved wrong those who predicted her downfall. Her image is everywhere: compelling and enigmatic. But though she has become one of the most recognized women in the world, she remains the least understood. By her own admission, 'The more visible they make me, the less visible I become.' From her discovery at the age of fourteen, when her waif-life look was considered 'uncommercial', to finding international fame as a supermodel and her position today as an arbiter of fashion, this book examines Kate's ever changing career and the cultural impact she has had. It describes her turbulent relationships with Johnny Depp and Jefferson Hack, the media frenzy over her time with Pete Doherty and her on/off relationship with Jamie Hince. Based on in-depth research, including candid conversations with friends and family, Laura Collins has written the first definitive biography of one of the most glamorous women of our time.
Kate Walden Directs: Bride of Slug Man (Kate Walden Directs Ser. #2)
by Julie MataFans of Wendy Mass and Sharon Draper will fall in love with this smart and quirky follow up to Night of the Zombie Chickens as Kate must rely on some movie magic to make her next film. Seventh-grader Kate Walden is eager to start on her next film after the huge success of her first movie. This time, she's thinking of creating a sci-fi romance called Bride of Slug Man. When a new kid, Tristan Kingsley, comes to town from New York City, Kate thinks she might have found a film buddy -- someone to share her interest with. And it doesn't hurt that he's pretty cute. But it turns out that Tristan is making his own movie, and now the classmates Kate thought were eager to join her cast and crew are divided. With rumors spreading in school and between sets, Kate finds herself juggling more than just call times and rewrites. And judging from the whispers Kate hears about Tristan, she suspects that he isn't interested in having a fellow film-buff friend-he just wants to prove himself as the best filmmaker in school by winning the Big Picture Film Festival. Kate vows to enter too, and tries to focus on just making the best movie she can. But between the cutthroat popularity contest, a bully situation that goes from bad to worse, and several on-set mishaps, Kate is going to need all the movie magic she can get to make sure Bride of Slug Man hits the big screen.
Kate Walden Directs: Night of the Zombie Chickens (Kate Walden Directs Ser. #1)
by Julie MataNight of the Zombie Chickens is supposed to be Kate Walden's breakout film. But her supporting actresses???her mother's prize organic hens???are high maintenance, to say the least. Thank goodness Kate's best friend Alyssa is the star. She's great at screaming and even better at killing zombies in creative ways. But when Alyssa turns into a real-life soulless zombie and ditches Kate for the most popular girl in seventh grade, Kate suddenly finds herself both friendless and starless. Now, thanks to Alyssa's new crowd, Kate is the butt of every joke at school and consigned to the loser table at lunch. If movies have taught Kate anything, it's that the good guy can always win???with the right script. And her fellow social outcasts may be the key to her own happy ending. Kate hatches the perfect revenge plot against her former best friend, but even though her screenplay is foolproof, Kate soon realizes that nothing???in filmmaking or in life???ever goes exactly as planned. Especially when there are diabolical hens out to get you.
Katherine Dunham: Dance and the African Diaspora
by Joanna Dee DasOne of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. Through both her company and her schools, she influenced generations of performers for years to come, from Alvin Ailey to Marlon Brando to Eartha Kitt. Dunham was also one of the first choreographers to conduct anthropological research about dance and translate her findings for the theatrical stage. Katherine Dunham: Dance and the African Diaspora makes the argument that Dunham was more than a dancer-she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life. Author Joanna Dee Das examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. The book analyzes Dunham's multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and her network of interlocutors that included figures as diverse as ballet choreographer George Balanchine and Senegalese president Léopold Sédar Senghor. It traces Dunham's influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond. By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora offers new insight about how this remarkable woman built political solidarity through the arts.
Katherine Dunham: Dance and the African Diaspora
by Joanna Dee DasOne of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. Through both her company and her schools, she influenced generations of performers for years to come, from Alvin Ailey to Marlon Brando to Eartha Kitt. Dunham was also one of the first choreographers to conduct anthropological research about dance and translate her findings for the theatrical stage. Katherine Dunham: Dance and the African Diaspora makes the argument that Dunham was more than a dancer-she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into motion not only through performance, but also through education, scholarship, travel, and choices about her own life. Author Joanna Dee Das examines how Dunham struggled to balance artistic dreams, personal desires, economic needs, and political commitments in the face of racism and sexism. The book analyzes Dunham's multiple spheres of engagement, assessing her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and her network of interlocutors that included figures as diverse as ballet choreographer George Balanchine and Senegalese president Léopold Sédar Senghor. It traces Dunham's influence over the course of several decades from the New Negro Movement of the 1920s to the Black Power Movement of the late 1960s and beyond. By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora offers new insight about how this remarkable woman built political solidarity through the arts.
