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Cabals and Satires: Mozart's Comic Operas in Vienna
by Dr. Ian WoodfieldWhen Joseph II placed his opera buffa troupe in competition with the re-formed Singspiel, he provoked an intense struggle between supporters of the rival national genres, who organized claques to cheer or hiss at performances, and encouraged press correspondents to write slanted notices. It was in this fraught atmosphere that Mozart collaborated with librettist Lorenzo da Ponte on his three mature Italian comedies--Figaro, Don Giovanni, and Così fan tutte. In Cabals and Satires: Mozart's Comic Operas in Vienna, Ian Woodfield brings the fascinating dynamics of this inter-troupe contest into focus. He reveals how Mozart, while not immune from the infighting, was able to weather satirical attacks, successfully negotiate the unpredictable twists and turns of theatre politics during the lean years of the Austro-Turkish War, and seal his reputation with a revival of Figaro in 1789 as a Habsburg festive work. Mozart's deft navigation of the turbulent political waters of this period left him well placed to benefit from the revival of the commercial stage in Vienna--the most enduring musical consequence of the war years.
Cabals and Satires: Mozart's Comic Operas in Vienna
by Dr. Ian WoodfieldWhen Joseph II placed his opera buffa troupe in competition with the re-formed Singspiel, he provoked an intense struggle between supporters of the rival national genres, who organized claques to cheer or hiss at performances, and encouraged press correspondents to write slanted notices. It was in this fraught atmosphere that Mozart collaborated with librettist Lorenzo da Ponte on his three mature Italian comedies--Figaro, Don Giovanni, and Così fan tutte. In Cabals and Satires: Mozart's Comic Operas in Vienna, Ian Woodfield brings the fascinating dynamics of this inter-troupe contest into focus. He reveals how Mozart, while not immune from the infighting, was able to weather satirical attacks, successfully negotiate the unpredictable twists and turns of theatre politics during the lean years of the Austro-Turkish War, and seal his reputation with a revival of Figaro in 1789 as a Habsburg festive work. Mozart's deft navigation of the turbulent political waters of this period left him well placed to benefit from the revival of the commercial stage in Vienna--the most enduring musical consequence of the war years.
The Cabanatuan Prison Raid: The Philippines 1945 (Raid)
by Howard Gerrard Gordon L. Rottman Mariusz KozikOn 27 January 1945 the 6th Ranger Battalion and the 6th Army Special Reconnaissance Unit (the Alamo Scouts) began the most dangerous and important mission of their careers to rescue 500 American, British and Dutch prisoners-of-war held at a camp near Cabanatuan. This daring plan was fraught with difficulties – the rangers had to struggle with harsh jungle terrain, 30 miles behind enemy lines against a far larger force, knowing that if their secret mission was leaked, the POWs would be massacred by their captors. Yet, with the help of a Filipino guerilla force, they managed to liberate 513 prisoners and kill 225 Japanese in 15 minutes, while only suffering two losses themselves. Relive the dramatic rescue in this action-packed account, complete with bird's eye view and battlescene artwork. Gordon Rottman details the build-up to and execution of the operation, analyzing the difficulties faced and the contribution made by the guerrillas. This is a story not only of extraordinary military success but a compelling tale of courage in the face of overwhelming odds.
Cabaret (Forms of Drama)
by William GrangeWhere did cabaret come from? What has it got to do with pre-war Berlin, decadent society and Nazis? How does it turn into media cabaret and the sisterhood of sleaze? Is cabaret a primary vehicle for exploring the range of sexual practices and alternative sexual identities?In this new book William Grange brings into one place for the first time the range of practices now associated with the form of cabaret. Beginning with its origins in speciality German theatres and the development both of the sheet music industry and disc recordings, Grange tracks the form through into its golden age in the 1920s and beyond.The book's three sections deal first with the emergence of Berlin as the 'German Chicago', where cabaret flourished in the midst of post-war political turmoil. The abolition of censorship allowed nude dancing and sexually explicit songs and routines. It also saw the introduction of kick-line dancing and black performers. In the book's second and third sections Grange takes the story forward into the post second-world-war world, describing how the form moved outwards from central Europe to move across the whole world, reaching Singapore and Australia, and as it did so settling into the range of forms in which we know it today. Some of these forms became 'media cabaret' looking towards the new media age, the postmodernism that followed on from modernism. To this age, even in its new forms, cabaret brought its old habits of making challenges to assumptions around gender identities and sexual practices. As throughout its whole history, cabaret was a form that provided particular vehicles for female performers. And whereas it once served up whore songs and nude dancing it now offers a sisterhood of sleaze.
