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Manufacturing the Gang: Mexican American Youth Gangs on Local Television News (Contributions to the Study of Mass Media and Communications)
by Raúl Damacio TovaresCoverage of Mexican-American youth gangs has been a staple of local television news in the United States for decades, and its form and content have come to embody many journalistic cliches: the rising tide of violence, the spread of drug addiction, the alienated minority youth. But as this bold new study argues, these stories contain gross exaggerations that lead to the reinforcement of stereotypes about Mexican-American young people and the Mexican-American community in general. Indeed, the police and community leaders greatly influence the content of this coverage by deciding what information to make available to the news media, while reporters select certain sources and ignore others, thus slanting the story even further.As author Raul Tovares makes clear, the true story of Mexican-American youth is far more complex than local news would have its viewers believe. Cultural values, organizational structures, and economic systems all contribute to the production of this journalism, which itself has a direct and real impact on the lives of Mexican-American teenagers. Unlike other books on the subject of Mexican-American youth gangs, Tovares's work critiques the very assumptions on which ideas about such gangs are based, and brings much-needed attention to a timely and often misunderstood subject.
The Many Lives of Marilyn Monroe
by Sarah Churchwell'Ferociously smart … A rare combination of guilty pleasure and intellectual insight' VOGUE'Perceptive … Refreshing … Tears away layers of false readings and conspiracy theories' NEW YORK TIMESIntricately researched … Churchwell's Marilyn is a complex, well-rounded creature in the best sense – the human sense' OBSERVERThere are many Marilyns: sex goddess and solitary figure, crafty manipulator and dumb blonde, liberated woman and innocent child. In incisive and passionate prose, Sarah Churchwell looks at how the stories we tell have trivialised a woman we supposedly adore, and at what they reveal about our attitudes towards sex symbols and icons, to women, death, biography and Marilyn herself.
Many Ways to Say I Love You: Wisdom for Parents and Children from Mister Rogers
by Fred RogersInspirational words on parenting from the beloved PBS series Mister Rogers' Neighborhood, for new parents and those whose children are grown.Fred Rogers has long been a wonderful resource for parents, offering their children entertainment and education through his enduring television show. Now his special brand of good cheer and wisdom are brought together especially for parents in this newest book based on never-before-published works.Many Ways to Say I Love You is a treasury of segments from speeches and observations from his years of working with parents and children, as well as other materials from books, songs, TV commentary, and more. Using stories from his own life, Mister Rogers discusses the importance of children and the role of parents.
Many Ways to Say I Love You: Wisdom for Parents and Children from Mister Rogers
by Fred RogersInspirational words on parenting from the beloved PBS series Mister Rogers' Neighborhood, for new parents and those whose children are grown. Fred Rogers has long been a wonderful resource for parents, offering their children entertainment and education through his enduring television show. Now his special brand of good cheer and wisdom are brought together especially for parents in this newest book based on never-before-published works.Many Ways to Say I Love You is a treasury of segments from speeches and observations from his years of working with parents and children, as well as other materials from books, songs, TV commentary, and more. Using stories from his own life, Mister Rogers discusses the importance of children and the role of parents.
Mao's Last Dancer
by Li CunxinThe young reader edition of the international bestseller; now a major motion picture. At the age of eleven, Li Cunxin was one of the privileged few selected to serve in Chairman Mao's Cultural Revolution by studying at the Beijing Dance Academy. Having known bitter poverty in his rural China home, ballet would be his family's best chance for a better future. From one hardship to another, Cunxin demonstrated perseverance and an appetite for success that led him to be chosen as one of the first two people to leave Mao's China and go to American to dance on a special cultural exchange. But life in the U.S. was nothing like his communist indoctrination had led him to believe. Ultimately, he defected to the west in a dramatic media storm, and went on to dance with the Houston Ballet for sixteen years. This inspiring story of passion, resilience, and a family's love captures the harsh reality of life in Mao's communist China and the exciting world of professional dance. This compelling memoir includes photos documenting Li's extraordinary life.
Mao's Last Dancer
by Li CunxinRaised in a desperately poor village during the height of China's Cultural Revolution, Li Cunxin's childhood revolved around the commune, his family and Chairman Mao's Little Red Book. Until, that is, Madame Mao's cultural delegates came in search of young peasants to study ballet at the academy in Beijing and he was thrust into a completely unfamiliar world. When a trip to Texas as part of a rare cultural exchange opened his eyes to life and love beyond China's borders, he defected to the United States in an extraordinary and dramatic tale of Cold War intrigue. Told in his own distinctive voice, this is Li's inspirational story of how he came to be Mao's last dancer, and one of the world's greatest ballet dancers.
