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Enzo Ferrari: A Life

by Richard Williams

For tens of millions of people around the world, a single name evokes the world of speed - Enzo Ferrari. Today's Formula One would be unthinkable without the presence of the Ferrari cars on the grid. Win or lose, Ferrari attract more fans than all the other teams combined. And the cars unique appeal - their mystique, their myth - has its origins in the story of one man with a dictator's will and the cunning of a Machiavelli. Going back to the origins of "The Old Man", tracing his remarkable rise to prominence, and using sources which have hitherto remained silent, Richard Williams tells the story of a man who was one of the key figures of sport in the twentieth century, and whose influence over his sport is undiminished today, more than a decade after his death.

Enzyklopädie der textilchemischen Technologie

by A. Bodmer K. Braungard W. Christ G. Durst R. Haller Alouis Herzog R. Hofmann W. Keiper W. Kind A. Klughardt P. Krais H. Ley Jul. Marx Manfred Richter R. Rüsch

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

The EOKA Cause: Nationalism and the Failure of Cypriot Enosis

by Andrew R. Novo

This book explores the origins, conduct, and failure of Greek Cypriot nationalists to achieve the unification of Cyprus with Greece. Andrew Novo addresses the anti-colonial struggle in the context of: the competition for the nationalist narrative in Cyprus between the Left and Right, the duelling Greek-Cypriot and Turkish-Cypriot nationalisms in Cyprus, the role of Turkey and Greece in the conflict on the island, and the concerns of the British Empire during its retrenchment following the Second World War. More than a narrative history of the period, an analysis of British policy, or a description of counter-insurgency operations, this book lays out an examination of the underpinnings of the enosis cause and its manifestation in action. It argues that the strategic myopia of the enosis movement shackled the cause, defined its conduct, and was the primary reason for its failure. Divided and occupied, Cyprus, and the world, deal with its unresolved legacy to this day.

The EOKA Cause: Nationalism and the Failure of Cypriot Enosis

by Andrew R. Novo

This book explores the origins, conduct, and failure of Greek Cypriot nationalists to achieve the unification of Cyprus with Greece. Andrew Novo addresses the anti-colonial struggle in the context of: the competition for the nationalist narrative in Cyprus between the Left and Right, the duelling Greek-Cypriot and Turkish-Cypriot nationalisms in Cyprus, the role of Turkey and Greece in the conflict on the island, and the concerns of the British Empire during its retrenchment following the Second World War. More than a narrative history of the period, an analysis of British policy, or a description of counter-insurgency operations, this book lays out an examination of the underpinnings of the enosis cause and its manifestation in action. It argues that the strategic myopia of the enosis movement shackled the cause, defined its conduct, and was the primary reason for its failure. Divided and occupied, Cyprus, and the world, deal with its unresolved legacy to this day.

Ephemeral City: Cheap Print And Urban Culture In Renaissance Venice

by Rosa Salzberg

Ephemeral city explores the rapid rise of cheap print and how it permeated Venetian urban culture in the Renaissance. It offers the first view of one of the city's most productive and creative industries from the bottom up and a new and unexpected vision of Renaissance culture, characterised by the fluid mobility and dynamic intermingling of texts, ideas, goods and people. Closely intertwined with oral culture and often peddled in the streets, cheap printed texts helped to open up new audiences for literature, providing information and entertainment to a diverse public and transforming the city into an epicentre of vernacular literature and performance. Examining the ways in which the production and dissemination of cheap print infiltrated Venice's urban environment and changed the course of its cultural life, the book also traces how local authorities responded by escalating censorship and control over the course of the sixteenth century. Ephemeral city will be of interest to scholars and students of early modern European and Italian Renaissance culture and society and the history of the book and communication.