Cabaret (Forms of Drama)
by William GrangeWhere did cabaret come from? What has it got to do with pre-war Berlin, decadent society and Nazis? How does it turn into media cabaret and the sisterhood of sleaze? Is cabaret a primary vehicle for exploring the range of sexual practices and alternative sexual identities?In this new book William Grange brings into one place for the first time the range of practices now associated with the form of cabaret. Beginning with its origins in speciality German theatres and the development both of the sheet music industry and disc recordings, Grange tracks the form through into its golden age in the 1920s and beyond.The book's three sections deal first with the emergence of Berlin as the 'German Chicago', where cabaret flourished in the midst of post-war political turmoil. The abolition of censorship allowed nude dancing and sexually explicit songs and routines. It also saw the introduction of kick-line dancing and black performers. In the book's second and third sections Grange takes the story forward into the post second-world-war world, describing how the form moved outwards from central Europe to move across the whole world, reaching Singapore and Australia, and as it did so settling into the range of forms in which we know it today. Some of these forms became 'media cabaret' looking towards the new media age, the postmodernism that followed on from modernism. To this age, even in its new forms, cabaret brought its old habits of making challenges to assumptions around gender identities and sexual practices. As throughout its whole history, cabaret was a form that provided particular vehicles for female performers. And whereas it once served up whore songs and nude dancing it now offers a sisterhood of sleaze.
Cabaret Macabre: the brilliant new locked room mystery by Tom Mead (A Spector Locked-Room Mystery #3)
by Tom Mead'Cabaret Macabre really had it all... The twisted and complex puzzle totally foxed me, and although I hate to admit it, I really didn't have a clue whodunnit! Entertaining and fiendishly clever.' Joy Ellis, #1 bestselling authorSleuth and illusionist Joseph Spector investigates his most complex case yet in this gripping new locked-room murder mystery, set in an English country house just before the Second World War.Hampshire, 1938. Victor Silvius is confined in a private sanatorium after attacking prominent judge Sir Giles Drury. When Sir Giles starts receiving sinister letters, his wife suspects Silvius. Meanwhile, Silvius' sister Caroline is convinced her brother is about to be murdered... by none other than his old nemesis Sir Giles. Caroline seeks the advice of Scotland Yard's Inspector Flint, while the Drurys, eager to avoid a scandal, turn to Joseph Spector. Spector, renowned magician turned sleuth, has an uncanny knack for solving complicated crimes – but this case will test his powers of deduction to their limits. At a snowbound English country house, a body is found is impossible circumstances. Spector and Flint's investigations collide as they find themselves trapped by the snowstorm where anyone could be the next victim – or the killer...What reviewers are saying about Cabaret Macabre:'An intricately plotted golden age locked room mystery. Inventive and intriguing.' Ambrose Parry'There are so many intricate layers to this ingenious plot. It truly is the matryoshka of mysteries!' Victoria Dowd'A twisty-turny, fun and very satisfying mystery.' Alison Moore"Stunning. Magic and murder and cleverness. Protagonist Joseph Spector will put a spell on you." Barbara Nadel, author of the Çetin Ikmen series, recently filmed for Paramount+ as The Turkish Detective'There are Agatha Christie-like twists aplenty' Michael Dirda, Washington PostReviews for Tom Mead'Ingenious' Guardian'Great fun' The Times'What more could any fan of classic crime wish for?' Martin Edwards'A sharply drawn period piece' New York Times'An intricate "impossible" crime that completely fooled me' Peter Lovesey
Cabin Crew Conflict: The British Airways Dispute 2009-11
by Phil Taylor Sian Moore Robert ByfordIn 2009, cabin crew in the BASSA union embarked on a historic, two-year battle against British Airways which was seeking to impose reduced crew levels and to transform working conditions. In the face of employer hostility, legal obstruction, government opposition and adverse media coverage, this workforce, diverse in terms of gender, sexuality, race and nationality undertook determined resistance against this offensive. Notably, their action included twenty-two days of strike action that saw mass participation in rallies and on picket lines. The dispute cost British Airways 150 million in lost revenue and its main outcome was the cabin crew's successful defence of their union and core conditions. Here, in their own words, Cabin Crew Conflict tells the strikers' story, focusing on cabin crew responses, perceptions of events, and their lived experiences of taking industrial action in a hostile climate. Foregrounding questions of class, gender and identity, and how these were manifest in the course of the dispute, the authors highlight the strike's significance for contemporary employment relations in and beyond the aviation industry.Lively and insightful, Cabin Crew Conflict explores the organisational and ideological role of the trade union, and shows how a 'non-traditional' workforce can organise and take effective action.