Mapping Critical Dance Studies in India (Performance Studies & Cultural Discourse in South Asia #2)
by Urmimala Sarkar MunsiThis book provides a critical understanding of dance studies in India, bringing together various embodied practices identified loosely as dance. It suggests an alternative reading of the history of patronage, policies, and institutionalized understanding of categories such as classical, folk, modern, popular, and Bollywood that hierarchizes some dances as 'more' dance than others. It is of great interest to scholars looking at performing arts such as dance as a tool for identity assertions. It offers diverse possibilities of understanding dance through its inherent sociopolitical possibilities as a participatory or presentational tool for communication. The multidisciplinary approach brings together perspectives from critical dance studies, anthropology, history, and gender studies to connect embodied archives of different communities to create an intersectional methodology of studying dance in India as a powerful but marginal expressive art practice. Accessible at multiple levels, thecontent is relevant for undergraduate and postgraduate students, as well as researchers across dance, dance education, theatre, and performance studies.
Mapping Global Theatre Histories
by Mark PizzatoThis textbook provides a global, chronological mapping of significant areas of theatre, sketched from its deepest history in the evolution of our brain's 'inner theatre' to ancient, medieval, modern, and postmodern developments. It considers prehistoric cave art and built temples, African trance dances, ancient Egyptian and Middle-Eastern ritual dramas, Greek and Roman theatres, Asian dance-dramas and puppetry, medieval European performances, global indigenous rituals, early modern to postmodern Euro-American developments, worldwide postcolonial theatres, and the hyper-theatricality of today's mass and social media. Timelines and numbered paragraphs form an overall outline with distilled details of what students can learn, encouraging further explorations online and in the library. Questions suggest how students might reflect on present parallels, making their own maps of global theatre histories, regarding geo-political theatrics in the media, our performances in everyday life, and the theatres inside our brains.
Mapping Intermediality in Performance (Mediamatters)
by Sarah Bay-Cheng Chiel Kattenbelt Andy Lavender Robin NelsonThis volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional ‘liveness’ of theatre with media interfaces and internet protocols. The time and space of the ‘here and now’ are both challenged and adapted, just as barriers between theatre-makers and the ‘experiencers’ of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance. Access to a range of ‘instances’ (The Builders Association, Castellucci, Castorf, Gob Squad, Lepage, Second Life and VJing) is through ‘portals’ which afford perspectives on the main characteristics of theatre and performance in the digital age.
Mapping Movie Magazines: Digitization, Periodicals and Cinema History (Global Cinema)
by Daniel Biltereyst Lies Van de VijverMovie magazines are crucial but widely underused sources for writing the history of films and cinema. This volume brings together for the first time a wide variety of historic research of movie magazines and film trade journals, reflecting on the issue of using these sources for film/cinema historiography and on the impact of digitization processes. Mapping Movie Magazines explores this debate from different disciplinary perspectives, enlightened by case studies from the use of early film trade press to pedagogical uses of digitized periodicals. The volume explores Hollywood’s grip on movie magazines, gender in film journalism, typologies of unknown trade press and movie magazine markets, and subversive Tijuana bibles.
Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction
by Francesco SticchiThis book examines a corpus of films and TV series released since the global financial crisis, addressing them as emblematic expressions of our age of precarity. The analysis of the motifs and characters of these case studies is built around notions originating from Mikhail Bakhtin’s literary theory and, in particular, the concept of chronotope, affirming the material and dynamic connection between form and content in artistic experience. This book observes how precarious lives are enacted in forms of spatio-temporal compositions which carry conceptual and ethical challenges for their viewers. This book falls within the film-philosophy framework and, although primarily directed to an academic audience, it provides an interdisciplinary account of the notion of cinematic precarity. It puts the embodied analysis of viewers’ ethical participation in close dialogical relationship with a philosophical and sociological examination of current dynamics of inequality and exclusion.
Mapping selfies and memes as Touch
by Fiona AndrealloThis open access book offers a rich and nuanced analysis of digitally networked socialities as culturally meaningful relationships of Touch. Focusing on the ways Touch is practised in everyday social interactions serves as a basis for how Touch is understood as multiply significant – physically, emotionally, intellectually and politically. Andreallo initiates a map of the fundamentals of Touch and how they can be considered for future research in considering digitally networked cultures. This map also serves as a basis for closely examining selfies and memes. Examining social networks of Touch, Andreallo focuses on a specific example of the PrettyGirlsUglyFaces meme and ugly selfies(uglies). Through this example, memes and selfies are mapped as Touch involving textures of both intimacy and violence. Andreallo also discusses technological seamlessness and cultural semefulness as conversations of social relationships of Touch, and proposes the term semeful sociabilities to describe how the everyday technological self engages in practices of Touch. This book is a compact, approachable insight into selfies and memes as everyday culturally networked Touch relationships that also offers a way forward in recognising technological relationships as culturally meaningful.
