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Law at the Movies: Turning Legal Doctrine into Art (Law and Literature)
by Prof Stanley FishThis book asks "How can legal doctrine be turned into filmic art?" By "legal doctrine" Stanley Fish does not mean the sonorous abstractions that usually accompany the self-presentation of law—Justice, Equity, Equality, Liberty, Autonomy, and the like. Rather he has in mind the specific rules and procedures invoked and analyzed by courts on the way to declaring a decision—lawyer/client confidentiality, the distinction between interdicted violence and the violence performed by the legal system, the interplay of positive law and laws rooted in morality, the difference between civilian law and military law, the death penalty, the admissibility of different forms of evidence. In the movies he discusses, these and other points of doctrine and procedure do not serve as a background, occasionally visited, to the substantive issues that drive the plot and provide the characters with choices; they declare the plot, and character is formed and tested in relationship to their demands. Apparently technical matters are pressed until they occupy both foreground and background and become the movie's true subject. If large, abstract concepts emerge, they emerge at the back end of doctrine and are, in effect, produced by doctrine. These are not law-themed movies; they are movies about the unfolding of legal process.
Law, Cinema, and the Ill City: Imagining Justice and Order in Real and Fictional Cities (Law, Language and Communication)
by Anne Wagner Le ChengThis book uses film and television as a resource for addressing the social and legal ills of the city. It presents a range of approaches to view the ill city through cinematic and televisual characterization in urban frameworks, political contexts, and cultural settings. Each chapter deconstructs the meaning of urban space as public space while critically generating a focus on order and justice, exploring issues such as state disorder, lawlessness, and revenge. The approach presents a careful balance between theory and application. The original and novel ideas presented in this book will be essential reading for those interested in the presentation of law and place in cultural texts such as film.
Law, Cinema, and the Ill City: Imagining Justice and Order in Real and Fictional Cities (Law, Language and Communication)
by Anne Wagner Le ChengThis book uses film and television as a resource for addressing the social and legal ills of the city. It presents a range of approaches to view the ill city through cinematic and televisual characterization in urban frameworks, political contexts, and cultural settings. Each chapter deconstructs the meaning of urban space as public space while critically generating a focus on order and justice, exploring issues such as state disorder, lawlessness, and revenge. The approach presents a careful balance between theory and application. The original and novel ideas presented in this book will be essential reading for those interested in the presentation of law and place in cultural texts such as film.
Law, Video Games, Virtual Realities: Playing Law (TechNomos)
by Dale Mitchell Ashley Pearson Timothy D. PetersThis edited volume explores the intersection between the coded realm of the video game and the equally codified space of law through an insightful collection of critical readings. Law is the ultimate multiplayer role-playing game. Involving a process of world-creation, law presents and codifies the parameters of licit and permitted behaviour, requiring individuals to engage their roles as a legal subject – the player-avatar of law – in order to be recognised, perform legal actions, activate rights or fulfil legal duties. Although traditional forms of law (copyright, property, privacy, freedom of expression) externally regulate the permissible content, form, dissemination, rights and behaviours of game designers, publishers, and players, this collection examines how players simulate, relate, and engage with environments and experiences shaped by legality in the realm of video game space. Featuring critical readings of video games as a means of understanding law and justice, this book contributes to the developing field of cultural legal studies, but will also be of interest to other legal theorists, socio-legal scholars, and games theorists.
Law, Video Games, Virtual Realities: Playing Law (TechNomos)
This edited volume explores the intersection between the coded realm of the video game and the equally codified space of law through an insightful collection of critical readings. Law is the ultimate multiplayer role-playing game. Involving a process of world-creation, law presents and codifies the parameters of licit and permitted behaviour, requiring individuals to engage their roles as a legal subject – the player-avatar of law – in order to be recognised, perform legal actions, activate rights or fulfil legal duties. Although traditional forms of law (copyright, property, privacy, freedom of expression) externally regulate the permissible content, form, dissemination, rights and behaviours of game designers, publishers, and players, this collection examines how players simulate, relate, and engage with environments and experiences shaped by legality in the realm of video game space. Featuring critical readings of video games as a means of understanding law and justice, this book contributes to the developing field of cultural legal studies, but will also be of interest to other legal theorists, socio-legal scholars, and games theorists.
Lawrence of Arabia (BFI Film Classics)
by Kevin JacksonLawrence of Arabia is widely considered one of the ten greatest films ever made - though more often by film-goers and film-makers than by critics. This monograph argues that popular wisdom is correct, and that Lean's film is a unique blend of visionary image-making, narrative power, mythopoetic charm and psychological acuteness.
