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British Women and Cultural Practices of Empire, 1770-1940 (Material Culture of Art and Design)
by Kate Smith Rosie DiasCorrespondence, travel writing, diary writing, painting, scrapbooking, curating, collecting and house interiors allowed British women scope to express their responses to imperial sites and experiences in the 18th, 19th and 20th centuries. Taking these productions as its archive, British Women and Cultural Practices of Empire, 1775-1930 includes a collection of essays from different disciplines that consider the role of British women's cultural practices and productions in conceptualising empire. While such productions have started to receive greater scholarly attention, this volume uses a more self-conscious lens of gender to question whether female cultural work demonstrates that colonial women engaged with the spaces and places of empire in distinctive ways. By working across disciplines, centuries and different colonial geographies, the volume makes an exciting and important contribution to the field by demonstrating the diverse ways in which European women shaped constructions of empire in the modern period.
British Women and Cultural Practices of Empire, 1770-1940 (Material Culture of Art and Design)
by Kate Smith Rosie DiasCorrespondence, travel writing, diary writing, painting, scrapbooking, curating, collecting and house interiors allowed British women scope to express their responses to imperial sites and experiences in the 18th, 19th and 20th centuries. Taking these productions as its archive, British Women and Cultural Practices of Empire, 1775-1930 includes a collection of essays from different disciplines that consider the role of British women's cultural practices and productions in conceptualising empire. While such productions have started to receive greater scholarly attention, this volume uses a more self-conscious lens of gender to question whether female cultural work demonstrates that colonial women engaged with the spaces and places of empire in distinctive ways. By working across disciplines, centuries and different colonial geographies, the volume makes an exciting and important contribution to the field by demonstrating the diverse ways in which European women shaped constructions of empire in the modern period.
British Women and the Intellectual World in the Long Eighteenth Century (British Literature in Context in the Long Eighteenth Century)
by Teresa BarnardHighlighting the remarkable women who found ways around the constraints placed on their intellectual growth, this collection of essays shows how their persistence opened up attributes of potent female imagination, radical endeavour, literary vigour, and self-education that compares well with male intellectual achievement in the long eighteenth century. Disseminating their knowledge through literary and documentary prose with unapologetic self-confidence, women such as Anna Barbauld, Anna Seward, Elizabeth Inchbald and Joanna Baillie usurped subjects perceived as masculine to contribute to scientific, political, philosophical and theological debate and progress. This multifaceted exploration goes beyond traditional readings of women’s creativity to add fresh, at times controversial, insights into the female view of the intellectual world. Bringing together leading experts on British women’s lives, work and writings, the volume seeks to rediscover women’s appropriations of masculine disciplines and to examine their interventions into the intellectual world. Through their engagement with a unique perspective on women’s lives and achievements, the essays make important contributions to the existing body of knowledge in this important area that will inform future scholarship.
British Women and the Intellectual World in the Long Eighteenth Century (British Literature in Context in the Long Eighteenth Century)
by Teresa BarnardHighlighting the remarkable women who found ways around the constraints placed on their intellectual growth, this collection of essays shows how their persistence opened up attributes of potent female imagination, radical endeavour, literary vigour, and self-education that compares well with male intellectual achievement in the long eighteenth century. Disseminating their knowledge through literary and documentary prose with unapologetic self-confidence, women such as Anna Barbauld, Anna Seward, Elizabeth Inchbald and Joanna Baillie usurped subjects perceived as masculine to contribute to scientific, political, philosophical and theological debate and progress. This multifaceted exploration goes beyond traditional readings of women’s creativity to add fresh, at times controversial, insights into the female view of the intellectual world. Bringing together leading experts on British women’s lives, work and writings, the volume seeks to rediscover women’s appropriations of masculine disciplines and to examine their interventions into the intellectual world. Through their engagement with a unique perspective on women’s lives and achievements, the essays make important contributions to the existing body of knowledge in this important area that will inform future scholarship.