Mapping South Asia through Contemporary Theatre: Essays on the Theatres of India, Pakistan, Bangladesh, Nepal and Sri Lanka (Studies in International Performance)
by Ashis SenguptaWhile remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.
Mapping Tokyo in Fiction and Film (Geocriticism and Spatial Literary Studies)
by Barbara E. ThornburyMapping Tokyo in Fiction and Film explores ways that late 20th- and early 21st- century fiction and film from Japan literally and figuratively map Tokyo. The four dozen novels, stories, and films discussed here describe, define, and reflect on Tokyo urban space. They are part of the flow of Japanese-language texts being translated (or, in the case of film, subtitled) into English. Circulation in professionally translated and subtitled English-language versions helps ensure accessibility to the primarily anglophone readers of this study—and helps validate inclusion in lists of world literature and film. Tokyo’s well-established culture of mapping signifies much more than a profound attachment to place or an affinity for maps as artifacts. It is, importantly, a counter-response to feelings of insecurity and disconnection—insofar as the mapping process helps impart a sense of predictability, stability, and placeness in the real and imagined city.
Marathi Cinema, Cultural Space, and Liminality: A History
by Hrishikesh Sudhakar IngleThis book is a critical history of Marathi cinema, from its formative years in the 1920s till the end of 1990s. It is the first work to explore the industrial and aesthetic dynamics of Marathi cinema, and elaborate on the idea of region as performance using the framework of critical socio-spatial analysis. Against the dominance of Hindi cinema, the Marathi film industry, as a regional film practice in India, has developed within a cultural and spatial liminality. This historical situation of the Marathi film industry is formulated here as the shaping and dispersal of a vernacular cultural space; and is traced over a period of seven decades, across genres like the saint-film, social melodramas, and the tamasha film, as well as in urban and mofussil sites of film circulation. The book aims to be a useful resource for students, researchers, and general readers, while attending to a lack of scholarly inquiries on this important regional film culture.
Marcel Carné (French Film Directors Series)
by Jonathan DriskellThis book provides a scholarly yet accessible account of the work of Marcel Carné, one of the great directors of classical French cinema and the key figure behind the poetic realist film movement of the 1930s. His films, a number of which were made in collaboration with the poet-turned-scriptwriter Jacques Prévert, include such well-known works as Le Quai des brumes, Le Jour se lève and Les Enfants du paradis. As the first book to be written on Carné for a number of years, it offers a fresh perspective on his cinema, particularly through a re-examination of his post-war work – although many of these films were very popular and offer a fascinating insight into France at the time, they have, until now, largely been neglected. Adopting a carefully crafted aesthetic, his films explore a tension between pessimism and entrapment on the one hand, and transcendence, idealised romantic love and a populist celebration of working-class life on the other. His career traversed key moments in French cinema, including poetic realism, the tradition of quality and the French New Wave, and spanned important historical moments such as the Popular Front of the 1930s, the Second World War and France’s post-war modernisation. This book will be of interest to scholars, students and film-lovers alike.
Marcel Pagnol (French Film Directors Series)
by Brett BowlesThough long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
Marcel Pagnol (French Film Directors Series)
by Brett BowlesThough long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895–1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, now available in paperback, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
March of the Lemmings: Brexit in Print and Performance 2016–2019
by Stewart LeeAs a Metropolitan Elitist Snowflake, Stewart Lee was disappointed by the Brexit referendum result of 2016. But he knew how to weaponise his inconvenience. He would treat all his subsequent writing, until we left the EU, as interrelated episodes of a complete work. The cast of characters include Lemming-obsessed Michael Gove, violent tanning-salon entrepreneur Tommy Robinson and Boris Piccaninny Watermelon Bumboys Letterbox Cake Disaster Weightloss Haircut Bullshit Johnson. A dramatic chorus is made up of online commenters and Kremlin bots. And Lee himself would play the defeated, unreliable narrator-hero, whose resolve and tolerance would gradually unravel as the horror show dragged on. Until the 29 March, 2019, when it would all definitely be over. Drawing on three years of newspaper columns, a complete transcript of the Content Provider stand-up show, and Lee's caustic footnote commentary, March of the Lemmings is the scathing, riotous record the Brexit era deserves.
