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Keys to the Production Office: Unlocking Success as an Office Production Assistant in Film & Television

by Jennifer A. Haire Gilana M. Lobel

Opening a door to the real behind-the-scenes of a film or television show, this book explores the reality of working in the Production Office as an Office Production Assistant. Drawing on over 40 years’ combined experience, authors Jennifer A. Haire and Gilana M. Lobel map out a career path into the industry by providing comprehensive practical information designed specifically for individuals pursuing the entry level role of the Office PA. An invaluable tool for both breaking into the industry and on the job, the book is full of detailed "how to" information that not only provides an overview of the full scope of the industry, but also functions as a user’s manual for Production Office operations. Haire and Lobel outline variations of the job of an Office PA nationwide, for both big- and small-budget feature films and television shows, and how you are a vital component of the Production team which can open the door to your future career. With coverage on how the Office PA supports the process of creating a show, the Production staff and crew, the practical day-to-day of the office, and developing your career, this is an essential resource for anyone wishing to take their first steps into the film and television industry. Featuring charts, graphics, diagrams, sample documents, templates, supplemental materials, and lighthearted cartoons throughout the book, the reader is immersed in real-world scenarios which create a solid foundation for how to be a professional in the workplace. This is an inspiring and practical manual that reveals what is beyond the behind-the-scenes of film and television production. It’s ideal for aspiring film and TV professionals with little to no experience working in Physical Production as well as readers studying film and television production courses and industry training programs.

Keywords in Subversive Film / Media Aesthetics

by Robert Stam

Keywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts. No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative Creates and illustrates over a thousand terms and concept, drawing its examples from a wide range of media Provides a broad timespan, covering the very ancient (Ramayana, Aristotle) to the most current (digital mashups, memes) Uniquely discusses the areas of film, television and the internet within one book No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative

Keywords in Subversive Film / Media Aesthetics

by Robert Stam

Keywords offers a conversational journey through the overlying terrains of politically engaged art and artistically engaged politics, combining a major statement on subversive aesthetics, a survey of radical film strategies, and a lexicon of over a thousand terms and concepts. No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative Creates and illustrates over a thousand terms and concept, drawing its examples from a wide range of media Provides a broad timespan, covering the very ancient (Ramayana, Aristotle) to the most current (digital mashups, memes) Uniquely discusses the areas of film, television and the internet within one book No other book combines an ambitious essay on radical politics and aesthetics in film with a lexicon of terms and ideas, many of which are new and innovative

Kicking The Pricks

by Derek Jarman

A fascinating journal written after the creation of Derek Jarman’s The Last of England, covering the making of the film itself and the origins of its deeply autobiographical content.In 1986 Derek Jarman started filming The Last of England, one of his most original and innovative films. It is also his most personal work, with the strongest autobiographical content. Shortly after filming began Derek Jarman started work on this book, which contains diary entries, interviews and notes from the script. Jarman writes of his extraordinary childhood and his kleptomaniac father; the process by which he came to terms with his sexuality; his early work as painter and designer; and finally his debut as a film director. Throughout, however, the reader will follow Jarman at his most fervent, as he writes of the corruption of the cinema industry, of the moral and personal consequences of the AIDS virus, and of the evils of Thatcher's Britain.

Kicking the Bar: The life and legacy of broadcaster Huw Wheldon

by Wynn Wheldon

Written by his son, Kicking the Bar is the comprehensive biography of Huw Wheldon, one of the most well-respected and influential media figures in British history – with a foreword by Sir David Attenborough. As a former BBC broadcaster and executive, Huw Wheldon ran the network in the 60s and 70s during a tumultuous period many describe as the 'Golden Age of Television', with programmes such as Civilization, Alistair Cooke's America, The Ascent of Man, Steptoe and Son, Till Death Us Do Part, and Dad's Army.Wynn Wheldon weaves the story of his father's life, tracing back to his forebears in nineteenth-century Wales and their strong protestant ethic that would influence his future endeavours, and culminating in a moving chapter describing the final months of his life. In between, he explores his father's childhood and education – revisiting his time at the London School of Economics; his service in the Second World War (including landing by glider in Normandy and passing through Belsen days after its liberation); and his eventual foray into the arts and media, leading iconic entertainers and broadcasters through the extraordinary new medium of television. Kicking the Bar is partly a fascinating history of the remarkable man who helped shape Britain's cultural landscape, and partly the tender reflections of a son on his relationship with his father.