Cabin Crew Conflict: The British Airways Dispute 2009-11
by Phil Taylor Sian Moore Robert ByfordIn 2009, cabin crew in the BASSA union embarked on a historic, two-year battle against British Airways which was seeking to impose reduced crew levels and to transform working conditions. In the face of employer hostility, legal obstruction, government opposition and adverse media coverage, this workforce, diverse in terms of gender, sexuality, race and nationality undertook determined resistance against this offensive. Notably, their action included twenty-two days of strike action that saw mass participation in rallies and on picket lines. The dispute cost British Airways 150 million in lost revenue and its main outcome was the cabin crew's successful defence of their union and core conditions. Here, in their own words, Cabin Crew Conflict tells the strikers' story, focusing on cabin crew responses, perceptions of events, and their lived experiences of taking industrial action in a hostile climate. Foregrounding questions of class, gender and identity, and how these were manifest in the course of the dispute, the authors highlight the strike's significance for contemporary employment relations in and beyond the aviation industry.Lively and insightful, Cabin Crew Conflict explores the organisational and ideological role of the trade union, and shows how a 'non-traditional' workforce can organise and take effective action.
The Cabin in the Mountains: A Norwegian Odyssey
by Robert FergusonThe wooden holiday cabin, or hytte, is a staple of Norwegian life. Robert Ferguson, author of Scandinavians, explores the significance of a national icon in this charming, affectionate history.Turf-roofed and wooden-built, offering fresh air, breathtaking views and peaceful isolation, the wooden cabin home – or hytte – is a crucial part of Norwegian national identity. In 2016, Robert Ferguson and his wife bought a piece of land high up in the Hardangervidda, and on it they built a cabin.As the cabin takes shape, Ferguson learns how native Norwegians have married a new-found urban affluence to their past as a tight-knit rural community-nation, and confronts his own ideas about the dream-tradition of the hytte, drawing an affectionate but unsentimental portrait of Norwegian culture, society and landscape.'Singular and captivating: the pursuit of a dream' Professor John Carey'Illuminating' TLS'An uncompromising journey into the dark cold north, to reveal the warmth that comes from deep community bonds' Tim Ecott
The Cabin in the Woods (Devil's Advocates)
by Susanne KordThe Cabin in the Woods (2012), directed by Drew Goddard and co-authored by Goddard and Joss Whedon of Buffy-fame, was famously described by co-author Whedon as his ‘loving hate letter’ to horror. Interviews with Whedon reveal that his struggles with modern cinematic horror are not merely emotional, but intensely philosophical. This book is the first to read Cabin as a philosophical metatext that asks what horror offers audiences and why audiences accept. Like any good philosophy, the film offers no answers but raises questions: what ‘choices’ are possible in a pre-determined universe? How do we, the audience, see the victims of violence, and with what ethical consequences? And finally, the most fraught question of all: why do we keep looking?