Märchen im Medienwechsel: Zur Geschichte und Gegenwart des Märchenfilms
by Ute Dettmar Claudia Maria Pecher Ron SchlesingerIn diesem Kompendium werden Filmemacher/innen, historische Stationen und aktuelle Entwicklungen des Märchenfilms vorgestellt. Die Beiträge beschäftigen sich mit dem Beginn des Märchenfilms in Frankreich, stellen expressionistische Filmproduktionen vor wie Lotte Reinigers Silhouettenfilme und verfolgen deren Nachwirken, sie diskutieren Märchenverfilmungen im „Dritten Reich“ und im Nachkriegsdeutschland in DDR- und BRD-Produktionen, richten den Blick auf den tschechoslowakischen und sowjetischen Märchenfilm. Sie schauen auf Walt Disneys wirkmächtige Animationsfilme und thematisieren neuere Entwicklungen, darunter die Märchenspielfilmreihen in ARD und ZDF, die US-amerikanischen Serien und Reimporte aus Hollywoods Märchentraumfabrik sowie transmediale Märchenerzählungen.
Mare Rider (Oberon Modern Plays)
by Leyla NazliElka is the sinister Mare Rider, in myth she haunts new mothers and rides bareback through mountains and across the plains of Anatolia. Selma is about to give birth at Homerton Hospital in Hackney, Elka takes her on a fantastical journey, probing the spaces between Selma's nightmarish visions and the reality of those around her.
Margaret & Gough: The love story that shaped a nation
by Susan MitchellThe Whitlams' wasn't just a love story - it was a dynamic and enduring partnership that shaped our nation.This is the compelling story of former Prime Minister Gough Whitlam, his wife Margaret and their 70-year relationship – personal and political, private and public. It is a story of how two extraordinary people, side by side, led the Australian nation into an exciting and turbulent new era.Gough had no small talk, Margaret had the gift of easy conversation. He was often ill-at-ease in company and preferred his books. She was warm, inclusive and jollied him along. He had a vicious tongue and a quick temper. She always tried to see the best in people. He knew everything about the ideology, history and heroes of the Labor movement. She trusted her instincts. They saw each other as equals and never hesitated to express their different viewpoints. He may have passed the laws that changed the nation, but she made it possible.This is a story of love, respect, struggle, success, failure, disappointment and resilience. It was the strength and endurance of this remarkable relationship that helped change our nation politically, culturally and socially. Neither Gough nor Margaret would have developed into what each became without the influence of the other. Through every major political change, every election campaign, every triumph and every loss, they stood together.Margaret and Gough takes us inside a partnership where the political was always personal and the personal was always political.'Mitchell succeeds in weaving together their lives against a backdrop of Gough's political career ... a fine dual biography' - The Australian'This sweeping, slightly idealised overview of their love, with a bit of political history thrown into the mix, is a lesson in commitment' - Daily Telegraph'Read about Gough the man who read romantic poems from Keats and Shelley to his new wife Margaret on their honeymoon in 1942' - Sunday Territorian
Margaret Webster: A Life in the Theater (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Milly S. Barranger"In Milly Barranger, Margaret Webster has found the perfect biographer. In Margaret Webster, Milly Barranger has found her perfect subject. She brings to vivid life a fascinating and important theater figure whose public and private lives were of equal interest. In this carefully researched book, Webster's colleagues, lovers, and friends shine as brightly as she did. I wish she were here to read it." -Marian Seldes "Margaret Webster is a highly welcome addition to our knowledge of the first important female director in American theater. Remembered now especially for her staging of Othello with Paul Robeson, Uta Hagen, and Jose Ferrer, Margaret Webster was probably the best-known, in-demand, and admired director of Shakespeare in America in the 1940s and 1950s. Fascinating throughout, the book's discussions of working with Robeson, and of HUAC, which targeted her just as her career was reaching a peak, make for especially engrossing reading." -Oscar Brockett Margaret Webster: A Life in the Theater is an engrossing backstage account of the life of pioneering director Margaret Webster (1905-72). This is the first book-length biography of Webster, a groundbreaking stage and opera director whose career challenged not only stage tradition but also mainstream attitudes toward professional women. Often credited with first having brought Shakespeare to Broadway, and renowned for her bold casting of an African American (Paul Robeson) in the role of Othello, Webster was a creative force in modern American and British theater. Her story reveals the independent-minded artist undeterred by stage tradition and unmindful of rules about a woman's place in the professional theater. In addition to providing fascinating glimpses into Webster's personal and family life, Margaret Webster: A Life in the Theater also offers a who's-who list of the biggest names in New York and London theater of the time, as well as Hollywood: John Gielgud, Noël Coward, George Bernard Shaw, Uta Hagen, Sybil Thorndike, Eva LeGallienne, and John Barrymore, among others, all of whom crossed paths with Webster. Capping Webster's amazing story is her investigation by Senator Joseph McCarthy and HUAC, which left her unable to work for a year, and from which she never fully recovered.
Marginality Beyond Return: US Cuban Performances in the 1980s and 1990s (Routledge Advances in Theatre & Performance Studies)
by Lillian ManzorThis study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Marginality Beyond Return: US Cuban Performances in the 1980s and 1990s (Routledge Advances in Theatre & Performance Studies)
by Lillian ManzorThis study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.