Lawrence of Arabia (BFI Film Classics)
by Kevin JacksonLawrence of Arabia is widely considered one of the ten greatest films ever made - though more often by film-goers and film-makers than by critics. This monograph argues that popular wisdom is correct, and that Lean's film is a unique blend of visionary image-making, narrative power, mythopoetic charm and psychological acuteness.
Law's Moving Image
by Leslie J Moran Emma Sandon Elena Loizidou Ian ChristieThis book is an essential introduction to the complex issues and debates in the field of law and film. It explores interconnections that are usually ignored between law and film through three main themes: A Fantastic Jurisprudence explores representations of law in law Law, Aesthetics and Visual Technologies focuses on the visual aspects of law's moving image Regulation: Histories, Cultures, Practices brings together work on different dimensions and contexts of regulation, censorship, state subsidies and intellectual property to explore the complex inter-relationship between the state, industry and private regulation. Law's Moving Image is an innovative, multi-disciplinary contribution to the rapidly growing fields of study in law and film, law and visual culture, law and culture, criminology, social and cultural studies. It will be of interest to students and academics involved in these areas.
Law's Moving Image
by Leslie Moran Elena Loizidou Ian Christie Emma SandonThis book is an essential introduction to the complex issues and debates in the field of law and film. It explores interconnections that are usually ignored between law and film through three main themes: A Fantastic Jurisprudence explores representations of law in law Law, Aesthetics and Visual Technologies focuses on the visual aspects of law's moving image Regulation: Histories, Cultures, Practices brings together work on different dimensions and contexts of regulation, censorship, state subsidies and intellectual property to explore the complex inter-relationship between the state, industry and private regulation. Law's Moving Image is an innovative, multi-disciplinary contribution to the rapidly growing fields of study in law and film, law and visual culture, law and culture, criminology, social and cultural studies. It will be of interest to students and academics involved in these areas.
Le Cinema Francais: An Illustrated Guide to the Best of French Films
by Anne Keenan HigginsLe Cinéma Français is an irresistible illustrated guide and primer to the best of French films, starting with the 1950s, through the spectrum of French New Wave, and on to modern-day confections.Starring the likes of Brigitte Bardot, Catherine Deneuve, and Jeanne Moreau, and directed by iconoclasts such as Francois Truffaut, Eric Rohmer, and Jean-Luc Godard, French movies are as touching, beautiful, and romantic as they come in all of film. Le Cinéma Français captures their spirit in whimsical detail. Each movie is covered with a plot summary; back stories; and illustrations by author/artist Anne Keenan Higgins of highlight scenes, costumes, props, and characters that are as enchanting as the films themselves.This gorgeously gifty tribute to French cinema is not just for movie buffs or followers of international films, but for all who are enchanted by French culture.
Le Jour se Lève: French Film Guide (Ciné-File French Film Guides)
by Ben McCannLe Jour se leve (1939) directed by Marcel Carnè, is widely recognised as the classic French Poetic Realist film. Told in flashback, it recounts the story of a man who has committed a murder, and who awaits his fate as the police close in. Carnè shuttles between different registers, tones and textures throughout, marshalling the studio's resources to create striking pictorial compositions. The film also contains the great French star Jean Gabin's most iconic performance as Francois, marooned at the top of his apartment building. Ben McCann's perceptive and lively book traces the evolution of Le Jour se leve and situates it in a very specific historical moment. He also underlines the importance of actors Jules Berry and Arletty, production designer Alexandre Trauner, writer Jacques Prevert and cinematographer Curt Courant in establishing the film's tone, mood and visual style. He charts the national and international reception of the film, uncovering a work that deeply divided critics at a time of national crisis. He also reveals Le Jour se leve to be a key transitional work between European and American noir and compares it with the 1947 Hollywood remake.Highlighting its combination of the 'poetic' and the 'realist' this book finally stresses how Le Jour se leve represents the very best of pre-war French studio filmmaking.
Le Théâtre du Soleil: The First Fifty-Five Years
by Béatrice Picon-VallinLe Théâtre du Soleil traces the company’s history from a group of young, barely trained actors, directors, and designers struggling to match their political commitment to a creative strategy, to their grappling with the concerns of migration, separation and exile in the early decades of the twenty-first century. Béatrice Picon-Vallin recounts how, in the 55 years since its founding, the Théâtre du Soleil has established itself as one of the foremost names in modern theatre. Ariane Mnouchkine and her collaborators have developed a unique and ever-evolving style that combines a piercing richness of shape, color, and texture with precision choreography, innovative musical accompaniment, and multi-layered, metaphorical dreamscapes. This rich, storied history is illustrated by a wealth of spectacular rehearsal and production photos from the company's own archive and interviews with dozens of past and present members, including Mnouchkine herself. Judith G. Miller’s timely translation of the first comprehensive history and analysis of a remarkable, award-winning company is a compelling read for both students and teachers of Drama and Theatre Studies.
