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British Traitors: Betrayal and Treachery in the Twentieth Century
by Gordon KerrCapital punishment was abolished for murder in Great Britain in 1969, but remained as the punishment for high treason until as recently as 1998, demonstrating how seriously we take the crime of betraying your country. But even with the threat of the noose hanging over them, many still chose the path of treachery during the cataclysmic events of last century.British Traitors examines the lives and motivations of a number of the perpetrators of this most heinous of crimes, following the footsteps of Fascist traitors such as William Joyce (Lord Haw-Haw) and John Amery to the gallows, investigating what drove men such as Wilfred Macartney and John Herbert King to betray their country during the war to end all wars and delving into the mysterious web of espionage and subterfuge surrounding the Cambridge Spy Ring that spied for the Soviet Union from the nineteen-thirties until the early nineteen-fifties.People commit treason for many reasons - some seek adventure, some seek reward, some are motivated by political philosophy, while others are sucked into it by their own foolishness. British Traitors provides a fascinating look at the lives and impulses of those who chose to betray their country.
British Tramp Shipping, 1750-1914 (Research in Maritime History #24)
by Robin CraigThis study explores the history of tramp-shipping in the United Kingdom, between 1750 and 1914. It defines ‘tramp’ as steamships exclusively hulled with iron or steel. The purpose of the journal is to keep the history of tramp-shipping from fading into obscurity, as the author believes the tramp steamer does not invoke sentimentality nor provide enough glamour to sustain the same level of maritime interest enjoyed by sailing ships or ocean liners. The study is split into four major sections, the first concerning tramp-shipping, ownership, and capital formation; the second concerning trade, specifically copper ore and African guano; the third studies tramp seamen - particularly sea masters; and the final and largest section considers individual tramp-shipping regions, further subdivided by region - Wales, the Northwest, the West Country, the Northeast, the Southeast, and Canada. The volume is punctuated with statistics, tables, charts, glossaries, and concludes with a bibliography of author Robin Craig’s further maritime writing.
The British Transatlantic Slave Trade Vol 1
by Kenneth Morgan Robin Law David Ryden J R OldfieldContains primary texts relating to the British slave trade in the 17th and 18th century. The first volume contains two 18th-century texts covering the slave trade in Africa. Volume two focuses on the work of the Royal African company, and volumes three and four focus on the abolitionists' struggle.
The British Transatlantic Slave Trade Vol 1
by Kenneth Morgan Robin Law David Ryden J R OldfieldContains primary texts relating to the British slave trade in the 17th and 18th century. The first volume contains two 18th-century texts covering the slave trade in Africa. Volume two focuses on the work of the Royal African company, and volumes three and four focus on the abolitionists' struggle.
The British Transatlantic Slave Trade Vol 2
by Kenneth Morgan Robin Law David Ryden J R OldfieldContains primary texts relating to the British slave trade in the 17th and 18th century. The first volume contains two 18th-century texts covering the slave trade in Africa. Volume two focuses on the work of the Royal African company, and volumes three and four focus on the abolitionists' struggle.
The British Transatlantic Slave Trade Vol 2
by Kenneth Morgan Robin Law David Ryden J R OldfieldContains primary texts relating to the British slave trade in the 17th and 18th century. The first volume contains two 18th-century texts covering the slave trade in Africa. Volume two focuses on the work of the Royal African company, and volumes three and four focus on the abolitionists' struggle.
The British Transatlantic Slave Trade Vol 3
by Kenneth Morgan Robin Law David Ryden J R OldfieldContains primary texts relating to the British slave trade in the 17th and 18th century. The first volume contains two 18th-century texts covering the slave trade in Africa. Volume two focuses on the work of the Royal African company, and volumes three and four focus on the abolitionists' struggle.
The British Transatlantic Slave Trade Vol 3
by Kenneth Morgan Robin Law David Ryden J R OldfieldContains primary texts relating to the British slave trade in the 17th and 18th century. The first volume contains two 18th-century texts covering the slave trade in Africa. Volume two focuses on the work of the Royal African company, and volumes three and four focus on the abolitionists' struggle.