The Kid of Coney Island: Fred Thompson and the Rise of American Amusements

by Woody Register

A generation before Walt Disney, Fred Thompson was the "boy-wonder" of American popular amusements. At the turn of the 20th century, Thompson's entrepreneurial drive made him into an entertainment mogul who helped to define the popular culture of his day. In this lively biography, Woody Register tells Thompson's remarkable story and examines the transformation of commerce and entertainment as American society moved into an era of mass marketing and large-scale corporate enterprise. Getting his start as a promoter of carnival shows at world's fairs, Thompson was one of the principal developers of Coney Island, where he created the majestic Luna Park. Register traces Thompson's career as he built the mammoth Hippodrome Theater in Manhattan, where he mounted many productions noted for their spectacular--and spectacularly costly--staging effects. Register shows how Thompson's fantasies appealed to the growing legions of Americans who found themselves in a world that seemed increasingly "businesslike" and profit oriented. He illustrates how Thompson aggressively marketed to adult consumers a world of make-believe and childlike play, carefully crafting his own public image as "the boy who never grew up." Colorful, well-written, and insightful, The Kid of Coney Island brings to life a kaleidoscopic era in New York history as well as one of its most striking characters.

The Kid of Coney Island: Fred Thompson and the Rise of American Amusements

by Woody Register

A generation before Walt Disney, Fred Thompson was the "boy-wonder" of American popular amusements. At the turn of the 20th century, Thompson's entrepreneurial drive made him into an entertainment mogul who helped to define the popular culture of his day. In this lively biography, Woody Register tells Thompson's remarkable story and examines the transformation of commerce and entertainment as American society moved into an era of mass marketing and large-scale corporate enterprise. Getting his start as a promoter of carnival shows at world's fairs, Thompson was one of the principal developers of Coney Island, where he created the majestic Luna Park. Register traces Thompson's career as he built the mammoth Hippodrome Theater in Manhattan, where he mounted many productions noted for their spectacular--and spectacularly costly--staging effects. Register shows how Thompson's fantasies appealed to the growing legions of Americans who found themselves in a world that seemed increasingly "businesslike" and profit oriented. He illustrates how Thompson aggressively marketed to adult consumers a world of make-believe and childlike play, carefully crafting his own public image as "the boy who never grew up." Colorful, well-written, and insightful, The Kid of Coney Island brings to life a kaleidoscopic era in New York history as well as one of its most striking characters.

A Kid's Guide to Fandom: Exploring Fan-Fic, Cosplay, Gaming, Podcasting, and More in the Geek World!

by Amy Ratcliffe

Help young fans get in touch with their inner geeks with the ultimate guidebook for creating, sharing, and enjoying the world of fandom.Being a fan is a big deal. Whether it's comics, video games, podcasts, cosplay, books, films, or something else, there are so many ways to share and celebrate with the things that you love. So, it's high time for a guide to help young fans navigate the world of fandom and its many flourishing communities—from fan works to cosplay, gaming, podcasting, and more!Filled with history, trivia, tips and advice to getting started, and insight from creators and artists from across pop culture and specializing in a wide variety of mediums, A Kid's Guide to Fandom is the perfect geeky primer for young fans. Organized by type of fandom medium, each chapter offers a brief introduction, facts, history sidebars, and easy to digest information on how to:Create Fan Fic or Fan ArtDesign and Create a CosplayStart a PodcastDesign and Create Games (video games, tabletop, and other role playing games)Find and Create Supportive CommunitiesFind and Attend Conventions Plus, interviews with popular creatives like Alan Gratz, Erin Lefler, Jen Bartel, Daniel José Older, Rose Eveleth, Kat Kruger, Jordan Dené Ellis, Liz Crowder, and more.

The Kids in the Hall: One Dumb Guy

by Paul Myers

The definitive, authorized story of legendary sketch comedy troupe The Kids in the Hall —who will soon be returning for a new original series on Amazon Prime Video. Meticulously researched and written with the full cooperation and participation of the troupe, The Kids in the Hall: One Dumb Guy features exclusive interviews with Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney, and Scott Thompson, as well as key players from their inner circle, including producer Lorne Michaels, the “man in the towel” Paul Bellini, and head writer Norm Hiscock. Marvel as the Kids share their intimate memories and behind-the-scenes stories of how they created their greatest sketches and most beloved characters, from the Chicken Lady and Buddy Cole to Cabbage Head and Sir Simon &Hecubus.The Kids in the Hall: One Dumb Guy spans the entirety of the Kids’ storied career, from their early club shows in Toronto and New York to their recent live reunion tours across North America. Along for the ride are a plethora of fans, peers, and luminaries to celebrate the career and legacy of Canada’s most subversively hilarious comedy troupe. You’ll read tributes from Seth Meyers, Judd Apatow, Garry Shandling, Paul Feig, Mike Myers, David Cross, Michael Ian Black, Brent Butt, Jonah Ray, Dana Gould, Bob Odenkirk, Andy Richter, and Canada’s newest comedy sensation, Baroness Von Sketch. As an added bonus, the book includes never-before-seen photographs and poster art from the personal archives of the Kids themselves.Perfect for diehard fans and new initiates alike, The Kids in the Hall: One Dumb Guy will make you laugh and make you cry … and it may even crush your head.