The Ephemeral History of Perfume: Scent and Sense in Early Modern England

by Holly Dugan

In contrast to the other senses, smell has long been thought of as too elusive, too fleeting for traditional historical study. Holly Dugan disagrees, arguing that there are rich accounts documenting how men and women produced, consumed, and represented perfumes and their ephemeral effects. She delves deeply into the cultural archive of olfaction to explore what a sense of smell reveals about everyday life in early modern England. In this book, Dugan focuses on six important scents—incense, rose, sassafras, rosemary, ambergris, and jasmine. She links these smells to the unique spaces they inhabited—churches, courts, contact zones, plague-ridden households, luxury markets, and pleasure gardens—and the objects used to dispense them. This original approach provides a rare opportunity to study how early modern men and women negotiated the environment in their everyday lives and the importance of smell to their daily actions. Dugan defines perfume broadly to include spices, flowers, herbs, animal parts, trees, resins, and other ingredients used to produce artificial scents, smokes, fumes, airs, balms, powders, and liquids. In researching these Renaissance aromas, Dugan uncovers the extraordinary ways, now largely lost, that people at the time spoke and wrote about smell: objects "ambered, civited, expired, fetored, halited, resented, and smeeked" or were described as "breathful, embathed, endulced, gracious, halited, incensial, odorant, pulvil, redolent, and suffite." A unique contribution to early modern studies, The Ephemeral History of Perfume is an unparalleled study of olfaction in the Renaissance, a period in which new scents and important cultural theories about smell were developed. Dugan’s inspired analysis of a wide range of underexplored sources makes available to scholars a remarkable wealth of information on the topic.

The Ephemeral History of Perfume: Scent and Sense in Early Modern England

by Holly Dugan

In contrast to the other senses, smell has long been thought of as too elusive, too fleeting for traditional historical study. Holly Dugan disagrees, arguing that there are rich accounts documenting how men and women produced, consumed, and represented perfumes and their ephemeral effects. She delves deeply into the cultural archive of olfaction to explore what a sense of smell reveals about everyday life in early modern England. In this book, Dugan focuses on six important scents—incense, rose, sassafras, rosemary, ambergris, and jasmine. She links these smells to the unique spaces they inhabited—churches, courts, contact zones, plague-ridden households, luxury markets, and pleasure gardens—and the objects used to dispense them. This original approach provides a rare opportunity to study how early modern men and women negotiated the environment in their everyday lives and the importance of smell to their daily actions. Dugan defines perfume broadly to include spices, flowers, herbs, animal parts, trees, resins, and other ingredients used to produce artificial scents, smokes, fumes, airs, balms, powders, and liquids. In researching these Renaissance aromas, Dugan uncovers the extraordinary ways, now largely lost, that people at the time spoke and wrote about smell: objects "ambered, civited, expired, fetored, halited, resented, and smeeked" or were described as "breathful, embathed, endulced, gracious, halited, incensial, odorant, pulvil, redolent, and suffite." A unique contribution to early modern studies, The Ephemeral History of Perfume is an unparalleled study of olfaction in the Renaissance, a period in which new scents and important cultural theories about smell were developed. Dugan’s inspired analysis of a wide range of underexplored sources makes available to scholars a remarkable wealth of information on the topic.

Ephemeral Media: Transitory Screen Culture from Television to YouTube

by Paul Grainge

Ephemeral Media explores the practices, strategies and textual forms helping producers negotiate a fast-paced mediascape. Examining dynamics of brevity and evanescence in the television and new media environment, this book provides a new perspective on the transitory, and transitional, nature of screen culture in the early twenty-first century.

Ephemeral vistas (Studies in Imperialism)

by Paul Greenhalgh

The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.

Ephesians (New Testament Readings)

by Canon Martin Kitchen Martin Kitchen

This study approaches the Epistle to the Ephesians in a radically different way from traditional commentaries. Rather than analysing each individual verse, Martin Kitchen examines the complete text within the framework of contemporary biblical criticism. He acknowledges the debt which biblical studies owes to historical method, while at the same time recognizing the need to view the Epistle against the background of recent literary approaches to New Testament texts. Ephesians also takes into account the important questions of whether the Epistle was written by St Paul and, if not, why it was written at all.This book will be valuable reading for all theologians, students of theology and ministers of religion.