The Cabinet: George Washington and the Creation of an American Institution
by Lindsay M. ChervinskyThe US Constitution never established a presidential cabinet—the delegates to the Constitutional Convention explicitly rejected the idea. So how did George Washington create one of the most powerful bodies in the federal government? On November 26, 1791, George Washington convened his department secretaries—Alexander Hamilton, Thomas Jefferson, Henry Knox, and Edmund Randolph—for the first cabinet meeting. Why did he wait two and a half years into his presidency to call his cabinet? Because the US Constitution did not create or provide for such a body. Washington was on his own. Faced with diplomatic crises, domestic insurrections, and constitutional challenges—and finding congressional help lacking—Washington decided he needed a group of advisors he could turn to. He modeled his new cabinet on the councils of war he had led as commander of the Continental Army. In the early days, the cabinet served at the president’s pleasure. Washington tinkered with its structure throughout his administration, at times calling regular meetings, at other times preferring written advice and individual discussions. Lindsay M. Chervinsky reveals the far-reaching consequences of Washington’s choice. The tensions in the cabinet between Hamilton and Jefferson heightened partisanship and contributed to the development of the first party system. And as Washington faced an increasingly recalcitrant Congress, he came to treat the cabinet as a private advisory body to summon as needed, greatly expanding the role of the president and the executive branch.
A Cabinet of Ancient Medical Curiosities: Strange Tales and Surprising Facts from the Healing Arts of Greece and Rome
by J.C. McKeownThere are few disciplines as exciting and forward-looking as medicine. Unfortunately, however, many modern practitioners have lost sight of the origins of their discipline. A Cabinet of Ancient Medical Curiosities aspires to cure this lapse by taking readers back to the early days of Western medicine in ancient Greece and Rome. Quoting the actual words of ancient authors, often from texts which have never before been translated into English, J. C. McKeown offers a fascinating glimpse at the origins of surgery, gynecology, pediatrics, pharmacology, diet and nutrition, and many other fields of medicine. This book features hundreds of passages from Greek and Roman authors, with gentle guidance from McKeown, giving a vividly direct picture of the ancient medical world, a world in which, for example, a surgeon had to be strong-minded enough to ignore the screams of his patient, diseases were assumed to be sent by the gods, medicine and magic were often indistinguishable, and no qualifications were required before setting oneself up as a doctor. On the other hand, McKeown reveals that some ancient medical attitudes were also surprisingly similar to our own. Beyond the practice of medicine, McKeown highlights ancient views on familiar topics, such as medical ethics and the role of the doctor in society. A fascinating exploration of the bizarre - and sometimes grotesque - medical beliefs of the past, A Cabinet of Ancient Medical Curiosities will delight anyone with an interest in the history of medicine or the ancient world.
A Cabinet of Ancient Medical Curiosities: Strange Tales and Surprising Facts from the Healing Arts of Greece and Rome
by J.C. McKeownThere are few disciplines as exciting and forward-looking as medicine. Unfortunately, however, many modern practitioners have lost sight of the origins of their discipline. A Cabinet of Ancient Medical Curiosities aspires to cure this lapse by taking readers back to the early days of Western medicine in ancient Greece and Rome. Quoting the actual words of ancient authors, often from texts which have never before been translated into English, J. C. McKeown offers a fascinating glimpse at the origins of surgery, gynecology, pediatrics, pharmacology, diet and nutrition, and many other fields of medicine. This book features hundreds of passages from Greek and Roman authors, with gentle guidance from McKeown, giving a vividly direct picture of the ancient medical world, a world in which, for example, a surgeon had to be strong-minded enough to ignore the screams of his patient, diseases were assumed to be sent by the gods, medicine and magic were often indistinguishable, and no qualifications were required before setting oneself up as a doctor. On the other hand, McKeown reveals that some ancient medical attitudes were also surprisingly similar to our own. Beyond the practice of medicine, McKeown highlights ancient views on familiar topics, such as medical ethics and the role of the doctor in society. A fascinating exploration of the bizarre - and sometimes grotesque - medical beliefs of the past, A Cabinet of Ancient Medical Curiosities will delight anyone with an interest in the history of medicine or the ancient world.