Le Théâtre du Soleil: The First Fifty-Five Years
by Béatrice Picon-VallinLe Théâtre du Soleil traces the company’s history from a group of young, barely trained actors, directors, and designers struggling to match their political commitment to a creative strategy, to their grappling with the concerns of migration, separation and exile in the early decades of the twenty-first century. Béatrice Picon-Vallin recounts how, in the 55 years since its founding, the Théâtre du Soleil has established itself as one of the foremost names in modern theatre. Ariane Mnouchkine and her collaborators have developed a unique and ever-evolving style that combines a piercing richness of shape, color, and texture with precision choreography, innovative musical accompaniment, and multi-layered, metaphorical dreamscapes. This rich, storied history is illustrated by a wealth of spectacular rehearsal and production photos from the company's own archive and interviews with dozens of past and present members, including Mnouchkine herself. Judith G. Miller’s timely translation of the first comprehensive history and analysis of a remarkable, award-winning company is a compelling read for both students and teachers of Drama and Theatre Studies.
Le Week-end
by Hanif KureishiIn Le Weekend, a couple - married for 30 years - spend their wedding anniversary in Paris. However, the romantic city soon becomes a backdrop to their increasingly bitter disputes about the state of their marriage - and their lives.But, as they gradually become part of the rhythm of the city - its cafes and monuments - the tension that has burdened them fades as they re-discover the playfulness and anarchy of their youth.Their melancholy dissolves in a sense of delight in irresponsibility, and gives them a new lease of life
Leadership in Game of Thrones (Serienkulturen: Analyse – Kritik – Bedeutung)
by Brigitte BiehlDer Kampf um die Macht in Westeros ist zwar blutiger als in jedem heutigen Unternehmen, aber genauso berechnend mit Intrigen, Fallen und Demütigungen. Das Buch analysiert Strategien von Führung (Leadership) am Beispiel der beliebten Fernsehserie und verbindet Serienkulturen mit Managementforschung. Das populäre Phänomen spielt in einer mittelalterlichen Fantasy-Welt und führt uns umso überzeichneter vielfältige Leadership-Archetypen in einem unsicheren Zeitalter vor: charismatische, authentische, maskuline und mütterliche Führungspersonen werden konstruiert und wieder demontiert. Hände, Penisse und Köpfe werden abgetrennt. So zelebriert die Serie auch die Macht derjenigen, die folgen oder es auch nicht tun müssen, und ihre Leader stets beeinflussen. Dr. Brigitte Biehl (Biehl-Missal) ist Professorin für Media and Communication Management an der SRH Berlin University of Applied Sciences, School of Popular Arts (ehemals SRH Hochschule der populären Künste) in Berlin und leitet dort den Studiengang Creative Industries Management sowie das Institut für Weiterbildung (IWK). Ihr Hintergrund ist Theater-, Film- und Medienwissenschaft und BWL, sie publiziert international über Ästhetik und Management.
Leadership in Game of Thrones
by Brigitte BiehlWinning power in Westeros is hard, but holding power is much harder. The book analyzes strategies of leadership in the popular television series as an inspiration for today's uncertain times and our corporate world, bringing together research on TV series with management studies. The medieval fantasy world presents emotional and larger-than-life leadership archetypes: charismatic, authentic, privileged, masculine, female, motherly, lonely, romantic and disabled leaders. They are constructed and deconstructed. Hands, penises, and heads are chopped off. In this way, the series also celebrates the power of those who follow or resist, and always influence their leaders. Dr. Brigitte Biehl (Biehl-Missal) is Professor for Media and Communication Management at the SRH Berlin University of Applied Sciences, School of Popular Arts in Berlin, acting as Head of Studies B.A. Creative Industries Management, M.A. International Management Focus on Creative Leadership, and director of the Institute for Professional Development (IWK). Her background is in theater, film and media studies and business studies; she has published widely on art, aesthetics and management. This book is a translation of the original German 1st edition Leadership in Game of Throne by Brigitte Biehl, published by Springer Fachmedien Wiesbaden GmbH, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). A subsequent human revision was done primarily in terms of content, so that the book will read stylistically differently from a conventional translation. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support the authors.