Ephesians (New Testament Readings)

by Martin Kitchen Canon Martin Kitchen

This study approaches the Epistle to the Ephesians in a radically different way from traditional commentaries. Rather than analysing each individual verse, Martin Kitchen examines the complete text within the framework of contemporary biblical criticism. He acknowledges the debt which biblical studies owes to historical method, while at the same time recognizing the need to view the Epistle against the background of recent literary approaches to New Testament texts. Ephesians also takes into account the important questions of whether the Epistle was written by St Paul and, if not, why it was written at all.This book will be valuable reading for all theologians, students of theology and ministers of religion.

Epic Adventures: Explore the World in 12 Amazing Train Journeys

by Sam Sedgman

From Adventures on Trains author and British Book Award 2021 winner Sam Sedgman comes a beautiful and fact-filled book encapsulating the excitement and wonder of adventure and travel – all seen through the world's most epic train journeys. So climb on board and travel across six continents, 34 countries and numerous cities via twelve of the world's most awe-inspiring railways. Bestselling author Sam Sedgman brings to life these astonishing feats of railway engineering, including the Eurostar (London to Amsterdam), Orient Express (Paris to Istanbul), the first Transcontinental Railroad (Chicago to San Francisco) and the Rejuvenation Express (Beijing to Hong Kong). Each locomotive adventure reveals some of the rich history, culture, landscape and wildlife of the countries travelled. Take in the safari sights of Southern Africa, wrap up warm in the Arctic Circle, cross scorching deserts on the California Zephyr, and taste tea in India whilst on a toy train – there's a whole world to discover when travelling by train! Detailed, colourful illustrations by Sam Brewster bring the facts and journeys to life. Epic Adventures will appeal to culture-, travel-, locomotive-fans of all ages.

The Epic City: The World on the Streets of Calcutta

by Kushanava Choudhury

A masterful and entirely fresh portrait of great hopes and dashed dreams in a mythical city from a major new literary voiceEverything that could possibly be wrong with a city was wrong with Calcutta.When Kushanava Choudhury arrived in New Jersey at the age of twelve, he had already migrated halfway around the world four times. After graduating from Princeton, he moved back to the world which his immigrant parents had abandoned, to a city built between a river and a swamp, where the moisture-drenched air swarms with mosquitos after sundown. Once the capital of the British Raj, and then India's industrial and cultural hub, by 2001 Calcutta was clearly past its prime. Why, his relatives beseeched him, had he returned? Surely, he could have moved to Delhi, Bombay or Bangalore, where a new Golden Age of consumption was being born. Yet fifteen million people still lived in Calcutta. Working for the Statesman, its leading English newspaper, Kushanava Choudhury found the streets of his childhood unchanged by time. Shouting hawkers still overran the footpaths, fish-sellers squatted on bazaar floors; politics still meant barricades and bus burnings, while Communist ministers travelled in motorcades. Sifting through the chaos for the stories that never make the papers, Kushanava Choudhury paints a soulful, compelling portrait of the everyday lives that make Calcutta. Written with humanity, wit and insight, The Epic City is an unforgettable portrait of an era, and a city which is a world unto itself.