A Cabinet of Byzantine Curiosities: Strange Tales and Surprising Facts from History's Most Orthodox Empire
by Anthony KaldellisWeird, decadent, degenerate, racially mixed, superstitious, theocratic, effeminate, and even hyper-literate, Byzantium has long been regarded by many as one big curiosity. According to Voltaire, it represented "a worthless collection of miracles, a disgrace for the human mind"; for Hegel, it was "a disgusting picture of imbecility." A Cabinet of Byzantine Curiosities will churn up these old prejudices, while also stimulating a deeper interest among readers in one of history's most interesting civilizations. Many of the zanier tales and trivia that are collected here revolve around the political and religious life of Byzantium. Thus, stories of saints, relics, and their miracles-from the hilarious to the revolting-abound. Byzantine bureaucracy (whence the adjective "Byzantine"), court scandals, and elaborate penal code are world famous. And what would Byzantium be without its eunuchs, whose ambiguous gender produced odd and risible outcomes in different contexts? The book also contains sections on daily life that are equally eye-opening, including food (from aphrodisiacs to fermented fish sauce), games such as polo and acrobatics, and obnoxious views of foreigners and others (e.g., Germans, Catholics, Arabs, dwarves). But lest we overlook Byzantium's more honorable contributions to civilization, also included are some of the marvels of Byzantine science and technology, from the military (flamethrowers and hand grenades) to the theatrical ("elevator" thrones, roaring mechanical lions) and medical (catheters and cures, some bizarre). This vast assortment of historical anomaly and absurdity sheds vital light on one of history's most obscure and orthodox empires.
A Cabinet of Byzantine Curiosities: Strange Tales and Surprising Facts from History's Most Orthodox Empire
by Anthony KaldellisWeird, decadent, degenerate, racially mixed, superstitious, theocratic, effeminate, and even hyper-literate, Byzantium has long been regarded by many as one big curiosity. According to Voltaire, it represented "a worthless collection of miracles, a disgrace for the human mind"; for Hegel, it was "a disgusting picture of imbecility." A Cabinet of Byzantine Curiosities will churn up these old prejudices, while also stimulating a deeper interest among readers in one of history's most interesting civilizations. Many of the zanier tales and trivia that are collected here revolve around the political and religious life of Byzantium. Thus, stories of saints, relics, and their miracles-from the hilarious to the revolting-abound. Byzantine bureaucracy (whence the adjective "Byzantine"), court scandals, and elaborate penal code are world famous. And what would Byzantium be without its eunuchs, whose ambiguous gender produced odd and risible outcomes in different contexts? The book also contains sections on daily life that are equally eye-opening, including food (from aphrodisiacs to fermented fish sauce), games such as polo and acrobatics, and obnoxious views of foreigners and others (e.g., Germans, Catholics, Arabs, dwarves). But lest we overlook Byzantium's more honorable contributions to civilization, also included are some of the marvels of Byzantine science and technology, from the military (flamethrowers and hand grenades) to the theatrical ("elevator" thrones, roaring mechanical lions) and medical (catheters and cures, some bizarre). This vast assortment of historical anomaly and absurdity sheds vital light on one of history's most obscure and orthodox empires.
A Cabinet of Greek Curiosities: Strange Tales and Surprising Facts from the Cradle of Western Civilization
by J. C. McKeownThe ancient Greeks were a wonderful people. They gave us democracy, drama, and philosophy, and many forms of art and branches of science would be inconceivable without their influence. And yet, they were capable of the most outlandish behavior, preposterous beliefs, and ludicrous opinions. Like its companion volume, A Cabinet of Roman Curiosities, this is an uproarious miscellany of odd stories and facts, culled from a lifetime of teaching ancient Greek civilization. In some ways, the book demonstrates how much the Greeks were like us. Politicians were regarded as shallow and self-serving; overweight people resorted to implausible diets; Socrates and the king of Sparta used to entertain their children by riding around on a stick pretending it was a horse. Of course, their differences from us are abundantly documented too and the book may leave readers with a few incredulous questions. To ward off evil, were scapegoats thrown down from cliffs, though fitted out with feathers and live birds to give them a sporting chance of survival? Did a werewolf really win the boxing event at the Olympic Games? Were prisoners released on bail so that they could enjoy dramatic festivals? Did anyone really believe that Pythagoras flew about on a magic arrow? Other such mysteries abound in this quirky and richly illustrated journey into the "glory that was Greece." "The loveliest thing on the black earth." Sappho of Lesbos "Well worth getting a copy." Pisistratus of Athens "Meticulously written, a must for every library." Ptolemy of Alexandria "Unputdownable." Atlas the Titan "Fantastic! Incredible!" Cassandra, priestess of Apollo "The ideal gift." Laocoon of Troy "Not too long." Callimachus of Cyrene "I find something new every time I dip in." Archimedes of Syracuse
A Cabinet of Greek Curiosities: Strange Tales and Surprising Facts from the Cradle of Western Civilization