The Kill Bill Diary: The Making of a Tarantino Classic as Seen Through the Eyes of a Screen Legend (Screen and Cinema)

by David Carradine

The quirky, strange and utterly sagacious meditations of David Caradine written during the making of Quentin Tarantino's contemporary classic in which Carradine played the lead role.When Carradine landed the lead role in Quentin Tarantino's new film, Kill Bill, it catapulted him into the Hollywood limelight. This journal captures his experience of being courted by Tarantino for the role of Bill and the subsequent two years spent making the two-part feature film with co-star Uma Thurman, nominated for a Best Actress Golden Globe. In its mixture of autobiography and behind-the-scenes diary, The Kill Bill Diary takes the reader on a fascinating and witty journey into the world of film-making and the art of an acclaimed director. Along the way Carradine describes the martial arts training required for the role, the experience of filming in China, working with Tarantino and falling in love with Uma Thurman while 'swinging a steel-tempered Samurai sword at her head'.In describing the pre-production, production and promoting of the film, Carradine gives readers a rare and wholly authentic insight into the creation of a Hollywood blockbuster and the experience of a screen legend.

The Kill Bill Diary: The Making of a Tarantino Classic as Seen Through the Eyes of a Screen Legend (Screen and Cinema)

by David Carradine

The quirky, strange and utterly sagacious meditations of David Caradine written during the making of Quentin Tarantino's contemporary classic in which Carradine played the lead role.When Carradine landed the lead role in Quentin Tarantino's new film, Kill Bill, it catapulted him into the Hollywood limelight. This journal captures his experience of being courted by Tarantino for the role of Bill and the subsequent two years spent making the two-part feature film with co-star Uma Thurman, nominated for a Best Actress Golden Globe. In its mixture of autobiography and behind-the-scenes diary, The Kill Bill Diary takes the reader on a fascinating and witty journey into the world of film-making and the art of an acclaimed director. Along the way Carradine describes the martial arts training required for the role, the experience of filming in China, working with Tarantino and falling in love with Uma Thurman while 'swinging a steel-tempered Samurai sword at her head'.In describing the pre-production, production and promoting of the film, Carradine gives readers a rare and wholly authentic insight into the creation of a Hollywood blockbuster and the experience of a screen legend.

Kill 'Em and Leave: Searching for the Real James Brown

by James McBride

'A formidable free-style book that isn't straight biography but a mix of history, street-level investigative reporting, hagiography, Deep South sociology, music criticism, memoir and some fiery preaching' Rolling Stone magazineA Guardian best music book of 2016The music of James Brown was almost a genre in its own right, and he was one of the biggest and most influential cultural figures of the twentieth century. But the singer known as the 'Hardest Working Man in Show Business' was also an immensely troubled, misunderstood and complicated man. Award-winning writer James McBride, himself a professional musician, has undertaken a journey of discovery in search of the 'real' James Brown, delving into the heartbreaking saga of Brown's childhood and destroyed estate, and uncovering the hidden history of Brown's early years.

Kill the Boy Band (Point Ser.)

by Goldy Moldavsky

Fangirls get a bad rap all the time - people say we're weird, hysterical, obsessed, certifiable. But those people don't understand. Just because we're fangirls, doesn't mean we're crazy. It's important you know that up front. Because everything I'm about to tell you is going to seem . . . well, crazy. From thrilling debut author Goldy Moldavsky comes Kill The Boy Band, a pitch-black, hilarious take on modern fandom and the badass girls who have the power to make - or break - the people we call 'celebrities'.

Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies, and More!

by Dan Selakovich

The singular beauty of this book is that Mr. Selakovich has successfully dedicated himself to producing clarity with every page." - Michael Ferris, Camera Operator/DP (Die Hard) For filmmakers who like to shoot their films with a mobile camera withough spending a fortune on equipment rentals, this book is a great gift indeed. I highly recommend it for its clarity and common sense." - Kris Malkiewica, Cinematographer/Author Don't buy or rent your fillm equipment-build it! Construct professional-quality camera rigs on your own with this comprehensive, step-by-step guide and stop wasting your money on overpriced equipment rentals and purchases! Dan Selakovich guides you through the creation of jibs, dollies, cranes, car-mounts, sandbags, tripods, and more. Features include: Build inexpensive but reliable and sturdy rigs-including cranes, dollies, stabilizers, car-mounts, and more; most for much less than $100!Includes over 2,000 photographs with clear step-by-step instructions, safety guidelines, material lists, and tool lists for each rig. American standard and meric measurements included. Includes a companion web site: http://dvcamerarigs.com/

Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies, and More!

by Dan Selakovich

The singular beauty of this book is that Mr. Selakovich has successfully dedicated himself to producing clarity with every page." - Michael Ferris, Camera Operator/DP (Die Hard) For filmmakers who like to shoot their films with a mobile camera withough spending a fortune on equipment rentals, this book is a great gift indeed. I highly recommend it for its clarity and common sense." - Kris Malkiewica, Cinematographer/Author Don't buy or rent your fillm equipment-build it! Construct professional-quality camera rigs on your own with this comprehensive, step-by-step guide and stop wasting your money on overpriced equipment rentals and purchases! Dan Selakovich guides you through the creation of jibs, dollies, cranes, car-mounts, sandbags, tripods, and more. Features include: Build inexpensive but reliable and sturdy rigs-including cranes, dollies, stabilizers, car-mounts, and more; most for much less than $100!Includes over 2,000 photographs with clear step-by-step instructions, safety guidelines, material lists, and tool lists for each rig. American standard and meric measurements included. Includes a companion web site: http://dvcamerarigs.com/

Killing Bono: I Was Bono's Doppelganger

by Neil McCormick

'Squirm-inducing, excruciatingly honest and painfully funny' Joseph O'ConnorWe all went to school with friends who've turned out more successful than ourselves. But they don't all phone from improbably glamorous places and drive us mad by telling us about it. And they're not all Bono. Neil McCormick always dreamed of life as a rock star. Instead, he had to watch while his friend became one of the most famous men on the planet. Killing Bono tells the story of the less-than-successful rival band which he set up with his brother Ivan in the late 1970s. While the young brothers struggled to find success Bono and his friends went on to achieve superstar status. A heartwarming story of friendship, loyalty, rivalry and ambition, read it and weep - with sympathy and laughter.

Kinaesthesia and Visual Self-Reflection in Contemporary Dance (Cognitive Studies in Literature and Performance)

by Shantel Ehrenberg

Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.

Kind Hearts and Coronets (BFI Film Classics)

by Michael Newton

In 'Kind Hearts and Coronets' (1949), Louis Mazzini (Dennis Price) schemes and murders his way to a dukedom. This title looks into the turbulent personalities that formed the complex style of this film to unravel the fusion of cynicism, contempt, sparkling wit and philosophical curiosity.

Kind Hearts and Coronets (BFI Film Classics)

by Michael Newton

In 'Kind Hearts and Coronets' (1949), Louis Mazzini (Dennis Price) schemes and murders his way to a dukedom. This title looks into the turbulent personalities that formed the complex style of this film to unravel the fusion of cynicism, contempt, sparkling wit and philosophical curiosity.

A Kind of Magic: Making the Original Highlander

by Jonathan Melville

’An engrossing read with plenty of on-set anecdotes and insight’ – Neil Smith, Total Film’A definitive history . . . which every fan should read’ – Scott Varnham, Starburst’Jonathan Melville has done it again with yet another deep dive into a cult classic. His ability to dig out the facts is truly admirable. I thought I knew all there was to know about Highlander, but A Kind of Magic proves just how wrong I was’ – Mike White, The Projection Booth PodcastThe story of an immortal Scottish warrior battling evil down through the centuries, Highlander fused a high-concept idea with the kinetic energy of a pop promo pioneer and Queen’s explosive soundtrack to become a cult classic.When two American producers took a chance on a college student’s script, they set in motion a chain of events involving an imploding British film studio, an experimental music video director still finding his filmmaking feet, a former James Bond with a spiralling salary, and the unexpected arrival of low-budget production company, Cannon Films.Author Jonathan Melville looks back at the creation of Highlander with the help of more than 60 cast and crew, including stars Christopher Lambert and Clancy Brown, as they talk candidly about the gruelling shoot that took them from the back alleys of London, to the far reaches of the Scottish Highlands, and onto the mean streets of 1980s New York City.With insights from Queen’s Brian May and Roger Taylor on the film’s iconic music, exclusive screenwriter commentary on unmade scripts, never-before-seen photos from private collections, and a glimpse into the promotional campaign that never was, if there can be only one book on Highlander then this is it!