The Epic City: The World on the Streets of Calcutta

by Kushanava Choudhury

Shortlisted for the 2018 Ondaatje PrizeShortlisted for the Stanford Dolman Travel Book of the YearA masterful and entirely fresh portrait of great hopes and dashed dreams in a mythical city from a major new literary voice.Everything that could possibly be wrong with a city was wrong with Calcutta.When Kushanava Choudhury arrived in New Jersey at the age of twelve, he had already migrated halfway around the world four times. After graduating from Princeton, he moved back to the world which his immigrant parents had abandoned, to a city built between a river and a swamp, where the moisture-drenched air swarms with mosquitos after sundown. Once the capital of the British Raj, and then India's industrial and cultural hub, by 2001 Calcutta was clearly past its prime. Why, his relatives beseeched him, had he returned? Surely, he could have moved to Delhi, Bombay or Bangalore, where a new Golden Age of consumption was being born. Yet fifteen million people still lived in Calcutta. Working for the Statesman, its leading English newspaper, Kushanava Choudhury found the streets of his childhood unchanged by time. Shouting hawkers still overran the footpaths, fish-sellers squatted on bazaar floors; politics still meant barricades and bus burnings, while Communist ministers travelled in motorcades. Sifting through the chaos for the stories that never make the papers, Kushanava Choudhury paints a soulful, compelling portrait of the everyday lives that make Calcutta. Written with humanity, wit and insight, The Epic City is an unforgettable depiction of an era, and a city which is a world unto itself.

Epic Continent: Adventures in the Great Stories of Europe

by Nicholas Jubber

These are the stories that made Europe.Journeying from Turkey to Iceland, award-winning travel writer Nicholas Jubber takes us on a fascinating adventure through our continent's most enduring epic poems to learn how they were shaped by their times, and how they have since shaped us. The great European epics were all inspired by moments of seismic change: The Odyssey tells of the aftermath of the Trojan War, the primal conflict from which much of European civilisation was spawned. The Song of the Nibelungen tracks the collapse of a Germanic kingdom on the edge of the Roman Empire. Both the French Song of Roland and the Serbian Kosovo Cycle emerged from devastating conflicts between Christian and Muslim powers. Beowulf, the only surviving Old English epic, and the great Icelandic Saga of Burnt Njal, respond to times of great religious struggle - the shift from paganism to Christianity. These stories have stirred passions ever since they were composed, motivating armies and revolutionaries, and they continue to do so today.Reaching back into the ancient and medieval eras in which these defining works were produced, and investigating their continuing influence today, Epic Continent explores how matters of honour, fundamentalism, fate, nationhood, sex, class and politics have preoccupied the people of Europe across the millennia. In these tales soaked in blood and fire, Nicholas Jubber discovers how the world of gods and emperors, dragons and water-maidens, knights and princesses made our own: their deep impact on European identity, and their resonance in our turbulent times.

The Epic Distilled: Studies in the Composition of the Aeneid

by Nicholas Horsfall

The Epic Distilled is a rich exploration of Virgil's use of sources in the Aeneid, considering elements of history, geography, mythology, and ethnography. Building on and developing the research involved in the author's monumental commentaries on the Aeneid, the volume investigates how the poem was written, what Virgil read, and why particular details are interwoven into the narrative. The volume looks beyond the Aeneid's poetry and plot to focus on the 'matter' of the epic: details of colour, material, arms, clothing, landscape, and physiology. Details which might seem trivial are revealed as carefully deliberate and highly significant. For instance, one Trojan's specifically oriental trousers are suggestive of the Trojans' non-Roman 'otherness' and fit solidly into a complex ethnographic argument. In this way, the meaning and implications of Virgil's heavily allusive style, including practices and techniques of composition, are unpicked meticulously. Particularly difficult and intricate passages are delved into and the significance of specific details, legends, arcane references, places, names, digressions, and inconsistencies are uncovered. By exposing new layers of illuminating material, The Epic Distilled offers readers a fresh approach to understanding the full intellectual texture of Virgil's epic poem.