by J. C. McKeownThe ancient Greeks were a wonderful people. They gave us democracy, drama, and philosophy, and many forms of art and branches of science would be inconceivable without their influence. And yet, they were capable of the most outlandish behavior, preposterous beliefs, and ludicrous opinions. Like its companion volume, A Cabinet of Roman Curiosities, this is an uproarious miscellany of odd stories and facts, culled from a lifetime of teaching ancient Greek civilization. In some ways, the book demonstrates how much the Greeks were like us. Politicians were regarded as shallow and self-serving; overweight people resorted to implausible diets; Socrates and the king of Sparta used to entertain their children by riding around on a stick pretending it was a horse. Of course, their differences from us are abundantly documented too and the book may leave readers with a few incredulous questions. To ward off evil, were scapegoats thrown down from cliffs, though fitted out with feathers and live birds to give them a sporting chance of survival? Did a werewolf really win the boxing event at the Olympic Games? Were prisoners released on bail so that they could enjoy dramatic festivals? Did anyone really believe that Pythagoras flew about on a magic arrow? Other such mysteries abound in this quirky and richly illustrated journey into the "glory that was Greece." "The loveliest thing on the black earth." Sappho of Lesbos "Well worth getting a copy." Pisistratus of Athens "Meticulously written, a must for every library." Ptolemy of Alexandria "Unputdownable." Atlas the Titan "Fantastic! Incredible!" Cassandra, priestess of Apollo "The ideal gift." Laocoon of Troy "Not too long." Callimachus of Cyrene "I find something new every time I dip in." Archimedes of Syracuse
The Cabinet of Imaginary Laws
by Peter Goodrich Thanos ZartaloudisReturning to the map of the island of utopia, this book provides a contemporary, inventive, addition to the long history of legal fictions and juristic phantasms. Progressive legal and political thinking has for long lacked a positive, let alone a bold imaginary project, an account of what improved institutions and an ameliorated environment would look like. And where better to start than with the non-laws or imaginary legislations of a realm yet to come. The Cabinet of Imaginary Laws is a collection of fictive contributions to the theme of conceiving imaginary laws in the vivid vein of jurisliterary invention. Disparate in style and diverse in genres of writing and performative expression, the celebrated and unknown, venerable and youthful authors write new laws. Thirty-five dissolute scholars, impecunious authors and dyspeptic artists from a variety of fields including law, film, science, history, philosophy, political science, aesthetics, architecture and the classics become, for a brief and inspiring instance, legislators of impossible norms. The collection provides an extra-ordinary range of inspired imaginings of other laws. This momentary community of radial thought conceives of a wild variety of novel critical perspectives. The contributions aim to inspire reflection on the role of imagination in the study and writing of law. Verse, collage, artworks, short stories, harangues, lists, and other pleas, reports and pronouncements revivify the sense of law as the vehicle of poetic justice and as an art that instructs and constructs life. Aimed at an intellectual audience disgruntled with the negativity of critique and the narrowness of the disciplines, this book will appeal especially to theorists, lawyers, scholars and a general public concerned with the future of decaying laws and an increasingly derelict legal system.
The Cabinet of Imaginary Laws
by Peter Goodrich and Thanos ZartaloudisReturning to the map of the island of utopia, this book provides a contemporary, inventive, addition to the long history of legal fictions and juristic phantasms. Progressive legal and political thinking has for long lacked a positive, let alone a bold imaginary project, an account of what improved institutions and an ameliorated environment would look like. And where better to start than with the non-laws or imaginary legislations of a realm yet to come. The Cabinet of Imaginary Laws is a collection of fictive contributions to the theme of conceiving imaginary laws in the vivid vein of jurisliterary invention. Disparate in style and diverse in genres of writing and performative expression, the celebrated and unknown, venerable and youthful authors write new laws. Thirty-five dissolute scholars, impecunious authors and dyspeptic artists from a variety of fields including law, film, science, history, philosophy, political science, aesthetics, architecture and the classics become, for a brief and inspiring instance, legislators of impossible norms. The collection provides an extra-ordinary range of inspired imaginings of other laws. This momentary community of radial thought conceives of a wild variety of novel critical perspectives. The contributions aim to inspire reflection on the role of imagination in the study and writing of law. Verse, collage, artworks, short stories, harangues, lists, and other pleas, reports and pronouncements revivify the sense of law as the vehicle of poetic justice and as an art that instructs and constructs life. Aimed at an intellectual audience disgruntled with the negativity of critique and the narrowness of the disciplines, this book will appeal especially to theorists, lawyers, scholars and a general public concerned with the future of decaying laws and an increasingly derelict legal system.