Leading Creators of Twentieth-Century Czech Theatre
by Jarka M. BurianIn this invaluable and detailed presentation of the leading creative figures in a richly innovative and dynamic period of Czech theatre, Professor Jarka M. Burian provides us with insightful portraits of the directors K. H. Hilar, E. F. Burian, Alfred Radok, and Otomar Krejca: of the famous Voskovec and Werich comedic duo; of the scenographer Josef Svoboda; and of the playwright, now President of the Czech Republic, Václav Havel. There are also briefer studies of numerous other directors, designers, and actors. The author, a Czech-American theatre scholar and practitioner, has been a frequent on-site observer of Czech theatre since 1965. He is directly acquainted with many of the major artists and the most notable productions that have made Czech theatre internationally famous.
Leading Creators of Twentieth-Century Czech Theatre (Routledge Harwood Polish And East European Theatre Archive Ser. #Vol. 7)
by Jarka M. BurianIn this invaluable and detailed presentation of the leading creative figures in a richly innovative and dynamic period of Czech theatre, Professor Jarka M. Burian provides us with insightful portraits of the directors K. H. Hilar, E. F. Burian, Alfred Radok, and Otomar Krejca: of the famous Voskovec and Werich comedic duo; of the scenographer Josef Svoboda; and of the playwright, now President of the Czech Republic, Václav Havel. There are also briefer studies of numerous other directors, designers, and actors. The author, a Czech-American theatre scholar and practitioner, has been a frequent on-site observer of Czech theatre since 1965. He is directly acquainted with many of the major artists and the most notable productions that have made Czech theatre internationally famous.
The League: How Five Rivals Created the NFL and Launched a Sports Empire
by John EisenbergThe epic tale of the five owners who shepherded the NFL through its tumultuous early decades and built the most popular sport in AmericaThe National Football League is a towering, distinctly American colossus spewing out $14 billion in annual revenue. But it was not always a success. In The League, John Eisenberg focuses on the pioneering sportsmen who kept the league alive in the 1920s, 1930s, and 1940s,when its challenges were many and its survival was not guaranteed. At the time, college football, baseball, boxing, and horseracing dominated America's sports scene. Art Rooney, George Halas, Tim Mara, George Preston Marshall, and Bert Bell believed in pro football when few others did and ultimately succeeded only because at critical junctures each sacrificed the short-term success of his team for the longer-term good of the league.At once a history of a sport and a remarkable story of business ingenuity, The League is an essential read for any fan of our true national pastime.
The League of Exotic Dancers: Legends from American Burlesque
by Kaitlyn Regehr Matilda TemperleyEvery year in downtown Las Vegas, often called "Old Vegas," The Burlesque Hall of Fame reunion brings together members of the League of Exotic Dancers, one of the earliest unions for women in exotic entertainment, to perform their half-century-old routines. In this annual tradition, performers from the golden age of Vegas burlesque rally counter-culture neo-burlesque fans who both keep the tradition alive and add new meaning to it. Over the past four years, documentarian Kaitlyn Regehr and photographer Matilda Temperley have embedded themselves within this community-a group, which like Old Vegas itself, continues to survive and thrive sixty years past its supposed prime. Here, in a smoky, off-strip casino, they found women, at times well into their 80s, subversively bumping and grinding away preconceptions about appropriate behavior for a pensioner. This collection of interviews and photographs is drawn from the backstage dressing rooms, homes, and lives of this aging burlesque community, as well as the young neo-burlesque community who adore them. The authors present an inter-generational sisterhood that is both unique and socially significant. Through a range of experiences-from discussing struggles for wage equality, to helping stabilize an 85 year old as she steps into a sequined g-string-the authors describe the complexity of the lives of these performers and the burlesque history from which they come. Regehr and Temperley present multidimensional portraits of this community and conclude that they are at their most vital when read with all the nuances, troubles, trials, and triumphs that they formerly and currently experience.