The Epic Distilled: Studies in the Composition of the Aeneid

by Nicholas Horsfall

The Epic Distilled is a rich exploration of Virgil's use of sources in the Aeneid, considering elements of history, geography, mythology, and ethnography. Building on and developing the research involved in the author's monumental commentaries on the Aeneid, the volume investigates how the poem was written, what Virgil read, and why particular details are interwoven into the narrative. The volume looks beyond the Aeneid's poetry and plot to focus on the 'matter' of the epic: details of colour, material, arms, clothing, landscape, and physiology. Details which might seem trivial are revealed as carefully deliberate and highly significant. For instance, one Trojan's specifically oriental trousers are suggestive of the Trojans' non-Roman 'otherness' and fit solidly into a complex ethnographic argument. In this way, the meaning and implications of Virgil's heavily allusive style, including practices and techniques of composition, are unpicked meticulously. Particularly difficult and intricate passages are delved into and the significance of specific details, legends, arcane references, places, names, digressions, and inconsistencies are uncovered. By exposing new layers of illuminating material, The Epic Distilled offers readers a fresh approach to understanding the full intellectual texture of Virgil's epic poem.

Epic Echoes in The Wind in the Willows (Routledge Focus on Classical Studies)

by Georgia L. Irby

This book explores Grahame’s engagements with classical antiquity in The Wind in the Willows, including ancient epic, parody (Batrachomyomachia), and pastoral imagery. Irby demonstrates how subtle echoes – such as the structure of twelve books, arming scenes, epic catalogues, anabases and katabases, lying tales, Toad’s "cleverness" – cumulatively suggest a link between The Wind in the Willows and classical literature. This study offers the first sustained treatment of classical allusions in The Wind in the Willows, considering the entire novel, not isolated scenes, building on existing scholarship to yield an interpretation through the lens of classical literature and its reception in Victorian and Edwardian England. This volume will provide a unique resource for students and scholars of classical reception and literature, as well as comparative literature, English literature, children’s literature, gender studies, and Grahame’s writing.

Epic Echoes in The Wind in the Willows (Routledge Focus on Classical Studies)

by Georgia L. Irby

This book explores Grahame’s engagements with classical antiquity in The Wind in the Willows, including ancient epic, parody (Batrachomyomachia), and pastoral imagery. Irby demonstrates how subtle echoes – such as the structure of twelve books, arming scenes, epic catalogues, anabases and katabases, lying tales, Toad’s "cleverness" – cumulatively suggest a link between The Wind in the Willows and classical literature. This study offers the first sustained treatment of classical allusions in The Wind in the Willows, considering the entire novel, not isolated scenes, building on existing scholarship to yield an interpretation through the lens of classical literature and its reception in Victorian and Edwardian England. This volume will provide a unique resource for students and scholars of classical reception and literature, as well as comparative literature, English literature, children’s literature, gender studies, and Grahame’s writing.

Epic, Epitome, and the Early Modern Historical Imagination

by Chloe Wheatley

In early modern England, epitomes-texts promising to pare down, abridge, or sum up the essence of their authoritative sources-provided readers with key historical knowledge without the bulk, expense, or time commitment demanded by greater volumes. Epic poets in turn addressed the habits of reading and thinking that, for better and for worse, were popularized by the publication of predigested works. Analyzing popular texts such as chronicle summaries, abridgements of sacred epic, and abstracts of civil war debate, Chloe Wheatley charts the efflorescence of a lively early modern epitome culture, and demonstrates its impact upon Edmund Spenser's The Faerie Queene, Abraham Cowley's Davideis, and John Milton's Paradise Lost. Clearly and elegantly written, this new study presents fresh insight into how poets adapted an important epic convention-the representation of the hero's confrontation with summaries of past and future-to reflect contemporary trends in early modern history writing.

Epic, Epitome, and the Early Modern Historical Imagination

by Chloe Wheatley

In early modern England, epitomes-texts promising to pare down, abridge, or sum up the essence of their authoritative sources-provided readers with key historical knowledge without the bulk, expense, or time commitment demanded by greater volumes. Epic poets in turn addressed the habits of reading and thinking that, for better and for worse, were popularized by the publication of predigested works. Analyzing popular texts such as chronicle summaries, abridgements of sacred epic, and abstracts of civil war debate, Chloe Wheatley charts the efflorescence of a lively early modern epitome culture, and demonstrates its impact upon Edmund Spenser's The Faerie Queene, Abraham Cowley's Davideis, and John Milton's Paradise Lost. Clearly and elegantly written, this new study presents fresh insight into how poets adapted an important epic convention-the representation of the hero's confrontation with summaries of past and future-to reflect contemporary trends in early modern history writing.