A Cabinet of Roman Curiosities: Strange Tales and Surprising Facts from the World's Greatest Empire
by J. C. McKeownHere is a whimsical and captivating collection of odd facts, strange beliefs, outlandish opinions, and other highly amusing trivia of the ancient Romans. We tend to think of the Romans as a pragmatic people with a ruthlessly efficient army, an exemplary legal system, and a precise and elegant language. A Cabinet of Roman Curiosities shows that the Romans were equally capable of bizarre superstitions, logic-defying customs, and often hilariously derisive views of their fellow Romans and non-Romans. Classicist J. C. McKeown has organized the entries in this entertaining volume around major themes--The Army, Women, Religion and Superstition, Family Life, Medicine, Slaves, Spectacles--allowing for quick browsing or more deliberate consumption. Among the book's many gems are: · Romans on urban living: The satirist Juvenal lists "fires, falling buildings, and poets reciting in August as hazards to life in Rome." · On enhanced interrogation: "If we are obliged to take evidence from an arena-fighter or some other such person, his testimony is not to be believed unless given under torture." (Justinian) · On dreams: Dreaming of eating books "foretells advantage to teachers, lecturers, and anyone who earns his livelihood from books, but for everyone else it means sudden death" · On food: "When people unwittingly eat human flesh, served by unscrupulous restaurant owners and other such people, the similarity to pork is often noted." (Galen) · On marriage: In ancient Rome a marriage could be arranged even when the parties were absent, so long as they knew of the arrangement, "or agreed to it subsequently." · On health care: Pliny caustically described medical bills as a "down payment on death," and Martial quipped that "Diaulus used to be a doctor, now he's a mortician. He does as a mortician what he did as a doctor." For anyone seeking an inglorious glimpse at the underside of the greatest empire in history, A Cabinet of Roman Curiosities offers endless delights.
A Cabinet of Roman Curiosities: Strange Tales and Surprising Facts from the World's Greatest Empire
by J. C. McKeownHere is a whimsical and captivating collection of odd facts, strange beliefs, outlandish opinions, and other highly amusing trivia of the ancient Romans. We tend to think of the Romans as a pragmatic people with a ruthlessly efficient army, an exemplary legal system, and a precise and elegant language. A Cabinet of Roman Curiosities shows that the Romans were equally capable of bizarre superstitions, logic-defying customs, and often hilariously derisive views of their fellow Romans and non-Romans. Classicist J. C. McKeown has organized the entries in this entertaining volume around major themes--The Army, Women, Religion and Superstition, Family Life, Medicine, Slaves, Spectacles--allowing for quick browsing or more deliberate consumption. Among the book's many gems are: · Romans on urban living: The satirist Juvenal lists "fires, falling buildings, and poets reciting in August as hazards to life in Rome." · On enhanced interrogation: "If we are obliged to take evidence from an arena-fighter or some other such person, his testimony is not to be believed unless given under torture." (Justinian) · On dreams: Dreaming of eating books "foretells advantage to teachers, lecturers, and anyone who earns his livelihood from books, but for everyone else it means sudden death" · On food: "When people unwittingly eat human flesh, served by unscrupulous restaurant owners and other such people, the similarity to pork is often noted." (Galen) · On marriage: In ancient Rome a marriage could be arranged even when the parties were absent, so long as they knew of the arrangement, "or agreed to it subsequently." · On health care: Pliny caustically described medical bills as a "down payment on death," and Martial quipped that "Diaulus used to be a doctor, now he's a mortician. He does as a mortician what he did as a doctor." For anyone seeking an inglorious glimpse at the underside of the greatest empire in history, A Cabinet of Roman Curiosities offers endless delights.