Katherine Mansfield and Virginia Woolf (Katherine Mansfield Studies)
by Gerri Kimber Todd MartinAddresses postfeminist media culture's emphasis on socioeconomic privilege
Katherine Mansfield and Virginia Woolf
by Gerri Kimber Todd MartinReconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices
Katie and Alex: The Inside Story
by Alison MaloneyMarried on 2nd February 2010, the rollercoaster romance of Katie Price (AKA glamour-model Jordan) and Alex Reid has been a media sensation from the start, blossoming amidst much gossip and speculation; it has survived the jungle and the 'Big Brother' house and remains intact. Alex and Katie started dating in July 2009, shortly after her split from Peter Andre, which caused some to look upon the relationship with doubt. Reid has had a colourful career in the military, as a cage fighter, a cross dresser and an actor, appearing in Sliding Doors and Hollyoaks. Price is a mega-star with a multi-million-pound estate that includes books, modelling, product endorsement and public appearances. Alison Maloney discusses the inside story past, present and future in this intimate and essential book.
Katie Morag And The Grand Concert (Katie Morag #11)
by Mairi HedderwickWelcome to the Island of Struay, home of one of the best-loved characters in children's books and as seen on TV - Katie Morag McColl!Every year on the Isle of Struay, there is a grand concert, where the islanders play fiddles, recite poetry, and sing and dance in front of their friends and neighbours. This is a major social event in a small community like Struay. Katie Morag is very excited indeed, and she plans to sing her favourite song. Arriving for the concert too, are Katie Morag's uncles, Sven and Sean, who are world-famous musicians and utterly identical. Nobody on Struay can tell them apart. On the big evening, one of the pair loses his voice and it is down to Katie Morag McColl to save the concert from disaster.
Kattaikkuttu: A Rural Theatre Tradition in South India (Forms of Drama)
by Hanne M. BruinThis is the first book to offer a clear introduction to Kattaikkuttu (or Terukkuttu), a vibrant, vocal and physical outdoor Tamil theatre tradition from India. It describes the theatre's characteristic heroic nature as expressed through its principal, male kattai characters, explores its history, social status and ritual context, and examines the production of all-night plays. After placing Kattaikkuttu in the wider, competitive context of the performing arts in India, Hanne M. de Bruin introduces readers to some of the debates about the form and provides an overview of the different elements that make up a Kattaikkuttu performance. It considers its performance spaces and the way the form has changed, such as its transition towards an independent and more professional theatre genre, as well as the opening up of the form to different castes and to women. It covers the production and frameworks of all-night performances, uses the Mahabharata play Karna Moksam as a case study and examines recent changes in the Kattaikkuttu repertory. In addition, the book looks in more detail at the role of the performer, including the training of a Kattaikkuttu novice, the performance score of actor-singers that underlie a specific role or vesam, and a seasoned performer's agency in interpreting well-known roles. Finally, the study turns to recent innovations, in particular the creation of new work and the Kattaikkuttu Gurukulam.
Kattaikkuttu: A Rural Theatre Tradition in South India (Forms of Drama)
by Hanne M. BruinThis is the first book to offer a clear introduction to Kattaikkuttu (or Terukkuttu), a vibrant, vocal and physical outdoor Tamil theatre tradition from India. It describes the theatre's characteristic heroic nature as expressed through its principal, male kattai characters, explores its history, social status and ritual context, and examines the production of all-night plays. After placing Kattaikkuttu in the wider, competitive context of the performing arts in India, Hanne M. de Bruin introduces readers to some of the debates about the form and provides an overview of the different elements that make up a Kattaikkuttu performance. It considers its performance spaces and the way the form has changed, such as its transition towards an independent and more professional theatre genre, as well as the opening up of the form to different castes and to women. It covers the production and frameworks of all-night performances, uses the Mahabharata play Karna Moksam as a case study and examines recent changes in the Kattaikkuttu repertory. In addition, the book looks in more detail at the role of the performer, including the training of a Kattaikkuttu novice, the performance score of actor-singers that underlie a specific role or vesam, and a seasoned performer's agency in interpreting well-known roles. Finally, the study turns to recent innovations, in particular the creation of new work and the Kattaikkuttu Gurukulam.