The British Transatlantic Slave Trade Vol 4
by Kenneth Morgan Robin Law David Ryden J R OldfieldContains primary texts relating to the British slave trade in the 17th and 18th century. The first volume contains two 18th-century texts covering the slave trade in Africa. Volume two focuses on the work of the Royal African company, and volumes three and four focus on the abolitionists' struggle.
The British Transatlantic Slave Trade Vol 4
by Kenneth Morgan Robin Law David Ryden J R OldfieldContains primary texts relating to the British slave trade in the 17th and 18th century. The first volume contains two 18th-century texts covering the slave trade in Africa. Volume two focuses on the work of the Royal African company, and volumes three and four focus on the abolitionists' struggle.
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War
by Adam PlummerWhile the historical influence of psychoanalysis on Hollywood cinema has received considerable attention, the same cannot be said for its influence on British cinema. This book examines the central position that psychoanalysis occupies in British cinema in the years immediately following the Second World War. Plummer uses a critical theory framework to understand the role that psychoanalysis plays in British culture at this time as an historical discourse, and in British cinema as a narrative, a cultural, and an ideological discourse. He defines these as arising within various areas of contemporary psychoanalytic thinking related to traumatic wartime experience, sexual difference, and the interplay between subjectivity and objectivity. He analyzes six British films of the period: The Halfway House, Dead of Night, The Seventh Veil, Madonna of the Seven Moons, They Made Me a Fugitive, and Mine Own Executioner and demonstrates how psychoanalysis operates within them as a narrative and formal structuring mechanism. He argues that this engagement enables these films to begin to address the emotional fallout of the war by creating safe representational spaces where contemporary audiences could engage with their own traumatic experiences. While The British Trauma Film defines psychoanalysis as providing a language for British cinema at this time to confront the effects of wartime trauma, it finds that it also operates within a normalizing ideological system designed to reproduce dominant pre-war relations of political, social, and sexual power. However, in this group of films, this system is often countered by subversive discursive forces that seem to be immanent to the films themselves.
The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War
by Adam PlummerWhile the historical influence of psychoanalysis on Hollywood cinema has received considerable attention, the same cannot be said for its influence on British cinema. This book examines the central position that psychoanalysis occupies in British cinema in the years immediately following the Second World War. Plummer uses a critical theory framework to understand the role that psychoanalysis plays in British culture at this time as an historical discourse, and in British cinema as a narrative, a cultural, and an ideological discourse. He defines these as arising within various areas of contemporary psychoanalytic thinking related to traumatic wartime experience, sexual difference, and the interplay between subjectivity and objectivity. He analyzes six British films of the period: The Halfway House, Dead of Night, The Seventh Veil, Madonna of the Seven Moons, They Made Me a Fugitive, and Mine Own Executioner and demonstrates how psychoanalysis operates within them as a narrative and formal structuring mechanism. He argues that this engagement enables these films to begin to address the emotional fallout of the war by creating safe representational spaces where contemporary audiences could engage with their own traumatic experiences. While The British Trauma Film defines psychoanalysis as providing a language for British cinema at this time to confront the effects of wartime trauma, it finds that it also operates within a normalizing ideological system designed to reproduce dominant pre-war relations of political, social, and sexual power. However, in this group of films, this system is often countered by subversive discursive forces that seem to be immanent to the films themselves.
British TV Comedies: Cultural Concepts, Contexts and Controversies
by Jürgen Kamm Birgit NeumannThis collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.