British Women in the Nineteenth Century (Social History in Perspective)
by Kathryn GleadleThis highly original synthesis is a clear and stimulating assessment of nineteenth-century British women. It aims to provide students with an in-depth understanding of the key historiographical debates and issues, placing particular emphasis upon recent, revisionist research. The book highlights not merely the ideologies and economic circumstances which shaped women's lives, but highlights the sheer diversity of women's own experiences and identities. In so doing, it presents a positive but nuanced interpretation of women's roles within their own families and communities, as well as stressing women's enormous contribution to the making of contemporary British culture and society.
British women of the Eastern Front: War, writing and experience in Serbia and Russia, 1914–20 (PDF)
by Angela K. SmithThis book explores the experiences of a range of women from the early days of 1914, through the big events of the war on the Eastern Front. Their diaries, letters, memoirs and journalism are used to investigate the extraordinary role played by British women during the fall of Serbia, the Russian Revolution and the final push, and their role in reconstruction following the Armistice. These women, and their writings, are examined through the multiple lenses of gender, nationality, patriotism, imperialism and legacy, but the book also tells the stories of individuals, and will appeal across audiences to students, researchers and general readers. This is the first book to examine the war in the East through the eyes of British women and as such makes an important contribution to First World War Studies.
British women of the Eastern Front: War, writing and experience in Serbia and Russia, 1914–20
by Angela K. SmithThis book explores the experiences of a range of women from the early days of 1914, through the big events of the war on the Eastern Front. Their diaries, letters, memoirs and journalism are used to investigate the extraordinary role played by British women during the fall of Serbia, the Russian Revolution and the final push, and their role in reconstruction following the Armistice. These women, and their writings, are examined through the multiple lenses of gender, nationality, patriotism, imperialism and legacy, but the book also tells the stories of individuals, and will appeal across audiences to students, researchers and general readers. This is the first book to examine the war in the East through the eyes of British women and as such makes an important contribution to First World War Studies.
British Women Travellers: Empire and Beyond, 1770-1870 (Routledge Research in Gender and History #37)
by Sutapa DuttaThis book studies the exclusive refractive perspectives of British women who took up the twin challenges of travel and writing when Britain was establishing itself as the greatest empire on earth. Contributors explore the ways in which travel writing has defined women’s engagement with Empire and British identity, and was inextricably linked with the issue of identity formation. With a capacious geographical canvas, this volume examines the multifaceted relations and negotiations of British women travellers in a range of different imperial contexts across continents from America, Africa, Europe to Australia.
British Women Travellers: Empire and Beyond, 1770-1870 (Routledge Research in Gender and History #37)
by Sutapa DuttaThis book studies the exclusive refractive perspectives of British women who took up the twin challenges of travel and writing when Britain was establishing itself as the greatest empire on earth. Contributors explore the ways in which travel writing has defined women’s engagement with Empire and British identity, and was inextricably linked with the issue of identity formation. With a capacious geographical canvas, this volume examines the multifaceted relations and negotiations of British women travellers in a range of different imperial contexts across continents from America, Africa, Europe to Australia.
British Women Writers and Race, 1788-1818: Narrations of Modernity
by E. WrightThis book presents a unique sociological examination of British raciology, focusing on women's literary works of the late eighteenth and early nineteenth centuries, and drawing from a range of academic disciplines, particularly literature, history and cultural studies. Wright traces the emergence of British modernity through the writings of a select group of women writers (including Jane Austen, Hannah More, Fanny Burney, Mary Wollstonecraft, Mary Shelley and Maria Edgeworth) of diverse political and philosophical affiliations, and fills a gap in scholarship on feminist accounts of late eighteenth- and early nineteenth-century women's writing.