Kind und Fernsehen: Theoretische und empirische Untersuchung zum Kinderfernsehen (Forschungsberichte des Landes Nordrhein-Westfalen #2954)

by Gerhard Augst

Einer der ersten öffentlichen Auftritte des neu gegründeten For­ schungsschwerpunktes 'Massenmedien und Kommunikation' an der GH Siegen war im Mai 1976 eine Vortrags- und Diskussionsveranstal­ tung, bei der der Kommunikationstheoretiker Horst Holzer (München) und der Kinderfilmautor Sven Severin (Wiesbaden) sprachen. Severin zeigte einen Film, den das ZDF als dritten Teil der Rappelkistensendung 'Kinder machen nicht alles kaputt' sonntags zuvor gesendet hatte. Die Meinungen prallten hart aufeinander, die Urteile über den Film schwankten von "völlig unzureichend" bis "großartig". Viele Diskussionsbei­ träge gingen dabei von Vermutungen über die Wirkung dieses Films auf Kinder und Erwachsene aus. Dies war der Punkt, an dem wir uns angesprochen fühlten. Ein Ur­ teil über die Güte des Films muß auch davon abhängen, ob die Kinder und auch die Erwachsenen, denn mit deren Hilfe rechnet das Rappelkistenteam,den Film inhaltlich verstehen, ob sie den Sinn und damit auch die Intentionen des Films begreifen, ob si~ bereit sind, die Intentionen, Handlungsanweisungen bzw. die nor­ mativen (präskriptiven) Aussagen des Films zu akzeptieren, so daß die Kinder in Zukunft danach handeln und die Erwachsenen ihre Kinder in Zukunft danach handeln lassen.

Kindred Spirits: World Book Day Edition 2016

by Rainbow Rowell

'Everybody likes everything these days. The whole world is a nerd.''Are you mad because other people like Star Wars? Are you mad because people like me like Star Wars?''Maybe.'If you broke Elena's heart, Star Wars would spill out. So when she decides to queue outside her local cinema to see the new movie, she's expecting a celebration with crowds of people who love Han, Luke and Leia just as much as she does. What she's not expecting is to be last in a line of only three people; to have to pee into a collectible Star Wars soda cup behind a dumpster or to meet that unlikely someone who just might truly understand the way she feels. Kindred Spirits is an engaging short story by Rainbow Rowell, author of the bestselling Eleanor & Park, Fangirl and Carry On, and is part of a handful of selected short reads specially produced for World Book Day.

Kinematografie der Erinnerung: Band 1: Filme als kollektives Gedächtnis verstehen (Neue Perspektiven der Medienästhetik)

by Irina Gradinari

Anhand paradigmatischer sowjetischer, ost- und westdeutscher Filme über den Zweiten Weltkrieg, die die kollektive Gewalterfahrung und vor allem die zentralen historischen Ereignisse der jeweiligen Staaten nach 1945 verarbeiten und so entsprechend Erinnerungs- und somit Identitätspolitik medienspezifisch mitformen, erfasst der Band filmische Strategien, mit welchen Geschichte und Erinnerung gestaltet werden. Das kollektive Gedächtnis, so die zentrale These, ist genuin filmisch. Die Filme erfüllen für das kollektive Gedächtnis dabei drei wichtige Funktionen, die auch auf ästhetische Phänomene zurückzuführen sind: Sinnkonstitution, Bewältigung und Emotionalisierung. In Band 1 des zweibändigen Werkes wird die Theorie des kollektiven Gedächtnisses entworfen.

Kinematografie der Erinnerung: Band 2: Den Zweiten Weltkrieg erzählen (Neue Perspektiven der Medienästhetik)

by Irina Gradinari

Anhand paradigmatischer sowjetischer, ost- und westdeutscher Kriegsfilme über den Zweiten Weltkrieg, die die kollektive Gewalterfahrung und vor allem die zentralen Ereignisse der Erinnerungs- und somit Identitätspolitik jeweiliger Staaten verarbeiten, erfasst die Studie genuin filmische Strategien, mit welchen Geschichte und Erinnerung gestaltet wird. Die Filme, so die zentrale These, erfüllen für das kollektive Gedächtnis drei wichtige Funktionen, die auch auf ästhetische Phänomene zurückzuführen sind: Sinnkonstitution, Bewältigung und Emotionalisierung. Schwerpunkt von Band 2 des insgesamt zweibändigen Werkes bilden die Analysen ausgewählter Kriegsfilme aus Ost- und Westproduktionen.

Kinesthetic Spectatorship in the Theatre: Phenomenology, Cognition, Movement (Cognitive Studies in Literature and Performance)

by Stanton B. Garner, Jr.

This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances.

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