The British Union: A Critical Edition and Translation of David Hume of Godscroft's De Unione Insulae Britannicae (St Andrews Studies in Reformation History)
by Paul J. McGinnis Arthur H. WilliamsonDe Unione Insulae Britannicae (The British Union) is a unique seventeenth-century tract that urged the fusion of the Scottish and English kingdoms into a new British commonwealth with a radically new British identity. Its author, David Hume of Godscroft (1558-c.1630) was a major intellectual figure in Jacobean Scotland and the leading Scottish critic of the anglicizing policies of James VI. The tract was written in two parts. Published in London in 1605, the first part provides a general outline of the imperative of union. The second consists of political and constitutional proposals whereby such a union might be achieved. Its publication was suppressed and it exists only in manuscript. This is the first translation of the tract. Hume's work is breathtakingly contemporary in some of the proposals that it makes; regional assemblies combined with a national parliament, and a call for efforts to inspire the Scottish and English people into a sense of common purpose. The language and ideas of the tract display characteristics of the Renaissance combined with elements that visibly anticipate the Enlightenment. The De Unione offers extraordinary insight into the European intellectual world prior to the rise of romantic nationalism in the early nineteenth century.
The British Union: A Critical Edition and Translation of David Hume of Godscroft's De Unione Insulae Britannicae (St Andrews Studies in Reformation History)
by Paul J. McGinnis Arthur H. WilliamsonDe Unione Insulae Britannicae (The British Union) is a unique seventeenth-century tract that urged the fusion of the Scottish and English kingdoms into a new British commonwealth with a radically new British identity. Its author, David Hume of Godscroft (1558-c.1630) was a major intellectual figure in Jacobean Scotland and the leading Scottish critic of the anglicizing policies of James VI. The tract was written in two parts. Published in London in 1605, the first part provides a general outline of the imperative of union. The second consists of political and constitutional proposals whereby such a union might be achieved. Its publication was suppressed and it exists only in manuscript. This is the first translation of the tract. Hume's work is breathtakingly contemporary in some of the proposals that it makes; regional assemblies combined with a national parliament, and a call for efforts to inspire the Scottish and English people into a sense of common purpose. The language and ideas of the tract display characteristics of the Renaissance combined with elements that visibly anticipate the Enlightenment. The De Unione offers extraordinary insight into the European intellectual world prior to the rise of romantic nationalism in the early nineteenth century.
British Universities Past and Present
by Robert AndersonThis book is both a concise history of British universities and their place in society over eight centuries, and a penetrating analysis of current university problems and policies as seen in the light of that history. It explains how the modern university system has developed since the Victorian era, and gives special attention to changes in policy since the Second World War, including the effects of the Robbins report, the rise and fall of the binary system, the impact of the Thatcher era, and the financial crises which have beset universities in recent years. A final chapter on the past and the present shows the continuing relevance of the ideals inherited from the past, and makes an important contribution to current controversies by identifying a distinctively British university model and discussing the historical relationship of state and market.
British Universities Past and Present
by Robert AndersonThis book is both a concise history of British universities and their place in society over eight centuries, and a penetrating analysis of current university problems and policies as seen in the light of that history. It explains how the modern university system has developed since the Victorian era, and gives special attention to changes in policy since the Second World War, including the effects of the Robbins report, the rise and fall of the binary system, the impact of the Thatcher era, and the financial crises which have beset universities in recent years. A final chapter on the past and the present shows the continuing relevance of the ideals inherited from the past, and makes an important contribution to current controversies by identifying a distinctively British university model and discussing the historical relationship of state and market.
British Versions of Book II of Euclid’s Elements: Geometry, Arithmetic, Algebra (SpringerBriefs in History of Science and Technology)
by Leo CorryThis book discusses the changing conceptions about the relationship between geometry and arithmetic within the Euclidean tradition that developed in the British context of the sixteenth and seventeenth century. Its focus is on Book II of the Elements and the ways in which algebraic symbolism and methods, especially as recently introduced by François Viète and his followers, took center stage as mediators between the two realms, and thus offered new avenues to work out that relationship in idiosyncratic ways not found in earlier editions of the Euclidean text. Texts examined include Robert Recorde's Pathway to Knowledge (1551), Henry Billingsley’s first English translation of the Elements (1570), Clavis Mathematicae by William Oughtred and Artis Analyticae Praxis by Thomas Harriot (both published in 1631), Isaac Barrow’s versions of the Elements (1660), and John Wallis Treatise of Algebra (1685), and the English translations of Claude Dechales’ French Euclidean Elements (1685). This book offers a completely new perspective of the topic and analyzes mostly unexplored material. It will be of interest to historians of mathematics, mathematicians with an interest in history and historians of renaissance science in general.