British Women Writers and the French Revolution: Citizens of the World (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by A. CraciunBritish Women Writers and the French Revolution provides an overview of a wide range of British women's writings on the French Revolution, from writers sympathetic to the Revolution like Mary Robinson, Helen Maria Williams, and Charlotte Smith, to anti-revolutionary writers like Hannah More and Jane West. Based on new research in French and British archives and libraries, the book uncovers little-known writings by British women, and argues that these writers developed a distinct antinationalism, in some cases even a feminist cosmopolitanism, in their responses to the European revolutionary crisis.
British Women Writers and the Profession of Literary Criticism, 1789-1832 (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by M. WatersThis book examines professional literary criticism by Romantic-era British women to reveal that, while developing a conscious professionalism, women literary critics helped to shape the aesthetic models that defined Romantic-era literary values and made the British literary heritage a source of national pride. Women critics understood the contested nature of aesthetics and the public implications of aesthetic values on questions such as morality, both public and private, the nation's cultural heritage, even the essential qualities of Britishness itself.
British Women Writers and the Reception of Ancient Egypt, 1840-1910: Imperialist Representations of Egyptian Women
by Molly YoungkinFocusing on British women writers' knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation.
British Women Writers and the Short Story, 1850-1930: Reclaiming Social Space
by K. KruegerThis book addresses a critically neglected genre used by women writers from Gaskell to Woolf to complicate Victorian and modernist notions of gender and social space. Their innovative short stories ask Britons to reconsider where women could live, how they could be identified, and whether they could be contained.
British Women Writers and the Writing of History, 1670-1820
by Devoney LooserUntil recently, history writing has been understood as a male enclave from which women were restricted, particularly prior to the nineteenth century. The first book to look at British women writers and their contributions to historiography during the long eighteenth century, British Women Writers and the Writing of History, 1670-1820, asks why, rather than writing history that included their own sex, some women of this period chose to write the same kind of history as men—one that marginalized or excluded women altogether. But as Devoney Looser demonstrates, although British women's historically informed writings were not necessarily feminist or even female-focused, they were intimately involved in debates over and conversations about the genre of history.Looser investigates the careers of Lucy Hutchinson, Lady Mary Wortley Montagu, Charlotte Lennox, Catharine Macaulay, Hester Lynch Piozzi, and Jane Austen and shows how each of their contributions to historical discourse differed greatly as a result of political, historical, religious, class, and generic affiliations. Adding their contributions to accounts of early modern writing refutes the assumption that historiography was an exclusive men's club and that fiction was the only prose genre open to women.
British Women Writers of World War II: Battlegrounds of their Own
by P. LassnerIn British Women Writers of World War II , Phyllis Lassner offers a challenging analysis of politicized literature in which such British women writers as Virginia Woolf, Elizabeth Bowen, Stevie Smith and Storm Jameson debated the `justness' of World War II. Lassner questions prevailing approaches to women's war writing by exploring the complex range of pacifist and activist literary forms of women who redefined such pieties as patriotism and duty and heroism and victimization.
British Women Writing Fiction
by Abby H. P. WerlockAn informal, jargon-free introduction to the fiction of 16 contemporary writers either brought up or now living in England, from Muriel Spark to Jeanette Winterson. It seeks to present a balanced view of women's writing since the 1950s and 1960s, those who attracted critical attention during the 1970s and 1980s, and those who have burst upon the literary scene more recently, including Afro-Caribbean and African women. The essays show how each of these writers treats British subjects and themes, sometimes from radically different perspectives, and how those who are daughters of immigrants see themselves as women writing on the margins of society. Alternate ISBN 9780817309817
British Women's Cinema (British Popular Cinema)
by Melanie Bell Melanie WilliamsBritish Women’s Cinema examines the place of female-centred films throughout British film history, from silent melodrama and 1940s costume dramas right up to the contemporary British ‘chick flick’.
British Women's Cinema (British Popular Cinema)
by Melanie Bell Melanie WilliamsBritish Women’s Cinema examines the place of female-centred films throughout British film history, from silent melodrama and 1940s costume dramas right up to the contemporary British ‘chick flick’.