The Cabinet Office, 1916–2018: The Birth of Modern Government
by Anthony Seldon Jonathan MeakinSince its creation in the depths of the Great War in December 1916, the Cabinet Office has retained a uniquely central place in the ever-changing political landscape of the last century.While the revolving door of 10 Downing Street admits and ejects its inhabitants every few years, the Cabinet Office remains a constant, supporting and guiding successive Prime Ministers and their governments, regardless of their political leanings, all the while keeping the British state safe, stable and secure.It has been at the centre of everything – wars, intelligence briefings, spy scandals, disputed elections, political crises – and its eleven Cabinet Secretaries, ever at the right hand of their political masters, have borne witness to them all. The true ‘men of secrets’, these individuals are granted access to the meetings that determine the course of history, trusted with the most classified information the state possesses.Written with unparalleled access to documents and personnel by acclaimed political historian, commentator and biographer Anthony Seldon, this lavishly illustrated history is the definitive inside account of what has really gone on in the last 100 years of British politics.
Cabinets for the Curious: Looking Back at Early English Museums (Perspectives on Collecting)
by Ken ArnoldThe last few years has, within museums, witnessed nothing short of a revolution. Worried that the very institution was itself in danger of becoming a dusty, forgotten, culturally irrelevant exhibit, vigorous efforts have been made to reshape the museum mission. Fearing that history was coming to be ignored by modern society, many institutions have instead marketed a de-intellectualised heritage, overly relying on computer technology to captivate a contemporary audience. The theme of this work is that we can do much to reassess the rationale that inspires contemporary collections through a study of seventeenth century museums. England's first museums were quite literally wonderful; founded that is on the disciplined application of the faculty of wonder. The type of wonder employed was not that post-Romantic idea of disbelief, but rather an active form of curiosity developed during the Renaissance, particularly by the individuals who set about gathering objects and founding museums to further their enquiries. The argument put forward in this book is that this museological practice of using objects actually to create, as well as disseminate knowledge makes just as much sense today as it did in the seventeenth century and, further, that the best way of reinvigorating contemporary museums, is to return to that form of wonder. By taking such a comparative approach, this book works both as a scholarly historical text, and as an historically informed analysis of the key issues facing today's museums. As such, it will prove essential reading both for historians of collecting and museums, and for anyone interested in the philosophies of modern museum management.
Cabinets for the Curious: Looking Back at Early English Museums (Perspectives on Collecting)
by Ken ArnoldThe last few years has, within museums, witnessed nothing short of a revolution. Worried that the very institution was itself in danger of becoming a dusty, forgotten, culturally irrelevant exhibit, vigorous efforts have been made to reshape the museum mission. Fearing that history was coming to be ignored by modern society, many institutions have instead marketed a de-intellectualised heritage, overly relying on computer technology to captivate a contemporary audience. The theme of this work is that we can do much to reassess the rationale that inspires contemporary collections through a study of seventeenth century museums. England's first museums were quite literally wonderful; founded that is on the disciplined application of the faculty of wonder. The type of wonder employed was not that post-Romantic idea of disbelief, but rather an active form of curiosity developed during the Renaissance, particularly by the individuals who set about gathering objects and founding museums to further their enquiries. The argument put forward in this book is that this museological practice of using objects actually to create, as well as disseminate knowledge makes just as much sense today as it did in the seventeenth century and, further, that the best way of reinvigorating contemporary museums, is to return to that form of wonder. By taking such a comparative approach, this book works both as a scholarly historical text, and as an historically informed analysis of the key issues facing today's museums. As such, it will prove essential reading both for historians of collecting and museums, and for anyone interested in the philosophies of modern museum management.
Cabinets in Eastern Europe
by J. Blondel F. Müller-RommelCabinets in Eastern Europe is a comprehensive study which enables the reader to compare the origins, structure, composition and activities of these cabinets and to draw lessons from this comparison. Each chapter begins with a survey of the evolution of cabinets since the fall of communism at the beginning of the 1990s. The emphasis is then laid on the place of the cabinet in the constitution and on the role of presidents and prime ministers in the formation of the life of each cabinet. At a time when most Eastern European countries are candidates for membership in the European Union, this volume provides a unique comparative presentation of the way in which cabinets have been evolving in Eastern Europe since the end of communism.