British Victorian Women's Periodicals: Beauty, Civilization, and Poetry (Nineteenth-Century Major Lives and Letters)
by K. LedbetterLedbetter explores themes and patterns of poetry publication in a variety of women's periodicals published throughout the Victorian era using taste, style and the significance of poetry to advance our understanding of women's lives in the nineteenth century.
British Victory in Egypt: The End of Napoleon's Conquest
by Piers MackesyIn 1800 the British army's reputation was in tatters, having experienced nothing but failure in wars across the world for forty years; at home, a divided cabinet had to face the problem of Egypt, which had been occupied by Napoleon's Army of the Orient since 1798. The momentous task of ejecting France from Egypt fell to an ill-equipped and disparate band of soldiers led by Sir Ralph Abercromby, an elderly general with a dubious military record. Yet, against all the odds, Abercromby's force decisively defeated the veteran French army at Alexandria on 21 March 1801, bringing Napoleon's Egyptian Campaign to a definitive and crushing end. In this richly-detailed account, Piers Mackesy vividly brings to life the events of the battle and the characters involved, revealing how Abercromby's carefully-planned and brilliantly-executed strategy, and the discipline of the soldiers he had welded into cohesion, restored the honour of the British army, averted disaster for the Empire and set the standard by which all future battles would be fought.
British Visions of America, 1775-1820: Republican Realities (The Enlightenment World)
by Emma MacleodMacleod examines changing British conceptions of America across the political spectrum during a period of political, cultural and intellectual upheaval. Macleod incorporates British writers of conservative, liberal and radical views.
British Visions of America, 1775-1820: Republican Realities (The Enlightenment World #27)
by Emma MacleodMacleod examines changing British conceptions of America across the political spectrum during a period of political, cultural and intellectual upheaval. Macleod incorporates British writers of conservative, liberal and radical views.
British Voices of the Irish War of Independence: The words of British servicemen in Ireland 1918–1921
by William Sheehan?Ireland’s War of Independence generated a wealth of published material but very little from a British perspective. Yet many British servicemen left accounts of their time in Ireland from 1918 to 1921. They describe military operations, the IRA, the Irish, the actions of their own forces, morale and relationships with local communities. There is Brigadier Vinden’s strange tale of a drinking session with Michael Collins and humour in the sending of Gaelic-speaking Highlanders into a public house to eavesdrop in the belief that Sinn Féiners always spoke Irish to each other. The author has gone deep into British military archives to unearth these never-published accounts. Supplemented with unpublished photographs from the Imperial War Museum and the Irish National Library, these accounts form a landmark oral history told through the personal experiences of men from across the ranks.
British War Films, 1939-1945
by S. P. MackenzieThe cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-1945 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.
The British Wars, 1637-1651
by Peter GauntDuring the 1640s, the kingdoms ruled by Charles I - England and Wales, Scotland and Ireland - were gripped by a series of civil wars and conflicts which were, in part, distinct to each kingdom, but which also overlapped and inter-related, leading some British historians to portray them as a single 'British' conflict. The British Wars by Peter Gaunt offers a concise history of these wars, from the beginning of Charles I's travails with the Scots to the conclusion of the wars at the Battle of Worcester and the English conquest of Ireland and Scotland. Providing a clear, concise and balanced account of events in England and Wales, Scotland and Ireland, this book * explores the relationship between the three kingdoms *looks at military, political and religious developments in each * assesses whether the wars can be seen as a single 'British' conflict or should be viewed as a series of inter-related but essentially separate wars.