British Women's Life Writing, 1760-1840: Friendship, Community, and Collaboration
by A. CulleyBritish Women's Life Writing, 1760-1840 brings together for the first time a wide range of print and manuscript sources to demonstrate women's innovative approach to self-representation. It examines canonical writers, such as Mary Wollstonecraft, Mary Robinson, and Helen Maria Williams, amongst others.
British Women’s Short Supernatural Fiction, 1860–1930: Our Own Ghostliness
by Victoria MargreeThis book explores women’s short supernatural fiction between the emergence of first wave feminism and the post-suffrage period, arguing that while literary ghosts enabled an interrogation of women’s changing circumstances, ghosts could have both subversive and conservative implications. Haunted house narratives by Charlotte Riddell and Margaret Oliphant become troubled by uncanny reminders of the origins of middle-class wealth in domestic and foreign exploitation. Corpse-like revenants are deployed in Female Gothic tales by Mary Elizabeth Braddon and Edith Nesbit to interrogate masculine aestheticisation of female death. In the culturally-hybrid supernaturalism of Alice Perrin, the ‘Marriage Question’ migrates to colonial India, and psychoanalytically-informed stories by May Sinclair, Eleanor Scott and Violet Hunt explore just how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.
The British Women's Suffrage Campaign, 1866-1928
by Harold L. SmithThis Seminar Study was the first book to trace the British women's suffrage campaign from its origins in the 1860s through to the achievement of equal suffrage in 1928. In this second edition, Smith provides new evidence drawn from the author's research on how the main post-1918 women's organisation (the NUSEC) worked with Conservative Party women to persuade the Conservative Party to endorse equal franchise rights. Smith focuses on the actions of reformers and their opponents, with due attention paid to the campaigns in Scotland and Wales as well as the movements in England. He explores why women's suffrage was such a contentious issue, and how women gained the vote despite opponents' fears that it would undermine gender boundaries. Suitable for students studying the Suffrage Movement, modern British history and the history of gender.
The British Women's Suffrage Campaign 1866-1928: Revised 2nd Edition
by Harold L. SmithThis Seminar Study was the first book to trace the British women's suffrage campaign from its origins in the 1860s through to the achievement of equal suffrage in 1928. In this second edition, Smith provides new evidence drawn from the author's research on how the main post-1918 women's organisation (the NUSEC) worked with Conservative Party women to persuade the Conservative Party to endorse equal franchise rights. Smith focuses on the actions of reformers and their opponents, with due attention paid to the campaigns in Scotland and Wales as well as the movements in England. He explores why women's suffrage was such a contentious issue, and how women gained the vote despite opponents' fears that it would undermine gender boundaries. Suitable for students studying the Suffrage Movement, modern British history and the history of gender.
The British Women's Suffrage Campaign 1866-1928: Revised 2nd Edition
by Harold L. SmithThis Seminar Study was the first book to trace the British women's suffrage campaign from its origins in the 1860s through to the achievement of equal suffrage in 1928. In this second edition, Smith provides new evidence drawn from the author's research on how the main post-1918 women's organisation (the NUSEC) worked with Conservative Party women to persuade the Conservative Party to endorse equal franchise rights. Smith focuses on the actions of reformers and their opponents, with due attention paid to the campaigns in Scotland and Wales as well as the movements in England. He explores why women's suffrage was such a contentious issue, and how women gained the vote despite opponents' fears that it would undermine gender boundaries. Suitable for students studying the Suffrage Movement, modern British history and the history of gender.
British Women's Writing from Brontë to Bloomsbury, Volume 1: 1840s and 1850s (British Women’s Writing from Brontë to Bloomsbury, 1840-1940 #1)
by Adrienne E. Gavin Carolyn W. de la L. OultonThis five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume’s 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s.