The League of Exotic Dancers: Legends from American Burlesque
by Kaitlyn Regehr Matilda TemperleyEvery year in downtown Las Vegas, often called "Old Vegas," The Burlesque Hall of Fame reunion brings together members of the League of Exotic Dancers, one of the earliest unions for women in exotic entertainment, to perform their half-century-old routines. In this annual tradition, performers from the golden age of Vegas burlesque rally counter-culture neo-burlesque fans who both keep the tradition alive and add new meaning to it. Over the past four years, documentarian Kaitlyn Regehr and photographer Matilda Temperley have embedded themselves within this community-a group, which like Old Vegas itself, continues to survive and thrive sixty years past its supposed prime. Here, in a smoky, off-strip casino, they found women, at times well into their 80s, subversively bumping and grinding away preconceptions about appropriate behavior for a pensioner. This collection of interviews and photographs is drawn from the backstage dressing rooms, homes, and lives of this aging burlesque community, as well as the young neo-burlesque community who adore them. The authors present an inter-generational sisterhood that is both unique and socially significant. Through a range of experiences-from discussing struggles for wage equality, to helping stabilize an 85 year old as she steps into a sequined g-string-the authors describe the complexity of the lives of these performers and the burlesque history from which they come. Regehr and Temperley present multidimensional portraits of this community and conclude that they are at their most vital when read with all the nuances, troubles, trials, and triumphs that they formerly and currently experience.
The League of Extraordinarily Funny Women: 50 Trailblazers of Comedy
by Sheila MoeschenA celebration of the most groundbreaking women in comedy who used humor to shake up the status quo and change perceptions of gender and comedy forever.The League of Extraordinarily Funny Women celebrates the outstanding contributions of fifty women in comedy past and present. From legends like Lucille Ball, Joan Rivers, and Tina Fey to current comedy heroes like Issa Rae, Lena Waithe, Abbi Jacobson, and Tig Notaro, this beautifully illustrated book charts a rich lineage of women using humor to speak truth to power, tangle with sensitive subjects, challenge the status quo, and do anything but sit still and stay quiet when laughs are on the line.Some of these women broke boundaries as pioneers on stage as well as in front of and behind the camera. Others penned their way into the history of American humor, redrawing the boundaries of writers' rooms to include diverse voices and perspectives. Through their collective work as stand-ups, sketch and improv comics, humor writers, and slapstick film stars, these women formed a network forged by creativity, guts, and a deep love of what comedy can do and be. In the process, they continue to pass their knowledge and insights from woman to woman, from funny generation to funny generation, offering support, inspiration, and, above all, laughter.
The League of Extraordinarily Funny Women: 50 Trailblazers of Comedy
by Sheila MoeschenA celebration of the most groundbreaking women in comedy who used humor to shake up the status quo and change perceptions of gender and comedy forever.The League of Extraordinarily Funny Women celebrates the outstanding contributions of fifty women in comedy past and present. From legends like Lucille Ball, Joan Rivers, and Tina Fey to current comedy heroes like Issa Rae, Lena Waithe, Abbi Jacobson, and Tig Notaro, this beautifully illustrated book charts a rich lineage of women using humor to speak truth to power, tangle with sensitive subjects, challenge the status quo, and do anything but sit still and stay quiet when laughs are on the line.Some of these women broke boundaries as pioneers on stage as well as in front of and behind the camera. Others penned their way into the history of American humor, redrawing the boundaries of writers' rooms to include diverse voices and perspectives. Through their collective work as stand-ups, sketch and improv comics, humor writers, and slapstick film stars, these women formed a network forged by creativity, guts, and a deep love of what comedy can do and be. In the process, they continue to pass their knowledge and insights from woman to woman, from funny generation to funny generation, offering support, inspiration, and, above all, laughter.
Learn to Play Chess
by Jessica E Prescott35 easy and fun chess activities for children aged 7 years +
Learning How to Fall: Art and Culture after September 11
by T Nikki Cesare SchotzkoBeginning with Richard Drew’s controversial photograph of a man falling from the North Tower of the World Trade Center on September 11, Learning How to Fall investigates the changing relationship between world events and their subsequent documentation, asking: Does the mediatization of the event overwhelm the fact of the event itself? How does the mode by which information is disseminated alter the way in which we perceive such information? How does this impact upon our memory of an event? T. Nikki Cesare Schotzko posits contemporary art and performance as not only a stylized re-envisioning of daily life but, inversely, as a viable means by which one might experience and process real-world political and social events. This approach combines two concurrent and contradictory trends in aesthetics, narrative, and dramaturgy: the dramatization of real-world events so as to broaden the commercial appeal of those events in both mainstream and alternative media, and the establishment of a more holistic relationship between politically and aesthetically motivated modes of disseminating and processing information. By presenting engaging and diverse case studies from both the art world and popular culture – including Aliza Shvarts’s censored senior thesis at Yale University, Kerry Skarbakka’s provocative photographs of falling, Didier Morelli’s crawl through Toronto, and Aaron Sorkin’s The Newsroom – Learning How to Fall creates a new understanding of the relationship between the event and its documentation, where even the truth of an event might be called into question.