Epic / everyday: Moments in television (The Television Series)

by Sarah Cardwell Jonathan Bignell Lucy Fife Donaldson

An exciting new strand in The Television Series, the ‘Moments in Television’ collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship. Each ‘Moments’ book is organised around a provocative binary theme. Epic / everyday explores the presence within television of the epic and the everyday. It argues that attention to ideas of the epic and notions of the everyday can illuminate television programmes in new ways. The book explores an eclectic range of TV fictions, including Game of Thrones, Lost and Dr Who. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.

Epic / everyday: Moments in television (The Television Series)

by Sarah Cardwell Jonathan Bignell Lucy Fife Donaldson

An exciting new strand in The Television Series, the ‘Moments in Television’ collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship. Each ‘Moments’ book is organised around a provocative binary theme. Epic / everyday explores the presence within television of the epic and the everyday. It argues that attention to ideas of the epic and notions of the everyday can illuminate television programmes in new ways. The book explores an eclectic range of TV fictions, including Game of Thrones, Lost and Dr Who. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.

Epic Fail: The Ultimate Book of Blunders

by Mark Leigh

Herewith a handful of sample entries to tickle your funny bones…In the 1824 war between Britain and Ashanti (now part of Ghana), the British Redcoats found themselves surrounded by 10,000 fierce Ashanti warriors, and running very low on ammunition. Their commander ordered Charles Brandon, the army’s stores manager, to break open the reserve ammunition he’d ordered. As the Ashanti advanced Brandon began to open the ammunition boxes – only to find he had brought the wrong supplies. They were all full of biscuits. The grandfather of film star Lana Turner owned a half share in a brand new company that had started bottling a fizzy drink. He thought the drink’s name would affect its saleability and wanted to change it – without success. In frustration and as a protest he sold his 50%. It’s a pity really because Coca-Cola became quite popular…Italian Vittoria Luise was out driving during a fierce storm in Naples. A huge gust of wind blew his car into the River Sele. The car began to sink, but the calm motorist managed to break a window and swim to safety. He dragged himself onto the riverbank – and it was here that he was hit by a falling tree and killed.The Times of 19 October 1986 carried the story of Emilio Tarra, a crewmember of the 1986 America’s Cup race, who was driving from Perth towards Adelaide during the Australian leg of the race. En route, his car sideswiped a kangaroo, leaving it sprawled across the road. Tarra got out of his car and, assuming the kangaroo was dead, decided to take a novelty photograph to show his colleagues. Dressing the kangaroo up in his smart team blazer, he propped it against his car to take its photograph. As he was focusing his camera, the kangaroo, which had only been stunned, woke up and bounded back off into the bush, taking with it the jacket, which contained Tarra’s passport, $2,000 worth of cash and his credit cards.

The Epic Film in World Culture (AFI Film Readers)

by Robert Burgoyne

With the recent release of spectacular blockbuster films from Gladiator to The Lord of the Rings trilogy, the epic has once again become a major form in contemporary cinema. This new volume in the AFI Film Readers series explores the rebirth of the epic film genre in the contemporary period, a period marked by heightened and conflicting appeals to national, ethnic, and religious belonging.The orginal essays in this volume explore the tension between the evolving global context of film production and reception and the particular provenance of the epic as an expression of national mythology and aspirations, challenging our understanding of epics produced in the present as well as our perception of epic films from the past. The contributors will explore new critical approaches to contemporary as well as older epic films, drawing on ideas from cultural studies, historiography, classics, and film studies.

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